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Archive for Television Review

Clone Wars – Orphan Black

Aug16

orphanblackposterTitle: Orphan Black

Genre: SciFi Thriller

Watched: August 5-6, 2013

Summary: great first season

ANY CHARACTER HERE

Lately, there have been a lot of shows  using the device of twins borrowing identities. Perhaps it’s a trend, perhaps it’s just a fan fave, as Shakespeare himself went for it in Comedy of Errors and Twelfth Night. In any case, Orphan Black up the ante. Not twins or triplets, but human clones. And there are at least seven of them. Plus, it’s better than last years duplicate thrillers: Ringer (as much as i’m a SMG fan) and The Lying Game (which is pretty good in a lightweight way).

What is crazy impressive about Orphan is that Canadian actress Titiana Maslany (Shakespeare reference right there in her name!) manages to pull off wildly distinct personalities was incredible aplomb. I mean, seriously, you can just feel the different presence of these girls. You can even see quite effectively when one of them is pretending to be another. Watching uptight suburban mom Allison pretending to be punk Sarah is hilarious — and effective.

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Tough Sarah

This show is Science Fiction, but the SF is confined to the clone thing and it’s low budget too. There aren’t a ton of effects. What there is, however, is very good writing, casting, acting, and pacing. It’s a great show really. We can’t know that the quality will survive into later seasons, but this one is break neck. The characters are sympathetic and interesting, and boy is she(s) put through the ringer (sorry SMG). The tone is simultaneously dark and comic, but always tense and unpredictable. There is one bit in the pilot where Sarah (playing Beth) is caught in an impossible situation. She goes to the bathroom to buy herself some time, then does something completely unexpected that actually works as a clever solution. This is very effective thriller plotting. It doesn’t feel forced or overwrought but merely tense.

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Psycho Helena

Importantly, the complex central mystery is drooled out episode by episode, but it is drooled out. We find out quite a lot — although hardly everything. The amount of reveal is very effective in this season, but could be problematic next year as they will not be able to depend on the same  dynamic. The show might not be able to depend on the clones even playing their normal lives (or each others).

While Maslany steals the show. Many of the secondary actors are very solid as well. Jordan Gavaris as her (very) gay foster brother is a standout. He about says it all when he sits down at a piano and says, “let me show you a bit of Queen.” Kevin Hanchard is solid as cop twin Beth’s partner.

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Geeky lesbian Cosima

The show feels slightly schizophrenic with regard to its sexuality. At times, in some episodes (like the pilot), it’s pleasantly steamy. Maslany does a good bit of walking around in underwear (always a plus). But this remains uneven, unpredictable. When two characters close we never know if the camera will linger or cut to morning. In a way, this keeps the viewer off balance. Deliberate thriller style or mere inconsistency? Who knows.

Either way, the show is very much worth watching.

Check out more TV reviews.

Related posts:

  1. Orange is the New Black
  2. Black Swan
  3. More Game of Thrones CGI
  4. Guest Interview – The Gaia Wars
  5. Men in Black 3
By: agavin
Comments (2)
Posted in: Television
Tagged as: BBC America, clone wars, clones, Orphan Black, Sarah, Science Fiction, season 1, Tatiana Maslany, Television, Television Review

Orange is the New Black

Jul29

oitnb_key_003_hTitle: Orange is the New Black

Genre: Prison Drama

Watched: July, 2013

Summary: first rate characterization

ANY CHARACTER HERE

Netflix has been very aggressive this year creating new content and I’ve taken the time to watch House of Cards, Hemlock Grove, and now Orange. The first was good. The second interesting (if flawed). And the third just plain excellent.

Orange is the New Black is the brainchild of Jenji Kohan, creator of the awesome (for 3-4 seasons at least) Weeds. While it retains the older show’s blended drama/comedy quality, Orange forsakes Weed’s satirical surrealism and shifts far closer to realist drama while maintaining a light touch.

[youtube https://www.youtube.com/watch?v=nryWkAaWjKg]

Like much good modern long form television, Orange rejects the need to pigeonhole each episode into a classic dramatic arc. What it does is simple in concept, but hard in practice: build solid characters and put them through the ringer. The excellent mostly female cast is highly varied, and we, like Piper herself find them fairly opaque on first meet. The show deftly borrows the “Lost technique” to flesh out the personalities. Each episode (more or less) flashes back to reveal the character of an individual woman, showing who they are and how they got here. Structurally, this serves to take agents whose present time actions may be less than endearing, and build audience sympathy for them.

That 70s show star returns as the mysterious and sexy "Alex"

That 70s show star returns as the mysterious and sexy “Alex”

This is a powerful combination. Each backstory is vaguely tragic. Unfortunate circumstances and poor (if understandable) choices lead each character to their present miserable states. Nothing builds likeability like a checkered past. This depth of caring elevates the present-time drama above the norm. And it’s pretty good to start with. With the exception of the last two episodes, the twisting and turning is moderate, dramatic, and flowing from character. Orange mostly avoids the heavy-handed whiplash of  over-plotted dramas (Vampire Diaries, Gossip Girl, and the like).

Fundamentally, good story telling is about giving characters you care for difficult emotional choices — and Orange delivers on that front.

Plus, a woman’s prison is an inherently titillating setting (couldn’t resist). The writers use a light touch here while deftly exploring the ins and out of this weird world. This is a minimum security prison and things are unpleasant, but not overly so — and sometimes surprisingly casual and informal. The women themselves are a weird mix and it all serves to be quite interesting. And for the most part, they’re also all pretty good people. Realistic? I have no idea, but fun to watch.

Check out more TV reviews.

orange-is-the-new-black

Related posts:

  1. Men in Black 3
  2. Breaking Bad – Season 1
  3. Skins UK – The First Two Series
  4. More Game of Thrones CGI
  5. Game of Thrones – Season 2 Episode 1 Clips
By: agavin
Comments (8)
Posted in: Television
Tagged as: Jenji Kohan, Laura Prepon, Netflix, Orange is the New Black, Taylor Schilling, Television, Television Review

Breaking Bad – Season 1

Nov12

Title: Breaking Bad

Genre: Contemporary Dramedy

Watched: Season 1, November 1-9, 2011

Summary: Darkly engaging

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Friends kept recommending this show and — even better — it’s “free” (included) in my Netflix streaming subscription. The pilot opens with a serious bang, starting with the episode’s chaotic conclusion then flipping back to the turn of events that brought us there.

