Image
  • Writing
    • Andy Gavin: Author
    • About my Novels & Writing
    • All Writing Posts
    • The Darkening Dream
      • Buy the Book Online
      • Sample Chapters
      • Reviews
      • Info for Reviewers
      • Press Coverage
      • Awards
      • Cast of Characters
    • Untimed
      • Buy Untimed Online
      • Book Trailer
      • Sample Chapters
      • Reviews
      • Info for Reviewers
      • Press Coverage
      • Awards
      • Cast of Characters
    • Scrivener – Writer’s Word Processor
    • iPad for Writers
    • Naughty Dark Contest
  • Books
    • Book Review Index
    • Favorite Fantasy Novels
    • Andy Gavin: Author
    • The Darkening Dream
      • Buy the Book Online
      • Sample Chapters
      • Short Story: Harvard Divinity
      • Reviews
      • Info for Reviewers
      • Press Coverage
      • Awards
      • Cast of Characters
    • Untimed
      • About the Book
      • Buy Untimed Online
      • Book Trailer
      • Sample Chapters
      • Reviews
      • Info for Reviewers
      • Press Coverage
      • Awards
      • Cast of Characters
    • Naughty Dark Contest
  • Games
    • My Video Game Career
    • Post Archive by Series
    • All Games Posts Inline
    • Making Crash Bandicoot
    • Crash 15th Anniversary Memories
    • World of Warcraft Endgames
    • Getting a Job Designing Video Games
    • Getting a Job Programming Video Games
    • Naughty Dark Contest
  • Movies
    • Movie Review Index
  • Television
    • TV Review Index
    • Buffy the Vampire Slayer
    • A Game of Thrones
  • Food
    • Food Review Index
    • Foodie Club
    • Hedonists
    • LA Sushi Index
    • Chinese Food Index
    • LA Peking Duck Guide
    • Eating Italy
    • Eating France
    • Eating Spain
    • Eating Türkiye
    • Eating Dutch
    • Eating Croatia
    • Eating Vietnam
    • Eating Australia
    • Eating Israel
    • Ultimate Pizza
    • ThanksGavin
    • Margarita Mix
    • Foodie Photography
    • Burgundy Vintage Chart
  • Other
    • All Posts, Magazine Style
    • Archive of all Posts
    • Fiction
    • Technology
    • History
    • Anything Else
  • Gallery
  • Bio
  • About
    • About me
    • About my Writing
    • About my Video Games
    • Ask Me Anything
  • Contact

Archive for Book Review – Page 2

The Hunger Games – Novel & Film

Mar31

Title: The Hunger Games

Author: Suzanne Collins

Genre: YA Distopian

Length: 388 pages, 99,000 words

Read: 2008

Summary: Intense!

_

The book: I read it four years ago on the recommendation of a friend. The beginning didn’t totally wow me, but the second 2/3 certainly did.

It’s written in a tight first person present, which for this kind of thing is my favorite tense/POV combo (I use it in my novel Untimed). Collins expertly builds sympathy for the character of Catniss via her harsh circumstances, sympathetic voice, and self sacrifice. This crucial “inciting event,” the selection of Catniss’ sister as tribute, occurs at the end of the first chapter, at the 5% mark. First rate construction. Our heroine’s choice and the voyeuristic need to find out what happens in the arena drags us through the 30% of preparation and political mumbo-jumbo.

I had mixed feelings about this future world. I liked certain elements. I enjoyed the setup, the whole lottery thing with escalating danger of more copies of your name being added every year or in exchange for food. But I just didn’t buy the political scenario as a whole. America is a big place, yet this district 12 felt like a small mining town where everyone knows each other. Small towns are less than 15,000 people. I would have bought it better if Catniss’ town were one among many in a whole region that was district 12. I know it sounds minor, but I’m a stickler for these kind of things. The level of economic/technical imbalance between the capital and the provinces seemed too great. How could this one little mining town really be that important? How could a whole continent be represented by one city?

But none of that really mattered once you pop into the arena at the 40% mark. Here Collins’ set up combines with the tight visceral present voice to work some serious magic. The action of young kids fighting and killing each other in a televised Lord of the Flies smackdown just worked. It felt real. It felt intense. There is some great survival writing here and that is what — for me — this book is all about. It’s made richer by sympathetic and well painted characters and by Katniss’ need to chose between her feelings and the practical requirements of survival (which includes the interest of her family). Nothing like a helpless little sister to up the sympathy factor.

Great stuff. A book doesn’t have to succeed on every level. This is one that hits 10/10 in perhaps 3/4 areas, and that is more than enough.

I can’t say I felt the same about the sequel which languished for too long in political marshland. But being a reader of real history, I have high standards with regards to politics.

_

Film: The Hunger Games

Director/Stars: Jennifer Lawrence (Actor), Josh Hutcherson (Actor), Gary Ross (Director)

Watched:  March 28, 2012

_

The film: Of course this is one of the most anticipated movies of the year, particularly for book lovers. I have to say that it executed effectively and faithfully as a translation. The story is identical to the book, although reduced of course. At a meta-level I thought that the pre-arena period, although a tad too long, was actually slightly better than in the book, and the area slightly inferior.

Overall, it lacks the true visceral intensity of the novel. Not that it isn’t well done, or isn’t engaging, but I sensed a restraint or hesitation on the part of the filmmakers to commit to the full reality of a bunch of teenagers killing each other in the woods. The movie is superbly cast. Jennifer Lawrence is great and does a fine job acting to fill in the missing narrative voice. She can’t make up more than some of the distance, but she does as well as any actress could. Interior connection and emotion is a strength of the novel format. Film can’t compete.

But it does do better at grand scenes. And I thought the costumes and makeup of the funky 19th century nano-punk world very effective. Perhaps not realistic, but certainly entertaining to look at. The adult actors are all good. Donald Sutherland is boilerplate but pitch perfect as President Snow. The sometimes annoying, sometimes fun Woody Harrelson leans toward fun. Lenny Kravitz is great as Cinna. Katniss’ mom kinda sucked.

The movie feels medium budget. The effects serve, but occasionally seem a little cheesy. This is just an observation, and for the most part, not a detraction. An exception involved Catniss’ two flaming outfits. Maybe it’s just the concept brought to life, but they fell pretty flat. The director does employ an interesting overall stylistic approach. By combining minimalist scoring, a sort of Appalachian feel (underscored literally by the soundtrack), and loose handheld shots, the film comes across as “underproduced” or “not very Hollywood.” This was an effective stylistic choice. He manages to squeeze a bit of genuine emotion out of us at the appropriate moments, like the death of Rue.

A couple nitpicks: The secondary tributes (basically everyone but Catniss, Rue, and Peeta) felt indistinct and underdeveloped. No one got very dirty. Come on, if you are living for a couple of days in the woods fighting for your life, you get really grimy and smelly. Hell, camping as a kid we looked downright gross without any homicidal incidents. Even as she’s dying, Rue’s cute little fro looked all perfect. The film felt to me like an 8/10, but if it had fully embraced the dark and nasty side, it might have been a 10.

For more book and film reviews, click here.

Or read about my own historical fantasy novel here.

Related posts:

  1. The Hunger Games Trailer
  2. Fright Night (2011) – Not a waste of film
  3. Kushiel’s Dart
  4. Before I Fall
  5. Story of a Girl
By: agavin
Comments (1)
Posted in: Books, Movies
Tagged as: Arts, Book Review, Donald Sutherland, Fiction, Hunger Games, Jennifer Lawrence, Katniss Everdeen, Lenny Kravitz, Suzanne Collins, The Hunger Games, Woody Harrelson

Story of a Girl

Mar05

Title: Story of a Girl

Author: Sara Zarr

Genre: YA contemporary

Length: 192 pages, 43k words

Read: March 4, 2012

Summary: Great little character study

_

Nominally, this is an issue novel, about a 15 year-old girl dealing with the fallout of having slept with a guy when she was thirteen. But really it’s just a well written and well characterized slice of teen life story — reminiscent even of something like Judy Blume’s Tiger Eyes.

The prose is first rate. Told in first person past, the narrator’s voice is pitch perfect. Funny, poignant, honest, all without being forced. And the characters are all great. The don’t feel like they exist to serve the plot. They exist as people exist. This was just a great little read — a kind of quick escape into someone else’s head. It felt effortless, but I know it wasn’t. The basic three act structure is there. Girl has a problem — and not really the external one she thinks she has — but instead a need for internal change. She messes up, comes to crisis, and grows.

A simple formula. But everything is in the execution.

Or for more book reviews, click here.

