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Game of Thrones – Episode 7

May22

Title: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 7 – May 22, 2011

Status: First Season now airing on HBO

Summary: The pivot of action and consequence

ANY CHARACTER HERE

Episode 7, “You Win or You Die.” In a lot of ways, this episode is the biggest pivot of events in the maelstrom of plot shifts. While Game of Thrones took it’s time setting up the characters in the first four episodes, 5-7 are a whirlwind of motion. Consequences are the theme.

Because this episode is only on hbogo (for a week) and their are less summaries on the web, I’ll cover the scenes in more detail than usual. So spoiler alert (for this episode).

We open with Jamie and his father Tywin in a military camp, Lord Lannister. The excellent casting continues. They have a lengthy discussion while Lord T butchers a stag. This show uses the repeated device of putting explanatory dialogue on top of certain background but intense actions, like sex in a brothel, or Renly’s shaving. Here the butcher’s work is displayed in considerable detail, adding a nasty factor to the whole scene. We also observe just a bit of what Jaime has to deal with in his home life, and why doing the right thing hardly comes naturally to a Lannister. Oh, and the irony of Lord Tywin skinning a stag… sigil of house Baratheon, is not lost.

Next, one of the most important scenes in the book (and the series). Ned confronts Cersei in the garden, letting her know that he knows about the illegitimacy of her children. He gives her a chance to flee. Of course, he underestimates her, one should never corner a lion. All along, Ned’s honor, his need to do the RIGHT thing by a strict definition of the rules, rather than a flexible political definition, proves to be his achilles heel. This act of honorable mercy, in tipping his hand, more than anything else sets the entire war (which Robert predicted was coming) in motion.

Then we cut to Littlefinger in his whorehouse, training a newly arrived Ros and some other vixen. This earns the episode its nudity in spades. It’s also the same basic mechanic as used with the stag. Still this dialogue, where he slightly unnaturally confesses some of his youthful lessons in life to the whores, reveals a bit more of his complex character. This scene is new to the show, as the information contained here is revealed in Cat’s memory in the book.

We have more Theon exposition back at Winterfell as he attempts to tease Osha and is instead mocked. They are going to very considerable lengths to detail Theon’s background in this season, whereas in the books he barely has a role until Book 2. Osha seems too pretty to me, not hard enough looking.

Then we have Sam and Jon on the wall, where they see an riderless horse returning. They go down to find it’s uncle Benjen’s. Uh oh.

Back to King’s Landing where Renly rushes in to tell Ned that Robert’s been hurt hunting. We then see the injured king and Joff (hiss), and Ned and crew enter. The king shows off his nasty wound, and drives everyone but Ned out. He then writes a letter up making Ned Lord Protector and Reagent, and regrets his decision to have Dany killed (another decision that will have consequences!). When Ned steps out, Lord Varys (his performance is delicious) throws the blame Lancel’s way. Barristen the Bold is here too, and his character has been built up decently — although he’s the only member of the Kingsguard that is, other than Jaime.

Then across the sea, Dany and Drogo are chatting in Dothraki. Boy has their relationship changed. She’s playful and comfortable with him. But he does indicate that he thinks thrones are for sissies. And this from a man wearing way too much eye liner?!? Then Dany goes shopping at the crazy pseudo-middle-eastern bazaar. Some talk with Jormont, and he goes off to pickup his spy message from Varys’ agent — proving what we already knew, that he’s a double agent. Dany meets up with a wine seller from Westeros, and he offers to give her a special gift. But Jormont really is a double agent because he’s suspicious, and saves Dany from being poisoned. This scene has a slightly cheesy feel, as this is a whacky way to assassinate someone, as it depended on the coincidence of Dany stopping by for a drink.

Back to castle Black, where Jon and crew get a speech from the Lord Commander — again, where’s his bird? I loved the bird, and it wouldn’t have added any screen time to keep him. Save with the wolves. This bugs me considerably as in the books each of the boys at least has a completely integral relationship with their wolf, and the beasts are barely shown. In any case, Jon get appointed a steward rather than a ranger. He’s pissed. But Sam sees it for what it is, as he is to assist the Lord Commander directly. Sam is very well cast, and he’s likable, funny, and believably lousy as a solider.

Then back to King’s Landing where Renly is the first to attempt to convince Ned that practicality is more important than honor. If Joff is out of the succession, then that makes Stannis, the older brother of Renly and Robert, but not shown, the king. No one likes him. He has, as Loras said in Episode 5, “the personality of a lobster.” But Ned and his honor are on a unstoppable train. Renly presents detour #1, favor him as king.

But Ned sends a message to Stannis. Then enter Littlefinger to present door #2, make peace with the Lannisters and rule the kingdom as Joff’s Reagent — and Littlefinger’s assistance. Really, this is a pretty attractive looking door, and Littlefinger sells it so well. But alas.

Jon and Sam swear before the old gods. But first we see Ghost for about two seconds, and he’s cute, but where’s he been? The tree itself, with its bleeding eyed face is cool. The words of the oath suitable bleak. Loved it. The man hugs at the end were a bit cheesy though.

Dany and Jormont talk about the failed assassin’s unpleasant fate and Drogo enters. He is another consequence, as Drogo swears before his gods and the stars to cross the narrow sea and give his bride her father’s throne back. Nicely done, and the Dothraki oath swearing was awesome. Lesson: if you attempt to kill your rival queen, don’t fail.

Then Ned is told of Robert’s death, and he plans with Littlefinger to get the guards anyway so that when he confronts the queen, he has some muscle. They then proceed into the throne room for a nice confrontation, which plays out very nicely. More consequences come back to haunt everyone as the straightforward and honorable Ned is out maneuvered again — caught in the snare of his own honor. Leaving us on a pretty serious cliffhanger. Joff is such a twat, I can’t wait for his wedding.

Absent this week: Tyrion, Cat, Bran, Arya, Sansa. The Lord Commander’s bird and all the direwolves except for two seconds of Ghost.

Overall the episode is great, packed with action and consequences again. We again have four out of the five threads (and really mostly the three: Dany, King’s Landing, and Jon). The note taking distracted me a little, I need to sit down and watch it again without all that.

Reviews of previous episodes: [ Episode 1, Episode 2, Episode 3, Episode 4, Episode 5, Episode 6 ]

and of Episode 8, 9 or 10.

Or my review of A Dance With Dragons.

Or find out about my own fantasy novel, The Darkening Dream.

By: agavin
Comments (18)

Posted in: Television

Tagged as: Arts, Characters in A Song of Ice and Fire, episode, Episode 7, Episode Review, Fiction, Game of Thrones, HBO, Historical fantasy, Major houses in A Song of Ice and Fire, Television, Television program, Television Review, World of A Song of Ice and Fire

Game of Thrones – Episode 6

May22

Title: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 6 – May 22, 2011

Status: First Season now airing on HBO

Summary: Unrelenting!

ANY CHARACTER HERE

Episode 6, “A Golden Crown.” The blast off that began last week with Episode 5 continues on full burn with Episode 6. The whole episode is pretty much wall to wall tension.

Unlike the first 4 episodes, exposition has been striped down to almost nothing. And after a week in absence, Dany and the Dothraki return with a vengeance. On her arc we see her eating an entire horse heart raw in a ritual to sort of anoint her son the prince in-vitro. Like the dragon, she sheds the skin of the vulnerable little girl. Even her crazy brother is aware of this, and it cripples his own hopes leading to the climatic and namesake scene.