It’s an interesting premise: what happens when a nebbishy High School science teacher, dying of cancer, tries to take care of his family by becoming a Meth producer. At some level the concept isn’t far off from Weeds (another dark and delicious snack — at least for 3-4 seasons) but Breaking Bad is considerably bleaker and more realistic. Things devolve rapidly into the grim reality of crime and murder. No sexy latino dealers here.

The characters are well drawn and feel fairly real, despite the somewhat over-the-top scenario. And as usual, that’s what really matters in drawing in the viewers. The first season kept me fully engaged. It’ll be interesting to see where this goes.

Breaking Bad is typical (and yet not) of recent well executed serial television in that it doesn’t follow a neat and clean three-act structure or episodic loop (like say Terra Nova, which is a bit of a throwback). In some ways these newer shows have more in common with long novel series or old school Dickens-type serial pulp writing — just without as much cheese. Really, we’re about 10+ years into a golden age of long form visual drama. And I’m loving it.

For more of my posts on TV, click here.

Related posts:

  1. The Sopranos – Season 1
  2. The Sopranos – Season 3
  3. The Sopranos – Season 2
By: agavin
Comments (6)
Posted in: Television
Tagged as: AMC, Breaking Bad, Netflix, Television, Television program, Television Review, Vince Gilligan, Weeds

Skins UK – The First Two Series

Oct15

Title: Skins UK

Genre: Contemporary Dramedy

Watched: First Two Series, October 1-11, 2011

Summary: Surprisingly addictive character study

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I wouldn’t have expected to like this — other than the promised nudity — but it was rather sly. Plus, being on Netflix streaming it was “free.” This ensemble show follows nine or ten British sixteen-seventeen year-olds studying, loving, and partying (not in that order) somewhere in nowhere Western England. Each episode picks a particular cast member to focus on, using them as a POV into the group dynamics.

While Skins borrows techniques from documentary and reality television, in that it has an extremely young and inexperienced cast and little in the way of sweeping dramatic arc, it still manages to be extremely gripping for one simple reason:

The characters are well written.

While there is plenty of drama and incident in their lives, and the show does touch on all sorts of issues (teen pregnancy, eating disorders, dysfunctional families, parental death, parental neglect, religion, sexuality — both orientations, race, drug use, health, relationships, etc. etc) none of it feels particularly forced. Not at all like the whiplash effect of an overproduced show like Gossip Girl where the writers strain every character to — and beyond — the breaking point of believability in their quest to feed the flames of constant conflict. In Skins, it feels more like the characters have separate identities that organically drive the plot. Which is as it should be. It’s a fallacy to think that conflict alone drives interest in a story. Sure you need the friction between desire and the character, but without believable — and likable — characters, conflict isn’t worth anything.

But all the Skins characters are pretty likable, and quite varied. We forgive them their idiot decisions, their wanton self-destructive behavior, because they have a certain naive goodness about them. But there is a lot of self-destructive behavior. One of the talked about things about this show is the pretty enormous amount of nudity, drug use, sex, and all that goodness. While the nudity is rarely very erotic, mostly consisting of boy butt or the occasional swinging nad-sack, there is a lot of it. And the drinking, smoking, and drug use is pretty constant (“spliff” is a favorite word). Even the fourteen year-old little sister is staying out all night and shooting heroin. But this stuff doesn’t dominate the story, instead adding a train-wreck fascination. Now I can only hope this isn’t a realistic portrayal of the “average” British teen, who I suspect probably won’t even handle that kind of youthful debauchery as well as even these flawed characters. But I have no idea. Another constant in the show are the broken families. While some of the parents are good and well meaning people, there is only one character (Dev Patel, in his  pre-slumdog debut) with a working pair of them. We have everything from single parents, to lunk-head parents, to pill-popping parents, to hippy-no-attention parents, to none at all. No wonder these kids have so many problems.

A final thing that made this show extra fascinating was the slightly exotic British factor. The semi-suburban 21st Century England depicted is an interesting reminder that America isn’t the only country with its decadent first-world problems. The accents are cute, the slang even more so, and the peculiar British youth fashions — looking as they do like technicolor hip-hop goes La Cage Aux Folles — endlessly entertaining. The directing is stylish too, with nice use of music and weird camera work to emphasize mental state. A favorite moment for me was when Hannah Murray’s fey character is amusing herself by walking her fingers along a guardrail. The camera keeps the fingers in focus at constant distance while the background swirls behind. You have to see and hear the effect, but it had a wonderful playful mood consistent with the POV. Also no wonder the actress was cast for Season 2 of Game of Thrones, as the equally crazy Gilly.

I haven’t checked out the short running and supposedly worse MTV version of this show, but I suspect it failed to capture that elusive formula from the original: good writing = good characters.

For more of my posts on TV, click here.

By: agavin
Comments (4)
Posted in: Television
Tagged as: Character, Dev Patel, Gossip Girl, MTV, Netflix, Skins, Television, Television Review, Writing

Game of Thrones – Episode 8

Jul02

Title: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 8 – June 30, 2011

Status: First Season now airing on HBO

Summary: Oh boy, it’s coming

ANY CHARACTER HERE

I had to delay watching the last three episodes of the show for a month while suffering on vacation in Italy (travel log here). Even after being up for 36 hours I binged through two of the three after unpacking.

Episode 8,  “The Pointy End.” The last third of the season, or even last half, is all about grinding out the consequences of positions and choices made in the first half. Many of these lead to additional hasty decisions that will also have repercussions. Also it is worth noting that this episode is actually penned by George R. R. Martin himself, which is fitting because it’s one where the character arcs are really pivoting.

One of the great things about Martin’s novels are how believable these difficult choices are for the characters. They don’t see the future, aren’t even always aware of all that the reader is, and even more importantly, are filtered through their own biases and priorities.

We open with the play out of the season’s most central pivot, that Ned’s attempt to show the queen and her children mercy leads to disastrous results for his family and for the realm as a whole. His entire household in King’s Landing is slaughtered, and Sansa is captured. But Arya, training with her “Dancing Master” Syrio is not so undefended. Syiro is a favorite character and he is played delightfully by Miltos Yerolemou in the show. I do think that — like many scenes in this episode — that the production felt a little TV. Syiro holds off about five Lanister guards with a wood training sword, which is bad ass, but the choreography could have used just a little more punch. There just wasn’t enough zing to his movements. Still he kicks butt and his final line, “And what do we say to the god of death?” -> “Not today” is awesome. Similarly Arya’s all important stabbing of the stable boy felt a little flabby. Or maybe it was just by mood (very tired).