Related posts:

  1. Book Review: The Windup Girl
  2. Book Review: Girl Walking Backwards
  3. Short Story: The Merchant and the Alchemist’s Gate
  4. The Inside Story
  5. The Girl with the Dragon Tattoo
By: agavin
Comments (2)
Posted in: Books
Tagged as: Arts, Book Review, books, Fiction, Judy Blume, Literature, Reviews and Criticism, Sara Zarr, Story of a Girl, Tiger Eyes, YA contemporary

Tempest

Jan27

Title: Tempest

Author: Julie Cross

Genre: YA time travel

Length: 352 pages

Read: January 23, 2012

Summary: Great fast paced debut

_

This new YA time travel novel has a bit of buzz (I see it on many of the book blogs I troll looking for candidates to review The Darkening Dream), but I read it — and quickly — because of the superficial similarities to my second novel, Untimed. Both are YA time travel, both have a male protagonist (although he’s a 19 year old in this book, and 15 in mine).

But that’s about where the similarity ends. Although don’t get me wrong, Tempest is a great book (even if Untimed is better!). It’s one of the best YA’s I’ve read in the last year or so, on par with Before I Fall. The beginning is slightly awkward although the 1st person past voice is good. The author’s “I’m a time traveling teen intro” felt slightly forced, but as soon as he’s attacked by mysterious secret agent dudes and forced back from 2009 to 2007 (maybe 10% in) the book rocks along and I read the whole thing in a single sitting. Overall it nicely balances an interesting new scenario, likable characters, a compelling romance, a good mystery, and a touch of pathos. Good stuff.

Tempest borrows lightly from the brilliant The Time Traveler’s Wife too, and while it has a novel take on time travel it’s really more of an action mystery, and most importantly a romance. Untimed on the other hand, which is even heavier on the action, and has a romance (less emphasized), really focuses on the history part of time travel. I visit four centuries, all heavily researched, and explore the big impact individual people can have on the broad sweep of history. Tempest sticks mostly to the personal. The things that change in this novel are all of an intimate nature, having to do with the protagonist and his family. Namely the author is a woman and its all about the relationships: Jackson and his girlfriend, his father, his best friend, and his sister. Not that this is bad, as these relationships are really well done, its just different. The time travel action is confined mostly to a couple years back and is rarely intricate, avoiding most overlap and paradox. All the material stuff occurs between 2007 and 2009 with only a few touristic visits to the decade prior. It’s mostly all in New York city.

This leaves a lot of time to focus on the Jackson / Holly romance. We see it in three modes: as it existed before the novel opens, as he recreates it two years earlier from scratch in alternate 2007, and as he upgrades it on his return. As I said, this is a nicely done romance and really the core of the novel. Both characters felt natural to me, their passion genuine, young, and hopeful. Two major elements interjected a top fight bittersweet note: the problematic nature of a time traveler / normal romance and Jackson’s relationship with his dead twin sister (which because of time travel, lingers on, just a bit).

The mystery element was also good. The book succeeds in NOT revealing exactly what is really going on with the time travelers and even which of two (or even possibly three) factions is actually in the right. This is something I also tried to do in Untimed, and works pretty well here, even if the whole “secret agent” thing and nomenclature of “Enemies of Time” is a bit cheesy. Essentially Cross pulls it off. But the villains are nowhere near as cool as my Tick-Tocks 🙂

And I totally wanted to keep reading. But because of the lame pacing of the traditional publishing system we have to wait a year for the sequel!

Listen to a sample of the audiobook by Macmillan Audio here.

Or for more book reviews, click here.

Related posts:

  1. Book Review: Lost It
  2. Short Story: The Merchant and the Alchemist’s Gate
By: agavin
Comments (1)
Posted in: Books
Tagged as: Book Review, Holly, Jackson, Julie Cross, romance, Tempest, Time travel

The Strange Affair of Spring-Heeled Jack

Jan24

Title: The Strange Affair of Spring-Heeled Jack

Author: Mark Hodder

Genre: Steampunk

Length: 376 pages

Read: Dec 29, 2011 – Jan 23, 2012

Summary: First rate steampunk!

_

This is certainly not your everyday read, although it’s certainly a good one. Set in 1861, the protagonist is Sir Richard Francis Burton, the explorer, not the actor. The first fifty or so pages feel like engaging historical fiction.

Then all hell breaks loose. In a good way. This version of 1861 isn’t what we read in the history books. It includes steam powered flying chairs, insulting messenger parakeets, genetically engineered werewolves, robotic street cleaners and all sorts of goodies. Most of the characters are famous Victorians, or in this world Albertians given that Victoria was shot to death in 1840 (a real life attempt that was fatal in this alternate history).

The voice of the novel is third person, medium tight and usually riding with Burton. It does, however, jump over to some others occasionally like his side kick the Marquis-de-Sade-loving poet Algernon Swinburne and the title character. The tone is slightly flip, as the inventions and wackiness is just left of possible. Yet things remain consistently period and the characters are well researched and full of era-appropriate dialog, but also clever and engaging.

About midway, the book, already getting weird, goes totally off the the deep end. Enter Spring-Heeled Jack, crazy time traveler, and a host of steampunk altered villains including a double-brain grafted Charles Darwin and an Iron Golemized Isambard Kingdom Brunel. But this zaniness only makes the novel better. I’m reminded of one of my all time favorites, The Anubis Gates, but TSAOSHJ is less magical, more grounded in technology.

Bravo! This book really shows off tremendous world building and research while remaining fast paced and easy to read. If it has anything that holds it back from being a complete classic, it’s that the characters, while well developed, don’t really illicit any significant pathos. Things are just a little too distant and weird for that. It’s not a huge book, and Hodder crams in an enormously distinct world, so it’s no surprise this isn’t a character study. Still, I do feel that the complex character of Burton was well profiled, almost like in a good biography. Impressive.

I read this right after putting down another steampunk book, Clockwork Angel, just 20% in. Wow, what a difference. Both are set in alternate 19th century Londons, but other than a couple random “period words,” CA feels exactly the same as the author’s contemporary paranormal YA, with all its forced faux-romance. TSAOSHJ, on the other hand, is an adult book, and makes use of one’s babbage augmented, steam-powered, glass jar encased, cybernetic brain.

For more book reviews, click here.

Related posts:

  1. Jonathan Strange & Mr. Norrell
  2. Sophomore Slump – Delirium
  3. Book Review: Switched
  4. Book Review: The Adoration of Jenna Fox
  5. Book Review: Lost It
By: agavin
Comments (1)
Posted in: Books
Tagged as: Algernon Swinburne, Anubis Gates, Book Review, Burton, Charles Darwin, Clockwork Angel, Literature, London, Mark Hodder, Marquis-de-Sade, Paranormal, Richard Francis Burton, Sir Richard Francis Burton, Spring-Heeled Jack, Steampunk, The Strange Affair of Spring-Heeled Jack, Victorian era

Forbidden Mind

Jan20

Title: Forbidden Mind

Author: Kimberly Kinrade

Genre: YA paranormal

Length: 134 pages

Read: January 18, 2012

Summary: Fast and fun. Recommended.

_

This little novel caught my attention yesterday while running a Kindle Select free day. I was sold by the tag line, “She reads minds. He controls minds. Together, they might get out alive.” I like the notion of a couple stuck together by the inherent nature of circumstances. I tried to build this dynamic into my second novel, Untimed — only it’s time travel, not mind reading.

I pounded through this book in one sitting, as it is only 134 pages, making it more a novella. This is a new trend made possible by the Kindle store. Previously novellas were basically impossible to sell and besides, I was never really into them, being more the 400,000 word per volume, ten volume fantasy kind of guy (I have actually read all but the last of the Wheel of Tedium). But now, being older and having less time, I’m finding I dig ’em.

Forbidden Mind is written in tight first person past. The prose is very snappy and light, the way I like it. Perhaps it could use the tiniest bit of further line editing, but it’s good. We drop right into the character and the story and race from there. In a 134 pages, there isn’t room to dawdle and Kinrade doesn’t. Things are lean, with the bare minimum description. The protagonist is very likeable. She isn’t super complex, but she has a nice non-snarky teen voice. The setup here is that she’s a mind reader who lives in a kind of Professor X’s school for the gifted — but they aren’t so altruistic. In fact they rent out the paranormal kids for clandestine missions (slightly Dollhouse like). The scenario is very intriguing and the book so breathlessly fast that we race right through the “school” scenes and into Act 2 and the B story (romance), which likewise blur by.

I’ve always liked mind readers and what’s known in the literature as mind controllers, pushers, or coercers. Some of my favorite books are Firestarter, The Case of the Vanishing Boy, Carrion Comfort (best horror novel I’ve ever read, and Stephen King agrees with me), and Intervention.

In Forbidden Mind, the story is the girl’s perspective and so we get more of the mind reading than the controlling. This part is well handled, but I thought there was some juicy potential in the synergistic relationship between a mind reader and a coercer that was left on the table. Things move fast and character is more Kinrade’s strongpoint than complex action so their extraction from their predicament is quick and straightforward. Being a crazy nerd I’ve spent an insane amount of time thinking about physic powers and their ramifications. I love books that deal in complexity with a system of powers. The Julian May books do, as does Sheri S. Tepper’s remarkable True Game series. I would have loved to see this pair escaping using a mental version of the three legged race. Plus, this is a powerful pair of powers: unlimited mind reading and mind control, so they could easily overshadow obstacles without a very threatening antagonist (a Heroes Sylar type) or significant limitations (like Firestarter’s cerebral hemorrhaging). We don’t have these. But Kinrade constructs the story in such a rapid and straightforward way as to avoid the problem. And the ending comes equally quick, but satisfying.