In parallel, we have the resolution of Tyrion and the Eerie storyline. The Imp also comes into his own power, using his tongue to outfox both the imbecile turnkey Mord and the lady of the Vale herself. There’s both excellent dialogue and fun action in these scenes. My favorite line being, “You don’t fight with honor!” and the answer “No, he did,” pointing at the dead loser.

Jon takes a by for the second week in a row, but in Winterfell, we have a bit of development with Robb, Theon, and Bran, who is now outfitted with his special saddle that allows him to ride even without his legs. This leads to a pretty decent scene introducing Osha, although her hair and makeup looks more like Titiana in some production of a Midsummer Night’s Dream. There is also yet another mysterious opportunity to show off Ros the hooker’s money (in the victorian sense).

The Dany, Tyrion and King’s Landing segments have roughly equal weight. Back in the capital, Robert has gone hunting (excuse for a little more fun between him and brother Renly) and Ned, reinstated as hand, is left to run the country. He starts by making another move against the Lannisters, opposing the actions of the mad giant the Mountain. For the novice viewer, this scene may seen a tad mysterious as well, as it serves to set up major actions and players in book 2 and 3. Arya continues some excellent work with Syrio. Then we have my least favorite scene in the episode, the only one I didn’t like, where Sansa is a bitch to her governess, and then that shit of a prince shows up to pretend to be nice to her. I’m not even sure this is in character after he’s been such a little prick to date.

The whole hour oozes tension and there are lots and lots of great moments. Four of the five story-lines are weaving here, and it feels fairly seamless except for one or two cuts.

Robert stands out as always, “killing things clears my head.” Tyrion and Bronn both, establishing this relationship that will continue for a while. Tyrion’s “confession” is a delight, particularly the part about the turtle stew! Dany with the heart is great, and the chanted Dothraki. I’ve always been a sucker for oracles, and “the stallion that mounts the world” and “a prince rides within me” bits gave me goosebumps. We do finally get a bit of sense of Dothraki culture her, just a bit. And the final scene with Viserys is touching and very well played.

The next episode, 7 is available a week early on hbogo! So my review here.

Reviews of previous episodes: [ Episode 1, Episode 2, Episode 3, Episode 4, Episode 5 ]

And here for my review of Episode 7.

Or find out about my own fantasy novel, The Darkening Dream.

By: agavin
Comments (9)

Posted in: Television

Tagged as: A Midsummer Night's Dream, Arts, Characters in A Song of Ice and Fire, Eerie, episode, Episode 6, Episode Review, Fiction, Game of Thrones, HBO, Historical fantasy, Major houses in A Song of Ice and Fire, Programs, Televis, Television, Television Review, World of A Song of Ice and Fire

Before I Fall

May21

Title: Before I Fall

Author: Lauren Oliver

Genre: Magical Realism YA

Length: 117,000 words, 470 pages

Read: May 16-17, 2011

Summary: Very very good.

ANY CHARACTER HERE

This is one of the best YA books I’ve read in a long while. Part Groundhog Day, part The Source Code, part Judy Blume, part The Lovely Bones — all itself.

We start with a high school girl, Sam, who dies in a car accident, and is doomed(?) to repeat the last day of her life again and again. Seven times to be exact. Sound like a recipe for repetition? It’s not.

First of all the writing is lovely. Really lovely. I’ve read perhaps 50+ first person girl narratives in the last year alone and this one had the best voice. It’s fairly well tied with Mary E. Pearson in that regard for recent entries (Judy Blume still wins for lifetime achievement). It’s funny clever without the annoying Snark. The voice is so good that it just drags you through the entire book, and it’s a pretty long book for YA. Lauren Oliver really is a lovely writer. The dialogue is good, the narrative description and interior monologue are amazing, and even the flowery interstitial description that glues together connected days is short but evocative. The Lovely Bones also had great voice, and a tremendous first half, before it fell apart into an abysmal mess of moral apathy. Before I fall is better.

There are some things worth noting. The characterization and the high school realism is top notch. I was reminded a bit of a modern Freaks and Geeks in that there was that kind of insightful tragio-comic realism. These girls felt pretty darn real. Even the minor characters had some depth. It’s this more than anything else that echoed the master of all YA: Judy Blume. Blume uses dialogue more liberally, as it’s her main method of characterization. Oliver prefers interior monologue and narrative description. The net result is similar. There’s a lot of detail here too, but the voice manages to make it interesting. Sam and her friends are popular girls, and more than a little bitchy, but they don’t extend into characterture. They are a little bad, but not too bad — realistically so. This is no melodramatic Gossip Girl. There is plenty of drinking, rudeness, etc. The sexuality is muted. Handled well enough, but perhaps a bit tamer than it could have been.

Now as to structure. Oliver does a really first notch job repeating the same day seven times without ever being dull. Sam makes different choices, and on some days this plays out very differently. One time she doesn’t even go to school. Still, even when the same scenes are repeated, and they are, different angles are shown, revealing and painting from different directions. This is hard to do, and must have taken considerable planning and rewriting. I’m actually facing a bit of this myself in my second novel, which is a time travel book and involves overlap and revisiting.

I’m going to stop for a second to pontificate on writing this kind of fiction. One of the things that makes this work in Before I Fall is the loose structure of the high school day. Sam’s day includes: getting up, driving with her friends to school, various classes, lunch, ditching, hanging out after school, and the party. These events flow from one to the next because of the inherent structure. If she skips lunch, or English class, she can pick back up on the schedule, because it’s immutable and set at a level greater than herself. This it has in common with Back to the Future I and II. There the structure of the dance forms a background on which Marty can play. In my own story, I have been trying to revisit a complex action scene multiple times. The whole scene — even the first time — folds out from the actions of the protagonist without any background structure, which makes altering that flow… complex.

In any case, in Before I Fall there is a also a very strongly structured arc, like, Groundhog Day, the protagonist has to learn a series of lessons from the failures of the first and subsequent trials. Much like a video game level, she gets to play it over and over again until she gets it right. This is very satisfying to read. Too bad real life doesn’t work like that.

The seven day structure also helps avoid the dreaded “reveal” problem. There is no giant structural reveal, the premise is setup in the first couple pages, and so the book does not suffer from the first half being better than the second. It races right on to the end. But there is an end, and I’m not entirely sure how I feel about it. Given the options, Oliver chose a pretty good one, and it does leave one with a deep sense of catharsis. So it was probably the right choice. Still the looming shadow over the entire affair left me with a deep sense of sadness not unlike that caused by reading The Time Traveler’s Wife (the excellent book, not the mediocre film).

For a review of Oliver’s second novel, Delirium, click here.

By: agavin
Comments (7)

Posted in: Books

Tagged as: Are You There God? It's Me Margaret, Arts, Before I Fall, Book Review, Book Reviews, Fiction, Gossip Girl, Groundhog Day, Holidays, Judy Blume, Lauren Oliver, Novel, Young-adult fiction

Untimed – Two Novels, Check!

May20

Today I reached a milestone and finished the first draft of my second novel, tentatively titled Untimed. Now this doesn’t really mean it’s done, revision is usually more work than the first draft. Still, it’s a book. It has a beginning, a middle, and an end.

