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Game of Thrones – Episode 43

Apr26

Show: Game of Thrones

Genre: Fantasy

Watched: Episode 43 – April 26, 2015

Title: The High Sparrow

Summary: New Territory!

ANY CHARACTER HERE

I did not love The House of Black and White last week. I mean, it was fine and all — it was Game of Thrones — but that being considered it was a lackluster episode. This week makes me think that they don’t choose the names because of the focus of the show, but more for what the introduce.

NOTE: SERIOUS SPOILER WARNING. This review/discussion contains tons of spoilers about the episode and even ones crossing over from the books. It’s really my free-for-all musing given all the information at my disposal.

Arya – Even though I expected some meat on Arya’s story last week (because of the title), it seems to fall in this episode. We pick up with her inside the House of Black and White, a creepy dark space decorated with every image of the divine. She sweeps. She carries water. In the background Jaqen offers a man a bowl of “water”. Arya is frustrated with the drudgery (which evidently has been days) and confronts Jaqen — only to get a cryptic “all men must learn to serve” (in Valyrian too). She wonders which god and reminded that there is “only one true god” (we’ve heard that before!) and omits the “and his name is death.” Sure enough, the guy who drank the water lies dead on the floor and is carried off by silent acolytes.

A man must…

Later Arya is pondering her coin when a blonde female acolyte enters and questions who she is. Arya, having learned her lesson goes with the ever popular “no one” answer, but is beaten for her trouble. They get into a fight and Jaqen materializes to stop it. The other girl was apparently trying to play “the game of faces” (which is presumably where she “becomes” someone else for a while) but Jaqen questions Arya, saying that if she is “no one,” why is “no one” surrounded by Arya Stark’s things? Arya gets the hint and goes out to the lagoon to throw away her famed stinky clothes that have miraculously survived 4 years hard use. She chucks her money and even the coin too, but can’t quite manage to throw away needle, instead burying it under a pile of rocks in the jetty (which looks to be part of the harbor of some Croatian village). After, she is back in the House and Jaqen leads her to the basement where she learns to undress and bath a corpse that has recently drunk from the poisoned water.

This was all good stuff, with a nice creepy feel and some good does of Jaqen. The issue of Arya abandoning her things (and presumably her grudges) brings us to a theme that runs through this episode (and GOT in general). “To Revenge or not to Revenge.”

Jon – Has taken up his position as Lord Commander and made Olly his steward. Stannis with Davos in tow (as usual) come for a visit. The “One True King of Westeros” wants to know if he has decided on the whole becoming Jon Stark business. Jon has desires, revenge (theme), and all that on one side and loyalty and duty (to the Night’s Watch) on the other. Having built up his honor now as a brother, having paid for it at the cost of Ygritte and her love, and his friends, he’s going to side with his oath. Stannis gives him a hard time, but being the inflexible twit that he is, probably admires Jon. I’m not a huge Stannis fan, but these interactions at the wall are far better than him lurking about in Dragonstone. Stannis also mentions that he plans to march on Winterfell and the Boltons and Davos tries to get Jon to pitch in (even thought the watch is technically neutral).

Later, Jon is presiding over the mess. Sam tells us that Maester Aemon is sick (setup) and Jon drums up some humor by appointing a latrine captain, then Thorne (in his side) as chief ranger. When he commands the odious Slynt to take some men and go restore Grayguard, a ruined castle on the wall, Slynt refuses. And refuses again and insults Jon and his authority. Taking a page from the Ned/Robb playbook Jon calls for his sword and has the men drag Slynt outside to the block. Once there Slynt begs for his life and mercy. For a moment it looks like Jon might yield, but off comes the ugly head. Good riddance.

Nope, won’t miss him

Margaery and Cersei – Another gorgeous aerial shot of Kings Landing shows off the budget. It looks less and less like Dubrovnik by the episode. Liters containing Cersei and Margarey roll through the streets, but the people call Marg’s name (making Cersei scowl). We roll up to the Sept of Baellor (also looking better than ever) and apparently it’s time for Margarey’s third wedding. Let’s home 3 is the charm. This seems to be the only happy wedding in Westeros history too, as the episode slams from the kiss right to the bedroom. Tommen is getting lucky at a seriously young age! How old is he? In the books he’s like 8 or 9, but maybe 15 or so here. Lucky guy as Marg is a dish. He certainly thinks so because she wraps him about her cute little finger. Their pillow talk is very nicely handled. Marg is both artfully manipulative and clearly enjoying herself as well. I’m not sure that even a kid his age would be dense enough to fall for her heavy handed manipulations as she simultaneously flatters Cersei and implies that she over mother’s him — but he eats it up.

So next up Tom not so subtly tries to suggest to his mother that she might be happier in Casterly Rock. Which leads to Cersei storming back to Margaery, but the old queen is playing it close to her vest in a controlled manner. She talks nice to Marg as the younger girl not so subtly reminds her that she is a dowager now. You can feel the anger seething under her skin.

Gasp, a drama free wedding!