Which leaves us room to explore this interesting dynamic in the sequel. If you like paranormal teen adventure, try it out.

For more book reviews, click here.

By: agavin
Comments (3)
Posted in: Books
Tagged as: Book Review, Carrion Comfort, Case of the Vanishing Boy, Firestarter, Forbidden Mind, Julian May, Kimberly Kinrade, Literature, Mind control, Novella, Paranormal, review, Reviews and Criticism, Sheri S. Tepper, Stephen King, True Game, YA paranormal

Sugar & Spice

Jan03

Title: Sugar & Spice

Author: Saffina Desforges

Genre: Crime Fiction

Length: 353 pages

Read: Dec 26 – 28, 2011

Summary: Disturbing, but gripping

_

I was slogging through a best selling YA historical fantasy when I finally couldn’t take it anymore. That particular piece of anonymous juvie trash was making me want to gag myself with a spoon so I needed to wash the bad taste out of my mouth with an entirely different kind of filth.

Enter the disturbing indie crime thriller about no less a subject then a serial killer with a taste for little girls. Apparently it’s been a runaway best seller in the UK (both the author and the setting are British). And you’d have to be a total whack-a-doodle like me to even pick up something like this.

Sugar & Spice doesn’t have the greatest writing in the world. The book has a peculiar distant quality — maybe a good thing — and the point of view changes are frequent, confusing, and totally jarring.

Still, I couldn’t put it down. Desforges sure did a lot of research into the dark unpleasant corners of the human psyche. And this book attempts to put you there. Full frontal. It’s not a comfortable place, but it does have all the fascinating quality of a colossal train wreck. There’s no brilliant storytelling here, although the prose is workmanlike and clear. The book could use a 15-20% trim-job. But it’s still a compelling journey if you like to read on the dark side.

If you don’t, stay far, far away.

For more book reviews, click here.

By: agavin
Comments (0)
Posted in: Books
Tagged as: Book Review, Crime fiction, Saffina Desforges, Serial killer, Sugar & Spice

Already Dead

Dec13

Title: Already Dead

Author: Charlie Huston

Genre: Hardboiled Vampire

Length: 288 pages

Read: Dec 1 – Dec 9, 2011

Summary: Good hardboiled fun

_

Already dead is a contemporary New York take on the vampire myth, mated with, and steeped in the tradition of hardboiled crime fiction. Crucial to the hardboiled style, established by such masters as Dashiell Hammett and Raymond Chandler, is the voice. Huston may be writing decades later but from the first few pages it’s obvious that he’s highly adept at the hardboiled voice. The novel is written in a lean mean first person present, unsentimental, even stripped of all dialog tagging (this last goes too far and it’s sometimes hard to tell who is speaking).

The protagonist is a vampyre (I don’t normally use the ‘y’ but this book does), and he’s also a sort of private dick for the seedy supernatural side of the Manhattan underworld. Huston’s vampires are not obviously supernatural, but the product of a Vyrus (his spelling). The narrator is very specific on the pros, cons, and lifestyle choices required to “live” with the Vyrus. This is no small part of the story’s appeal. The plot, is modeled after the hardboiled classics. He protag is hired to find someone. Several forces all have a steak in the outcome. The protag gets beat up a lot. There’s twisted sex wound up in the reveal.

This may be formula, but the execution is top notch and the ride well worth it.

For more book reviews, click here.

Related posts:

  1. Book Review: Dead Beautiful
  2. Better Off Dead
  3. The Postman Always Rings Twice
  4. Storm Front
  5. The Big Sleep
By: agavin
Comments (0)
Posted in: Books
Tagged as: Already dead, Book Review, Charlie Huston, Fiction, Hardboiled, New York, Novel, Vyrus

Book Review: Steve Jobs

Dec09

Title: Steve Jobs

Author: Walter Isaacson

Genre: Biography

Length: 656 pages

Read: Nov 23 – Dec 1, 2011

Summary: Character study, not history.

_

It’s no secret that I’m a huge Apple fanboy. I owned an Apple II+ back in January 1981, a first generation Mac, and countless Apple’s since. As of late 2011 there are no less than five Macs, five iPhones, and two iPads in my house. I use no PCs and even my router is an Airport Extreme! I even owned a Newton and, one summer, used a NeXT as my primary computer!

But there was more to the experience of reading this book than pure fanboydom. As a technologist, programmer, and all-around nerd I lived every detail of the personal computer revolution. So except for the very beginning of this book, set in the late sixties and early seventies (before my coherent time) I remember the launches, products and moments first hand.

This biography is primarily a character study. It seeks by detailing the man’s actions to try and quantify and qualify the traits that made him the iconoclast that he was. The hero of this book is not a particularly likable man or even that rational. He was a fierce demon of passionate opinion, amazing taste, and an extraordinary instance of talent at the intersection of technology and art. Steve was willing to look beyond the baggage of how things have been done and see the way in which people actually approach products in their everyday life. His passion lead him to place the fulfillment of his product vision — from top to bottom — above nearly everything else in his (or those around him’s) lives.

This certainly worked out pretty well for the products, although it did take about twenty years for him to really get his groove on and learn from some of his earlier mistakes and excesses. But he never lightened up. Still, since most of us didn’t have to live with him, but do get to live with his products, hundreds of millions came out winners.

There are tremendous lessons in the book about designing great products. About focus, about integration, about simplicity and usability. About not painting your factories funny colors or shipping with far to little memory or a ridiculously slow optical drive. There is what feels like a very detailed portrait of the personality. The prose is top notch and pulls you along effortlessly without getting in your face. Isaacson certainly had extensive personal access to the man (and his colleagues). It’s a good read.

But for me it was a bit lacking in detail. Mostly I think this came down to length and an emphasis on character. The book isn’t short, but the man’s life — despite ending tragically early — was full. Steve did a lot. A lot. So none of it is nearly as specific as I — with my extreme interest in the subject — would like. You can read this book and really have very little idea what the hell NeXT was doing for 10 years. I do. I used several of them. Wrote some code on them. Followed them from founding through launch and beyond. Shook my head at the product (too slow — too expensive — too incompatible!) and read an entire book just on the topic. So if you want to read this book to understand exactly how Jobs got ousted from Apple, or how he wrangled his way back into its boardroom — it’s there — but the details are compressed. Even things as major as the LaserWriter are given about two sentences in passing. I might go find some books that detail the blow by blows of the product decisions because… well… I guess I care.

Still, I highly recommend this book for anyone with an interest in products, creativity, technology, or even the psychology of forceful individuals. Likable or not, Steve was the defining idea-man of the computer age.

Read my eulogy for Steve or

Find out about my own books, here.

Or for my full list of book reviews.

Related posts:

  1. Steve Jobs is Dead :-(
  2. Book Review: The First American
  3. Book Review: Personal Demons
  4. Book Review: Lost It
  5. Book Review: Across the Universe
By: agavin
Comments (11)
Posted in: Books, Technology
Tagged as: Apple, Biography, Book Review, IPad, iPhone, Mac, NeXT, Steve Jobs, Walter Isaacson

The Inside Story

Nov04

Title: Inside Story: The Power of the Transformational Arc

Author: Dara Marks

Genre: Writing Guide

Length: 327 pages

Read: Oct 22 – Nov 3, 2011

Summary: Best book I’ve read on character arcs.

_

I’ve been finishing up my fourth (and hopefully final) draft on my new book Untimed. In discussing the previous draft with one of my writer friends he recommended this book on writing. It’s aimed at screenwriters, but while the mediums are different, there are a lot of commonalities — stories are still stories.

The Inside Story deals with character and structure, and the relationship between these and theme. I’ve read a lot of books on writing in general and story structure in particular, and this is certainly the best on the subject of the transformational arc. It has certain overlapping information with Save the Cat (reviewed here) — but the style is radically different and more serious.

Inside Story focuses very clearly and with no bullshit on the basics of film structure. The A Story forms the external plot, the B story the internal challenge of the protagonist (usually hindered by a fatal flaw in opposition of the story theme) and the C story is contains the relationship challenges required to solve the internal conflicts, and then change enough to overcome the external ones. This book walks through each stage of the arc both in the abstract and specific, using three consistent film examples (Romancing the Stone, Lethal Weapon, and Ordinary People).

It’s clear after reading this that the deficit in many films is a lack of proper arc and thematic development. Sometimes even good (but not great) films forget this key component. Speed is a good example. It’s a well executed and watchable film, but it fails to really have any arc or theme. Unless you consider “Jack must stop the bomber” to be a theme. There’s no development. Jack stops the bomber by way of guts, determination, and cleverness — all of which he possesses at the start of the film. He really doesn’t have to learn any lesson. The film gets by by way of excellent execution and casting. Lethal Weapon, however, is a character driven (even if intense) action film. No one remembers the specifics of the drug dealer plot. They remember Mel Gibson and Danny Glover‘s characters. And they remember them because they actually have problems they learn to overcome (which incidentally also helps them stop the bad guys).