Untimed is the first book in YA time travel series. I haven’t written a log line yet, but it’s currently 70,000 words, and is a lean-mean-fast-paced first person present story about a boy whose name no one remembers — not even his mother.

Oh, and it features Ben Franklin, Napoleon, a male gang leader that wears red high heels, and the Tick-Tocks, creepy clockwork time traveling machines from the future.

I started it Feb 9, 2011 and finished the first draft May 20, 2011. I took about three weeks “off” to work on revisions of The Darkening Dream. So that’s roughly three months. My output was actually slower (as measured in words) than with TDD, because a don’t overwrite now. If anything Untimed is underwritten and certainly needs a lot of character work in revision, which might make it grow slightly.

I learned a lot of things from problems with TDD (mostly fixed in my many many revisions). I learned to find a place to start your story that really hooks BEFORE starting to write. I learned not to write any scenes that involved merely going from place to place. I learned not to flash back. I learned to stick with the plot, not the sub plots. And a whole lot more.

And I tried to outline the entire story before I wrote it, failed miserably, and concluded that I’m really a pantser (a seat of the pants writer).

For info on my first (and completed) novel, click here.

ps. If you’re one of my many dedicated beta readers, and want to offer early high level feed back, send me a note.

By: agavin
Comments (9)

Posted in: Untimed

Tagged as: Andrew Gavin, Andy Gavin, Arts, books, Creative Writing, Fiction, Novel, novels, Online Writing, Physics, Second Novel, Time travel, Untimed, Writing

The Postman Always Rings Twice

May18

Title: The Postman Always Rings Twice

Author: James M. Cain

Genre: Crime Noir

Length: 116 pages

Read: May 15-16, 2011

Summary: Taut.

ANY CHARACTER HERE

For my second novel I’ve been trying to adopt a sort of hardboiled style, even though it isn’t a crime or a noir. So I figured I go back to the beginning and read some of the classics.

This 1934 novella just breezes on by. The first half (act I) is like watching a train wreck unfold. I greedily devoured the setup. Seedy drifter, sexy unhappy wife, and loser older husband. Plus it’s a crime novel. You know things aren’t going to end up good. The style here is lean and mean. It feels fully modern, dated perhaps only by certain phrases and actually it’s utter bare bones quality, devoid of really deliberate voice. My only complaint here was that it’s so sparse on dialogue tags that I often got confused as to who said what and had to back up and count. That’s too few tags.

Not that it detracted much. So then mid book, the crime itself happens (not counting the aborted first attempt) and the gears shift a bit into legal territory. This middle section I found had a bit too much “tell.” It breezed along, but it reminded me of the second half of The Magician. Then we get to the third act. This was back more to the mater-a-fact what happens, but it did feel a little fast, perhaps resorting to a bit too much forced plotting.

Still, I enjoyed the book immensely, and it seems best as I can tell the blueprint for countless crime stories where greed/lust/whatever drives everyone to an inevitable bad end. Some great movie entries in this genre would be Body Heat, A Simple Plan, or the very recent The Square.

Another interesting thing about this story is not only could you set it in any era, but the exact text could pretty much serve from 1920 through to present day. The only difference now would be cell phones and better police investigatory techniques.

By: agavin
Comments (2)

Posted in: Books

Tagged as: Body Heat, Book Review, Book Reviews, books, Crime fiction, Fiction, Hardboiled, James M. Cain, Mildred Pierce, Novel, Postman Always Rings Twice

Back to the Future Part II

Apr10

Title: Back to the Future Part 2

Director/Stars: Michael J. Fox (Actor), Christopher Lloyd (Actor), Robert Zemeckis (Director)

Genre: Time Travel Comedy

Year: 1989

Watched: March 30, 2011

Summary: Lots of time travel, and fun!

Following up on such a gem of a movie as 1985’s Back to the Future (my review here) must have been a daunting task. And it occasioned part II and part III being filmed together, and released only 6 months apart. As far as I know this was the first time this kind of joint production was ever done.

In any case, I always liked part II, particularly since it has the most time travel of the three, and certainly the most complex examination of the basic principle of time manipulation. It starts with a literal repeat of the last 3 minutes of BTTF (although they must have reshot some of it because they inexplicably replace Claudia Wells with Elisabeth Shue as the girlfriend — not that this lame duck role matters. They then pop into 2015, where Hilldale Ca is both the same and very different. The technological inovations proposed are pretty amusing, and most of them still haven’t happened in 2011. Again, where’s my hoverboard? But they missed a few things — like the cel phone, or the death of the fax machine.

Anyway, while avoiding paradox, and just having run with the same cast of actors playing different ages, characters, (and genders), Biff manages to steal the time machine, bring it back to 1955, and give himself a sports almanac. Then he inexplicably brings the DeLorean back to the good guys. Go figure! When they travel back to 1985 they find Biff’s nefarious influence has trashed the entire town and made a blade runner-esque hell of the place. There are some good moments here again paralleling the now standard running jokes with each character. Marty waking up to versions of his mother. The principal as bad ass with an axe to grind, etc.

Once they figure out how all this mess got rolling, back to 1955 they go to sort it out. This involves a parallel track recreation of the first movie’s main events without disturbing these. This is great fun, revisiting the “Enchantment Under the Sea” dance from a different perspective. As far as I know, this is the benchmark scene for a two-pass time travel-type scenario. The car chase at the end however, is a bit tedious. And why, may we ask, is it possible for Marty to call doc on a walkie-talkie from the back of Biff’s convertible, while Biff is about 2 feet away in the front seat? I don’t know about you, but when I’m alone in a car and someone has a conversation in the back seat, I generally notice.

The film ends with an awesome setup for the third part. I love the Western Union bit. But watching all three back to back as I did, I could have lived without ALL THREE movies replaying the footage of the Doc at the clock-tower.

These problems aside the movie is great fun. Other reviewers seem to find the time travel antics byzantine in this outing, but this is exactly what I loved about this film. At least it dares to create an alternate present, and then undo it. True there are a few moments where the cast has to answer audience questions in near straight exposition. For example, when Marty and Doc head from messed-up 1985 to 1955, but leave Jennifer (the useless Elisabeth Shue) behind, Marty has to ask why, and Doc launches into a whole explanation about how the time continuum will fix itself around them.

Again the technical transfer on the new blu-ray versions is awesome. This was always a slick film, with the future scenes in particular filled with fun effects. It holds up perfectly well. There is the occasional shot where the rotoscoping is obvious (compositing has gotten a lot better in the 22 years, Cliffhanger being, I think, the first film to use the new digital compositing). But these minor issues don’t date the film at all. Now if only they wrote a better part III.

Check out the Back to the Future Part I review here.

Or, coming soon, a review of part III.

For more 80s films, About Last Night, Better Off Dead, or The Sure Thing.

