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Archive for books

Untimed Goodies

Nov12

My latest Advanced Reader Copy of Untimed. NOTE: the white balance leans overly orange in this photo

This was a busy week for Untimed swag. The proof came for the latest ARC (Advanced Reader Copy) and it looks fantastic. Not only the outside, but the interior has a new properly done layout  that includes all the illustrations and near print ready formatting.

Swag bookmarks

I also received a run of bookmarks. These look pretty cool but I wish there was an easy way to get proofs before printing a big run. The way they price these things on the online printshops (I used overnightprints.com for these) it only makes sense to order 1000-2000+, but there are no (physical) proofs. The text on the back is a little close to the trim for my taste, even though it was well inside the safety zone. They also have a 2-3mm variance in the cutting, which is typical but annoying. They aren’t all centered perfectly an I’m a perfectionist. Still, they look cool. For those of you curious about the process, below are the print ready versions.

Related posts:

  1. Untimed Cover Reveal!
  2. Untimed – The Second Cover
  3. Untimed – Two Novels, Check!
  4. Untimed – Two Novels, Two Drafts!
  5. Untimed – Meet the Tocks
By: agavin
Comments (6)
Posted in: Untimed
Tagged as: Andy Gavin, books, Novel, online printing, Paperback, swag, Time travel, Untimed, Writing

A Fiction Frolic for All Hallow’s Read

Oct03

In honor of the coming invasion of demons, witches, and the like, I and The Darkening Dream are participating in Fiction Frolic for All Hallow’s Read, an event supporting Neil Gaiman’s All Hallow’s Read.

Each of the participants is doing three different themed posts. My first one is about reading in school:

Reading doesn’t separate the men from the boys, it separates the educated from the ignorant. Seriously. There is no other conduit for absorbing information and broadening oneself that is so accessible and so efficient. Every medium has its advantages, but the book has it all in regards to breadth and depth. There are books on more topics, and more specific topics, than any other format. Probably by several orders of magnitude. And nothing holds as much information in as few bits…

Read the full post at the frolic by clicking here.

And — almost as cool — is an awesome Rafflecopter running (click the link or the banner to see) where you can win oodles of juicy swag from yours truly and the other participating authors!

Related posts:

  1. Book and Movie Review: Harry Potter and the Deathly Hallows
  2. Book Review: XVI (read sexteen)
  3. Book Review: Forever
  4. The Newbie’s Guide to Publishing
  5. Great Free Fiction
By: agavin
Comments (0)
Posted in: Books, Contests
Tagged as: Arts, books, Education, Literature, Neil Gaiman, reading

Untimed – Meet the Tocks

Mar13

I finished the line editing on my second novel, Untimed, last December, but that doesn’t mean the work is really over. On one front, it’s out to various agents and editors, but on the other I’m working on spit and polish.

I had it professionally proofread and just finished going over all those little fixes. This is just an extra step to make sure it’s as free of errors as possible and that the comma, hyphen, and spelling niceties are as consistent as possible. And apparently I don’t like commas half as well as I should.

But far more exciting is that I’m having the book illustrated! I know it’s relatively rare to illustrate novels, but I love art and believe — well done — that it really adds to the overall experience. Working with the agent who represented the awesome cover artist for The Darkening Dream, I found a talented illustrator named Dave Phillips (his website is here and some portfolio samples here). He has a real knack for character (see this for example) and knows how to capture lifelike personality in his figures. Over the last few weeks we’ve been developing character designs and now the first (more or less) finished image.

To the right, our hero Charlie (in front), confronts the mysterious Tick-Tock, a rapier-wielding clockwork man who serves as the only link to Charlie’s missing father.

But Tick-Tocks are full of surprises, including the ability to punch holes in time!

Two free Naughty Dark tickets to the first reader who guesses the exact physical location of the scene (reply in comments here). You must not be one of my beta readers or one of their relatives. Hint: “Ghost H…”

Related posts:

  1. Untimed – Two Novels, Check!
  2. Untimed – The Second Cover
  3. Untimed – Two Novels, Two Drafts!
  4. Untimed Fourth Draft Finished
  5. Untimed – Off for Line Editing
By: agavin
Comments (4)
Posted in: Untimed
Tagged as: Andy Gavin, Arts, books, Cover art, Dave Phillips, Fiction, Illustration, Tick-Tock, Tick-Tocks, Time travel, Untimed, Writing and Editing

Story of a Girl

Mar05

Title: Story of a Girl

Author: Sara Zarr

Genre: YA contemporary

Length: 192 pages, 43k words

Read: March 4, 2012

Summary: Great little character study

_

Nominally, this is an issue novel, about a 15 year-old girl dealing with the fallout of having slept with a guy when she was thirteen. But really it’s just a well written and well characterized slice of teen life story — reminiscent even of something like Judy Blume’s Tiger Eyes.

The prose is first rate. Told in first person past, the narrator’s voice is pitch perfect. Funny, poignant, honest, all without being forced. And the characters are all great. The don’t feel like they exist to serve the plot. They exist as people exist. This was just a great little read — a kind of quick escape into someone else’s head. It felt effortless, but I know it wasn’t. The basic three act structure is there. Girl has a problem — and not really the external one she thinks she has — but instead a need for internal change. She messes up, comes to crisis, and grows.

A simple formula. But everything is in the execution.

Or for more book reviews, click here.

Related posts:

  1. Book Review: The Windup Girl
  2. Book Review: Girl Walking Backwards
  3. Short Story: The Merchant and the Alchemist’s Gate
  4. The Inside Story
  5. The Girl with the Dragon Tattoo
By: agavin
Comments (2)
Posted in: Books
Tagged as: Arts, Book Review, books, Fiction, Judy Blume, Literature, Reviews and Criticism, Sara Zarr, Story of a Girl, Tiger Eyes, YA contemporary

Goodreads

Oct30

In my latest move to further build up my social online presence I’ve moved onto goodreads.com. You can find my new profile here. It’s also installed permanently on the righthand sidebar via the  icon.