So how does all of this apply to my novel? Or so I asked myself as I read. Untimed does have a fairly clean three act structure. It does have a character who needs to change in order to overcome his antagonist. C story solves B story solves A story. But on the other hand, I didn’t conceive of the book originally with a clear “theme” in mind, the protagonists issues are not structurally in opposition to this theme (what theme I have, organically grown), and the intensity of suffering is muted by a sometimes light tone. Does this matter? Perhaps less in a novel. Even less in an action novel. Even less in a series book. It’s perhaps this neat and packaged arc that makes so many great films difficult to sequel. If the character has already changed, it’s hard to make him change again. All too often the studio/writers attempt to regress the protagonist in a sequel, to undo and then redo the conflicts that made the first film great (Die Hard 2!). The best sequels, films like Terminator 2 or Aliens, change up the formula and give the character something new to overcome. Still, it’s really really hard to do this three times. Can anyone even think of a stand alone movie where the third installment is great? And Harry Potter and the Prisoner of Azkaban doesn’t count, even if it is the best of the eight films.

In fact, this leads me to the interesting observation that not only do individual Harry Potter books have very weak arcs, but even the entire series doesn’t cover much emotional transformation. How is Harry (or Ron or Hermione) terribly different at the end of book 1? Even at book 7? I mean as people, not in terms of circumstance, which is only the A story. The answer is “not very different.” Yeah, they grow up a bit, but there is no fundamental quality that they gain which isn’t present in book 1. Still, these are good books. Some of them are even great books (like the first and third). So go figure.

For more posts on writing, click here.

Or for my full list of book reviews.

Related posts:

  1. Short Story: The Merchant and the Alchemist’s Gate
  2. Book and Movie Review: Harry Potter and the Deathly Hallows
  3. Save the Cat – To Formula or Not To Formula
  4. Inside Game of Thrones
  5. Lessons from a Lifetime of Writing
By: agavin
Comments (5)
Posted in: Books, Untimed, Writing
Tagged as: 3 Act Structure, Book Review, Character arc, Danny Glover, Dara Marks, Fiction, Harry Potter, Inside Story, Inside Story: The Power of the Transformational Arc, Literature, Mel Gibson, Narrative structure, Plot (narrative), Romancing the Stone, Story Structure, Three-act structure, Transformational Arc, Writers Resources, Writing

Goodreads

Oct30

In my latest move to further build up my social online presence I’ve moved onto goodreads.com. You can find my new profile here. It’s also installed permanently on the righthand sidebar via the  icon.

Those of you who use goodreads, link to my profile and friend me. If you read and haven’t signed up for it, you might want to. Basically it’s Facebook for books. You can easily find rate and review books and then share them with your friends. I posted up about 50 book reviews (mined from this blog) and rated another 70+. Of course I’ve read over 10,000 novels so I’m not about to go back and do them all, but I’ll add them as I see them.

As an author, Goodreads is supposedly a great place to market your books, which is my nefarious ulterior motive in joining yet another social network. Muhaha!

For my book reviews, click here.

For my posts on writing, click here.

Related posts:

  1. Book Review: Lost It
  2. Sophomore Slump – Delirium
  3. The Name of the Wind
  4. The Wise Man’s Fear
  5. Lessons from a Lifetime of Writing
By: agavin
Comments (6)
Posted in: Books, Writing
Tagged as: Author, Book, Book Review, Book Reviews, books, Facebook, goodreads, goodreads.com, Literature, marketing, reading

The Newbie’s Guide to Publishing

Oct20

Title: The Newbie’s Guide to Publishing

Author: J.A. Konrath

Genre: How to

Length: 370,000 words

Read: October 11-18, 2011

Summary: Lots of everything, including, honesty, good advice and value

_

This is an oddball book in many ways. First of all, it wasn’t really written as a book, but as an inexpensive ($2.99) Kindle compilation of J.A. Konrath’s blog posts from his excellent publishing blog. Over the last 5 or more years he’s written a lot of posts (500+), and this book is an excellent way to read/skim them quickly. I don’t begrudge him the extra $2.99. Raw as it is, the information and convenience of the format are worth far more. The book provides excellent value.

This book is also very long, perhaps 1,000 pages if it were a printed volume. It covers a vast array of topics involving writing and publishing. Tips on writing itself and motivation (other books cover much of this). A invaluable (and rare) first hand look at one writer’s career. Tips on on traditional publishing, getting an agent, and vast (I mean vast) tips on self promotion. It also, and very interestingly, chronicles Konrath’s evolving perception of the publishing business. From how to make it as a mid-list conventional author to an increasing rejection of traditional publishing’s broken business model. In this regard, it does taper off around 2010, midway through the current beginning of the e-book revolution. I’ve been reading his blog for a while, so I’ve probably read most of the posts since as he becomes ever more e-book centric in his thinking, but I would like them arranged in this easy format (i.e. JA, throw those in next time you update the book).

The book isn’t without flaws. It’s full of redundant posts, and many that aren’t applicable anymore, or to a particular writer’s interests or needs. Still, these are easily skimmed and skipped, and this doesn’t diminish from the overall value and usefulness. I don’t know how Konrath the novelist is (I bought Whiskey Sour, but haven’t read it yet), but as a analyst, he shows a keen mind and perceptivity, unusually clear and objective in his thinking. A very practical guy who looks at the situation as it is, and what’s likely to happen regardless of what entrenched institutions want. This alone is rare, but he also has an energy level that seems high to even super-manic me. The guy did a single promotional tour with 500 book signings! And he brings this level of commitment to every part of his work. Plus, he records, documents, and analyses stuff that few ever would. For example, he tries to reach some analytic conclusions on the sales effect of book signing and touring. He also includes useful logs of his own experiences with various phases of publishing (like the period from finding an agent to the book release — long!). The challenges, luck, and work required to succeed in this business seem more than a little daunting after Konrath’s whirlwind tour.

Over the last two years, I’ve read lots of books on the publishing business, and this one has the largest volume of useful information. Sure it’s mixed with a lot of random other stuff and considerable repetition. But a must read. Just skim the parts you don’t need.

For more book reviews, click here.

For posts on writing, click here.

Related posts:

  1. Follow The Money
  2. Book Review: Switched
  3. All Things Change
By: agavin
Comments (1)
Posted in: Books, Writing
Tagged as: Amazon Kindle, Book Review, E-book, JA Konrath, Literature, Publishing, The Newbie's Guide to Publishing, Whiskey Sour, Writers Resources

Ready Player One

Sep20

Title: Ready Player One

Author: Ernest Cline

Genre: Pop Science-Fiction

Length: 384 pages

Read: September 13-18, 2011

Summary: 10: buy book 20: read book 30: goto 10

_

I read this after two different friends recommended it in the same week. Wow! If you’re one of my (presumably) many readers who love video games. Go buy and read it. This is pretty much the ultimate classic video games novel! And I should know, having been born in 1970, the perfect time to experience the full rise of video games and modern pop culture (inaugurated May 25, 1977). I was so enamored of computers in general and these little beasties in particular that I went and made (and sold) thirteen of them professionally.

But back to Ready Player One. It’s a first person narrative set in a roughly 2040 dystopia where the world has basically gone to shit and most people live inside a gigantic virtual reality video game. It’s creator has died and left his vast fortune to the winner of an elaborate easter egg hunt (think Atari Adventure Easter Egg crossed with the Great Stork Derby). This whole world and contest centers around an obsessive love of all things pop-culture and 80s, particularly films, comics, and most importantly, video games.

In practice the novel is an old school adventure set mostly in virtual reality. But it contains an astounding number of well placed and deeply woven 80s pop-culture references. For me, they were continual fun. I got 99% of them, including some damn obscure ones. I’ve played every game described in the book (except for Dungeons of Daggorath — never had a TRS-80 — but it looks like Wizardry), seen every movie, heard nearly every song, etc. I don’t know how this book will read for someone a lot younger who isn’t up on all this old school geekery, but I sure enjoyed it.

The story is great fun too. The protagonist is likable and all that. It’s not a long book but races along. There are a few second act jitters (the “romantic” period between the first and second keys), but I blew through them fast enough. The prose is workmanlike but unglamorous and there are some cheesy or cringeworthy moments. They don’t distract from the fun. The last third in particular was awesomely rad with numerous 1337 epic moments. When the protagonist faces off against an unstoppable Mechagodzilla avatar and invokes a two-minute Ultraman powerup I felt tears coming to my eyes.