Ned is briefly visited by Varys in the dungeon, and I do love this portrayal of the spider. Instead of the interior monologue of the novel their conversation is used to expose the central crux of his moral journey: The fact that his mercy (toward Cersei) lead to his downfall, and that he must now chose between family and principles — and they aren’t good choices either way. We also have some wonderful background on Varys.

The news of events in the capital is spreading, linking the separate story-lines together. Jon is forced to cope with his own choices and loyalties between family and duty. We even see a bit of ghost! And then he gets to fight the white walker. This was pretty cool, but again, as I felt with a lot of this episode (but not about Episode 9) lacked a tiny bit of gravitas (not to mention Morment’s raven — boo!). But it’s still important as it really starts to establish his role with the Black Brothers.

In Winterfell Robb must deal with the imprisonment of his father, being forced to become the man he knows he should be. This is well handled, and there is a pretty good sense of him coming into his own. Theon is well set up. In the books he is extremely minor in book 1, but clearly the producers have chosen him as a character to emphasize in seasons 2 and 3. We have a bit of Bran in this part of the arc too. Somehow in the second two thirds of the show Bran feels much more absent than he does in the novels (as there he has all the POV for Winterfell). This brings him back a little, but I would have liked more emphasis on the wolves and the dreams. I’m coming around to Osha a bit though — even if she has crazy hair.

Tyrion and Bronn make their way out of the Vale. Their dialog is first rate as always, and they have their encounter with the mountain men. This too felt a little TV as they just couldn’t show enough men. You see about fifteen, but it really wanted at least 150, a real camp, and more of a sense of ferociousness.

Across the sea Dany is coming down off the high of being promised the world by Drogo to see a bit of the reality of what it really means to be a war leader. The Dothraki are slaughtering the “lamb people” and she tries to put a stop to the rape of some local women. This is a decision that for her will bring momentous change, continuing the theme illustrating the dangers of mercy. We also meet the witch, who looks like some Italian mother from Brooklyn. Like the other big scenes, and many of the Dothraki scenes in the whole show, this little battle felt crimped by the TV budget. Just not large enough or dynamic enough. Drogo’s fight however, defending his manhood and her honor, is pretty awesome. Jason Momoa has some real charisma, and I’m looking forward to the new Conan. He pulls off the very personal manly man-ness (guy-liner and all) to good effect.

The episode concludes softly with the dismissal of Ser Barristan, which is very well handled. You get a real feel for Cersei and this unctuous Joff overextending themselves. Barristan is wonderful too, along with Jaime the only developed member of the Kingsguard.

The plotting  and characters of this story are just so good. Everyone is in motion, in conflict all the time, but not just the kind of meaningless Transformers 2 style conflict, but real honest to goodness stuff that tests their fundamental values.

Reviews of previous episodes: [ Episode 1, Episode 2, Episode 3, Episode 4, Episode 5, Episode 6, Episode 7 ]

Or the next Episode 9.

Or find out about my own fantasy novel, The Darkening Dream.

Related posts:

  1. Game of Thrones – Episode 6
  2. Game of Thrones – Episode 3
  3. Game of Thrones – Episode 5
  4. Game of Thrones – Episode 7
  5. Game of Thrones – Episode 4
By: agavin
Comments (6)
Posted in: Television
Tagged as: Characters in A Song of Ice and Fire, Game of Throne, Game of Thrones, George R. R. Martin, HBO, Historical fantasy, Major houses in A Song of Ice and Fire, Programs, Television, Television Review, The Pointy End, World of A Song of Ice and Fire

Game of Thrones – Episode 7

May22

Title: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 7 – May 22, 2011

Status: First Season now airing on HBO

Summary: The pivot of action and consequence

ANY CHARACTER HERE

Episode 7,  “You Win or You Die.” In a lot of ways, this episode is the biggest pivot of events in the maelstrom of plot shifts. While Game of Thrones took it’s time setting up the characters in the first four episodes, 5-7 are a whirlwind of motion. Consequences are the theme.

Because this episode is only on hbogo (for a week) and their are less summaries on the web, I’ll cover the scenes in more detail than usual. So spoiler alert (for this episode).

We open with Jamie and his father Tywin in a military camp, Lord Lannister. The excellent casting continues. They have a lengthy discussion while Lord T butchers a stag. This show uses the repeated device of putting explanatory dialogue on top of certain background but intense actions, like sex in a brothel, or Renly’s shaving. Here the butcher’s work is displayed in considerable detail, adding a nasty factor to the whole scene. We also observe just a bit of what Jaime has to deal with in his home life, and why doing the right thing hardly comes naturally to a Lannister. Oh, and the irony of Lord Tywin skinning a stag… sigil of house Baratheon, is not lost.

Next, one of the most important scenes in the book (and the series). Ned confronts Cersei in the garden, letting her know that he knows about the illegitimacy of her children. He gives her a chance to flee. Of course, he underestimates her, one should never corner a lion. All along, Ned’s honor, his need to do the RIGHT thing by a strict definition of the rules, rather than a flexible political definition, proves to be his achilles heel. This act of honorable mercy, in tipping his hand, more than anything else sets the entire war (which Robert predicted was coming) in motion.

Then we cut to Littlefinger in his whorehouse, training a newly arrived Ros and some other vixen. This earns the episode its nudity in spades. It’s also the same basic mechanic as used with the stag. Still this dialogue, where he slightly unnaturally confesses some of his youthful lessons in life to the whores, reveals a bit more of his complex character. This scene is new to the show, as the information contained here is revealed in Cat’s memory in the book.

We have more Theon exposition back at Winterfell as he attempts to tease Osha and is instead mocked. They are going to very considerable lengths to detail Theon’s background in this season, whereas in the books he barely has a role until Book 2. Osha seems too pretty to me, not hard enough looking.

Then we have Sam and Jon on the wall, where they see an riderless horse returning. They go down to find it’s uncle Benjen’s. Uh oh.

Back to King’s Landing where Renly rushes in to tell Ned that Robert’s been hurt hunting. We then see the injured king and Joff (hiss), and Ned and crew enter. The king shows off his nasty wound, and drives everyone but Ned out. He then writes a letter up making Ned Lord Protector and Reagent, and regrets his decision to have Dany killed (another decision that will have consequences!). When Ned steps out, Lord Varys (his performance is delicious) throws the blame Lancel’s way. Barristen the Bold is here too, and his character has been built up decently — although he’s the only member of the Kingsguard that is, other than Jaime.