Those of you who use goodreads, link to my profile and friend me. If you read and haven’t signed up for it, you might want to. Basically it’s Facebook for books. You can easily find rate and review books and then share them with your friends. I posted up about 50 book reviews (mined from this blog) and rated another 70+. Of course I’ve read over 10,000 novels so I’m not about to go back and do them all, but I’ll add them as I see them.

As an author, Goodreads is supposedly a great place to market your books, which is my nefarious ulterior motive in joining yet another social network. Muhaha!

For my book reviews, click here.

For my posts on writing, click here.

Related posts:

  1. Book Review: Lost It
  2. Sophomore Slump – Delirium
  3. The Name of the Wind
  4. The Wise Man’s Fear
  5. Lessons from a Lifetime of Writing
By: agavin
Comments (6)
Posted in: Books, Writing
Tagged as: Author, Book, Book Review, Book Reviews, books, Facebook, goodreads, goodreads.com, Literature, marketing, reading

Middle Madness

Sep08

I think I’m over the hump with the third major draft of my new novel, Untimed (for a quick blurb see here).

Story structure is hard. And while this book is much better structured than early drafts of my previous novel, it had two major problems: the ending and the first part of Act II. Late (very late) in the second draft I cracked the ending. So that just left the middle.

Therefore, I wasn’t surprised when the biggest comment from my awesome freelance editors’ (I use three: Renni Browne, Shannon Roberts, and R.J. Cavender) involved problems in this middle section. It’s not that the scenes wen’t good or exciting, but mostly that I fell prey to a personal need to sneak Napoleon into the story (time travel seems to call out for the most pivotal personality of the modern era) and this resulted in a bad case of “Double Mumbo Jumbo” (or a variant thereof).

So what is the dreaded Double Mumbo Jumbo? Most specifically it’s the phase coined in Blake Snyder‘s Save the Cat book (which I discuss here). DMJ is invoked by throwing two unrelated implausible things into the same story. However, my specific problem is really a cousin, what my editor Renni calls “1+1=1/2”. This is, the idea that doing the same improbable thing twice in the same book isn’t twice as good as doing it once, but actually half as good. Even if the thing is cool. So a kind of DMJ.

And I was doing it in my middle.

Still, this section of my story accomplished a lot of other things too. And I had to figure out how to rework it to keep as much of the good as I could, avoid a DMJ — and not make TOO much work for myself in terms of repercussions later in the book. Thinking about various ways to restructure, particularly given the constraints of my story, my elaborate time travel scheme, and history itself, was quite the brain buster. I thought on it all day for at least a week. So hard one Friday that I literally gave myself a migraine headache! I found myself pondering time travel so aggressively that I became confused as to what year it was — and then my vision began to shimmer (migraine).

I probably outlined 15 different scenarios and talked about countless more. This part of the writing process is very peculiar. I often end up with a half-baked scenario that satisfies some goals, but just doesn’t really work. One quickly reaches a point where no new ideas surface internally and you need to shake it up. I then find it extremely useful to talk with a limited pool of friends who have read the book in it’s latest incarnation. This allows me to efficiently go over the possible elements. Then we talk out the problems. By vetting numerous failed scenarios it’s often possible to collect enough different disconnected ideas that a single coherent new plot can be jig-sawed together. Or at least coherent enough to polish out in the writing.

This last week, I even twice resorted to writing out (as prose) incomplete outlines to see if they worked. The first revealed itself as a miserable failure. The second made it to the finish.

Now it’s off to friends and editors to see how it passes muster.

For more posts on writing, click here.

Related posts:

  1. Untimed – Two Novels, Two Drafts!
  2. Untimed – Two Novels, Check!
  3. Beginnings and Endings
  4. Peace in the Middle East? – Mezze
  5. Margarita Madness – The Mix
By: agavin
Comments (1)
Posted in: Untimed
Tagged as: Andy Gavin, Blake Snyder, books, Creative Writing, Fiction, Headache, Migraine, Napoleon, Napoleon I, Novel in Progress, Novel Writing, novels, Structure, Time travel, Untimed

Untimed – Two Novels, Two Drafts!

Aug02

My second novel, Untimed, is a YA time-travel adventure.

And I just finished the rough version of my second draft. Whew! Happy to be done with that. The book grew to 84,000 words (it’ll probably get trimmed down a bit for draft three). It still needs polish, but the second draft is often the worst, and this one took 5 or so weeks of concentrated work. While I learned from my first novel and put the beginning at the right place, the previous draft still had a number of classic first draft problems.

Namely, character and motivation needed work. Plot can formally be considered the friction between the protagonist’s desire and the obstacles to said desire. The book is/was jam packed with conflict and action, but the desire line was a bit weak. I won’t say it’s perfect now, but it’s a hell of a lot better. As are the characters. For me it’s difficult in the first draft to flesh both of these out because as a pantser I don’t know exactly where I’m going with the story until I get there. Not that I write blind, but I like the story and the characters to take me where they want.

When writing the second draft, you have an end (even if you plan on changing it), so you know all the elements that you intend to put in the book. Therefore it’s easier to go back and foreshadow those and reinforce the important ones. You also know what the character is going to need to feel at different points in the story, so it’s easier to try and set up and reinforce those feelings.

Additionally, as a pantser, I actually get to know my characters in the first draft. The writing of them brings them to life in my head. Then in the second draft, I need to brainstorm extra elements in their past and present that reinforce the traits I know they’re supposed to have, then hint at the them in the book. Again, hard to do the first time around.

Now to see what some reader that aren’t me think — and trial and nail the third draft.

I’d also like to thank my story-consultants Sharon & Bryan for listening to every blow by blow change and my independent editors Renni & Shannon for pointing me in the second draft direction. Here’s to hoping I went far enough :-).