Later the High Septon (which we clearly saw marring Marg and Tom) is at Littlefinger’s whorehouse picking from various naked versions of the seven when the sparrows (including unrecognizable Lancel) storm in and haul him out naked into the street. It’s painful to watch as the fat pale dude is whipped through the streets.

Once dressed again (thank the seven), he loses no time in protesting to the small council. Which generates an amusing line when he tries to address Qyburn who says of his name “doesn’t matter.” But Cersei and the crew (other than the lecherous Pycelle) take him to task for getting into trouble anyway.

Jonathan-Pryce-as-the-High-Sparrow_-photo-Macall-B.-Polay_HBO

Mild but not meek

Cersei, the disgusting Meryn Trant in tow, decides to size up this new faction by visiting the “High Sparrow” in his lair (which is a poor house). The barefoot man, played by veteran character actor, Jonathan Pryce (Keira Knightley’s dad in Pirates!), does a good job of playing the role as ultra humble. Cersei must be up to something in her “plot against Marg” as she plays along.

The doctor’s laboratory!

Finally, she visits Qyburn in his lab. The place is delightfully Frankenstein, and the ex-Maester is in the process of doing in a rat. In the background is a big body under a sheet. Presumably the mountain. Cersei has him send a letter to Littlefinger. After she leaves the body gets to twitching. Kitsch, but fun.

The Boltons – Ride into a Winterfell that is under heavy reconstruction. Ravens in cages are been brought in, and Reek can be seen pathetically mucking out the yard. As part of the classic Bolton decoration a set of flayed bodies are hauled up on ropes, including a woman. Ramsay and Roose dine together, with Reek serving. Ramsay reveals that he flayed some Northern lord who wouldn’t pay his taxes and Roose suggests that given the size of the north, and their loss of Tywin’s support (due to his death), they really ought to adopt a somewhat more congenial style. To that effect, he has arranged a marriage for the new heir.

Sansa and Littlefinger – As they look down on yet another big vista, this time Moat Cailin. Seems they are heading north (as I suspected). This is all new territory. Littlefinger says they are going home and Sansa instantly puts two and two together about the marriage proposal and realizes it’s her. She is appalled at the idea of the Boltons (who did, after all, murder Robb and Cat). But Peter is ultra slick this time, saying he won’t force her, but she should consider taking charge of her fate and getting her revenge on her terms (revenge theme again). Sansa thinks for the moment, steels herself and agrees. This is a defining moment for her as a character, really taking charge (somewhat, for she is still a pawn of LF) and is very well handled.

Heading in new directions

Brienne and Pod – Look on. Brienne doesn’t need to follow, she knows where they are going and plans to sneak on by. She and Pod share some good bonding by the fire, exchanging more of their backgrounds and origin stories. Pod explains how he was sent to Tyrion and she explains how she met Renly and why she loved him (because he was always kind to her). Pod expresses his admiration and Brienne volunteers to start teaching him combat. Brienne comments that there is “nothing more hateful than failing to proect the one you love” and we know she’s thinking of her revenge on Stannis (the show even transitions over to him) so this counts as more revenge theme!

But in my threaded narrative, back to Sansa and Littlefinger and the Boltons – Sansa arrives in Winterfell. Home at last, but oh how things have changed. The Boltons have spruced things up for their guests. The flayed corpses are gone (but the hooks remain). Roose, Ramsay, and Roose’s fat frey wife are all lined up to welcome them. Sansa plays along as she is introduced to Ramsay. Behind them Ramsay’s mistresses look on. When she’s shown to her room the serving lady lets her know “the north remembers.”

A charming family

As she wanders around the castle, Reek keeps a secretive eye on her. We are in entirely new territory here and I can only speculate on how the threads the show is setting up will combine with the action in ADOD in this new alternative version. Clearly Stannis is on the way, as is Brienne. Clearly Theon/Reek will have some role to play in the chaos that will ensue. I suspect he’ll have some kind of partial redemption. Although who knows? GRRM and D&D might kill him (or anyone) off. This all must be tough on Sansa, but she has really come a long way and play along admirably.

Ramsay too is playing a role, because we know what kind of a whackjob he is. He tells Littlefinger he “will never hurt her.” And that’s in his nature? Roose joins them and Peter assures the elder Bolton she is a virgin. The pragmatic Roose couldn’t care less about that. He’s interested in Littlefinger’s plans and why after getting so much support from the Lannisters he’s turning against them now (and he doesn’t know the 90% of it!). As usual, LF’s true motives are fairly inscrutable. I can’t help but think he wants to sow even more chaos in the north and somehow pick up the pieces. But he suggests the Eerie and the North team up again. That message comes from Cersei and Roose has read it — he’s not a terribly trusting soul, as he wants to read it.