Then across the sea, Dany and Drogo are chatting in Dothraki. Boy has their relationship changed. She’s playful and comfortable with him. But he does indicate that he thinks thrones are for sissies. And this from a man wearing way too much eye liner?!? Then Dany goes shopping at the crazy pseudo-middle-eastern bazaar. Some talk with Jormont, and he goes off to pickup his spy message from Varys’ agent — proving what we already knew, that he’s a double agent. Dany meets up with a wine seller from Westeros, and he offers to give her a special gift. But Jormont really is a double agent because he’s suspicious, and saves Dany from being poisoned. This scene has a slightly cheesy feel, as this is a whacky way to assassinate someone, as it depended on the coincidence of Dany stopping by for a drink.

Back to castle Black, where Jon and crew get a speech from the Lord Commander — again, where’s his bird? I loved the bird, and it wouldn’t have added any screen time to keep him. Save with the wolves. This bugs me considerably as in the books each of the boys at least has a completely integral relationship with their wolf, and the beasts are barely shown. In any case, Jon get appointed a steward rather than a ranger. He’s pissed. But Sam sees it for what it is, as he is to assist the Lord Commander directly. Sam is very well cast, and he’s likable, funny, and believably lousy as a solider.

Then back to King’s Landing where Renly is the first to attempt to convince Ned that practicality is more important than honor. If Joff is out of the succession, then that makes Stannis, the older brother of Renly and Robert, but not shown, the king. No one likes him. He has, as Loras said in Episode 5, “the personality of a lobster.” But Ned and his honor are on a unstoppable train. Renly presents detour #1, favor him as king.

But Ned sends a message to Stannis. Then enter Littlefinger to present door #2, make peace with the Lannisters and rule the kingdom as Joff’s Reagent — and Littlefinger’s assistance. Really, this is a pretty attractive looking door, and Littlefinger sells it so well. But alas.

Jon and Sam swear before the old gods. But first we see Ghost for about two seconds, and he’s cute, but where’s he been? The tree itself, with its bleeding eyed face is cool. The words of the oath suitable bleak. Loved it. The man hugs at the end were a bit cheesy though.

Dany and Jormont talk about the failed assassin’s unpleasant fate and Drogo enters.  He is another consequence, as Drogo swears before his gods and the stars to cross the narrow sea and give his bride her father’s throne back. Nicely done, and the Dothraki oath swearing was awesome. Lesson: if you attempt to kill your rival queen, don’t fail.

Then Ned is told of Robert’s death, and he plans with Littlefinger to get the guards anyway so that when he confronts the queen, he has some muscle. They then proceed into the throne room for a nice confrontation, which plays out very nicely. More consequences come back to haunt everyone as the straightforward and honorable Ned is out maneuvered again — caught in the snare of his own honor. Leaving us on a pretty serious cliffhanger. Joff is such a twat, I can’t wait for his wedding.

Absent this week: Tyrion, Cat, Bran, Arya, Sansa. The Lord Commander’s bird and all the direwolves except for two seconds of Ghost.

Overall the episode is great, packed with action and consequences again. We again have four out of the five threads (and really mostly the three: Dany, King’s Landing, and Jon). The note taking distracted me a little, I need to sit down and watch it again without all that.

Reviews of previous episodes: [ Episode 1, Episode 2, Episode 3, Episode 4, Episode 5, Episode 6 ]

and of Episode 8, 9 or 10.

Or my review of A Dance With Dragons.

Or find out about my own fantasy novel, The Darkening Dream.

Related posts:

  1. Game of Thrones – Episode 6
  2. Game of Thrones – Episode 3
  3. Game of Thrones – Episode 5
  4. Game of Thrones – Episode 4
  5. Game of Thrones – Episode 2
By: agavin
Comments (18)
Posted in: Television
Tagged as: Arts, Characters in A Song of Ice and Fire, episode, Episode 7, Episode Review, Fiction, Game of Thrones, HBO, Historical fantasy, Major houses in A Song of Ice and Fire, Television, Television program, Television Review, World of A Song of Ice and Fire

Game of Thrones – Episode 6

May22

Title: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 6 – May 22, 2011

Status: First Season now airing on HBO

Summary: Unrelenting!

ANY CHARACTER HERE

Episode 6,  “A Golden Crown.” The blast off that began last week with Episode 5 continues on full burn with Episode 6. The whole episode is pretty much wall to wall tension.

Unlike the first 4 episodes, exposition has been striped down to almost nothing. And after a week in absence, Dany and the Dothraki return with a vengeance. On her arc we see her eating an entire horse heart raw in a ritual to sort of anoint her son the prince in-vitro. Like the dragon, she sheds the skin of the vulnerable little girl. Even her crazy brother is aware of this, and it cripples his own hopes leading to the climatic and namesake scene.

In parallel, we have the resolution of Tyrion and the Eerie storyline. The Imp also comes into his own power, using his tongue to outfox both the imbecile turnkey Mord and the lady of the Vale herself. There’s both excellent dialogue and fun action in these scenes. My favorite line being, “You don’t fight with honor!” and the answer “No, he did,” pointing at the dead loser.

Jon takes a by for the second week in a row, but in Winterfell, we have a bit of development with Robb, Theon, and Bran, who is now outfitted with his special saddle that allows him to ride even without his legs. This leads to a pretty decent scene introducing Osha, although her hair and makeup looks more like Titiana in some production of a Midsummer Night’s Dream. There is also yet another mysterious opportunity to show off Ros the hooker’s money (in the victorian sense).

The Dany, Tyrion and King’s Landing segments have roughly equal weight. Back in the capital, Robert has gone hunting (excuse for a little more fun between him and brother Renly) and Ned, reinstated as hand, is left to run the country. He starts by making another move against the Lannisters, opposing the actions of the mad giant the Mountain. For the novice viewer, this scene may seen a tad mysterious as well, as it serves to set up major actions and players in book 2 and 3. Arya continues some excellent work with Syrio. Then we have my least favorite scene in the episode, the only one I didn’t like, where Sansa is a bitch to her governess, and then that shit of a prince shows up to pretend to be nice to her. I’m not even sure this is in character after he’s been such a little prick to date.

The whole hour oozes tension and there are lots and lots of great moments. Four of the five story-lines are weaving here, and it feels fairly seamless except for one or two cuts.

Robert stands out as always, “killing things clears my head.” Tyrion and Bronn both, establishing this relationship that will continue for a while. Tyrion’s “confession” is a delight, particularly the part about the turtle stew! Dany with the heart is great, and the chanted Dothraki. I’ve always been a sucker for oracles, and “the stallion that mounts the world” and “a prince rides within me” bits gave me goosebumps. We do finally get a bit of sense of Dothraki culture her, just a bit. And the final scene with Viserys is touching and very well played.