The second draft involved a few weeks of incubation (June), a full read and polish (also June), and then hardcore writing from June 30 until August 2.

And in case you’re wondering what the book is about, I still haven’t written a log line, but its a lean-mean-fast-paced first person present story about a boy whose name no one remembers — not even his mother. And it features Ben Franklin, Napoleon, a male gang leader that wears red high heels, and the Tick-Tocks, creepy clockwork time traveling machines from the future.

For more posts on writing, click here.

Related posts:

  1. Untimed – Two Novels, Check!
  2. Untimed – The Second Cover
  3. Beginnings and Endings
  4. On Writing: Yet Another Draft
  5. The Darkening Dream
By: agavin
Comments (7)
Posted in: Untimed
Tagged as: Andrew Gavin, Andy Gavin, books, Creative Writing, Fiction, Novel, Protagonist, Revising, Science Fiction, Time travel, Untimed, Writing

The Maltese Falcon

Jun02

Title: The Maltese Falcon

Author: Dashiell Hammett

Genre: Detective Noir

Length: 217 pages

Read: May 25-26, 2011

Summary: Pure awesomeness.

ANY CHARACTER HERE

There are so many reasons why this is the archetypal detective novel. It’s pure pleasure from start to finish.

Let’s start with the writing. The prose is lean, but it has a way of sparing with the reader, a delightful economy and turn of phrase. Things are handled in a straightforward sequential manner. Simultaneously spartan and luxurious. There’s actually a surprising amount of description. Nearly every character is detailed on first meet, often with a good full two paragraphs. But they’re worth it (more on that later). Spade‘s actions are spelled out in exquisite and exhaustive detail — there must be at least fifty cigarettes rolled and smoked in this tiny book and countless details of dressing, moving from place to place, etc. Somehow these don’t drag, not at all. Action too, is quick, but handled in a kind of cold clear detail. What there isn’t, is one whit of interior monologue. The closest we get is the occasional, “Sam’s expression contained a hint of smugness” or “her hands twisted in her lap.” And more than anything, the prose is fun to read.

Plotting. The story is byzantine, and involves no one knowing exactly what’s going on, but Sam being a damn good judge of what’s likely to happen. There’s perhaps a bit too much action happening off screen, and a little too many coincidences or startling reverses. And for a book with so many shootings and double crosses, it’s mostly filled with dialogue scenes. But that isn’t a problem because…

The dialogue rules! Oblique, snappy, it crackles back and forth like a gunfight. The rules for writing quality dialogue could have been modled on this novel alone. Characters interrupt, they’re impatient, they lie (and lie again), they argue, they betray. They do a lot of talking. I enjoyed every minute of it.

Characters. Hammett really shines here. The villains are a bit over the top, but I adored them. The sinister (and limp wristed — oh so pre-politically-correct) Cairo, the fatman, the kid. The author uses a combination of amusing descriptive characterization (Gutman’s bulbs of fat — “He waved his palm like a fat pink starfish!” — or Cairo’s effete details — “when slapped he screamed like a woman”) and highly distinctive dialogue. Gutman’s is a real riot. Overblown, threatening and complementary at the same time. Sam himself is an interesting figure. Tough, incredibly competent, but also prideful, belligerent, and self interested.

Atmosphere. This is nailed, nailed cold and hard like a corpse left out in January. It oozes late 20s San Francisco. The dangerous dames, the cartoony gangsters, the police always one step behind. The tension in the way that the backstabbing moxie Brigid uses her feminine wiles eerily foreshadows basic instinct and countless followups.

The book’s been a classic for 80 years, and with good reason.

For more book reviews, click here.

Related posts:

  1. The Postman Always Rings Twice
  2. Before I Fall
By: agavin
Comments (5)
Posted in: Books
Tagged as: Art, Book Review, Book Reviews, books, Cairo, Dashiell Hammett, Detective, Fiction, Maltese Falcon, Novel, Sam Spade, San Francisco

Untimed – Two Novels, Check!

May20

Today I reached a milestone and finished the first draft of my second novel, tentatively titled Untimed. Now this doesn’t really mean it’s done, revision is usually more work than the first draft. Still, it’s a book. It has a beginning, a middle, and an end.

Untimed is the first book in YA time travel series. I haven’t written a log line yet, but it’s currently 70,000 words, and is a lean-mean-fast-paced first person present story about a boy whose name no one remembers — not even his mother.

Oh, and it features Ben Franklin, Napoleon, a male gang leader that wears red high heels, and the Tick-Tocks, creepy clockwork time traveling machines from the future.

I started it Feb 9, 2011 and finished the first draft May 20, 2011. I took about three weeks “off” to work on revisions of The Darkening Dream. So that’s roughly three months. My output was actually slower (as measured in words) than with TDD, because a don’t overwrite now. If anything Untimed is underwritten and certainly needs a lot of character work in revision, which might make it grow slightly.

I learned a lot of things from problems with TDD (mostly fixed in my many many revisions). I learned to find a place to start your story that really hooks BEFORE starting to write. I learned not to write any scenes that involved merely going from place to place. I learned not to flash back. I learned to stick with the plot, not the sub plots. And a whole lot more.

And I tried to outline the entire story before I wrote it, failed miserably, and concluded that I’m really a pantser (a seat of the pants writer).

For info on my first (and completed) novel, click here.

ps. If you’re one of my many dedicated beta readers, and want to offer early high level feed back, send me a note.

Related posts:

  1. Beginnings and Endings
  2. On Writing: Passes and Plots
  3. On Writing: Yet Another Draft
  4. The Darkening Dream
  5. Call For Feedback
By: agavin
Comments (9)
Posted in: Untimed
Tagged as: Andrew Gavin, Andy Gavin, Arts, books, Creative Writing, Fiction, Novel, novels, Online Writing, Physics, Second Novel, Time travel, Untimed, Writing

The Postman Always Rings Twice

May18

Title: The Postman Always Rings Twice

Author: James M. Cain

Genre: Crime Noir

Length: 116 pages

Read: May 15-16, 2011

Summary: Taut.