As Science-Fiction the book is a bit mixed. Mr. Cline manages to deftly describe what must to the novice be a bewildering array of virtual reality technologies and concepts. He’s fairly unusual in actually specifying some of the interface elements in his world and he does a credible job with all of this. Nothing stood out as particularly bogus, but was based on decent extrapolation. There are some elements, however, which still exist in his 30-years-from-now future that are already on the way out. Hard drives in “bulky laptops” for example. One only has to look at the iPad and the Macbook Air to see that writing on the wall. Again, I must point out that these minor quibbles do not detract from the book’s extreme fun factor.

Cline is uncannily knowledgable about his video games (and again, I should know), but there is a curious oddity in the biography of the central Bill Gates crossed with Richard Garriot character. He is described as releasing his first hit game (for the TRS-80) in 1987 in plastic baggies. Besides wondering if any TRS-80 game had much cultural impact (Read my own Apple II guy origin story here!), the date is totally off. If he was talking about 1982 that would have been fine. But by 1987 the TRS-80 had gone the way of Allosaurus and plastic baggies hadn’t been seen in years. My first game, Math Jam, was released in baggies in 1984 and that was way late for them. 1987 featured games like Zelda II, Contra, Maniac Mansion, Mega Man, and Leisure Suit Larry. All of these are well after the era venerated in the book. This small, but important, error is odd in a book so otherwise accurate. I can only assume that the author (and his character), living in the middle of the country, existed in some kind of five-year offset time-warp 🙂

On a deeper level, the novel toys with one of my favorite futurist topics: Will we all get sucked into the computer? I actually think the answer is yes, but that it’s unlikely to happen via 90s envisioned visors and immersion suits (like in Ready Player One). I think we probably will have retina-painting laser visors/glasses at some point. Then neural implants. But the real big deal is when our brains are digitized and uploaded into the Matrix. Muhaha. I’m actually serious, if flip. Eventually it will happen. If not this century then the next. I just hope I make it to the cutoff so I can evade bony old Mr. Grim and upgrade.

In conclusion, I have to agree with the back cover quotes of some other authors I like:

John Scalzi: “A nerdgasm… imagine that Dungeons & Dragons & an ’80s video arcade made hot, sweet love, and their child was raised in Azeroth.”

Patrick Rothfuss: “This book pleased every geeky bone in my geeky body. I felt like it was written just for me.”

So if you have even the least enthusiasm for video games, virtual reality, 80s pop culture, or just plain fun. Go read this book!

For more book reviews, click here.

PS. If you are 5-10 (or more) years younger than me (born 1970) and have (or do) read this book. Tell me in the comments what you think of it. I’m really curious how those who didn’t live it see it.

I couldn’t resist.

Related posts:

  1. Sophomore Slump – Delirium
  2. Book Review: Across the Universe
  3. Book Review: XVI (read sexteen)
  4. Before I Fall
  5. Book Review: Switched
By: agavin
Comments (5)
Posted in: Books, Games
Tagged as: Arts, Book Review, Book Reviews, Ernest Cline, Fiction, Games, Great Stork Derby, James Halliday, Mechagodzilla, Popular culture, Ready Player One, review, Science Fiction, Video game, Video Games, Virtual reality, Wizardry

City of Bones

Aug31

Title: City of Bones

Author: Cassandra Clare

Genre: YA urban fantasy

Length: 460 pages, 131,000 words

Read: August 17-19, 2011

Summary: Fun until the end

ANY CHARACTER HERE

City of Bones is the first in a series of fairly typical urban paranormal. We have a girl who thinks she’s nothing special, but she discovers she’s part of this whole world of demon hunters, fairies, vampires, werewolves, etc. And right under our noses in New York City!

Seen that before?

Well yes. Certainly one of my biggest problems with this book is just how similar it is to lots and lots of other late 2000s urban fantasy. It’s much like Holly Black‘s stuff (White Cat, Tithe), but with a bit less atmosphere. In fact, the two authors are friends and share the same agent (coincidence?). But City of Bones is similar to a lot of other things as well. At times there’s a wee bit of a unique feel involving the Shadowhunters (that’s what this book calls the demon hunters clan the protagonist hooks up with). Just a little. There’s certainly very very little rooting in any kind of traditional mythology, but instead a whole hell a lot of stuff stolen from contemporary pop myth. Werewolves and vampires both, and guess what? They hate each other. Author Cassandra Clare started off as a Harry Potter fanfic writer, and that shows because she borrows a lot from HP. But not what you’d think. There’s next to no similarity of feel, no wizard school, etc. Instead City of Bones borrows things like naming conventions and loose bad guy structure. Names like “Pangborn” and the like. The evil guy (who faked his death) is back with a “Circle” (ahem Death Eaters) and their’s more. Clare loves capitalized terms like “The Circle,” “The Uprising,” “The Institute.”

Still, for at least the first 50-60% I really enjoyed reading this novel. It’s well written. Albeit overwritten. I can’t understand how the hell they let her through the gates at 130k words. At least 15% could be cut with just a good line edit and there are long long dialog exchanges that are either datadumps or serve only as barbed chatter between the male and female leads. The POV is a little wonky too, 95% of the time focusing on the female lead (Clary), but occasionally shifting to the male or even a baddy. Clary’s very very typical. She’s pretty, but thinks she isn’t. She dives into crazy life threatening fight scenes time and time again, but has no skills herself. But somehow you don’t mind her. In fact she’s pretty likeable. The male lead (Jace) is less typical. He’s genuinely obnoxious (verbally) but mostly tries to do the right thing in deeds. His aloof self is actually pretty well crafted, although annoying at the same time. There is some good tension in the interpersonal stuff — although not even the whiff of sex, which would have spiced it up.

All this criticism aside, I did actually enjoy the first half of the book. I even said to my wife half way: “I’m reading one of those rare urban fantasy’s that’s actually good.” Truth be told, there’s all sorts of drivel I don’t finish and don’t mention on my blog. City of Bones is a long book, and I flew through it to perhaps the 75% mark. I can’t exactly say what made it enjoyable, but it was. Despite the pretty derivative scenario, the characters were engaging for the most part. Clare’s a good action writer — not perfect, but her action scenes are to the point and clear. There’s a definite urban feel to things. Sometimes a little too much as this is one of those worlds where the fantasy types spend a lot of time at clubs posing as hip weirdos. They have “cool” swirly tattoos too (in this context quotes = sarcasm). There are twists and turns and reveals. Some of the big ones you can see a mile coming. Like the deal with Clary’s father. I guessed that one about page 20. The hints were slathered on like a redhead with the sunblock.

Really the only thing that prevents this book from being a solid guilty pleasure (it was never aimed at classic), and me from starting in on the sequel (which people say is actually better), is the cheesy final showdown. It totally lost me. Mired and tortured me in fifty pages of “bad guy gives lots of Scooby Doo explanation in the middle of a fight.” Yeah, he’s like stabbing with a sword and he has time to get about three pages of dialog in during each stroke. We even have this cheesy flashback from one of the older characters (a werewolf named Lucian — we’ve never seen that before!) to a supposedly crucial scene right around the time of Clary’s birth. A big flashback at the 85% point? It’s the only one in the book too. A couple lines of dialog would have told us what we needed to know. The whole end just felt forced. Clare should have kept the villain off screen or something, because he was so ham-handed he was begging for a slice of pineapple. Which is a shame, because there was enough craft in the other characters that I actually grew to like them.

For more book reviews, click here.

Related posts:

  1. Book Review: City of War
  2. Waterloo & City
  3. Waterloo & City is Victorious
By: agavin
Comments (7)
Posted in: Books
Tagged as: Book Review, Cassandra Clare, City of Bones, Fiction, Harry Potter, Holly Black, New York City, Novel, Shadowhunter, The Mortal Instruments, Urban fantasy, Vampire

Storm Front

Aug08

Title: Storm Front

Author: Jim Butcher

Genre: Paranormal Noir

Length: 384 pages, 87,100 words

Read: July 5-7, 2011

Summary: Fun read, decent noir redux.

ANY CHARACTER HERE

This novel has the amusing premise of taking the straight up traditional noir detective novel, like The Maltese Falcon or The Big Sleep, and giving it a modern paranormal spin. Now it isn’t the first book to do this, Laurell K. Hamilton‘s Anita Blake series is more or less on this model, but Butcher clearly read his source material.

It begins with the detective (ahem… wizard) in his office, and the case initiated by the lip chewing lady. Lets first address the success of this book as a piece of entertainment, then we’ll get into it’s loyalty to it’s sources. The book works. It’s a very fun read, catches you early on with the voice, and moves along at a good clip. I’d have sworn it was 250 pages and not 384. It has it’s flaws, but it’s fundamentally a good piece of entertainment. Compare to the somewhat similar Dead Witch Walking which I started recently but stopped halfway.

The voice is fun. Hardboiled, but not nearly as much as Dashiell Hammett‘s masterpiece upon which it seems loosely modeled. Harry Dresden (the wizard/detective protagonist) is observant and engaging, but he lets you know through interior monologue what he thinks about the situation. True hard boiled only implies or tells just a little. They remain much more oblique in terms of the character’s inner life, despite being first person. Now given that there’s a lot of magic and supernature creatures in Storm Front, being upfront probably helped the clarity. Even if it did occasionally leave me with a tiny feeling of too much TELL. The prose is pretty witty too — again not Hammett witty — but good, and very clear.