The next episode, 7 is available a week early on hbogo! So my review here.

Reviews of previous episodes: [ Episode 1, Episode 2, Episode 3, Episode 4, Episode 5 ]

And here for my review of Episode 7.

Or find out about my own fantasy novel, The Darkening Dream.

Related posts:

  1. Game of Thrones – Episode 3
  2. Game of Thrones – Episode 5
  3. Game of Thrones – Episode 4
  4. Game of Thrones – Episode 2
  5. Game of Thrones – Episode 1
By: agavin
Comments (9)
Posted in: Television
Tagged as: A Midsummer Night's Dream, Arts, Characters in A Song of Ice and Fire, Eerie, episode, Episode 6, Episode Review, Fiction, Game of Thrones, HBO, Historical fantasy, Major houses in A Song of Ice and Fire, Programs, Televis, Television, Television Review, World of A Song of Ice and Fire

The Sopranos – Season 3

May13

Title: The Sopranos- season 3

Genre: Comedy / Drama

Stars: James Gandolfini (Actor), Lorraine Bracco (Actor), Alan Taylor (Director), Allen Coulter (Director)

Watched: Second season: May 4-May 12, 2011

Status: Six seasons, series finished

Summary: Still flying high

ANY CHARACTER HERE

Season 3 continues to groove on the rhythm established in season 2. There aren’t any big shake ups in the formula, but by concentrating on the mob action and the relationships, it remains outstanding. There is, I think, a slight notch up in the humor. While things maintain a pretty serious level of violence, some of the episodes just seemed a bit funnier in a clever understated way.

The season starts off with the highly amusing and stylized efforts of the FBI to bug the sopranos house — really a clever reintroduction to the characters in disguise. Joe Pantolanio shows up to give us Ralph, the guy who Guido the Killer Pimp grows up to be. He serves to replace Richie as Tony’s designated pain in the ass. He’s funny (and tragic, but not for him), but he isn’t quite as interesting a figure. Mom takes a most appreciated (I found her funny but annoying) permanent vacation. There are arcs with Meadow at college and her boyfriends, with Jackie Jr, with Dr Melfi, with Christopher.

Structurally this arcs are more spread out, crossing most of season, or at least several episodes. This isn’t yet The Wire or Game of Thrones where the episodes are just arbitrary blocks of a much longer story, but it’s getting closer. Still the sense of a bigger arc for the entire season is more muted than in season 2 (where the dual “Big Pussy as informant” and “Richie makes trouble” arcs served to anchor the season).

There are some good shocker moments too like in “Employee of the Month.” I also really enjoyed the gang antics in “Pine Barrens.”

The dominant theme continues to be the co-existence of family and personal life with violence. The balance of this rather realistic portrayal and dark humor is as pretty fucking brilliant. Despite the comedy and violence, the characters feel very very real, and I think that’s the secret of the show’s success.

Also interestingly, each season ends with an Aprille death. Although the last episode is a bit of a letdown.

For my review of season 1

or season 2, see here.

Related posts:

  1. The Sopranos – Season 2
  2. The Sopranos – Season 1
  3. TV Review: Buffy the Vampire Slayer – part 3
  4. Game of Thrones – Episode 3
By: agavin
Comments (1)
Posted in: Television
Tagged as: Alan Taylor (director), Allen Coulter, HBO, James Gandolfini, Lorraine Bracco, Pine Barrens, Soprano, Television, Television Review, The Sopranos, Tony Soprano, Wire

Game of Thrones – Episode 4

May09

Title: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 4 – May 8, 2011

Status: First Season now airing on HBO

Summary: Amazing!

ANY CHARACTER HERE

With Episode 4,  “Cripples, Bastards, and Broken Things,” the enormous narrative of Game of Thrones begins to pick up speed. Still, it’s amazing how much time this show needs to spend on characterization, which is a tribute to the enormous depth of such in the source material. Even streamlined, there’s just such a ridiculous number of interesting characters, each with their own pathetic stories.

The episode introduces Sam (fan fave from the books), Gendry, the Mountain that Rides, the annoying Bard, Bronn, Janos Slynt, Hodor, and even briefly shows Ghost (where’s he been hiding?). But it’s also packed with bits enhancing existing characters, big and small. One of my favorites is Littlefinger’s grim tale of the Mountain and the Hound’s “boyish games.” Good stuff, although by moving it the story from the Hound himself to Littlefinger, I wonder if the former’s complex character won’t be diluted — not to mention his peculiar but important relationship with Sansa.

The four main threads of the story continue to advance: Jon at the Wall, Dany with the horselords, Tyrion making his way home, and the central focus of Ned and the girls at King’s Landing. The first and the last are dominant here, getting 80-90% of the time. Perhaps because of it’s more contained scope, Jon’s story is the most complete, setting up camaraderie and threat in the Realms bleakest and most northern castle.

In Ned’s world, the plotting and complexities are starting to heat up even further in, and Arya — as usual — steals her one major scene.

For other fans of N and V (something I this show has plenty of), we have a great scene with sexy slave girl in the bathtub and a bit of jousting lance to the jugular.

And after last weeks less dramatic, but atmospheric ending, Episode 4 is back to a serious pivot. Cat’s little speech in the Inn was something I loved in the books, and it’s well done here too. I can’t wait to see the Eerie, which I suspect will be episode 6.

Reviews of previous episodes: [ Episode 1, Episode 2, Episode 3 ]

or here for Episode 5.

Click here for some trailers for and about the series.

Or find out about my own fantasy novel, The Darkening Dream.

Related posts:

  1. Game of Thrones – Episode 3
  2. Game of Thrones – Episode 2
  3. Game of Thrones – Episode 1
  4. Game of Thrones – The Houses
  5. Making Game of Thrones
By: agavin
Comments (13)
Posted in: Television
Tagged as: Arts, Game of Thrones, Games, HBO, Historical fantasy, Major houses in A Song of Ice and Fire, reviews, Television, Television program, Television Review, World of A Song of Ice and Fire

The Sopranos – Season 2

May06

 Title: The Sopranos- season 2

Genre: Comedy / Drama

Stars: James Gandolfini (Actor), Lorraine Bracco (Actor), Alan Taylor (Director), Allen Coulter (Director)

Watched: Second season: April 29-May 3, 2011

Status: Six seasons, series finished

Summary: Ups the ante

ANY CHARACTER HERE

With season 2, The Sopranos takes the formula they successfully developed in season 1 and really notches it up.