ANY CHARACTER HERE

For my second novel I’ve been trying to adopt a sort of hardboiled style, even though it isn’t a crime or a noir. So I figured I go back to the beginning and read some of the classics.

This 1934 novella just breezes on by. The first half (act I) is like watching a train wreck unfold. I greedily devoured the setup. Seedy drifter, sexy unhappy wife, and loser older husband. Plus it’s a crime novel. You know things aren’t going to end up good. The style here is lean and mean. It feels fully modern, dated perhaps only by certain phrases and actually it’s utter bare bones quality, devoid of really deliberate voice. My only complaint here was that it’s so sparse on dialogue tags that I often got confused as to who said what and had to back up and count. That’s too few tags.

Not that it detracted much. So then mid book, the crime itself happens (not counting the aborted first attempt) and the gears shift a bit into legal territory. This middle section I found had a bit too much “tell.” It breezed along, but it reminded me of the second half of The Magician. Then we get to the third act. This was back more to the mater-a-fact what happens, but it did feel a little fast, perhaps resorting to a bit too much forced plotting.

Still, I enjoyed the book immensely, and it seems best as I can tell the blueprint for countless crime stories where greed/lust/whatever drives everyone to an inevitable bad end. Some great movie entries in this genre would be Body Heat, A Simple Plan, or the very recent The Square.

Another interesting thing about this story is not only could you set it in any era, but the exact text could pretty much serve from 1920 through to present day. The only difference now would be cell phones and better police investigatory techniques.

By: agavin
Comments (2)
Posted in: Books
Tagged as: Body Heat, Book Review, Book Reviews, books, Crime fiction, Fiction, Hardboiled, James M. Cain, Mildred Pierce, Novel, Postman Always Rings Twice

Game of Thrones – The Houses

Mar16

With the premier of Game of Thrones, the HBO series based on what is perhaps my all time favorite Fantasy series, fast approaching, the network has been releasing all sorts of goodies. Now I’ve posted about this before, but these books, and it looks like the show, are so darkly delicious that I fell I must share.

Power (above) is new trailer.

Fear and Blood (above) is another new trailer for the show in general.

Then we have a whole series of videos on some of the most important Great Houses. Like Dune before it, Game of Thrones is a story about the interplay of politics and loyalty among a number of great factions. This was frequently true during the late middle ages, and to some extent the series is based a bit on the War of the Roses.

The Starks (above) are the moral center of the story.

House Baratheon holds the throne… for now.

The Lannister’s you love to hate — except for Tyrion who rules.

House Targaryen knows all about dragons.

Above is a more detailed video on Jaime Lannister.

and above Robb Stark.

Above is Littlefinger.

and above about the world in general.

For a review of episode 1, click here.

Related posts:

  1. Inside Game of Thrones
  2. Book Review: The Windup Girl
  3. The 80′s revisited: Miami Vice
  4. Book and TV Review: Dexter
  5. Short Story: The Merchant and the Alchemist’s Gate
By: agavin
Comments (9)
Posted in: Books, Television
Tagged as: A Song of Ice and Fire, books, Dune, Fiction, Game of Thrones, George R. R. Martin, HBO, Late Middle Ages, Major houses in A Song of Ice and Fire, reviews, Sean Bean, Television, War of the Roses, Wars of the Roses, World of A Song of Ice and Fire

The Wise Man’s Fear

Mar14

Title: The Wise Man’s Fear

Author: Patrick Rothfuss

Genre: High Fantasy

Length: 380,000 words, 1000 pages

Read: March 4-12, 2011

Summary: A worthy sequel.

_

The Wise Man’s Fear is one of 2011’s two most anticipated Fantasy novels, the other being George R. Martin‘s A Dance with Dragons (due in July). WMF, however, can be all yours right now. It’s the sequel to The Name of the Wind (which I REVIEW HERE). This is High Fantasy of a rather less epic sort. Not that it’s any less fun to read, even weighing in as it does at 1008 hardcover pages. Although, who thinks about pages these days, as I read the Kindle version on my iPad (wouldn’t want to mess up that nice hardcover first edition I had signed by Mr. Rothfuss last week!).

Despite the length, it’s well worth it. This book is seamless with the first in the series, despite the four years gap between their publication. I read The Name of the Wind a second time last week, and WMF picks up and continues with exactly the same style and pace. There is still the box story in the present, but this accounts for no more than 5% of the pages. The action mostly takes place in the past with our hero, Kvothe, continuing on for a bit at University and then venturing out into the wider world. While we sense that some bigger events are in the works, this is still a very personal tale. And it defies all normal story telling expectations in that it just meanders along. My editor’s eye says that whole chunks and side plots could be snipped out without effecting anything. And to a certain extent this is true. But would the novel be better for it? Perhaps it could have lost 50-100 pages in line editing, but I’m not sure I’d take out any of the incidents. As the novel itself says, it’s not the winning of the game, but the playing of it that matters.

That is very much what The Wise Man’s Fear is about. It’s a story about stories. It’s rich and lyrical, a luxurious tapestry of world and story, without the distraction of the intricate mechanism of plot. The little glimpses into different sub-cultures show a deft eye for details and invention. This feels like a real place, not so much explained, but revealed through the narrator’s eyes.

As Rothfuss said in an interview, Kvothe is  older now, and he gets himself into more trouble. There’s more sex and violence this time out, although the main romance is still endlessly unrequited 🙂 Kvothe it seems, is a hero of many talents, and that includes those in the bedroom. Rothfuss doesn’t focus on these details gratuitously, it’s not a book filled with battle (or bedroom scenes).