The characters varied from excellent (Harry, Bob, the mob boss) to just fine. The villain was kind of weak. Actually more than kind of weak. Fairly cardboard. Morgan (the memory of the White Wizard’s council who watches our hero) was a paper thin twerp too. The plot had plenty of good elements, and moved like lightning, although at times it felt contrived to keep Harry in maximum jeopardy. There seemed no reason he shouldn’t have trusted his police partner a bit more, as the only thing doing so would have cost him is a lot of worry and a whole lot of bruises.

The magic system and supernatural creatures were good too. Handled with a deft brevity as this book has plenty of creatures: vampires, fairies, wizards, etc. but they didn’t bother me — and I’m picky here. Although only the amusing little fairy stood out. A lot (like the vampire) were used jump because. The feel of many elements, like the potions and the fairies, was a bit tongue and cheek, but fit.

True to it’s noir roots, the book is pretty dark, with grisly murders and (off screen) sex. But by being supernatural, and more importantly campy, it looses that black edged moral ambiguity that the best classic noir had, making it just a fun read, free of any real comment on the human condition.

For more book reviews, click here.

Related posts:

  1. The Big Sleep
  2. The Postman Always Rings Twice
  3. The Maltese Falcon
  4. Book Review: The Gathering Storm
  5. Before I Fall
By: agavin
Comments (0)
Posted in: Books
Tagged as: Anita Blake, Big Sleep, Book Review, Book Reviews, Dashiell Hammett, Dead Witch Walking, Fiction, Hardboiled, Harry Dresden, Jim Butcher, Laurell K. Hamilton, Maltese Falcon, Novel, Raymond Chandler, Storm Front, Storm Front (novel)

Kushiel’s Dart

Jul11

Title: Kushiel’s Dart

Author: Jacqueline Carey

Genre: Epic Historical Fantasy

Length: 912 pages, 315,000 words!

Read: June, 2011

Summary: Long, overdone, but intriguing

ANY CHARACTER HERE

This book itself as Fantasy, but it’s certainly not your typical one. Really it’s a sort of reinterpreted epic (and I mean long) historical romance — without much of the modern sense of romance (almost none). But it does have plenty of the traditional, more atmospheric form.

This is a flowery first person narrative about a slave girl brought up as a sort of high end courtesan who gets involved — very involved — in politics. I’m going to try and break down and discuss various elements of the work.

It’s worth noting the tremendous length. The book is 900+ pages and feels it. I enjoyed it, but it’s like four novels glued together. This lends it a decidedly Gone with the Wind effect. Just when you think it should be over (except for the fact that you have 650 pages to go!) everything switches up and it moves on to a new stage. This happens several times.

First the setting. With the exception of a bit of prophecy and one large scale pseudo divinity (the Master of Straights) at about the 85% mark this novel really has no magic. And in fact, is actually a sort of disguised work of Historical Fiction. The Fantasy is more the invented nature of the tale than any actual magic. As best as I can tell the whole thing is more or less set in a reinvented thirteenth or fourteenth century France. It felt late medeval or early Renaissance. At times I wondered if it even had overtones of Carolingian (ninth century France). The names of the places and faiths are all changed, but in a recognizable way for those of us who know our European history. Rome is “Tiberium,” Spain “Aragonia,” the Germanic tribes the “Skaldi.” Carey does a good job of this, and her grasp for the flavor and cultures of Europe between the fall of Rome and the modern era extremely solid. The central nation of the novel feels both troubadour French and even a little Late Venetian Republic at times. There are plenty of deviations from real history. First an foremost the loosey goosey religious situation (as opposed to the dogmatic Catholic church). The religions have been reinterpreted and the nation founded by what appears to be an interesting mating of Jesus and Dionysus. An intriguing (and Romantic) mythical entity who was also followed around by a bunch of demi-god disciples who seeded various schools or bloodlines. Overall, the setting was probably my favorite part of the novel.

The voice. At first I loved the voice. Yeah it’s flowery. Girly. Really girly. And full of words that the Kindle dictionary informed me were “archaic” or just chosen for plain weighty flavor. Words like “limned” or “ague.” The sentences have an unusual and formal structure. There is a LOT of reppetition. This began to wear on me. Carey reminds you like 50 times who everyone and everything is, which considering the vast cast of characters and the incredibly complex political situation might be necessary for those that don’t have a semi-photographic memory or an obsessive knowledge of European history. The narrative is first person, and told from some unspecified far future point in Phedre’s (the protagonist) life. It’s the antithesis in many ways of my own voice, as it’s really really really heavy on the TELL and fairly light on the SHOW. Carey loves to insinuate before the action (when it occasionally occurs, separated by many many pages, but often enough given the titanic length of the book) that things won’t turn out as planned, or that something bad is about to happen. Lots and lots of stuff is done with narrative summary. I myself try to set everything in scene and tell it as it happens in a more hard boiled style, more like the Maltese Falcon or the Big Sleep, even if the subject matter is very different. Carey chooses a more sentimental approach. But at the same time I found the voice very distancing. A lot of this is the feeling that it is written looking back on events, which removes a lot of the tension inherent in the action. The rest is probably the TELL factor.

I liked the whole sex-slave-girl-bondage-courtesan angle. But Phedre is a little too good at just about everything other than pure agressive bravery, and she has her constant companion the warrior-monk for that. While bad things do happen to her, she pretty much flawlessly reads every situation and is titanically lucky / unnaturally talented. I still kinda liked her. And the fact that she has a lot of edgy sex is good. The book alternates between graphic and evasive in this realm, which ends up being more teasing than satisfying. Still, I guess normal people might find it dark.

Now the overall affect of this novel is pretty good. It starts off great. But it sometimes bogs under volumes of political talk I found excessive — and I read multivolume political histories for pleasure! Some of the sub-adventures (like Phedre’s time as a Skaldi slave) are really good and there are lots of varied settings, cultures, and characters. I also really enjoyed the depth of world building and the alternate but very “realistic” religious mythos. But…

There is absolutely no psychological realism to any of the characters, our protagonist included. The central condition of Phedre’s nature is supposed to be that she finds pain and suffering intrinsically hot. Even this isn’t really handled totally consistently. The rest of the people — while interesting and possessed of different traits — merely serve the story or the need to roster out a bunch of interesting types. The don’t feel exactly cardboardy, as they are detailed, but unlike the completely brilliant Game of Thrones, there is no fundamental relationship between the different nature of different personalities, their situations, and the decisions they make and the consequences those decisions bring.

In the end, I found the way in which things just sort of grandly worked out for Phedre tedious. The big war at the end is complex, but summarized, and the wrap up phase of the story nearly 100 pages. Carey also just loves to throw in grand and sumptuousness just for it’s own sake, which at the beginning felt lush, but by the time Phedre has dressed in 62 elegant gowns a bit much.

Still, I kind of liked the book, if only for its world and its very creative reinterpretation of medeval/renaissance fantasy. At times it reminded me of Guy Gavriel Kay, but his works felt somehow a bit more connected to place and certainly more emotional.

For more book reviews, click here.

Related posts:

  1. The Name of the Wind
  2. The Wise Man’s Fear
  3. Before I Fall
  4. Book Review: The First American
  5. Book Review: The Windup Girl
By: agavin
Comments (0)
Posted in: Books
Tagged as: Arts, Book Review, Fiction, Jacqueline Carey, Kushiel's Dart, Literature, Phèdre, Places in Kushiel's Legacy, reviews

The Big Sleep

Jun09

Title: The Big Sleep

Author: Raymond Chandler

Genre: Crime Noir

Length: 234 pages

Read: May 27-31, 2011

Summary: Slick and stylish.

ANY CHARACTER HERE

Continuing my between the wars “hard-boiled” novel kick, I followed up on The Postman Always Rings Twice and The Maltese Falcon with The Big Sleep.

The novel is very much influenced by Dashiell Hammett‘s classic. It shares the atmospheric quality, complex plot, moral ambiguity, and dark wit.  Stylistically The Big Sleep has slightly more straightforward and less quirky prose. It’s a little more wry, a little less over the top than the earlier novel. Both have extremely compelling voices and stark style. The lean irony of the narrator in the The Maltese Falcon gives way to the dark cynicism of Sleep‘s Marlowe and his first person voice. “If you can weigh one hundred and ninety pounds and look like a fairy, I was doing my best,” is a typical zinger. The dialog is fantastic, although not as oblique and contrary as in Falcon. It’s a little more natural.

Marlowe is more likable and less belligerent than Sam Spade, although they’re both minted from the same cool-cucumber tough guy template. The plot is involved, and to tell the truth even having seen the movie twice, I had no idea until the end what Marlowe was digging at with his investigation of Vivian’s missing husband. Occasionally some bits of action took me for a loop too, requiring that I reread them to find out exactly what happened. But these are minor complaints. The book really is great. Marlowe’s compelling voice pulling you through at breakneck pace. But at the backbone for me was the sinister portrait of pre-war L.A. While visually tame by today’s jaded standards, this is a dark book, with realistic characters. The movie is forced by 40s standards to gloss or smooth over many of these darker elements, but the novel exposes them for what they are.