While the foundation of fun characters is great, fundamentally I think the improvement has to do with a slight toning down of the comic element (it’s still there, just slightly muted), and a concentration on the mob aspects at slight expense of Tony’s maternal and psychiatric relationships. It’s not to say that any major elements changed, the writers merely tuned up the balance.

The mob stuff is great this time around. First of all, we have a lot more violence. It actually feels pretty real. This underscores a fundamental aspect of the show, in that we are made to become very fond of a bunch of “cold hearted killers.” I’m not personally sure that this is unrealistic because everyone’s the hero in their own story. In any case, there are some great episodes here.

I particularly enjoyed “Commendatori” in which Tony, Chris, and Pauli go to Napoli for a little pow-pow with some old country gangsters. Having spent some time in Naples, this is extremely well handled, showing off that ancient city’s blend of violence, seediness, and beauty. “D-Girl,” is another really fun episode. This is predominantly a Christopher show, and in the first season his subplots were dull, but maybe it’s just living in Hollywood, or perhaps that I know Jon Favreau myself (he’s a friend of a friend), but I found it sexy and amusing.

A few new characters spice things up. I’m not that big a fan of Tony’s sister Janice, but Richie Aprile is awesome. Channeling a very short Al Pacino, he’s quite a character. This couple follow in Tony’s Ma’s tradition of stirring up trouble, both serious and comic. It all gets a little twisted — particularly his mafioso-style bedroom fetish.

Particularly in the first half of the season, there isn’t much for Dr. Melfi to do, and during the second she arcs in a way I didn’t find realistic. Family life and relationships are still paramount, but juicing up the crime intensity a bit, I felt improved the balance, moving things closer to the modern HBO style of great writing, great action, and shock.

For my review of season 1, see here.

For my review of season 3, here.

ps. What’s up with Meadow’s weight? It bounces around like a super ball. The rest of the cast (except for Christopher and his Jersey girl fiance) mostly stay what most of the characters would call, “fat fucks.”

Related posts:

  1. The Sopranos – Season 1
By: agavin
Comments (2)
Posted in: Television
Tagged as: Al Pacino, Alan Taylor (director), Allen Coulter, Commendatori, James Gandolfini, Jon Favreau, Lorraine Bracco, Naples, review, Richie Aprile, Season 2, Season Review, Soprano, Television, Television Review, The Sopranos, The Sopranos Season 2

Game of Thrones – Episode 3

May02

Title: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 3 – May 1, 2011

Status: First Season now airing on HBO

Summary: Amazing!

ANY CHARACTER HERE

Episode 3 is titled “Lord Snow,” in reference to Jon Snow‘s nickname at the wall. This episode continues, and I think essentially wraps up, the trio of scene setting episodes. This world is so complex, with so many characters, it needed a three hour pilot. Still, it’s a damn enjoyable setup.

We do find ourselves with a different feel than last week’s “The Kingsroad.” This episode is brighter and faster, better I think, but also lacks any real momentous events or a dramatic conclusion. Episode 2 started off slower, but ended with a bang. Episode 3 just fundamentally introduces the Wall and King’s Landing. But both are fun. Varys and Littlefinger are a delight. There are a lot of very strong scenes in here, mostly in the area of character development and exposition. The scene where Robert, Barristan, and Jaime discuss their first kills is terrific. Others will and have quote it, but I will again. “They don’t tell you that they all shit themselves. They never put that part in the ballads.” Just awesome.

Tyrion and Arya continue to rock, Jon is building momentum. There’s good work with Arya and her sister, even better work with her and her father, and the fan fave delicious introduction of her “dancing instructor,” Syrio. No one who’s read the books doesn’t love Syrio and the waterdance. You can see subtle little nods to the characters, like Arya listing off those she hates, as this will flare into the flame that keeps her warm in the dark cold nights.

There are also curious absences. What happened to Ghost?  (Jon Snow’s albino wolf)  And Commander Mormont’s raven?  And time pressure makes a few of the scenes feel very very fast indeed for those viewers who haven’t read the books (particularly the Dany scenes this time around). If any of readers are in this camp (not having read the books), please comment below and offer your opinions of the show, I’m really curious. I love it, but some of this is propped up by my encyclopedic knowledge of the characters and their relationships.

I do also have to say that I don’t love the weird mixed race look of the Dothraki. The Khal is fine, but I would have just cast the rest as Mongols and made them straight up raw and tough. The blood rider is so young he looks soft, and middle eastern to boot. Who’s with me in thinking that Endo from Lethal Weapon would have made the perfect blood rider? — 25 years ago.

King’s Landing (aka Malta) has a different sunnier feel than I imagined it in the books, but I kinda like it, down to the interesting little detail of the floors always being dirty. And in a number of scenes the CG view out the windows is gorgeous, high up on the towers with the whole city laid out beneath like in Napoli. I also liked Maester Aemon, but he needs those white “blind guy” eyes because that’s how I imagine him.

Exposition or no, I enjoyed every minute of this episode, and we’re poised for some serious stuff in the hours to come ahead. Next week, jousts and dwarves in a pickle.

My reviews of other episodes: [Episode 1, Episode 2, Episode 3, Episode 4].

Click here for some trailers for and about the series.

Or find out about my own fantasy novel, The Darkening Dream.

Related posts:

  1. Game of Thrones – Episode 2
  2. Game of Thrones – Episode 1
  3. Game of Thrones – The Houses
  4. Making Game of Thrones
  5. Inside Game of Thrones
By: agavin
Comments (12)
Posted in: Television
Tagged as: Arts, Arya, Emilia Clarke, episode, Episode Review, Fantasy, Game of Thrones, George R. R. Martin, HBO, Historical fantasy, Jon Snow, Major houses in A Song of Ice and Fire, Malta, Mongols, Nikolaj Coster-Waldau, Programs, review, Television, Television program, Television Review, World of A Song of Ice and Fire

The Sopranos – Season 1

Apr30

Title: The Sopranos- season 1

Genre: Comedy / Drama

Stars: James Gandolfini (Actor), Lorraine Bracco (Actor), Alan Taylor (Director), Allen Coulter (Director)

Watched: First season: April 20-28, 2011

Status: Six seasons, series finished

Summary: The HBO missing link

ANY CHARACTER HERE

For whatever reason The Sopranos remained the only real HBO drama that I hadn’t seen. I’ve been a huge  HBO original programming fan as far back as Dream On, but I just never got around to Tony and crew.

Until now.