By: agavin
Comments (3)

Posted in: Movies

Tagged as: Back to the Future, Back to the Future Part II, Christopher Lloyd, Claudia Wells, Elisabeth Shue, Emmett Brown, Fiction, Film Review, Marty McFly, Michael J Fox, Movie Review, Movies, review, reviews, Robert Zemeckis, Time travel

Call For Feedback

Apr08

As a writer, feedback can be essential to the process. You don’t necessarily want to spend months writing the whole novel draft to find out the voice sucks, or that your plot is boring. I’m a frantic high energy writer (I work 8+ hours a day and usually churn out 2,000 pretty good words), and one of my biggest problems is getting enough feedback fast enough. I want to find out how a chapter works NOW, or hash out what’s going to happen tomorrow. My plots are intricate and I have two people (one I’m married to) who ALWAYS read chapters in a few hours and are willing to spend an hour brutally arguing about how well they work.

Still, it’s not enough. I also use a number of professionals who provide awesome advice, but not only do the cost money, but they’re busy and often take a few weeks to turn stuff around. I’d give a nut for another conspirator who’s great at plot construction. Relatively few people are willing to say, “No, no, this whole branch of the action is boring, the villain and the hero need to be face to face.” Then actually provide suggestions to mull over or shut down. Most amateur critics nitpick on sentences or little inconsistencies. Those are useful, but the big picture criticisms — and more importantly suggestions for fixes — are harder to come by.

I’m looking for something analogous to a TV writers room where people know the story and characters to every last detail and can really yell and hash out ways to interject more power into the story at the plot and character level. This is the hardest part for me to do alone. I can take any basic sequence of events and turn it into a great scene, but building the perfect twisty-turny plot with engaging characters is hard. There’s a reason why you see this most often in great TV shows where they have a room full of brilliant people.

A good argument over the story fuels my creative fire. I suspect if I had more of it I could write even faster.

And I’m willing to pay for said criticism with highly responsive reciprocal reading and response on how your stuff could be better! 🙂

Seriously. I’m extremely fast and sleep very little. There’s no give it to me and have to check back a couple weeks later. I tend to turn stuff around in hours. I’m willing to talk at odd ball times. I can do everything from plot to line editing.

So if you’re another writer, interested, fast, dedicated, good at plots, like the fantastic (my stories always involve some supernatural/speculative element), and willing to dedicate a couple hours a week, shoot me a note and we’ll see if there’s any synergy.

or blog

Also, peek at my novel in progress: The Darkening Dream

By: agavin
Comments (0)

Posted in: Darkening Dream

Tagged as: Arts, Fiction, Novel, plot, Plot (narrative), Speculative Fiction, Television, The Darkening Dream, Writer, Writers Resources, Writing, Writing process

Back to the Future

Apr07

Title: Back to the Future

Director/Stars: Michael J. Fox (Actor), Adrian Paul (Actor), Christopher Lloyd (Actor), Robert Zemeckis (Director)

Genre: Time Travel Comedy

Year: 1985

Watched: March 29, 2011

Summary: Still a jewel box of a script.

Because my second novel is about time travel, I’ve been trying to read and watch (or re-watch) as many time travel books and films as I can (not that I haven’t previously mined the genre). Although I’ve probably seen BTTF 15 times, it’s been a few years, more than 10 for sure.

I bought the new blu-ray Anniversary Trilogy too. This is a NICE restoration. The film looks as good as it did when I saw it right after getting back from summer camp in 1985, maybe better. And this was a slick slick film at the time. Really, other than a bit of noticeable rotoscoping, it could be a 2011 film.

Except it’s a lot better. The script and the editing make sense!

Because this is a few years before Top Gun would precipitate the precipitous marketing-driven decline of filmmaking, BTTF is simultaneously incredibly commercial and incredibly good. This script, by Robert Zemeckis and Bob Gale, is tight tight tight. I can only imagine how many passes it underwent because there is not one line out of place. You all know the story, but if you watch it again pay attention to how in the first 5 minutes everything you need to know is setup. Marty’s parents met in 1955 when Grandpa hit George McFly was his car (“We never did understand what he was doing on that road anyway.” Lorraine says). They go to the “Enchantment under the Sea Dance.” That same year Doc Brown got the idea for the time machine. Libyans have stolen some plutonium, it’s under Doc’s bed. In the next 5 minutes Doc teaches us everything we need to know about the time machine. Bang bang, all the ducks are lined up.

Then all this setup pays off over the next hour and a half. Every line. When we see that George McFly is in the road because he was a peeping tom and falls out of the tree, it’s oh so much funnier knowing that this is how he met his wife. And knowing that, when Marty screws up that meeting… changes are set in motion. Changes he has to fix. The parallelism between the present (1985) and past (1955) are contrived and slapstick but a joy to watch. We here about Uncle Joey in jail in the present, we get the “get used to that view” wisecrack about baby Joey behind the crib bars. We’re used to it now, we’ve seen it a lot of times, but this is a clever clever script.

And the casting couldn’t be better. For this kind of lovable goofball, Michael J. Fox is deservedly beloved. Christopher Lloyd steals the show with his over the top Doc (“Thank God I’ve still got my hair!”). Lea Thompson is a babe as Marty’s mom. Great writing great acting, what more could we want? And we have top notch production, music, and effects too. None of it looks dated on blu-ray.

Very interesting now, 25 years later, realizing that the 1985 of the story is almost as far back in time now as the 1955 was then. And 1955, that’s 56 years ago! Wow. So in a way, that adds an extra time travel jump to the whole thing. Which gets even more amusing when we pick up again with Back to the Future II and it’s 2015 setting!

LOL Where are the hoverboards?

For my review of part II, click here.

For more 80s reviews of mine, check out About Last Night, Better Off Dead, or The Sure Thing.

By: agavin
Comments (4)

Posted in: Movies

Tagged as: Back to the Future, Bob Gale, Christopher Lloyd, Emmett Brown, Fiction, Film Review, Lea Thompson, Michael J Fox, Movie Review, reviews, Robert Zemeckis, Time travel

Better Off Dead

Mar31

Title: Better Off Dead

Director/Stars: John Cusack (Actor), Demian Slade (Actor), Savage Steve Holland (Director)

Genre: Teen Comedy

Year: 1985

Watched: March 28, 2011

Summary: Absurdist, but classic.

For some strange reason I’ve been on an 80s kick lately. High School nostalgia or something. Not only did I make a playlist of synthoid classics, but I started combing Amazon marketplace for cheap (like $2) used DVDs. Somehow I missed seeing all of Better Off Dead in the 26 years since release (only bits and pieces on cable), surprising given my nearly comprehensive knowledge of 80s films, and that I’m a fan of John Cusack — excepting the execrable 2012.

This is one whacky film. While it must have seemed absurdist even in 1985, now, with the added retro touch and hammy 80s overacting it’s really out there, bordering on Salvador Dali level surreal. But it is enjoyable. In a way it’s a parody of the then contemporary genre of 80s teen comedy, but it’s also a brother in arms. Nothing is taken too seriously and there are a many priceless moments. Like one of my college buddies favorite lines, “NT, big difference” (referring to the textual delta between “testicles” and “tentacles”), Lane’s mom’s cooking crawling across the table, or the goofy skiing-pole lightsaber duel near the end. But with a modern perspective, there’s the added benefit of the nostalgic and silly 80s hair, clothing, music, and even half forgotten facts like: Skiing was once cool! I remember it all too well, my first published video game was Ski Crazed!

When I saw Hot Tub Time Machine last year (another guilty pleasure) I was well aware of all the 80s movie spoof moments, but I hadn’t realized how much John Cusack was referencing Better Off Dead specifically. The plot is fairly meaningless, but basically as silly as the film is, at the core of most of the jokes are real embarrassing situations that plagued many teens — certainly in the 80s, and probably now.