I do have to say that these hard boiled detectives are awfully confident in their ability to read dangerous situations!

For more book reviews, click here.

Related posts:

  1. The Maltese Falcon
By: agavin
Comments (3)
Posted in: Books
Tagged as: Big Sleep, Book Review, Crime Noir, Dashiell Hammett, Fiction, Film noir, Hardboiled, Maltese Falcon, Novel Review, Philip Marlowe, Raymond Chandler, Sam Spade, The Big Sleep

The Maltese Falcon

Jun02

Title: The Maltese Falcon

Author: Dashiell Hammett

Genre: Detective Noir

Length: 217 pages

Read: May 25-26, 2011

Summary: Pure awesomeness.

ANY CHARACTER HERE

There are so many reasons why this is the archetypal detective novel. It’s pure pleasure from start to finish.

Let’s start with the writing. The prose is lean, but it has a way of sparing with the reader, a delightful economy and turn of phrase. Things are handled in a straightforward sequential manner. Simultaneously spartan and luxurious. There’s actually a surprising amount of description. Nearly every character is detailed on first meet, often with a good full two paragraphs. But they’re worth it (more on that later). Spade‘s actions are spelled out in exquisite and exhaustive detail — there must be at least fifty cigarettes rolled and smoked in this tiny book and countless details of dressing, moving from place to place, etc. Somehow these don’t drag, not at all. Action too, is quick, but handled in a kind of cold clear detail. What there isn’t, is one whit of interior monologue. The closest we get is the occasional, “Sam’s expression contained a hint of smugness” or “her hands twisted in her lap.” And more than anything, the prose is fun to read.

Plotting. The story is byzantine, and involves no one knowing exactly what’s going on, but Sam being a damn good judge of what’s likely to happen. There’s perhaps a bit too much action happening off screen, and a little too many coincidences or startling reverses. And for a book with so many shootings and double crosses, it’s mostly filled with dialogue scenes. But that isn’t a problem because…

The dialogue rules! Oblique, snappy, it crackles back and forth like a gunfight. The rules for writing quality dialogue could have been modled on this novel alone. Characters interrupt, they’re impatient, they lie (and lie again), they argue, they betray. They do a lot of talking. I enjoyed every minute of it.

Characters. Hammett really shines here. The villains are a bit over the top, but I adored them. The sinister (and limp wristed — oh so pre-politically-correct) Cairo, the fatman, the kid. The author uses a combination of amusing descriptive characterization (Gutman’s bulbs of fat — “He waved his palm like a fat pink starfish!” — or Cairo’s effete details — “when slapped he screamed like a woman”) and highly distinctive dialogue. Gutman’s is a real riot. Overblown, threatening and complementary at the same time. Sam himself is an interesting figure. Tough, incredibly competent, but also prideful, belligerent, and self interested.

Atmosphere. This is nailed, nailed cold and hard like a corpse left out in January. It oozes late 20s San Francisco. The dangerous dames, the cartoony gangsters, the police always one step behind. The tension in the way that the backstabbing moxie Brigid uses her feminine wiles eerily foreshadows basic instinct and countless followups.

The book’s been a classic for 80 years, and with good reason.

For more book reviews, click here.

Related posts:

  1. The Postman Always Rings Twice
  2. Before I Fall
By: agavin
Comments (5)
Posted in: Books
Tagged as: Art, Book Review, Book Reviews, books, Cairo, Dashiell Hammett, Detective, Fiction, Maltese Falcon, Novel, Sam Spade, San Francisco

Sophomore Slump – Delirium

May28

Title: Delirium

Author: Lauren Oliver

Genre: Dystopian YA

Length: 114,500 words, 441 pages

Read: May 17-21, 2011

Summary: Big disappointment.

ANY CHARACTER HERE

Earlier in the week I read Lauren Oliver’s debut novel Before I Fall and loved it. So I eagerly downloaded her second book, Delirium, on my Kindle/iPad and set to reading. Ick.

She’s a very good writer, and the prose style is nearly identical, being first person present from the POV of a 17 year-old girl. For all it’s flaws (I’ll get to those), the voice is still very good, and makes for compelling reading at first. Oliver’s still great at inner monologue.

But everything else falls pretty flat.

Let’s begin with the premise. First of all, it feels like someone told Oliver that “dystopian is hot” and she jumped on the bandwagon. As far as I can tell, she shows no knack for it whatsoever. And worse, she pushes in this direction at the expense of her considerable talents elsewhere. This version of America exists an ill-defined period in the future, probably around 2050-2075. The central premise of the society is that LOVE has been diagnosed as a disease and the source of all societal ills. But fear not, a cure exists, some kind of magic brain surgery that gets rid of most feeling and desire. Everyone gets this at 18, because conveniently, that’s the age “the cure” works at.

Now besides this ludicrous premise, which involves a drastic about face of human tenants consistant since the dawn of time, we have to accept that in 50 years almost no technology has changed. Sure there are a few nasty totalitarian rules and such, but they still use cell phones, they still text. The book has absolutely NO description of anything different other than attitudes. Hell, there was probably more innovation between 1300 and 1350 than shown here! I just completely didn’t buy the world. Not one bit. There’s no way we could get from here to there. And it’s been done to death before. Better. Delirium is like a lame The White Mountains crossed with Uglies. Both books are far better (particularly the first). The whole thing felt entirely forced, like it was all derived from the high concept premise without any other consideration.

In Before I Fall, Oliver showed herself adept at painting peer groups. This is hard stuff, and fascinating when done well. But we don’t have it here. We have a protagonist, who isn’t bad, albiet a little generic, but then we don’t have too much else. Next up we have the romantic interest and best friend — both okay also. But that’s it. The other characters are like cardboard cutouts. I find this hard to jive with her first book where even the minor characters are deftly drawn.

Also in her first book was an intricate and cleverly woven progression of plot and character, while not perfect, it formed a lovely little puzzle unfolding across the length of the novel. And most importantly, giving a sense of emotional depth.

So what happened? I’m forced to conclude that either: 1) she spent much much longer writing her first book and really polished the hell out of it (nothing wrong with that) or 2) that she should have stayed more firmly rooted in the familiar early 21st century as the complexities of world building (even this minimally) sucked her focus.

Or both.

Still, I do have to give her credit for prose skills. They pulled me enthusiastically through the first third, then groaning and moaning through the rest. If it hadn’t been for this I would have chucked it in the middle and you wouldn’t have seen the review (I rarely review the many books I give up on — doesn’t seem fair).

I’m sad. It could have been so much better. I have nothing against dystopian — I am after all a hard core sci-fi reader — I’d have read nearly anything she gave me and enjoyed it if she just provided some reason to care.

For a review of Before I Fall, click here.

Related posts:

  1. Book Review: XVI (read sexteen)
  2. Before I Fall
  3. Book Review: Uglies
  4. Book Review: The Adoration of Jenna Fox
  5. Tithe – A Modern Faerie Tale
By: agavin
Comments (1)
Posted in: Books
Tagged as: Arts, Before I Fall, Book, Book Review, Book Reviews, Dystopia, Fiction, Literature, romance, Science Fiction, uglies, White Mountains, Young-adult fiction

Before I Fall

May21

Title: Before I Fall

Author: Lauren Oliver

Genre: Magical Realism YA

Length: 117,000 words, 470 pages

Read: May 16-17, 2011

Summary: Very very good.

ANY CHARACTER HERE

This is one of the best YA books I’ve read in a long while. Part Groundhog Day, part The Source Code, part Judy Blume, part The Lovely Bones — all itself.

We start with a high school girl, Sam, who dies in a car accident, and is doomed(?) to repeat the last day of her life again and again. Seven times to be exact. Sound like a recipe for repetition? It’s not.

First of all the writing is lovely. Really lovely. I’ve read perhaps 50+ first person girl narratives in the last year alone and this one had the best voice. It’s fairly well tied with Mary E. Pearson in that regard for recent entries (Judy Blume still wins for lifetime achievement). It’s funny clever without the annoying Snark. The voice is so good that it just drags you through the entire book, and it’s a pretty long book for YA. Lauren Oliver really is a lovely writer. The dialogue is good, the narrative description and interior monologue are amazing, and even the flowery interstitial description that glues together connected days is short but evocative. The Lovely Bones also had great voice, and a tremendous first half, before it fell apart into an abysmal mess of moral apathy. Before I fall is better.