Tyrion and Varys – roll their giant wheel house up to Volantis and we are treated to even more giant panning city shots. This season is going nuts with these gorgeous views of Martin’s world. Volantis seems to include a giant bridge like the Ponte Vecchio with shops and buildings piled on top. This was actually a frequent site in early modernity (15-18th centuries). Paris and London both had them. The shot that rolls up over it is amazing. Tyrion, bored out of his gourd in the carriage, and sporting his new hood and beard look, drags a reluctant Varys out in search of a brothel. The presence of slaves is observed, and even Robb Stark’s late wife commented on it back in season 2-3. Here they apparently tattoo slaves with a descriptive mark, like a shovel for ditch diggers. They run into an Asian priestess of the Lord of Light on their way. She babbles about “the night is dark and full of terrors” and the like. She refers to “stone men” and Tyrion comments on this, drawing the connection to gray scale (Shireen’s disease, which was introduced last episode). Yep, they didn’t cut that!

Conleth-Hill-as-Varys-and-Peter-Dinklage-as-Tyrion-Lannister-_-photo-Helen-Sloan_HBO33

Hoodie time!

Ty does manage to find a whore house — of course, this is GOT and there are two in this episode alone! But unknownst to Tyrion and knownst to us, Jorah is lurking around — very drunk. There is even a whore dressed as Dany in blue and with a white wig. Tyrion talks to a lonely lady of the night and does a good job overcoming her initial skepticism of him, but when she goes to take him back to her room he can’t do it. This does incite some funny lines like “no one is more surprised. What am I going to do with all my free time?” So he wanders out to piss out the window (he loves a good vertical piss). Jorah sneaks up behind him with a rope, lassoes him and drags him off “for the queen.” This is an apparent acceleration of events in the books. Given the probable absence of some of the other (Dornish) traveling parties in ADOD it makes some sense. I’m sure they will run into a bit of trouble on their way to Meereen. Plus, this is now Tyrion’s second dwarfnapping!

Never too much Margaery

All in all, a great episode. Compared to last week in particular, a ton of stuff happened in this episode. Just look how long the description above is. We pushed into exciting new territory with the Sansa/Bolton thread. For the first time ever I’m really wondering what is going to happen. And while we didn’t have any Dany or Jamie (Not so sad to skip a week on Dany’s slightly anoying Meereen plot), the remaining threads felt quite substantial: Arya, Sansa/Bolton, and Cersei/Marg. Even the wall had a bit of a shocker. All great stuff.

The show is really upping the visual ante too. Nearly every locale gets some giant combined real and CGI view and they look totally gorgeous.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

HBO’s official videos for the episode:

By: agavin
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Tagged as: Arya, Episode 43, Game of Thrones, Game of Thrones (TV series), George R. R. Martin, HBO, List of A Song of Ice and Fire characters, Season 5 Episode 3, World of A Song of Ice and Fire

Game of Thrones – Episode 28

May20

Title: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 28 – May 18, 2013

Title: Second Sons

Summary: Really great character work

ANY CHARACTER HERE

Marriage has been a consistent theme this season and as we close in on the end this episode centers around the first of the three pending weddings. The title, Second Sons, adds to this theme. We have at least four featuring in this episode: the Hound, the mercenary band itself, Tyrion, and Stannis.

In a structural sense, this is a very cohesive episode with only three extended “threads” of narrative (Dragonstone, Dany, and Kings Landing) book-ended by two short (but important) ones (Arya at the beginning and Sam at the end). Really each of these three main threads is about a second son. And metaphorically, in each of these threads is the theme of powerlessness, of being treated (in a medieval sense) like a second son.

Arya – has only a small role this week, but her assumptions about our first Second Son, the Hound — initially murderous — are called into question by his words. She learns that he’s taking her to the Frey’s to be “sold” to her brother.

don’t mess with Arya!

Melisandre, Gendry, Stannis, and Davos – arrive back a Dragonstone and he is introduced to Stannis (our second Second Son). The would-be-king looks at him and says unceremoniously, “half Robert, half low born.” This is so Stannis. But he is uncomfortable with Mel’s plan to sacrifice the boy and heads down to the dungeon for a little chat with his conscience (in the form of Davos). In their usual sort of back and forth the come to terms and he lets the Onion Knight out. This is a peculiar relationship. Each man wants the same thing, for Stannis to be the man he wants to be, and are willing to overlook the flaws in both themselves and the other in pursuit of this.

Gendry is so in over his head!

In a new bit not in the books, Mel joins Gendry in is rooms and turns on her peculiar charm, which includes a mixture of guile, honesty, and nudity. Predictably Gendry is helpless before this assault. The show runners have taken her blood magic and turned it into sex/blood magic. It’s not exactly clear why she needs to pump him a little before tying him up and sucking out a little blood into three leeches. Perhaps it’s as she says earlier, that the lamb just never see the knife coming. Perhaps it’s a desire to keep up the sex quotient. Either way it works, and I enjoyed the burning of the bloody leeches and the calling for a curse upon three “usurpers”: Joff, Robb, and Balon Greyjoy. This is an ancient form of magic that goes back to far antiquity. I even use it in my short story, “Harvard Divinity.”