It’s interesting to see it after the fact, after having watched Rome, Deadwood, Six Feet Under, Carnivale, True Blood, The Wire, Big Love, Game of Thrones, Boardwalk Empire, etc. This is an intermediate stage in the development of today’s long form visual medium. The Sopranos, like all HBO dramas, is very well written. Where it shines is in character building. Not development per se, but in the creation of unique and interesting personalities. The casting is spot on and nearly every member shines as distinctive and amusing individuals. But inherently, this is a recipe HBO has really mastered, blending casting, writing, and acting to make seamless characters.

It isn’t (in this first season) as well plotted as some of its sucessor shows. Less happens, and the events are a bit less dramatic. This isn’t to say that nothing’s going on, but we don’t have the momentous and shocking events every fifteen minutes that are the hallmark of the mid 2000s shows. I suspect later seasons may grow into this. The net net of this was that I wasn’t quite as riveted by the events, and certain subplots dragged, but the characters certainly kept me watching.

There is something to note here, which is the odd dichotomy of the like-ability of most of the cast and their “trade” as cold and murderous mobsters. The show strikes a slightly comic and not entirely realistic tone with regard to this, making it easier to disregard the violence and keep on liking them. And like them I certainly did, particularly Tony. James Gandolfini shines in this role, nailing his particular brand of goomba charisma. His mother is perfect too (although fun to hate) as the manipulative bitch that she is.

I was also a bit ambivalent about the central premise of the mafia boss in psychotherapy. Although I did like the shrink, and I liked the amusing way in which Tony would sometimes describe a happening in mild mannered terms while the visuals showed it “the way it really was.” I often enjoy this this sort of humor. At times the overall conceit felt a little forced, but it basically works.

So I’ll start in on season 2, particularly as I’ve heard the series only gets better.

For my review of season 2, see here.

Check out my review of Game of Thrones.

Related posts:

  1. Figs are in Season
  2. Shameless
By: agavin
Comments (5)
Posted in: Television
Tagged as: Allen Coulter, Arts, Big Love, Boardwalk Empire, Deadwood, drama, Game of Thrones, HBO, James Gandolfini, Lorraine Bracco, review, reviews, Six Feet Under, Soprano, Sopranos, Television, Television Review, The Sporanos, Tony Soprano, True Blood, Wire

Shameless

Apr14

Title: Shameless

Genre: Comedy / Drama

Stars: William H. Macy (Actor), Emmy Rossum (Actor)

Watched: April 8-12, 2011

Status: First Season

Summary: A guilty pleasure

 

Shameless is Showtime’s latest entry in the “edgy comedy” category, a slot they’re fond of (Weeds, Dexter). In any case, Shameless is an American remake of a British show, and centers around a working class Chicago family with an extraordinarily bad and alcoholic father named Frank (William H. Macy) and a bevy of often delinquent children and associated hangers on.

While Macy is great, nicely straddling the line between likable and incorrigible, the show is anchored by oldest daughter and effective mom Fiona (Emmy Rossum). I never noticed her before (she had minor roles in a couple movies I’ve seen), but she’s fantastic in this role. She brings to the table a wining hand of tough, sexy, vulnerable, and sheer chutzpah.

Tone wise, this show is much like Weeds in that it mixes (attempted) social satire with the ridiculously scandalous and the sketchy. This blending of comedy with the truly unwholesome seems to be more and more popular, but it first knocked itself on my consciousness in the mid 90s with Reese Witherspoon‘s Freeway. I mean in Shameless we’re talking baby-napping, highly inappropriate sex, “borrowing” the elderly, all sorts of fraud, at least 4 or 5 different portrayals of male backdoor action, blow jobs under the kitchen table, some really really bad parenting, and I’m just getting started. But the show tries to wash down this heavy stuff with a big tongue in cheek and a medium dose of Guy Ritchie-style cinematography.

It’s a pretty titillating show too — like watching a sexy train-wreck with lots of nudity.

And overall I think it succeeds, and succeeds well, not so much because it’s funny — it is — but because it manages to make us care about the characters. This is a complex tonal balance, and the season finale isn’t perfect, but despite all the unrealism, and the unbelievable (and unacceptable) stuff spun with a comic touch, there remains a realistic feel to the people. I found myself glued, pounding through the season in 3-4 episode-at-a-time video-on-demand bindges. While the players’ actions may at times be comic, their emotional response is not.

Related posts:

  1. Book and TV Review: Dexter
By: agavin
Comments (3)
Posted in: Television
Tagged as: Chicago, Comedy, Dexter, edgy comedy, Emmy Rossum, Guy Ritchie, Justin Chatwin, Reese Witherspoon, review, reviews, Shameless, Showtime, Television, Television Review, TV review, Weeds, William H Macy

Game of Thrones – Episode 1

Apr02

Title: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 1 – March 31, 2011

Status: First Season coming to HBO April 17

Summary: Amazing!

ANY CHARACTER HERE

I had the privilege to get an advance screening three weeks before the premier of the first episode of the new HBO miniseries Game of Thrones. For those of you living in a hole, it’s based on the stunning (and huge) series of novels by George R. R. Martin called the Song of Ice and Fire. The TV series is named after the first volume, Game of Thrones, and the first season covers the first novel. Currently there are four books to the series, with a fifth due this July.

These are arguably my favorite fantasy books (read them all twice) and fantasy is my favorite genre. I’m not reviewing the books specifically here, but it is worth noting that they are stupendously good. Political, dark, complex, and full of very human characters. While this is fantasy, set in a sort of medieval-England-like kingdom, the fantasy is light. There are no armies of trolls and orcs. Just good old fashioned human sex and violence and a touch of the magical.

Which makes it perfect for HBO, and if the first episode is any indication they have done a stupendous job of adaption. I was blown away. I wanted to like it. I love HBO dramas so I hoped I would. But I’m critical by nature, so I was thrilled to find it exceed my expectations on all accounts.

This is a very faithful adaption of fantastic source material, but the series also plays to television’s strengths. The production is lavish, landscapes, sets, costumes, food, everything looked tremendous. And sounded tremendous. I saw a 35 mm print on the big screen with a serious sound system. After the titles alone (gorgeous) and the pitch perfect music I had goosebumps.