I was also not aware until I looked it up that Curtis Armstrong, better known as Booger, was already in his 30s when playing these silly teen characters. Or that he has played 122 roles! The guy’s been busy for decades.

If you want to see more 80s movie reviews, I also blogged yesterday on About Last Night.

By: agavin
Comments (7)

Posted in: Movies

Tagged as: Arts, Better Off Dead, Better Off Dead (film), Fiction, Film, Film Review, Hot Tub Time Machine, John Cusack, Movie, Movie Review, review, Savage Steve Holland, Ski Crazed

About Last Night

Mar30

Title: About Last Night

Director/Stars: Rob Lowe (Actor), Demi Moore (Actor), Edward Zwick (Director)

Genre: Romantic Comedy (R!)

Year: 1986

Watched: March 27, 2011

Summary: Holds up brilliantly.

I’ve always loved this movie. Perhaps I’m a romantic at heart. Perhaps it’s the David Mamet dialogue, or maybe Demi’s just hot. I’ve probably seen it 5-6 times, but not in the last 20 years. Although I still have the laserdisk somewhere. In any case, it’s out on blu-ray now, so being on my 80s kick I figured I’d see how it held up.

Perfectly.

The crisp blu-ray transfer helped, taking out the sometimes distracting poor color and funny old film grain legacy of old videotape transfers. But I got to remember what I liked so much about the film. And not just Demi’s nipples. First of all, there is the fact that this is an R-rated romantic comedy. How many others even exist? It’s sexy, the dialogue is raunchy and funny. Brilliant in fact. Particularly as delivered by James Belushi‘s over the top performance as the sexist best friend, or Elizabeth Perkins going toe to toe in bitchy counterpoint (made all the more amusing by having seen her in Weeds).

The most important thing about this film is the pitch perfect ebb and flow of the relationship between the two leads. It’s not the relationship everyone might have had, but it’s an accurate one. They feel like solidly real people. So in some ways, fairly unique among Romantic Comedies, there is truth here. Not every truth, but a specific one nonetheless. The film also has the audacity to cover nearly a year, and do it well, giving the rise and fall and then maybe rise again of this couple some actual weight and believability. You feel like they’ve changed and there’s been passage of time. Far too many films in the genre feel like about three dates, where the writers, not the characters, are building the relationship.

I loved the 80s outfits too. The Reboks, the sweaters and baggy shirts tied with belts, the high hip jeans. Sure they look silly, but… It’s also interesting to note the subtle culture changes that 25 years have wrought. The guy characters are allowed to be guys (and sexist) in ways that would be avoided today. I don’t really think men have changed, but Hollywood has.

By: agavin
Comments (4)

Posted in: Movies

Tagged as: About Last Night, David Mamet, Demi Moore, Edward Zwick, Elizabeth Perkins, Fiction, Film, Film Review, James Belushi, Movie Review, reviews, Rob Lowe, Romantic comedy film, Weeds

Bleeding Violet

Mar24

Title: Bleeding Violet

Author: Dia Reeves

Genre: Paranormal YA

Length: 84,000 words, 454 pages

Read: March 14-20, 2011

Summary: Unique, good, and very different.

This is a weird weird book, and I mean that in a good way. Nominally, it’s about a schizophrenic girl, Hanna, who’s dad has died and who decides to move in unannounced with her mom she’s never met. But her mom doesn’t live in a normal town. She lives in some kind of weird place in Texas where gates between universes have let all sorts of strange monsters and realities in. A town with its own supernatural police.

The voice here is really fun. It’s first person past, but with a sort of cavalier devil-take-care crazy-girl style. I liked it. Some sentences were fantastic (both literally and figuratively). Not exactly in the lyrical kind of way that you might expect, but because of their deft wit, and quick and creative way of describing utterly fantastic goings on.

Because this book is FILLED, PACKED, STUFFED, with weird monsters and magic. Reeves uses the protagonist and POV character very deftly to explain it, or mostly just show what happens. She doesn’t feel the need to combine herself to easy concepts either. For example, sound sucking, student grabbing, invisible squids live inside the high school windows and one of the characters defeats them with a deck of playing cards! It’s a tribute to her skill that I could follow nearly all of this stuff. And it’s compact too, not being a very long book and containing dozens of strange encounters. The descriptions are lean but vivid. Occasionally she violates POV slightly on the side of clarity because the protagonist is new to this stuff and she explains it with a bit more understanding than she might be expected to have. But this isn’t very noticeable. Now I do wonder if someone with less experience reading speculative fiction in all its forms might have trouble with this novel. I mean, I’ve read A LOT (5000+ speculative novels), and played hundreds if not thousands of video games with magical systems etc. We won’t even count the movies and TV shows. Certainly someone who likes their reality… well… real, would be put off by the book. I wasn’t. The supernatural flavor was really interesting and unique, reminding me ever so slightly of something like the eerie Lost Room, or the wonderful but very out of print Marianne series by Sherri S Tepper.

The choice of using such a fractured POV character was interesting. There could be an argument that the entire book was some sort of delusion. I myself just treated Hanna’s view point as literal, and everything she saw as factual. The protagonist, and some of the other characters for that matter, don’t feel entirely real. They aren’t cardboard per se, as they feel well rounded, they just have a bit of surreal style to them that comes from their rather depressed moral compass. There’s a lot of killing and murder in this book, often horrifically grisly in fact, and no one seems to care too much. One of your best friends has been impregnated by evil demon spawn who are eating her from the inside out, well, just cut them out and leave her bleeding to die. That sort of thing. It works in the story, but if you stop and thing about the reactions any non psychopathic person might have… These characters just move on. It didn’t really bother me in the context of this story as the narrator’s view point tends to whitewash away the consequences.

There’s also a good bit of cavalier sexuality — a welcome break from the self censorship that seems to be the norm since the 90s. Hanna is certainly open minded in that regard, and likes to take off her clothes. Unfortunately 🙂 there isn’t a lot of detail, like most everything else in the book a lot is left to the imagination. This is also part of the trend. To tell the truth Judy Blume’s Forever (1975) is still the most explicit teen book I can remember.

Overall, this is a great book, but it’s much more FANTASTIC than your typical paranormal. Being a fantasist, that was more than fine with me.

By: agavin
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Posted in: Books

Tagged as: Bleeding Violet, Book, Book Review, Book Reviews, Dia Reeves, Fiction, Forever, Judy Blume, Lost Room, Marianne, Narrative mode, Paranormal, Paranormal romance, Playing card, Protagonist, Texas, YA, Young-adult fiction

Tithe – A Modern Faerie Tale

Mar19

Title: Tithe – A Modern Faerie Tale

Author: Holly Black

Genre: Paranormal YA

Length: 66,000 words, 310 pages

Read: March 13, 2011

Summary: Well written and evocative.

This is the second Holly Black book I’ve read. I enjoyed White Cat (REVIEW HERE) a lot and so I went back to read her debut novel. And liked it even more.