Dany – We continue to get some excellent shots of Yunkai in all its pseudo-Moroccan glory and Dany is cute in her Fremen-style robe. We are introduced to the obstacle-du-jour, a group of mercenaries that defend the city for the “Wise Masters.” This group is known as the “Second Sons” and is led by a trio of warriors including the Titan’s Bastard and Dario.

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Dany Sheik

Whom we soon meet as they hold audience with Dany in her tent. They are quite the brash and amusing trio, particularly the Titan’s Bastard who is brazenly forward with Dany. Dario looks like Jared Leto in the disastrous Alexander (sigh, I so wanted to like it). There are some good moments here. When they leave as Dany turns to Barristan and says, “when the fighting comes, kill him first” and the knight replies, “gladly.”

And even more fun are the three mercenaries in there camp arguing about how to proceed. The Bastard, like his creator Martin, is evidently fond of slave girls, and we have one that looks a lot like the handmaiden Dany left in the vault with Xaro. In any case, their plan is to send Dario to assassinate her and avoid a fight at all.

Naughty dogs!

But when he does barge in, she’s in the middle of her bath (after a fun moment with her translator) the two face off: the brazen mercenary and the naked girl. Her confident use of her physical presence here was very effective. Interestingly, for the first time since the end of season 1 she bares herself. I had begun to wonder of she had negotiated that out of her contract. It was even odd when the show apparently deliberately left a sex scene on the table in skipping her little shipboard tussle with her handmaidens.

Tyiron comes to visit Sansa – This continues to be a very awkward situation for our favorite second son, not in the least part because his lover is the girl’s handmaiden. So again when he comes to talk to her right before their wedding, he has to resort to virtually ordering Pod to haul Shae out of the room. And Peter Dinklage does a magnificent job (as always) with the subtly of emotions, combining attitude, self depreciating humor, awkwardness, and genuine like-ability to really sell Tyrion trying to do his best.

would you mind giving us a moment?

The wedding itself is pretty sumptuous, far grander than the quick affair in the books. The High Sept looks cavernous, like some grand reinterpretation of the Pantheon. Everyone in Kings Landing is there (except Littlefinger who is away). Sadly Varys doesn’t have any lines, but there is good stuff from Marg, Cersei, Joff, and Tywin. Cersei and her younger doppleganger (Marg) duel and the queen shows her claws.

But it’s Joff who steal the show by continuing to be the asshat that he is. When he removes the stool from the altar and forces Tyrion to ask Sansa to kneel it’s pure asshatery. Good stuff. The situation is tense, touching, and a bit comic. All great stuff. At the reception a bitter Cersei, frustrated by her lack of control (including over her son), snubs hapless Loras. Tyrion gets royally drunk and Tywin orders him to consummate his marriage no matter what. Joff tries to start some more trouble by bringing up the “bedding ceremony” which non-reader viewers will not understand. This is where all the women attending strip the groom and carry him naked to the bridal chamber while the men do the same for the bride.

Yes father, I am the god of drink and lust.

In his cups, Tyrion lays (verbally) into Joffrey and they nearly come to blows before Tywin puts a stop to it. Remember this, dear viewer.

The “consummation” (or lack thereof) is well done always. Sansa it seems, now finally understands her duty, but Tyrion, despite his flaws, is a character we can love and he isn’t willing to force himself on her. In continued defiance of his father, for love of Shae, and because he isn’t “that sort” he shows her continued kindness. The sentiments are deft and right out of the book, but the show has softened the scene, as in the book both strip down before coming to this moment. There is something about the rawness of the original literary scene, with both at their most vulnerable, that I really enjoyed. I had suspected, rightly, that they wouldn’t have the stomach for this.

Several other things are extremely well done: Tyrion’s impressive level of drunkenness, his comment about Sansa’s long neck (which we have all noticed), and in the morning, Shae’s little smile at the lack of blood on the sheets.

Sam – Sam and Gilly come across a ruined little hut in the forest next to an “Old God” (one of those red trees with the creepy faces). Ravens, ever purposed as harbingers in Northern myth, seem unusually drawn to the tree. As the duo sets up the fire and discusses the naming of Gilly’s baby their hesitant chemistry continues. It’s really well done with a shy tension and attraction on the part of both.

Eventually (and the episode ends on this), the calling of the Ravens draws Sam outside. They cover the tree, which although a slightly trite image still gave me goosebumps. A white walker approaches, the very same CGI model we met in the last episode of season 2. Sam, belying the coward he feels he is attacks, and is swiftly rebuffed. Walkers it seems have a taste for baby. But Sam draws his Dragonglass (aka obsidian) dagger and to use Buffy parlance, dusts the walker.

It should be noted that while this is the only segment not to include a second son (Sam is technically his father’s heir), his position in Randal Tarly’s eyes (explained in his own words some time ago, and alluded to here), is that of one.

Above the official “inside the episode.”

And above, a great discussion of the marriage thread this season.

Overall, Second Sons is a tremendous episode. It has a lot of “action,” perhaps not so much physical fighting (except at the end), but a lot going on, and with it’s concentration on fewer narratives a great deal of focus on the character’s we’ve come to love.

