Comedy :: All Things Andy Gavin

Archive for Comedy

Shameless

Apr14

Title: Shameless

Genre: Comedy / Drama

Stars: William H. Macy (Actor), Emmy Rossum (Actor)

Watched: April 8-12, 2011

Status: First Season

Summary: A guilty pleasure

Shameless is Showtime’s latest entry in the “edgy comedy” category, a slot they’re fond of (Weeds, Dexter). In any case, Shameless is an American remake of a British show, and centers around a working class Chicago family with an extraordinarily bad and alcoholic father named Frank (William H. Macy) and a bevy of often delinquent children and associated hangers on.

While Macy is great, nicely straddling the line between likable and incorrigible, the show is anchored by oldest daughter and effective mom Fiona (Emmy Rossum). I never noticed her before (she had minor roles in a couple movies I’ve seen), but she’s fantastic in this role. She brings to the table a wining hand of tough, sexy, vulnerable, and sheer chutzpah.

Tone wise, this show is much like Weeds in that it mixes (attempted) social satire with the ridiculously scandalous and the sketchy. This blending of comedy with the truly unwholesome seems to be more and more popular, but it first knocked itself on my consciousness in the mid 90s with Reese Witherspoon‘s Freeway. I mean in Shameless we’re talking baby-napping, highly inappropriate sex, “borrowing” the elderly, all sorts of fraud, at least 4 or 5 different portrayals of male backdoor action, blow jobs under the kitchen table, some really really bad parenting, and I’m just getting started. But the show tries to wash down this heavy stuff with a big tongue in cheek and a medium dose of Guy Ritchie-style cinematography.

It’s a pretty titillating show too — like watching a sexy train-wreck with lots of nudity.

And overall I think it succeeds, and succeeds well, not so much because it’s funny — it is — but because it manages to make us care about the characters. This is a complex tonal balance, and the season finale isn’t perfect, but despite all the unrealism, and the unbelievable (and unacceptable) stuff spun with a comic touch, there remains a realistic feel to the people. I found myself glued, pounding through the season in 3-4 episode-at-a-time video-on-demand bindges. While the players’ actions may at times be comic, their emotional response is not.

By: agavin
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Posted in: Television

Tagged as: Chicago, Comedy, Dexter, edgy comedy, Emmy Rossum, Guy Ritchie, Justin Chatwin, Reese Witherspoon, review, reviews, Shameless, Showtime, Television, Television Review, TV review, Weeds, William H Macy

Movie Review: Adventureland

Nov30

Title: Adventureland

Director/Stars: Jesse Eisenberg (Actor), Kristen Stewart (Actor), Greg Mottola (Director)

Genre: Period (80s) Comedy Romance

Watched: Sept, 2010

Summary: Touching, funny. Great film.

I didn’t really have a lot of expectations going into this film. I knew it was by the same director as Superbad (great film) and starred Eisenberg and Stewart, and that’s about it. It’s a great film. The kind they rarely make anymore where it’s essentially a character movie woven around a romance. The script is great, the acting’s great, and the direction is great. It’s a funny movie, but not in the laugh a minute kind of way, but in a wry more or less real way.

Comedy varies across the spectrum of dark to realistic to slapstick to abstract. This is realistic. The humor is partially in the fact that these situations are real situations that we did or could have found ourselves in — and hence, it’s a kind of bittersweet humor. The tone is not so different than the excellent Freaks and Geeks TV show, and in fact there’s at least one actor in common (the excellent Martin Starr). They don’t make a lot of comedy romances like this anymore, the kind where there’s no gimmick, just real people, and hence real romance.

The plot is fairly incidental. We have the likable Eisenberg (playing on type, but great as a Geek who isn’t really shy) who has money troubles and needs to take a lousy summer job at a crappy Pittsburg theme park. Having grown up in the 80s this is exactly my generation (I’m perhaps 4 years younger than the characters) and the music and outfits are nostalgic and amusing. None of the people he meets are exactly stereotypes, and they have a delicate underwritten quality. The core that holds the film together is Eisenberg and Stewart (who proves she can do better with a script that isn’t terrible… I mean Twilight — CLICK FOR MY REVIEW). Not just the acting but the writing. He’s the kind of guy I could imagine being friends with, and she’s the kind of girl I could imagine having fallen for in college. There relationship feels real. This makes it sexy even though there isn’t much sex. And isn’t that one of the main things that fiction is about? Depicting real people. It seems all too often forgotten.