The similarities are striking. Both are short YA books, with nice prose and likable main characters thrown into ‘weird’ paranormal situations. Both have the action so condensed as to occasionally be confusing. Both wrap themselves up in the last quarter in a way that compromises the believability of the secondary characters. Both have unhappy but not completely tragic endings. While White Cat’s premise is perhaps a tad more original, I found Tithe‘s creepy fairy flavor more to my taste. Not that I didn’t like the first, but I really liked certain things about the second.

Tithe is written in third person past, with the protagonist Kaye dominating the POV. Mysteriously, approximately 5-10% is from the point of view of her friend Corny, and about 2% from the romantic interest. These outside POVs felt wrong, and at least in the Kindle version, no scene or chapter breaks announced the transitions. Every time one happened I was confused for a paragraph or two and knocked out of the story. Still, said story was more than good enough to overcome this minor technical glitch.

Kaye is an unhappy 16 year-old with a loser mom. When they move back to New Jersey she is rapidly involved with the Fey, discovers she’s a green skinned pixie, and gets drawn into a conflict between the Seelie and Unseelie (rival fairy) courts. It’s a fun read, and the prose is fast and evocative of the fey mood. Ms Black seemed to have done at least some research and the feel is quite good. The loose descriptive style sketches some rather fantastic creatures and scenarios, and that works. There is some darkness (which I like), and wham bam death of secondary characters without the proper emotional digestion. There is sexuality, but no sex (boo hiss!).

But I really like the way she handled the fairies. There isn’t a lot of description, but what there was left me filling in my own detailed, sordid, and mysterious collage of imagery.

I was loving the first two third of the book, and then it pivoted a bit and lost me a little. Don’t get me wrong, I still liked it, but the last third felt sketchier. The author had a bunch of double takes and betrayals on her outline, and it felt to me that it didn’t really matter if the secondary characters got to be true to themselves — they just followed the script. The protagonists best friend dies in like two seconds, and there is barely any reaction. Everyone also seemed to roll way too easily with the rather gigantic punches (as in Fairies are real). And to be darn good at picking up new powers in no time at all. This is a typical issue, and very hard to address perfectly, but it always bugs me when magic seems too easy. White Cat had the same final act issues.

It’s still a fun book — way above average — with nice prose and breakneck pace. But the potential for great gave way to merely very good.

By: agavin
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Posted in: Books

Tagged as: Amazon Kindle, Arts, Book, Book Review, Fairy, Fiction, Holly Black, New Jersey, reviews, Tithe, Tithe: A Modern Faerie Tale, Tithing

Book Review: White Cat

Mar17

Title: White Cat

Author: Holly Black

Genre: Paranormal YA

Length: 76,000 words, 310 pages

Read: March 12, 2011

Summary: Well written, fun, but a little contrived.

This is yet another foray into the world of paranormal YA (I am, after all, doing research for my own writing). Holly Black is a but best selling YA and MG author. This book, unusually, has a male protagonist, and he’s part of a family of “curse workers,” although he himself doesn’t do any magic. He lives in an alternative reality where a small minority of people are able to “lay on hands” in a bad way and curse people. They are known to society, it’s even illegal, and formed into criminal gangs in the 1930s just like the Mafia.

The premise is decent, although I’m not a fan versions of our reality with outed paranormal groups. I didn’t really buy the changes at a social level. The whole existance of this kind of power in volume would throw everything off, and here the only real social change is that everyone wears gloves (because it’s through bare skin that the magic works). We are reminded often of the glove factor.

The writing is very solid and straightforward, in first person present. So straightforward it took me awhile to even notice the tense. Or maybe writing it myself is acclimating me to it. The protagonist is likable and felt fairly real, although maybe not all of his decisions did. And I didn’t really feel the proper weight of his emotions. Big things happen, but without big feelings. By page three or thereabouts we discover he murdered his girlfriend. We’re supposed to still like him. And we do, but mostly because it’s totally obvious that he didn’t REALLY murder her, he only thinks he did. Oh and we quickly hear about the one flavor of curse worker that’s REALLY rare. And guess who’s from a magical family and doesn’t have any power…

But I enjoyed the book — quite a bit — I read it in half a day after all. Another book I attempted to read that same morning was so execrable that I only made it to fifty pages, so this was a vast improvement.

A couple other beefs. At times the writing was so lean that I felt like I missed something in the action and had to page back to find it — but it wasn’t even there. Now, it was then obvious moving forward what had happened, it just seemed that the attempt at leanness and/or agressive editing had taken the edge off the clarity. Then as we moved into the second half we hit the “after the big reveal” syndrome which many books with reveals often suffer from. I’ve mentioned this before (like HERE or HERE), but basically this is where after the big shocker no one really seems to act with appropriate emotional gravitas. I’m used to it, and it’s a tough problem to solve, so I moved on to the ending.

Which was the weakest part. Everything juggled into place such that the people were served the plot rather than their character. The plot wasn’t bad, it’s just that I didn’t really see some of the characters acting like they did.

Overall, the story was fast and fun. As I said Ms Black is a skilled writer, and the prose zipped along, with nice quick descriptions, and she isn’t afraid to be a bit dark or sexy (considering it’s YA). The gratuitous twist on the last two pages bugged me, but I ordered the sequel (which the Twitter/FB buzz says is very good) and another of the author’s books.

How different these neat little package YA books are from a meaty tome like The Wise Man’s Fear (which I finished the same day). There are subplots in that book about the size of this entire story.

For a review of Holly Black’s first novel, Tithe: A Modern Faerie Tale, click here.

By: agavin
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Posted in: Books

Tagged as: Book, Book Review, Fiction, Holly Black, Paranormal, Paranormalcy, Protagonist, The Curse Workers, United States, White Cat, Writing, Young-adult fiction

Game of Thrones – The Houses

Mar16

With the premier of Game of Thrones, the HBO series based on what is perhaps my all time favorite Fantasy series, fast approaching, the network has been releasing all sorts of goodies. Now I’ve posted about this before, but these books, and it looks like the show, are so darkly delicious that I fell I must share.

Power (above) is new trailer.

Fear and Blood (above) is another new trailer for the show in general.

Then we have a whole series of videos on some of the most important Great Houses. Like Dune before it, Game of Thrones is a story about the interplay of politics and loyalty among a number of great factions. This was frequently true during the late middle ages, and to some extent the series is based a bit on the War of the Roses.

The Starks (above) are the moral center of the story.

House Baratheon holds the throne… for now.

The Lannister’s you love to hate — except for Tyrion who rules.

House Targaryen knows all about dragons.

Above is a more detailed video on Jaime Lannister.

and above Robb Stark.

Above is Littlefinger.

and above about the world in general.

For a review of episode 1, click here.

By: agavin
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Posted in: Books, Television

Tagged as: A Song of Ice and Fire, books, Dune, Fiction, Game of Thrones, George R. R. Martin, HBO, Late Middle Ages, Major houses in A Song of Ice and Fire, reviews, Sean Bean, Television, War of the Roses, Wars of the Roses, World of A Song of Ice and Fire

The Wise Man’s Fear

Mar14

Title: The Wise Man’s Fear

Author: Patrick Rothfuss

Genre: High Fantasy

Length: 380,000 words, 1000 pages

Read: March 4-12, 2011

Summary: A worthy sequel.