I’m curious to see how Rothfuss wraps this up in the third book (and I suspect the trilogy might expand). Things still feel early. We find out barely anything new about the main villains. In fact they don’t even show in this volume. Just like the first book the end is completely limp and anti-climatic. Kvothe just wraps his story up for the day and we wait (hopefully for slightly less than four years).

But I’ll be waiting. Probably for so long that I’ll have to read book one and two again. I won’t mind.

Related posts:

  1. The Name of the Wind
  2. Short Story: The Merchant and the Alchemist’s Gate
  3. Book Review: Lost It
  4. Book Review: The Windup Girl
  5. Book Review: XVI (read sexteen)
By: agavin
Comments (3)
Posted in: Books
Tagged as: Arts, Book, Book Review, books, Fantasy, Fiction, George R. Martin, High fantasy, Literature, Name of the Wind, Patrick Rothfuss, Wise Man's Fear

Book and Movie Review: The English Patient

Mar09

The English PatientTitle: The English Patient

Author: Michael Ondaatje

Genre: Literary Historical Drama

Length: 82,000 words, 300 pages, 162 min

Read: Spring, 2010

Summary: Lyrical.

_

I had seen the film when it came out (and several times after) and it’s long been one of my absolute favorites. So to that effect the novel has been sitting on my shelf for over ten years waiting to be read and this spring I finally got around to it. In some ways I’m glad I waited because I wouldn’t have appreciated the prose as much years ago. The voice, told in lightweight third person present, and lacking nearly all mechanical constructs (like dialog quoting or tagging, preamble explanations of scene transitions, etc.) has a breezy lyrical quality to it. It can only be described as delectable. There is a feel of watching a beautiful but flickery film, a series of stuccato images flash through your head as you read it. It’s worth quoting to illustrate:

“She stands up in the garden where she has been working and looks into the distance. She has sensed a shift in the weather. There is another gust of wind, a buckle of noise in the air, and the tall cypresses sway. She turns and moves uphill towards the house, climbing over a low wall, feeling the first drops of rain on her bare arms. She crosses the loggia and quickly enters the house.”

The plot — such as it is — involves a war battered Canadian nurse lingering in Italy at the close of WWII. She has isolated herself in a half destroyed villa and cares for a mysterious burn patient who is dying and too fragile to move. The book focuses on the nurse as its protagonist, concentrating on her relationship with an Indian (via the British army) bomb disposal tech and her efforts to come to terms with the war and loss. The patient slowly unravels his own tale to her. It is his story, set mostly in Egypt before and during the start of the war, which is the primary focus of the movie. In the book it serves more to offset and focus the nurse’s point of view.

I am blown away by the effort of translating this book for the screen. Frankly, although I loved the novel, I like the film better — this is rare. Anthony Minghella managed the near impossible, translating this gorgeous prose into an equally lyrical visual style. It’s less stuccato, more “lush and languid.” Film is a more linear medium, and Minghella focuses the story to create grander more visual arcs. To do this, he expanded the patient’s epic story of love and loss in pre-war Egypt. I’m a sucker for Egypt, the exotic, the British Empire in decay, and worlds that no longer exist. This story feels bigger than the nurse’s, being as it is more tied in with history and international events. But in both you have a powerful sense of people fighting for their passions, both interpersonal and intellectual, despite the baggage of past choices and the buffeting blows delivered by the unstoppable forces of history.

Both variants of this story are inherently complex, ambiguous, and emotional works. Look for no answers here, just gorgeously rendered questions.

Related posts:

  1. Book and Movie Review: Harry Potter and the Deathly Hallows
  2. Book and Movie Review: Let Me In
  3. Book and Movie Review: The Road
  4. Book and Movie Review: Twilight
  5. Movie Review: Adventureland
By: agavin
Comments (3)
Posted in: Books, Movies
Tagged as: Anthony Minghella, books, British Empire, Egypt, English Patient, Fiction, History, Italy, Literary, Literature, Michael Ondaatje, reviews, The English Patient, World War II, WWII

The Name of the Wind

Mar04

Title: The Name of the Wind

Author: Patrick Rothfuss

Genre: High Fantasy

Length: 255,000 words, 720 pages

Read: May 2008 & Feb 28-Mar 2, 2011

Summary: Best new fantasy of recent years.

_

In 2008, I read this 722 page novel in Xian China during a single sleepless night, and I reread it just now for the second time in preparation for the sequel (released this week): The Wise Man’s Fear. NOTW is a beautiful book. Of all the Fantasy I’ve read in the last 15 or so years, this is perhaps second best after The Song of Ice and Fire. But that’s not to say that they have much in common, other than both being good Fantasy. George R. Martin‘s books are full of characters, POVs, violence, politics, and a darkly realistic sensibility. NOTW is much more focused and relies on more traditional Fantasy tropes. How focused can a 700 page novel be? Not very, but it is good, and it concentrates on a small number of characters and a single (albiet meandering) storyline.

Kvothe is the protagonist. He’s a young man of many many talents, of no means whatsoever, who winds his way from the actor’s troupe to the mean streets to the magical University and to (implied) great and terrible things.

If I have any beef with the book, it’s that the meta premise of the tired hero telling his story is too drawn out. This volume opens in the “present day,” where very little happens except to set us up for the life story of the hero, which is brilliant. Much like Lord of the Rings or Hyperion, the reader must slog for a bit to get to the gold. In this case about 50 pages in. But the slogging isn’t exactly painful because Rothfuss’s prose is lyrical and masterful. Seriously, it’s a wonder given the tangents, bloated conversations (the dialog is great but not efficient), and the like that this book is so easy to read — but it is. Damn easy, even the second time.