Absent this week were Bran, Robb, Jon, Jaime/Brienne, and Theon.

Another good analysis of this episode.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

By: agavin
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Tagged as: a game of thrones, A Song of Ice and Fire, Arya, Episode 28, Game of Thrones, George R. Martin, George R. R. Martin, HBO, Jon, Northern Ireland, Season 3, Season 3 Episode 28, World of A Song of Ice and Fire, Ygritte

Game of Thrones – Episode 16

May06

Title: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 16 – May 6, 2012

Title: The Old Gods and the New

Summary: The pace accelerates

ANY CHARACTER HERE

If I had to give this episode a theme, it would be trust (and betrayal). We open as last week with what was foreshadowed before, the arrival of the sea at Winterfell. But the producers did some serious cheaping out. We see none of the assault, none of the battle, instead merely Luwin running to send a raven and Theon telling Bran what he did. Didn’t they here “show don’t tell?” They knew though, it’s just the money, and perhaps the minutes. Still, it’s effective enough, but… cheap. But we do concentrate on the characters, and when Theon gathers everyone, we see the conflict written on every inch of his face. He makes his choice when he decides to man up and execute Rodrick. He is, as the dialog says, “lost forever.”

In the north, John and Qhorin Halfhand continue their excursion through the snowy waste of Iceland. Some got lucky and filmed in Dubrovnik Croatia, some in Iceland. Who had more fun? We see Ghost wandering around again. They must have figured out how to make the wolves economical.

Then Arya continues to serve Lord Tywin Lannister. The acting here between Arya and Tywin is absolutely first rate. The latter is more complicated, more human, and more likeable in the show than the books. Sure he’s a hardass, but he is reasonable. Then Littlefinger arrives. This is new to the show and deliciously tense. The subtle ways in which Arya tries to maneuver herself to face away, really good stuff.

Back to John in the mountains. They creep up and kill a bunch of wildlings, sparing only one, Ygritte, a pretty redhead. John accepts the responsibility of killing her. Qhorin trusts him to do it. This is a very intimate moment between Snow and the girl. There is something twistedly sexual about the power of life and death, and the lingered moment is exquisite.

Lipstick north of the wall?

The Lannisters see Marcella off to Dorne. Tyrion was right when he insisted that she’d be safer there, because the crowd is angry. Joff isn’t exactly the most endearing of kings, as Ty says, “cruel AND stupid.” The riot is fairly well done. It’s chaotic and dangerous, yet the armored troops have the individual upper hand, as they would. The septon is torn to pieces, literarily. We have various changes. The halfwit daughter of lady whatever isn’t really present. The queen finds herself in less jeopardy, and Sansa gets in some real trouble only to be saved by the Hound. This does a nice job reinforcing the SanSan relationship that the books have more time to develop.

Dany has a brief scene in Qarth with Xaro and the newly arrived “spice king.” He reminds me a bit of a Ferengi.

No love lost here

More Arya and Tywin time. We learn that Jaime is dyslexic, which is a nice bit of character building and exposition— except we haven’t seen Jaime since the first episode, which is a pity. In a way, Ty and Arya’s funny relationship reflects the whole trust thing. Arya snitches a paper about Robb, and then gets herself in a bit of trouble, but good thing she’s got her own pet assassin. The timing of the resolution has a very nice tragio-comic touch.

On the battlefield with Robb, he’s working his relationship with the nurse, Lady Talisa Migia (spelling could be wrong because she’s a new invented character). I’m not really feeling it with these two, but mom arrives to spoil the party and remind him he must marry an ugly Frey girl. I wonder what was wrong with the setup in the novels? Bolton shows with news. How many will noticed the “Flayed Man” on his sigil?

John marches through the waste with a captive Ygritte. Their little chase (which occurred in the previous segment of the thread) was nicely done. Here he has to deal with her and she sets to work on his manly weakness. I liked the two of the them in the books and I like it here.

Robb, Cat, and Bolton discuss Theon’s betrayal. I like how they have given Bolton a little more skin in the game (haha) and how they improve the clarity of him sending his bastard son to relieve Winterfell. This is a tad obtuse in the books. One of GRRMs weaknesses as a writer (and made worse by his complex POV structure) is that certain parts of important events are often a little vague. I forgive him, he has so many strengths.

Osha is fairly convincing when she comes to work Theon. Trust and betrayal. He gets what he sows. She even goes in for the full frontal, which is the only bit of nudity in this sexposition free episode (two in a row!). With Littlefinger out of town and Daisy nursing her bottom, what are whores to do? Theon has fallen for women several times before, it stems from his insecurities, and this time is no different. Contrast him with his “step” half-brother John who resists Ygritte’s advances (for now).

Very brief status with Sasha being tended by Shae. This is mostly just to let us know she’s okay.

Then back to Theon. Osha sneaks away. She’s always had an interesting feral quality to her, with her head cocked and the like, but naked it’s doubly so. She’s pretty badass with the guard and it’s good to see the Stark boys (and the wolves) make a clean escape. Theon’s in trouble now! You reap what you sow. Wait, I thought Greyjoy’s didn’t sow!