The Wise Man’s Fear is one of 2011’s two most anticipated Fantasy novels, the other being George R. Martin‘s A Dance with Dragons (due in July). WMF, however, can be all yours right now. It’s the sequel to The Name of the Wind (which I REVIEW HERE). This is High Fantasy of a rather less epic sort. Not that it’s any less fun to read, even weighing in as it does at 1008 hardcover pages. Although, who thinks about pages these days, as I read the Kindle version on my iPad (wouldn’t want to mess up that nice hardcover first edition I had signed by Mr. Rothfuss last week!).

Despite the length, it’s well worth it. This book is seamless with the first in the series, despite the four years gap between their publication. I read The Name of the Wind a second time last week, and WMF picks up and continues with exactly the same style and pace. There is still the box story in the present, but this accounts for no more than 5% of the pages. The action mostly takes place in the past with our hero, Kvothe, continuing on for a bit at University and then venturing out into the wider world. While we sense that some bigger events are in the works, this is still a very personal tale. And it defies all normal story telling expectations in that it just meanders along. My editor’s eye says that whole chunks and side plots could be snipped out without effecting anything. And to a certain extent this is true. But would the novel be better for it? Perhaps it could have lost 50-100 pages in line editing, but I’m not sure I’d take out any of the incidents. As the novel itself says, it’s not the winning of the game, but the playing of it that matters.

That is very much what The Wise Man’s Fear is about. It’s a story about stories. It’s rich and lyrical, a luxurious tapestry of world and story, without the distraction of the intricate mechanism of plot. The little glimpses into different sub-cultures show a deft eye for details and invention. This feels like a real place, not so much explained, but revealed through the narrator’s eyes.

As Rothfuss said in an interview, Kvothe is older now, and he gets himself into more trouble. There’s more sex and violence this time out, although the main romance is still endlessly unrequited 🙂 Kvothe it seems, is a hero of many talents, and that includes those in the bedroom. Rothfuss doesn’t focus on these details gratuitously, it’s not a book filled with battle (or bedroom scenes).

I’m curious to see how Rothfuss wraps this up in the third book (and I suspect the trilogy might expand). Things still feel early. We find out barely anything new about the main villains. In fact they don’t even show in this volume. Just like the first book the end is completely limp and anti-climatic. Kvothe just wraps his story up for the day and we wait (hopefully for slightly less than four years).

But I’ll be waiting. Probably for so long that I’ll have to read book one and two again. I won’t mind.

By: agavin
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Posted in: Books

Tagged as: Arts, Book, Book Review, books, Fantasy, Fiction, George R. Martin, High fantasy, Literature, Name of the Wind, Patrick Rothfuss, Wise Man's Fear

Book and Movie Review: The English Patient

Mar09

Title: The English Patient

Author: Michael Ondaatje

Genre: Literary Historical Drama

Length: 82,000 words, 300 pages, 162 min

Read: Spring, 2010

Summary: Lyrical.

I had seen the film when it came out (and several times after) and it’s long been one of my absolute favorites. So to that effect the novel has been sitting on my shelf for over ten years waiting to be read and this spring I finally got around to it. In some ways I’m glad I waited because I wouldn’t have appreciated the prose as much years ago. The voice, told in lightweight third person present, and lacking nearly all mechanical constructs (like dialog quoting or tagging, preamble explanations of scene transitions, etc.) has a breezy lyrical quality to it. It can only be described as delectable. There is a feel of watching a beautiful but flickery film, a series of stuccato images flash through your head as you read it. It’s worth quoting to illustrate:

“She stands up in the garden where she has been working and looks into the distance. She has sensed a shift in the weather. There is another gust of wind, a buckle of noise in the air, and the tall cypresses sway. She turns and moves uphill towards the house, climbing over a low wall, feeling the first drops of rain on her bare arms. She crosses the loggia and quickly enters the house.”

The plot — such as it is — involves a war battered Canadian nurse lingering in Italy at the close of WWII. She has isolated herself in a half destroyed villa and cares for a mysterious burn patient who is dying and too fragile to move. The book focuses on the nurse as its protagonist, concentrating on her relationship with an Indian (via the British army) bomb disposal tech and her efforts to come to terms with the war and loss. The patient slowly unravels his own tale to her. It is his story, set mostly in Egypt before and during the start of the war, which is the primary focus of the movie. In the book it serves more to offset and focus the nurse’s point of view.

I am blown away by the effort of translating this book for the screen. Frankly, although I loved the novel, I like the film better — this is rare. Anthony Minghella managed the near impossible, translating this gorgeous prose into an equally lyrical visual style. It’s less stuccato, more “lush and languid.” Film is a more linear medium, and Minghella focuses the story to create grander more visual arcs. To do this, he expanded the patient’s epic story of love and loss in pre-war Egypt. I’m a sucker for Egypt, the exotic, the British Empire in decay, and worlds that no longer exist. This story feels bigger than the nurse’s, being as it is more tied in with history and international events. But in both you have a powerful sense of people fighting for their passions, both interpersonal and intellectual, despite the baggage of past choices and the buffeting blows delivered by the unstoppable forces of history.

Both variants of this story are inherently complex, ambiguous, and emotional works. Look for no answers here, just gorgeously rendered questions.

By: agavin
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Posted in: Books, Movies

Tagged as: Anthony Minghella, books, British Empire, Egypt, English Patient, Fiction, History, Italy, Literary, Literature, Michael Ondaatje, reviews, The English Patient, World War II, WWII

Done Again, Hopefully

Mar07

My freelance editor, the awesome Renni Browne, has officially declared my novel, The Darkening Dream, done, and ready for agents!

Now bear in mind that “done” is a highly subjective term, and that as soon as anyone gives me an idea worth doing, I’ll probably do it, and that agents and editors are bound to ask for changes. Which as long as I think the ideas make the book better, is a good thing.

The new version is 5.00i, but this is my ninth full major draft. Woah.

I remember reading Sol Stein‘s awesome book on writing, where he mentioned that The Magician took 10-11 drafts (I was then on my second) and thinking: that’s crazy! I guess not. Totally coincidentally, Renni also edited that novel, published in 1971!

So it’s been a busy week, working only on The Darkening Dream (I’ll get back to my new novel shortly). In the last 10 days:

1. We finishing our big line edit

2. I rewrote the ending again.

3. I read the entire book and made minor mods.

4. Renni and Shannon (her additionally awesome co-editor/assistant) reread the beginning and the ending and did another quick line edit.

5. I went over that.

6. I got back a critique on the beginning of the book, and made some changes based on that.

7. This inspired me to write two entirely different beginnings.

8. We eventually decided the original was better, although I moved a few nice tidbits from the new stuff over.

9. I reread the whole first half of the book, and the ending again, and made some more improvements.

10. On Sunday I rested.

So now I return to the agent game (referrals very welcome), and to the agonizing internal debate about the relative merits of self publishing in the modern (and very rapidly changing) market. And back to the first draft of my new novel (about 25% done).

If any of you beta readers want a copy of the new improved 95,000 word The Darkening Dream, drop me a note.

By: agavin
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Posted in: Darkening Dream

Tagged as: Andy Gavin, Art, Book, Darkening Dream, drafts, Editing, Fiction, Novel, Proofreading, Sol Stein, The Darkening Dream, Writers Resources, Writing, Writing and Editing

The Name of the Wind

Mar04

Title: The Name of the Wind

Author: Patrick Rothfuss

Genre: High Fantasy

Length: 255,000 words, 720 pages

Read: May 2008 & Feb 28-Mar 2, 2011

Summary: Best new fantasy of recent years.