The casting/acting is also fantastic, and combined with the great writing is going to make this ambitious show work. These books have a lot of characters, and very well written ones. There is no big Sauron-type villan, there are only conflicted people. The Lannister brothers are awesome. My favorite character is Tyrion, the  Imp, brilliant, sharp-tongued youngest son of the land’s richest (and meanest) Lord. This is a tough role, and made even more difficult by the inherently limited roster of actors short enough to play it. Peter Dinklage is off to a tremendous start, stealing every scene he’s in. Awesome, and cudos Peter! Nikolaj Coster-Waldau is also superb as his taller and prettier older brother Jaime. Both are complex characters, and it’s good to see them nailed out of the gate. The Stark daughters and Jon Snow were also great, plus Sean Bean dominates with all the powerful gravitas that Ned Stark deserves. Emilia Clarke is gorgeous and appropriately vulnerable as Daenerys Stormborn — I’ll be interested to see if she can handle the character changes in store for her. Some seriously good casting across the board.

The writing is also great. This episode pounds through a LOT of material. A lot of introductions, and a good amount of setup and action, and it does it without feeling rushed. I’ll be curious to see how viewers who have not read the books cope with the staggering array of characters. It seemed to me that D.B. Weiss and David Benioff (they had the writing credits) did an incredible job unfolding the parallel threads of the book’s many viewpoints into one seamless narrative. They’ve linearized the story a bit, which actually makes it clearer. I hope that newbies give these characters a chance to unfold because as startling and brilliant as the first novel/season is, it’s really with books two and three that things really get crazy.

The atmosphere was perfect too. Detailed and moody. Filmed mostly in Ireland and Malta (across the narrow sea) it feels authentically “celtic.” And there is the now HBO standard hefty dose of nudity. We’ll also see what the producers make of some of the books’ more sordid moments — which are one of the things that make them such a dark pleasure to read. Now the only problem is that I have to wait a couple weeks for the second episode!

Congrats HBO and George R. on such an awesome job. Now just make sure to green-light the next 6 or so seasons!

Click here for some trailers for and about the series.

Or my review of A Dance With Dragons.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

Related posts:

  1. Inside Game of Thrones
  2. Game of Thrones – The Houses
By: agavin
Comments (15)
Posted in: Television
Tagged as: D.B. Weiss, David Benioff, Emilia Clarke, episode, episode 1, episode 1 review, Episode Review, Game of Thrones, George R. R. Martin, HBO, Nikolaj Coster-Waldau, Peter Dinklage, Song of Ice and Fire, Television, Television Review

Book and TV Review: Dexter

Jan04


Title: Dexter Series and Darkly Dreaming Dexter

Author: Jeff Lindsay

Genre: Dark Comedic Horror Police Procedural

Read: Dec 25-31, 2010

Show: Summer 2010

Summary: Immediately watch the show unless you are a squeamish person or otherwise sensitive to gruesome fun.

_

I’m going to try and stick to reviewing tothe first novel (Darkly Dreaming Dexter) and to the first season of the Showtime TV Show. I have, however, seen the whole series.

First, the show. This is one of the best shows on Television, and lots of people know it. It’s incredibly well written and engaging, without resorting to quite the level of crazy plotting that HBO usually goes for. Still, there is plenty of shock, and lots of blood. Not much sex — maybe they thought it would be WAY too creepy to mix in — but lots of blood and death. The idea of a sort of vigilante serial killer protagonist is pretty brilliant, and I’m amazed they pulled it off so well. I mean, taken in any context Dexter himself is really one sick fuck. But you do like him. And the supporting cast is great too. All of them really.

My only problem with the first season is that the Ice Truck Killer is a little too psychic about what is going to happen and what will push Dexter’s buttons. Now granted, there’s a reason for this, but I didn’t totally buy this level of prediction. Still, I had a blast, watching the whole thing in like 2-3 nights.

The show is dark, and pretty grisly. Did I mention dark? I love it. It’s also very very funny, in a perfect way which doesn’t give up on any of the realism. This is great. The writers do this with Dexter’s inner monologue, and the way in which his observations are often so in opposition to the situation. But the really telling thing about the show, and what makes it really great fiction, is that sometimes (terrifyingly often actually) we agree with him. Everyone has a bit of the serial killer inside them. Don’t get me wrong. I escort spiders outside to avoid killing them, but a dark thought or two has been known to cross my mind — or issue out of my keyboard — as my own book is pretty dark. Not to mention that my title (The Darkening Dream) is oddly similar to Darkly Dreaming Dexter. But I want to put it on record that I’d never even heard of the novel when I came up with the title. I guess Jeff Lindsay and I both adore alliteration.

Now the book.

It’s hard for me to judge it objectively because I saw the show first. The voice is really great, and the opening killer — literally. The show stays pretty tight to the novel for a while, and a lot of interior monologue and signature elements are in both. When Dexter is being naughty, particularly at the beginning, it’s totally gripping. The novel isn’t very long, 300 pages, 72,800 words. I liked the book.

But I loved the show. It’s just better. There’s more to it (and I’m just talking the first season). The plot is pretty similar, but the characters have much much more depth in the show. In the novel only Dexter, LeGuerta, and Deb (to a lesser extent) are real characters. The others from the show are mostly there, but mostly just scaffolds. In the show they really pop. Angel, Doakes, Vince, Rita etc. They have more dimensionality.

The plot too is much better developed in the show. The back story with Harry is beefed up. There are more twists and turns, and rightfully, the Ice Truck Killer is brought into the story in an active (on screen fashion) much earlier. Dexter’s kills and habits are better defined and more ritualistic, and there is a strong element of the “Cop Show.” Novel Dexter is less likable than show Dexter. Even the voice of the novel — it’s strongest element — is actually better in the show. Michael C. Hall‘s performance is awesome, and he really sharpens the edge on it.

And all the plot changes are big improvements. I had my one little plot beef with the first season, but the novel has several gaping holes. Not that it isn’t still a fun book. But the end for example. Why doesn’t Deb have him locked up? He really didn’t act in a terribly human manner. Also the element of coincidence and near mind reading on the killer’s part is way more pronounced in the book. This always bugs me. Also, Lindsay didn’t do a great job pre-selling Dexter’s origin. He just pops it out of the woodwork at the end (having seen the show I knew it was coming). The show sets it up really nicely.

He did however do a brilliant job with the little bit about “Mommy hiding the rest of her body in the little hole.” Oh so dark and nasty!

Related posts:

  1. Book Review: Still Missing
  2. Book Review: The Gathering Storm
  3. Book Review: Old Man’s War
  4. Book Review: The Passage
  5. Book Review: Uglies
By: agavin
Comments (2)
Posted in: Books, Television
Tagged as: Book Review, Darkly Dreaming Dexter, Dexter, Fiction, HBO, Jeff Lindsay, Michael C. Hall, reviews, Serial killer, Showtime, Television program, Television Review
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