The world and the hero juggle uniqueness and heavy — but delicious — borrowing from classic Fantasy of the best sort. I sniffed out a bit of Ursula K. Le Guin (think Wizard of Earthsea), Raymond Feist, Robert Jordan (Wheel of Time), and who knows how many others. The world is extremely well developed, and feels big, but it doesn’t doesn’t have the camp and cheese of Wheel of Time (although it does pay homage). I love origin stories and I very much enjoyed Kvothe’s journey. He’s a great character: humble, proud, skilled, lucky, unlucky all at once, but in a fairly believable way. Perhaps the most important relationship in the book (and there are actually relatively few) is the romance, and it has a tragic quality that feels very refreshing, and slightly reminiscent of the best of Orson Scott Card (think his old stuff like Song Master) or Dan Simmons.

The magic is very unique and interesting, and we focus on it quite a bit, as this is a story that spends a lot of time in the Arcane Academy. This ain’t no Hogwarts either, it feels altogether more mysterious and dangerous. There are several different magic systems interwoven in what is a world overall fairly light on magic. But this is also a world that feels a bit more technological than most Fantasy, with larger cities, a little more like antiquity than the Middle Ages. The “magical bad guys” have a nice character and bit of mystery to them. I don’t like all my mystery explained. There is a lot of music and theatre in here too, and that just helps heighten the lyricism.

But what exactly makes this book so good?

Proving my geek-cred, swapping some Crash Bandicoots for signatures with Patrick Rothfuss

Fundamentally I think Rothfus is just a great writer, and a very good world builder. I don’t think he’s a great plotter. The story drifts along, relies a bit on coincidence and circumstance, and the end fizzles then pops back out of the interior story and waits for the sequel. But that doesn’t really matter, because the prose, world, and characters keep you enjoying every page.

CLICK HERE for my review of the sequel, The Wise Man’s Fear.

Related posts:

  1. Book Review: The Way of Kings
  2. Book Review: The Gathering Storm
  3. Book Review: Uglies
  4. Book Review: The Spirit Thief
  5. Book Review: The Lightning Thief
By: agavin
Comments (6)
Posted in: Books
Tagged as: Arts, Book, Book Review, books, Dan Simmons, Fantasy, Fiction, George R. Martin, High fantasy, Kingkiller Chronicle, Literature, Lord of the Rings, Name of the Wind, Orson Scott Card, Patrick Rothfuss, reviews, Robert Jordan, Ursula K. Le Guin, Wheel of Time, Wise Man's Fear, Wizard of Earthsea

Beginnings and Endings

Mar03

The first thing I did after getting my line editing back over the weekend was work on the ending of my novel. Beginnings and endings are so important, and as is probably typical, I’ve changed them a lot.

The ending is important because it’s what has to wrap everything up, and what leaves the aftertaste in the mouth of the reader. But it isn’t going to do you any good unless they get there.

Which brings us to the beginning. So important in so many ways. First of all, agents and editors glance at the beginning,and if it isn’t awesome, they’ll just put it down right there. Second, so do many readers. They browse the first couple pages in the bookstore (or on Amazon), or even if they buy it, if it doesn’t grab them right away they might just move onto to another book. I know I do.

During revision, The Darkening Dream has already had three different beginnings. But I’ve never been totally satisfied with them. I took a new high level crack at rearranging the flow of my story’s first crucial day, and ended up whipping out two new takes on the first ~7,000 words. That puts three beginnings on the table if you include the current draft. Each have their plus and minuses.

Do I start with the violent supernatural event that kicks everything off?  Do I start with character development on the protagonist? How do I introduce my large cast of characters?

Now that I have a couple takes I’m trying to decide which one to pursue. IF YOU’RE ONE OF MY BETA READERS, HAVE READ THE BOOK ALREADY, and are interested and throwing your opinion into the ring, drop me a note and I’ll send you some options 🙂

The good news about my new novel, is that before I even started writing I found a totally awesome place to start the story. I LOVE the start of that book, and so does everyone I’ve showed it to so far. Lessons learned.

Related posts:

  1. The Darkening Dream
  2. On Writing: Yet Another Draft
  3. On Writing: Passes and Plots
  4. The edits are all in!
  5. Book Review: XVI (read sexteen)
By: agavin
Comments (4)
Posted in: Darkening Dream
Tagged as: Andrew Gavin, Andy Gavin, Arts, Beginnings, Book, books, Creative Writing, Endings, Fiction, Novel, Novel Writing, The Darkening Dream, Writing, Writing and Editing

Book Review: The Road to Tyburn

Feb28

Title: The Road to Tyburn

Author: Christopher Hibbert

Genre: Biography / History

Read: Feb 18, 2011

Summary: Really fun glimpse into a sordid little world.

_

In the last 2-3 weeks I’ve read at least 8-10 books on 18th century London, many on the criminal element of said city. Lest one think I’ve got an unnatural fascination with antique crime this is research for my new novel (more on that here). This book, however, was a standout, and despite being long out of print is well worth mentioning.

It’s short (160 pages), and very lively, reading as fast as a novel. It does a very good job characterizing the bizarre underworld of 1720s London, pretty much that which is depicted in the engravings of William Hogarth. London of this time was a city unique on earth, transitioning out of the 17th century’s religious zealousy and into the head long rush toward industrialization. It was a place of great freedom, great crime, great industry, and an infrastructure and society nearly overwhelmed by change. Pretty damn fun, and why I chose it for my novel.

Jack Sheppard — not to be confused with the protagonist of Lost — is a colorful character I hadn’t previously encountered. More or less just a charismatic young house burglar, he entered the public eye in a huge way — foreshadowing today’s media fascination with crime and criminals — by being a prison breaker of staggering talent. Nothing could keep the guy down, tied, barred, locked, or whatever. He broke out of the notorious Newgate prison no less than three times! (and several others as well).