Why does everyone want to marry me?

Then Dany (with Xaro) finds her people raided and slaughtered and her dragons missing. This too is a major change from the book but I don’t blame them, her Qarth plot in A Clash of Kings was a little anemic. But here, trust or betrayal? And where was Jorah when we needed him?

And so ends another great episode. As usual, as the plot lines twist and knot, with the setup mostly accomplished, things move very rapidly here in the middle of the season. I so wish I didn’t have to wait another week!

See my review of A Dance With Dragons.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

With only men in the watch, don't forget to look over your shoulder

By: agavin
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Tagged as: A Dance with Dragons, Arya, Characters in A Song of Ice and Fire, Clash of Kings, Dany, Game of Thrones, Historical fantasy, Major houses in A Song of Ice and Fire, Television, World of A Song of Ice and Fire

Game of Thrones – Episode 15

Apr29

Title: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 15 – April 29, 2012

Title: The Ghost of Harrenhal

Summary: A very even and great episode

ANY CHARACTER HERE

If last week’s theme was torture, this week’s is revenge.

We open with the deadly mystic consequence of last week’s final scene. A revenge of sorts? Perhaps, but it certainly begets thoughts of same. Brienne swears vengence and flees with Cat, then Loras and Margarey Tyrell swear as well. Marg hints at her ambition. But it’s also worth noting here that the production spent on some scope they didn’t necessarily do last season. For example, a CGI shot of Stannis’ ships. It wasn’t totally necessary, but helps give things a bigger look. There is still room to go, but it’s a step in the right direction.

Tyrion and Cersei talk, which is always amusing. My favorite is Ty’s line: “Schemes and plots are the same thing.” News sure travels fast in Westeros, in the books there is a little more sense of the passing of time. Then Ty extracts Joff and Cersei’s secret from Lancell. Is it me, or is his litter dwarf sized?

Davos and Stannis talk about Renly’s death and the future. And while I do think Davos in particular is well played, I just can’t get too excited about their scenes.

Back in King’s Landing, they’re eating eels, which any reader will know, is a homage to the lamprey pies of the books. Ty and Bronn walk and talk through the city giving us some local color. This is more of that spend as that was certainly an expensive way to do the exposition. Camera work is still a little close, but good try, and the costumes are great. Ty offhandedly mentions the poor prostitute he sent to a terrible fate at his nephew’s hands, and all we get is “the king is a lost cause.”

The Theon scenes feel slightly awkward, and this one sure starts off that way. It’s almost Three’s Company embarrassing to watch him with the crew and his gloating sister. Then his mate triggers his ideas. Uh oh. That’s a nice moment. Theon cuts a fine, if slightly awkward figure. His casting reeks of tough choices to come.

Arya is serving the evil Lord Tywin in Harrenhal. But mean as he is, he’s pretty rational. This serves to give us the Lannister perspective and Arya does her usual great job when quizzed. Then what I’ve been waiting for — and the revenge theme — when she has a little conversation with Jaqen H’ghar, the mysterious man in the cage. His way of speaking and his manner is great. Although I’m not sure that TV only viewers will have any sense of his mystical side. I wished they showed him changing faces, and hopefully they will yet, so it’s a little mysterious how he ended up in the Lannister guard. By the way, what happened to the Mountain? Maybe he was sent off to make some more mischief. In any case, I loved the talk of the debt owed the death god. I love creepy divine obligations. But what does Jaqen H’ghar call it the red god? I always viewed this as the same deity as Arya’s “dancing master.” And did he mention being a were? Are the writers trying to merge some of the mystical elements?

John, Morment, and the crow crew are trekking through Iceland… achem, far north of the wall. It looks great. Very frozen and barren. They mention the Halfhand, subtly introing him. “There’s only one Halfhand.” Then when they set up at the Fist of the First Men we see Ghost just loitering about. Nice. As I noted his gratuitous absence last season was annoying. They listened.

Ty is in good form when he visits the Pyromancers. The writer’s do capture a little bit of their creepy nature calling it “the substance” even if the scenes are quick. The cool locked door to the storage room is a nice touch and I like having Bronn around as Ty’s foil. In fact I’m very much liking Bronn as a character.

And finally, to Dany in Qarth. We get our first taste of actual dragon since the season opener. They look good, but the budget is stingy with them. In the same vein, a little CGI would have been nice as Xaro Xhoan Daxos’ house, while pretty, felt cramped and I missed that gorgeous vista we saw last week. The introduction to the Warlocks was cool though. The guy certainly looks creepy and the whole doppelgänger bit interesting. At least they aren’t totally avoiding the magic — although, again I would have liked to have seen the Jaqen switch his face.

Brienne and Cat have a nice moment in the wood, which looks suspiciously like the same woods as behind Winterfell. Their oaths are heartfelt. I’ve always liked oaths, what fantasy guy doesn’t? Certainly the revenge bit enters again here.