In 2008, I read this 722 page novel in Xian China during a single sleepless night, and I reread it just now for the second time in preparation for the sequel (released this week): The Wise Man’s Fear. NOTW is a beautiful book. Of all the Fantasy I’ve read in the last 15 or so years, this is perhaps second best after The Song of Ice and Fire. But that’s not to say that they have much in common, other than both being good Fantasy. George R. Martin‘s books are full of characters, POVs, violence, politics, and a darkly realistic sensibility. NOTW is much more focused and relies on more traditional Fantasy tropes. How focused can a 700 page novel be? Not very, but it is good, and it concentrates on a small number of characters and a single (albiet meandering) storyline.

Kvothe is the protagonist. He’s a young man of many many talents, of no means whatsoever, who winds his way from the actor’s troupe to the mean streets to the magical University and to (implied) great and terrible things.

If I have any beef with the book, it’s that the meta premise of the tired hero telling his story is too drawn out. This volume opens in the “present day,” where very little happens except to set us up for the life story of the hero, which is brilliant. Much like Lord of the Rings or Hyperion, the reader must slog for a bit to get to the gold. In this case about 50 pages in. But the slogging isn’t exactly painful because Rothfuss’s prose is lyrical and masterful. Seriously, it’s a wonder given the tangents, bloated conversations (the dialog is great but not efficient), and the like that this book is so easy to read — but it is. Damn easy, even the second time.

The world and the hero juggle uniqueness and heavy — but delicious — borrowing from classic Fantasy of the best sort. I sniffed out a bit of Ursula K. Le Guin (think Wizard of Earthsea), Raymond Feist, Robert Jordan (Wheel of Time), and who knows how many others. The world is extremely well developed, and feels big, but it doesn’t doesn’t have the camp and cheese of Wheel of Time (although it does pay homage). I love origin stories and I very much enjoyed Kvothe’s journey. He’s a great character: humble, proud, skilled, lucky, unlucky all at once, but in a fairly believable way. Perhaps the most important relationship in the book (and there are actually relatively few) is the romance, and it has a tragic quality that feels very refreshing, and slightly reminiscent of the best of Orson Scott Card (think his old stuff like Song Master) or Dan Simmons.

The magic is very unique and interesting, and we focus on it quite a bit, as this is a story that spends a lot of time in the Arcane Academy. This ain’t no Hogwarts either, it feels altogether more mysterious and dangerous. There are several different magic systems interwoven in what is a world overall fairly light on magic. But this is also a world that feels a bit more technological than most Fantasy, with larger cities, a little more like antiquity than the Middle Ages. The “magical bad guys” have a nice character and bit of mystery to them. I don’t like all my mystery explained. There is a lot of music and theatre in here too, and that just helps heighten the lyricism.

But what exactly makes this book so good?

Proving my geek-cred, swapping some Crash Bandicoots for signatures with Patrick Rothfuss

Fundamentally I think Rothfus is just a great writer, and a very good world builder. I don’t think he’s a great plotter. The story drifts along, relies a bit on coincidence and circumstance, and the end fizzles then pops back out of the interior story and waits for the sequel. But that doesn’t really matter, because the prose, world, and characters keep you enjoying every page.

CLICK HERE for my review of the sequel, The Wise Man’s Fear.

By: agavin
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Posted in: Books

Beginnings and Endings

Mar03

The first thing I did after getting my line editing back over the weekend was work on the ending of my novel. Beginnings and endings are so important, and as is probably typical, I’ve changed them a lot.

The ending is important because it’s what has to wrap everything up, and what leaves the aftertaste in the mouth of the reader. But it isn’t going to do you any good unless they get there.

Which brings us to the beginning. So important in so many ways. First of all, agents and editors glance at the beginning,and if it isn’t awesome, they’ll just put it down right there. Second, so do many readers. They browse the first couple pages in the bookstore (or on Amazon), or even if they buy it, if it doesn’t grab them right away they might just move onto to another book. I know I do.

During revision, The Darkening Dream has already had three different beginnings. But I’ve never been totally satisfied with them. I took a new high level crack at rearranging the flow of my story’s first crucial day, and ended up whipping out two new takes on the first ~7,000 words. That puts three beginnings on the table if you include the current draft. Each have their plus and minuses.

Do I start with the violent supernatural event that kicks everything off? Do I start with character development on the protagonist? How do I introduce my large cast of characters?

Now that I have a couple takes I’m trying to decide which one to pursue. IF YOU’RE ONE OF MY BETA READERS, HAVE READ THE BOOK ALREADY, and are interested and throwing your opinion into the ring, drop me a note and I’ll send you some options 🙂

The good news about my new novel, is that before I even started writing I found a totally awesome place to start the story. I LOVE the start of that book, and so does everyone I’ve showed it to so far. Lessons learned.

By: agavin
Comments (4)

Posted in: Darkening Dream

Tagged as: Andrew Gavin, Andy Gavin, Arts, Beginnings, Book, books, Creative Writing, Endings, Fiction, Novel, Novel Writing, The Darkening Dream, Writing, Writing and Editing

Machete – The best B-movie ever?

Mar02

Title: Machete

Director/Stars: Danny Trejo (Actor), Robert DeNiro, Jessica Alba, etc. Robert Rodriguez (Director)

Genre: Exploitationist Action

Watched: February 27, 2011

Summary: Pure action and camp fun.

Derived from a fake preview in Rodriguez and Tarantino’s Grindhouse double feature, this film is just rollicking camp fun. The premise: that ex-federale Danny Trejo (the ugliest guy to grace the silver screen since The Elephant Man) is lured into a crazy scheme by various right wing racist nut-jobs and has to kick (and get some) ass in various escapes, revenge, etc.

One of the best things is the roster of amusing casting. These aren’t just cameos either: Robert DeNiro, Jessica Alba, Michelle Rodriguez, Steven Seagal, Jeff Fahey, Cheech Marin, Don Johnson, Linsay Lohan and more.

The plot, as such, is thin, and gratuitously cheesy. The characters however, live large, and the action is fun and inventive and sometimes delightfully nasty.

Before the opening credits, Trejo manages to use his trademark weapon to amputate at least a dozen limbs, leading him to rescue a stark naked girl whose cel phone and weapons are stored where the sun don’t shine. Before this scene ends a fat-ass Steven Seagal uses a katana to behead Trejos wife (standard revenge setup). This pretty much sets the tone for the entire film. My favorite gross-out bit is a bad guy whose intestines (still connected) are used by Machete as a rope to swing out the window and onto the floor below.

Nothing about the movie is realistic. The villains are deliciously over the top, and their crazy scheme to raise drug prices by building an electrified fence between Mexico and Texas purely amusing. People get shot in the head and live. Everything resolves in one of those typical Rodriguez giant shootouts.

What makes the film so fun — besides the crazy action — is the unadulterated camp factor of each of the characters. From Cheech’s merlot-drinking shotgun wielding priest to Robert DeNiro’s evil racist state senator (there are a few of those in real life too!).

Rodriguez just should have gone as over the top with his nudity as with his violence. Too much cutting for a work this gratuitous!