As a working class, non-violent, handsome, achem… thief, seemingly able to escape punishment at will, he captured the hearts and minds of his fellow Londoners. For me, one of the book’s great moments is the description of his insanely daring and audacious fourth escape, known even then as the “Great Escape.” The guy used only a single bent and rusty nail to extract himself from a huge pile of irons, fetters, and chains, broke open a masonry chimney, climbed up, picked and opened five heavily fortified prison doors, leapt across rooftops, and descended great distances on a rope made of bedding. If anyone ever earned an escape, it was this guy!

Too bad they hung him when they caught him the last time. But he seemed to enjoy the attention and show.

The book does a great job telling Jack’s life story intermixed with really vivid and quick background sketches. The story of the the infamous Jonathan Wild, self proclaimed “Thief-taker General of Great Britain and Ireland” is also an eye-opener as to the origins and history of organized crime. As the book states, no other criminal mastermind in 300 years has ever had London crime (a pretty notorious city) so well organized!

Related posts:

  1. Book Review: The First American
  2. Book and Movie Review: The Road
  3. Book Review: Still Missing
  4. Book Review: Lost It
  5. Book Review: Across the Universe
By: agavin
Comments (4)
Posted in: Books, History
Tagged as: Book, Book Review, books, Christopher Hibbert, Crime, England, History, Jack Sheppard, Jonathan Wild, London, Newgate Prison, non fiction, Prison Break, reviews, Tyburn, William Hogarth

Scrivener – Writing the old way is crazy

Feb25

For my first novel, The Darkening Dream, I started in word and then switched to Scrivener about 60% of the way through the first draft. I’ve never looked back.

Scrivener is a specialty word processor designed for those who write large documents or books. It totally and utterly rules in nearly every way, and anyone writing a long structured document (any book) is pretty crazy to be using a flat editor like Word. And it only costs $45.

Here are just a few reasons why it’s so great:

1. Scrivener is about 50x faster. It starts instantly, it remembers where you are instantly. It scrolls instantly. It searches instantly. Word counts are instant and live. It never spins the beach ball. It saves continually. It crashes about 1/10 as often as Word. I write 8-16 hours a day too, all the time. I’ve written a book that was at one point 186,000 words in it, so it’s no toy.

2. Most importantly, Scrivener is structured. You break your project down as you like (I use folders for chapters and documents under those folders) as scenes. This allows you to SEE the structure of your book in a tree like binder on the side, and to instantly hop around between different sections, or put multiple sections up against each other. Reorganizing the structure (dragging scenes between chapters, reordering chapters, splitting scenes and chapters) takes seconds instead of many error prone minutes.

3. Scrivener has meta data on the “object” (document) level. You can assign fields like the POV, notes, arbitrary custom fields etc etc to scenes and chapters. You can view these in outline form with various filters and even “live” calculated metadata like scene or chapter word counts. You can even color tag fields. This allows you to again SEE your book at the high level, to know that a 3,000 word chapter by Character A follows a 1,500 word chapter by Character B, and evaluate how that will feel to the reader. If you want to reorder, you just drag. There are all sorts of additional meta data too, like synopses which you can add to scenes, and are easily viewed.

4. Scrivener allows multiple custom views. You can test out multiple ways of ordering scenes, chapters etc, without actually changing the document. Or you can create lists of particular scenes that you want to edit as a whole.

5. You can select structured parts and instantly bind them all together into a single “virtual” document you can read and edit all together. For example section 2 non consecutive chapters, or just a couple random scenes, and virtually edit them as a single continuous document.  Once you get used to this, it’s incredibly fast and convenient. You just click what you want to see.

6. You can have documents and data that are part of the project (planning, research, character sheets, changelogs etc) that are easily accessible in your tree, but are not generally printed/exported out when you send to others. It has some very extensive features in this regard, but I won’t get into them.

7. Scrivener has a huge host of other organizational tools like the cork board that I won’t get into. It’s spotlight-like find is 10,000x more useful than Word’s, and because of the chapter/scene metadata will show you where you have words or phrases in your book. It has a full screen / no distraction mode.

8. Incredibly importantly, it separates format from content and structure, like the division between HTML structure and CSS formatting. Documents (scenes) DO NOT generally have formatting (except bold, italics etc). Separate compile templates can be used to output the whole book or parts to different targets. Want to get the whole book as a PDF to put up on Lulu. CLICK compile.  Want just 2 chapters in double spaces MS format for your editor. CLICK compile. Super fast, no loading up the giant word doc and carefully cutting blocks out and reformatting them.  I whip off versions of my books 5-10 times a day.

9. It’s much easier to have good backup habits in Scrivener, and you can automate backing up the entire project. If you are technical, you can even use SVN or another fancy version control system.

10. The interface is much simpler, with the things writers need and not the incredible clutter of Word.

11. Scrivener can directly output EPUB and MOBI files (although there are some limits on how sophisticated your formatting can be).

12. Lots and lots of reasons I left out.

 

There are a few things that Scrivener is worse at:

1. Elaborate formatting, tables, graphs, equations, full styles etc.  Although you can use it with Multimarkdown and Latex if you are hardcore.

2. Track changes. This is fairly minimal, but i just output to word and do that there.

3. It’s footnote, page layout, table of contents type features are more minimal. It isn’t really intended for final press layout.

 

This all being said, you still need Word for occasionally interfacing with others, or possibly for final layout. I basically use Word for track changes and compare documents. It’s trivial to compile out scrivener revisions and use “compare documents” in word to build like deltas.

Currently Scrivener 2.4.x is out for the Mac and fantastic. You PC dweebs (I weep for your lost souls) can use a 1.x version which is still good, but is in beta. The betas are very stable. I spent 6 months writing full time in various betas last Summer/Fall with almost no problems.