Speaking of Winterfell, we finally return to Bran. We even see Rickon for 30 seconds, which given his behavior, is about all we need. Shouldn’t have sent those 200 men away is all I can say. I like the 3-eyed raven bit, and Osha is evasive. Why exactly she doesn’t tell him, I don’t know, but revenge is hovering. I’m pretty much certain now that she’s going to triple duty for the fey twins from the Moat. The producers need cast reduction.

Back in the frozen north with John and we meet the Halfhand for real. He isn’t introduced, so I wonder what new viewers will make of him, but I like the casting. John is finally about to get his adventure. Maybe it will knock a bit of that petulance out of him.

And back to Qarth for some discussion of what everyone wants, which is pretty pointed. Xaro makes Dany an unromantic proposal, but it’s nicely done and he mixes it up with a good dose of truth. This has her looking at Jorah in a new light. Here, also, we have some realistic delay of news. She finds out only now that Robert is dead, nearly a whole season late. But that’s actually very reasonable given her location and the fact that she’s been hanging out in the red waste. Internet service there is terrible.

Finally, back to Arya, the titular Harrenhal, and revenge. We get a quick glimpse of Gendry and his rat free abs. Their lives sure have improved since last episode. I think a little too much. In the books you still felt this looming sense of dread for her. But the death of the Tickler and her realization of her newfound power is well done.

Overall, this is a very solid episode that really moves everything along. In fact, we have most of the threads present, even if only briefly. The only major players left out are Robb and Jaime. Poor Jaime, he really doesn’t get much to do in the first half of A Clash of Kings. And with the credit roll we are halfway through the whole season. I can’t believe it, and I can’t imagine how they are going to cram it all in. Really, we needed at least twelve episodes!

P.S. In what is perhaps a GOT first, there is no sexposition at all.

See my review of A Dance With Dragons.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

By: agavin
Comments (8)

Posted in: Television

Tagged as: A Dance with Dragons, Arya, Characters in A Song of Ice and Fire, Game of Thrones, Historical fantasy, Major houses in A Song of Ice and Fire, World of A Song of Ice and Fire

Game of Thrones – Episode 14

Apr22

Title: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 14 – April 22, 2012

Title: Garden of Bones

Summary: Best episode yet, hands down

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This week is pure tension and creep. Plus, lots of new developments. We see this first in the credits with the appearance of both Harrenhal and Qarth. Then cut to some Lannister guards at a camp, providing comic relief. Then in what is now classic Game of Thrones combat minimalism, about a one second “battle.” On the field of carnage (after skipping all the action) Robb shows he’s his father’s son. But we meet lord Bolton (the flayed man) and know he sure isn’t. This introduces a bit of a torture theme. Robb also meets a girl, a nurse. Could this be some kind of substitute for Jeyne Westerling? Or the girl herself? I’m thinking so, given that she got about three minutes of screen time, which is a lot for a bit player. Achem, Ros I’m looking at you.

Then we cut to Westeros’ biggest villain, blond baddie Joff the Toff. He’s so mad at Robb that he’s willing to threaten and strip Sansa. Or is this his MTV? Torture again? But Tyrion rushes in to the rescue. Bronn suggests Joff may just be suffering from a case of blue balls and Ty sends in the every present Ros and another girl (we saw her before, with the Maester I think). This does not go well. Joff gets his rocks off a different way. Torture definitely. Pretty nasty actually. In an implied way. This development is slightly new from the books. In character, but more in depth. Most of the people in GOT are full of shades of gray. Not so with Joff.

Littlefinger is. And he works every angle. When he makes an offer to Renly is it true? A new game? Or just cover to talk to Catlyn? We may never know. Things don’t go so well with the ladies, first Margaery Tyrell then later with Cat.

Dany is still stuck in the waste (although not for long). Her rider returns and tells of a city just three days away. Is it me or do the bloodriders not look the least bit intimidating?

Then Arya. She approaches Harrenhal and we see it for the first time. It looks awesomely creepy. “What kind of fire melts stone? — dragon fire.” The place is a chamber of horrors, too. We hear rather than see someone being executed medieval style. As a student of such things and a visitor to the Museo de Totoro Volturi (Torture Museum of Volturi) I was guessing the rack. The squalid, chained, barefoot, caged conditions of Arya, Gendry, and Hotpie, however, are not left as much to the imagination. After being setup last episode, Arya is chanting her “revenge list.”

Littlefinger makes his play with Cat only to be justifiably and solidly rebuked. After his little speech to Ros, I feel no sympathy, but I almost joined Cat in tears when Ned’s bones are returned. This is an emotional episode. If I push the theme we can backshadow from the bones to torture.

Back to Ary. It seems the Mountain is picking one person a day to torture and execute. We meet his crew and his methods. They swapped out the Mountain actor and this new one is tall but thin. I liked the truly massive guy they had last year. The guy is supposed to be just huge. He wasn’t nearly big enough here. His torture is serious enough, the writers must also have visited the Museo because they dragged out the “rat torture” (only follow the link if you have the stomach for it — haha). This is half left to the imagination in the show, but it’s really bad. Check out the link if you dare. This link even has a picture (be warned). These Harrenhal scenes are full of creep and torture.