I can be found at:  or blog

Or for a peek at my novels : The Darkening Dream and Untimed

Related posts:

  1. Why the iPad is a Document game changer
  2. On Writing: Revising, and Waiting
  3. On Writing: Yet Another Draft
  4. On Writing: Passes and Plots
  5. On Writing: Line Editing
By: agavin
Comments (11)
Posted in: Fiction, Technology, Writing
Tagged as: Book, Book Formatting, books, Creative Writing, HTML, IPad, Latex, Macintosh, Metadata, Microsoft Word, Page layout, Personal computer, Scrivener, Structured document, Technology, Word count, Word processor, Writing

Juggling Brains

Feb19

As the process of the revising my — hopefully — almost finished novel, The Darkening Dream, draws out the amount of work I have to personally do on it declines toward the limit of… well very little. More and more I’m just waiting on something to come back from someone else. When it does, I have a little flurry of activity and then it’s back to waiting. This is par for the course in the glacially paced publishing business, and I haven’t even seriously gotten into the game of waiting on agents and editors yet, which makes glacial look fast. Hell, publishers routinely (read almost always) sit on books for 12-18 months between signing and release. Of course, this is mostly because that’s how it was done prior to the computer and internet age, and must change very soon or they will find themselves in Chapter 11. One only has to look at something like this to realize that.

But in any case, the authorial solution to this process is to write another book in the meantime.

I’d had a really fantastic idea a couple months ago, as usual a hybrid between some new ideas and one of the forty-two thousand stories that have been bouncing around in my head for years. Often a great book comes out of the evil-mutant-mating of two or more half-formed book ideas. In this case the oldest of these is a time travel concept I conceived in the fall of 1994. Anyway, I’ve been doing some outlining work on it since the new year and finally began writing. Three chapters (5700 words) popped out in no time, as I’m very good at the process of converting a scene idea (as long as I know in my head roughly what’s supposed to happen) into the actual prose. I’d half-forgotten how fun first-drafting is. More fun for sure than line editing, and WAY more fun than outlining, and WAY WAY more fun than writing queries or synopses.

The tricky part when flipping back and forth between books is not getting the voice all confused. The Darkening Dream is in third-person past, and has six distinct character voices, while the new one is first-person present with very clipped immediate sentences. Good synaptic exercise for sure.

By: agavin
Comments (7)
Posted in: Darkening Dream, Untimed
Tagged as: Andy Gavin, books, Outlining, Revising, The Darkening Dream, Writing

The Darkening Dream

Feb07

Since I’m always cryptically referring to my novel in progress, I figured I’d post a few words about it.

The Darkening Dream is a historial dark fantasy. It’s currently 95,000 words and I’ve just finishing up the line editing and polish. [ Updated 3/16/11 ] I’m looking for a literary agent to help me start slogging through the process of publishing.

ANY CHARACTER HERE

As to the thing that matters — the story [ Updated 3/25/11 ]:

An ominous vision and the discovery of a gruesome corpse lead Sarah and her friends into a terrifying encounter with a fledgling vampire. Eager to prove themselves, the young heroes set out to track the evil to its source, never guessing that they will take on a conspiracy involving not only a 900-year vampire, but also a demon-loving Puritan warlock, disgruntled Egyptian gods, and an immortal sorcerer, all on a quest to recover the holy trumpet of the Archangel Gabriel. Relying on the wisdom of a Greek vampire hunter, Sarah’s rabbi father, and her own disturbing visions, Sarah must fight a millennia-old battle between unspeakable forces, where the ultimate prize might be Sarah herself.

To read about my second novel (in progress), click here.

Or here for the index of all my Creative Writing posts.

Related posts:

  1. On Writing: Yet Another Draft
  2. On Writing: Passes and Plots
By: agavin
Comments (47)
Posted in: Books, Darkening Dream
Tagged as: Andy Gavin, Art, Author, Book, books, Creative Writing, Egyptian pantheon, Fiction, New England, Novel, Publishing, revision, supernatural thriller, Synopsis, The Darkening Dream, Thriller (genre), Writing

Book Review: XVI (read sexteen)

Jan26

Title: XVI

Author: Julia Karr

Genre: YA Dystopian Fiction

Read: Jan 16-19, 2011

Summary: Good premise, tried hard, fell flat.

_

I really wanted to like this book more than I did. The premise is fine, set in a dystopian 2150 where teens are branded at 16 as”legal for sex.” Nina is almost 16, and is dealing with not only the stress of this oncoming rite of passage, but boys, the death of her mother, and a bigger conspiracy.

But where to begin with the problems. The protagonist is okay, and there isn’t anything wrong with the prose, but fundamentally this book stands out as an example of premise over plot. Plot, we are told is how the characters in a story deal with or overcome the premise. A good one sells the premise in an engrossing and personal manner. The plot just felt weak, and the characters reactions to it rushed and forced. People keep popping up out of nowhere. Dramatic events — like the narrator’s mom dying — blink by. They live in Chicago, yet everyone seems to know everyone. The villain tattles his villainy while playing hide and seek with the heroine — so very Scooby Doo.

And the Science Fiction is pretty darn mediocre. This is 150 years from now and music and films are stored on “chips!” There won’t even be physical media in 15-20 years. There is no mention of a net or internet — nary a computer. They still have magazines! Video playing machines that play films on chips (like a DVD player). People have phone numbers (also on the way out already). There are no substantial tech improvements. Some “transports” that maybe fly. Mention of moon and mars settlement, but no matching tech on earth. No new biotech, no new computer tech.

150 years ago is 1860 and the civil war!

I didn’t hate the book, in fact wanted to like it, but it just fell flat.

Related posts:

  1. Book Review: The Windup Girl
  2. Book Review: The Adoration of Jenna Fox
  3. Book Review: Uglies
  4. Book Review: Lost It
  5. Book Review: Across the Universe
By: agavin
Comments (0)
Posted in: Books
Tagged as: Arts, Book, Book Review, books, Chicago, Fiction, Literature, Novel, reviews, Science Fiction, Utopian and dystopian fiction, xvi
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