Stannis meets with Renly and Cat. The older brother is a cold fish and the younger is pretty funny. Sigh. Some good lines there: “And to think, I used to love him.”

Dany arrives at Qarth. The gates don’t look like much, but I like the costumes of the thirteen. This scene felt a little weird until Xaro saved it. I instantly liked him, his blood oath, and most importantly, the CGI view of the city through the gates. That was worth the price of admission for the whole episode alone for a fantasist like me. It looked awesome, like a Hanging Gardens of Babylon capriccio (see what I mean to the right).

More Arya. Perhaps shes a major reason this is such a great episode. Uh oh, the Mountain has picked Gendry for a little rodent love, but have no fear, Lord Tywin to the rescue. Like son, like father. Shades of gray. We see the man’s pragmatic nature. Although it is worth noting that this is a change from the books, a bit of cast compression perhaps.

Speaking of the son, Tyrion is in perfect form when his cousin Lancel comes to visit. He dances circles around the lackwit and provides us with the usual slew of brilliant lines: “an anointed knight” or “I would say I hadn’t hurt a hair on his head, but strictly speaking, that would be a lie.”

Davos and Stannis talk on a ship (which looks cool with a bull’s head on the front). Boring, even if we get a hint of the Onion Knight’s backstory. Still, when Davos takes the Red Lady into the cave on shore we get pregnant hottie AND the birth of a demonic shadow creature! What could be a better ending? Actually, I’m glad to see some of the show’s more supernatural elements getting a bit more of an amplified CGI treatment. I love me a good dark ritual. And torture (when properly used in fiction— leave it out of real life).

p.s. Why don’t we see any reaction from Tyrion to Joff’s “message”? It stood out as odd.

See my review of A Dance With Dragons.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

By: agavin
Comments (10)

Posted in: Television

Tagged as: A Dance with Dragons, Arya, Characters in A Song of Ice and Fire, Davos, Game of Thrones, Historical fantasy, Major houses in A Song of Ice and Fire, Robb, Television, World of A Song of Ice and Fire

Game of Thrones – Episode 3

May02

Title: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 3 – May 1, 2011

Status: First Season now airing on HBO

Summary: Amazing!

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Episode 3 is titled “Lord Snow,” in reference to Jon Snow‘s nickname at the wall. This episode continues, and I think essentially wraps up, the trio of scene setting episodes. This world is so complex, with so many characters, it needed a three hour pilot. Still, it’s a damn enjoyable setup.

We do find ourselves with a different feel than last week’s “The Kingsroad.” This episode is brighter and faster, better I think, but also lacks any real momentous events or a dramatic conclusion. Episode 2 started off slower, but ended with a bang. Episode 3 just fundamentally introduces the Wall and King’s Landing. But both are fun. Varys and Littlefinger are a delight. There are a lot of very strong scenes in here, mostly in the area of character development and exposition. The scene where Robert, Barristan, and Jaime discuss their first kills is terrific. Others will and have quote it, but I will again. “They don’t tell you that they all shit themselves. They never put that part in the ballads.” Just awesome.

Tyrion and Arya continue to rock, Jon is building momentum. There’s good work with Arya and her sister, even better work with her and her father, and the fan fave delicious introduction of her “dancing instructor,” Syrio. No one who’s read the books doesn’t love Syrio and the waterdance. You can see subtle little nods to the characters, like Arya listing off those she hates, as this will flare into the flame that keeps her warm in the dark cold nights.

There are also curious absences. What happened to Ghost? (Jon Snow’s albino wolf) And Commander Mormont’s raven? And time pressure makes a few of the scenes feel very very fast indeed for those viewers who haven’t read the books (particularly the Dany scenes this time around). If any of readers are in this camp (not having read the books), please comment below and offer your opinions of the show, I’m really curious. I love it, but some of this is propped up by my encyclopedic knowledge of the characters and their relationships.

I do also have to say that I don’t love the weird mixed race look of the Dothraki. The Khal is fine, but I would have just cast the rest as Mongols and made them straight up raw and tough. The blood rider is so young he looks soft, and middle eastern to boot. Who’s with me in thinking that Endo from Lethal Weapon would have made the perfect blood rider? — 25 years ago.

King’s Landing (aka Malta) has a different sunnier feel than I imagined it in the books, but I kinda like it, down to the interesting little detail of the floors always being dirty. And in a number of scenes the CG view out the windows is gorgeous, high up on the towers with the whole city laid out beneath like in Napoli. I also liked Maester Aemon, but he needs those white “blind guy” eyes because that’s how I imagine him.

Exposition or no, I enjoyed every minute of this episode, and we’re poised for some serious stuff in the hours to come ahead. Next week, jousts and dwarves in a pickle.

My reviews of other episodes: [Episode 1, Episode 2, Episode 3, Episode 4].

Click here for some trailers for and about the series.

Or find out about my own fantasy novel, The Darkening Dream.