There are some things worth noting. The characterization and the high school realism is top notch. I was reminded a bit of a modern Freaks and Geeks in that there was that kind of insightful tragio-comic realism. These girls felt pretty darn real. Even the minor characters had some depth. It’s this more than anything else that echoed the master of all YA: Judy Blume. Blume uses dialogue more liberally, as it’s her main method of characterization. Oliver prefers interior monologue and narrative description. The net result is similar. There’s a lot of detail here too, but the voice manages to make it interesting. Sam and her friends are popular girls, and more than a little bitchy, but they don’t extend into characterture. They are a little bad, but not too bad — realistically so. This is no melodramatic Gossip Girl. There is plenty of drinking, rudeness, etc. The sexuality is muted. Handled well enough, but perhaps a bit tamer than it could have been.

Now as to structure. Oliver does a really first notch job repeating the same day seven times without ever being dull. Sam makes different choices, and on some days this plays out very differently. One time she doesn’t even go to school. Still, even when the same scenes are repeated, and they are, different angles are shown, revealing and painting from different directions. This is hard to do, and must have taken considerable planning and rewriting. I’m actually facing a bit of this myself in my second novel, which is a time travel book and involves overlap and revisiting.

I’m going to stop for a second to pontificate on writing this kind of fiction. One of the things that makes this work in Before I Fall is the loose structure of the high school day. Sam’s day includes: getting up, driving with her friends to school, various classes, lunch, ditching, hanging out after school, and the party. These events flow from one to the next because of the inherent structure. If she skips lunch, or English class, she can pick back up on the schedule, because it’s immutable and set at a level greater than herself. This it has in common with Back to the Future I and II. There the structure of the dance forms a background on which Marty can play. In my own story, I have been trying to revisit a complex action scene multiple times. The whole scene — even the first time — folds out from the actions of the protagonist without any background structure, which makes altering that flow… complex.

In any case, in Before I Fall there is a also a very strongly structured arc, like, Groundhog Day, the protagonist has to learn a series of lessons from the failures of the first and subsequent trials. Much like a video game level, she gets to play it over and over again until she gets it right. This is very satisfying to read. Too bad real life doesn’t work like that.

The seven day structure also helps avoid the dreaded “reveal” problem. There is no giant structural reveal, the premise is setup in the first couple pages, and so the book does not suffer from the first half being better than the second. It races right on to the end. But there is an end, and I’m not entirely sure how I feel about it. Given the options, Oliver chose a pretty good one, and it does leave one with a deep sense of catharsis. So it was probably the right choice. Still the looming shadow over the entire affair left me with a deep sense of sadness not unlike that caused by reading The Time Traveler’s Wife (the excellent book, not the mediocre film).

For a review of Oliver’s second novel, Delirium, click here.

Related posts:

  1. Bleeding Violet
By: agavin
Comments (7)
Posted in: Books
Tagged as: Are You There God? It's Me Margaret, Arts, Before I Fall, Book Review, Book Reviews, Fiction, Gossip Girl, Groundhog Day, Holidays, Judy Blume, Lauren Oliver, Novel, Young-adult fiction

The Postman Always Rings Twice

May18

Title: The Postman Always Rings Twice

Author: James M. Cain

Genre: Crime Noir

Length: 116 pages

Read: May 15-16, 2011

Summary: Taut.

ANY CHARACTER HERE

For my second novel I’ve been trying to adopt a sort of hardboiled style, even though it isn’t a crime or a noir. So I figured I go back to the beginning and read some of the classics.

This 1934 novella just breezes on by. The first half (act I) is like watching a train wreck unfold. I greedily devoured the setup. Seedy drifter, sexy unhappy wife, and loser older husband. Plus it’s a crime novel. You know things aren’t going to end up good. The style here is lean and mean. It feels fully modern, dated perhaps only by certain phrases and actually it’s utter bare bones quality, devoid of really deliberate voice. My only complaint here was that it’s so sparse on dialogue tags that I often got confused as to who said what and had to back up and count. That’s too few tags.

Not that it detracted much. So then mid book, the crime itself happens (not counting the aborted first attempt) and the gears shift a bit into legal territory. This middle section I found had a bit too much “tell.” It breezed along, but it reminded me of the second half of The Magician. Then we get to the third act. This was back more to the mater-a-fact what happens, but it did feel a little fast, perhaps resorting to a bit too much forced plotting.

Still, I enjoyed the book immensely, and it seems best as I can tell the blueprint for countless crime stories where greed/lust/whatever drives everyone to an inevitable bad end. Some great movie entries in this genre would be Body Heat, A Simple Plan, or the very recent The Square.

Another interesting thing about this story is not only could you set it in any era, but the exact text could pretty much serve from 1920 through to present day. The only difference now would be cell phones and better police investigatory techniques.

By: agavin
Comments (2)
Posted in: Books
Tagged as: Body Heat, Book Review, Book Reviews, books, Crime fiction, Fiction, Hardboiled, James M. Cain, Mildred Pierce, Novel, Postman Always Rings Twice
« Newer Posts
Older Posts »
Watch the Trailer or

Buy it Online!

Buy it Online!

96 of 100 tickets!

Find Andy at:

Follow Me on Pinterest

Subscribe by email:

More posts on:



Complete Archives

Categories

  • Contests (7)
  • Fiction (404)
    • Books (113)
    • Movies (77)
    • Television (123)
    • Writing (115)
      • Darkening Dream (62)
      • Untimed (37)
  • Food (1,776)
  • Games (101)
  • History (13)
  • Technology (21)
  • Uncategorized (16)

Recent Posts

  • Desert Magic
  • Soy Sauce Mexican Chilies
  • Big Boys at Crustacean
  • Too Much of a Not So Good Thing
  • Na So Fast With the Duck
  • Too Much Bland Beef
  • LQ House Party
  • Republique of Tomatoes
  • Stellar Stella
  • Si Mon!

Favorite Posts

  • I, Author
  • My Novels
  • The Darkening Dream
  • Sample Chapters
  • Untimed
  • Making Crash Bandicoot
  • My Gaming Career
  • Getting a job designing video games
  • Getting a job programming video games
  • Buffy the Vampire Slayer
  • A Game of Thrones
  • 27 Courses of Truffles
  • Ultimate Pizza
  • Eating Italy
  • LA Sushi
  • Foodie Club

Archives

  • June 2025 (8)
  • May 2025 (7)
  • April 2025 (4)
  • February 2025 (5)
  • January 2025 (3)
  • December 2024 (13)
  • November 2024 (14)
  • October 2024 (14)
  • September 2024 (15)
  • August 2024 (13)
  • July 2024 (15)
  • June 2024 (14)
  • May 2024 (15)
  • April 2024 (13)
  • March 2024 (9)
  • February 2024 (7)
  • January 2024 (9)
  • December 2023 (8)
  • November 2023 (14)
  • October 2023 (13)
  • September 2023 (9)
  • August 2023 (15)
  • July 2023 (13)
  • June 2023 (14)
  • May 2023 (15)
  • April 2023 (14)
  • March 2023 (12)
  • February 2023 (11)
  • January 2023 (14)
  • December 2022 (11)
  • November 2022 (13)
  • October 2022 (14)
  • September 2022 (14)
  • August 2022 (12)
  • July 2022 (9)
  • June 2022 (6)
  • May 2022 (8)
  • April 2022 (5)
  • March 2022 (4)
  • February 2022 (2)
  • January 2022 (8)
  • December 2021 (6)
  • November 2021 (6)
  • October 2021 (8)
  • September 2021 (4)
  • August 2021 (5)
  • July 2021 (2)
  • June 2021 (3)
  • January 2021 (1)
  • December 2020 (1)
  • September 2020 (1)
  • August 2020 (1)
  • April 2020 (11)
  • March 2020 (15)
  • February 2020 (13)
  • January 2020 (14)
  • December 2019 (13)
  • November 2019 (12)
  • October 2019 (14)
  • September 2019 (14)
  • August 2019 (13)
  • July 2019 (13)
  • June 2019 (14)
  • May 2019 (13)
  • April 2019 (10)
  • March 2019 (10)
  • February 2019 (11)
  • January 2019 (13)
  • December 2018 (14)
  • November 2018 (11)
  • October 2018 (15)
  • September 2018 (15)
  • August 2018 (15)
  • July 2018 (11)
  • June 2018 (14)
  • May 2018 (13)
  • April 2018 (13)
  • March 2018 (17)
  • February 2018 (12)
  • January 2018 (15)
  • December 2017 (15)
  • November 2017 (13)
  • October 2017 (16)
  • September 2017 (16)
  • August 2017 (16)
  • July 2017 (11)
  • June 2017 (13)
  • May 2017 (6)
  • March 2017 (3)
  • February 2017 (4)
  • January 2017 (7)
  • December 2016 (14)
  • November 2016 (11)
  • October 2016 (11)
  • September 2016 (12)
  • August 2016 (15)
  • July 2016 (13)
  • June 2016 (13)
  • May 2016 (13)
  • April 2016 (12)
  • March 2016 (13)
  • February 2016 (12)
  • January 2016 (13)
  • December 2015 (14)
  • November 2015 (14)
  • October 2015 (13)
  • September 2015 (13)
  • August 2015 (18)
  • July 2015 (16)
  • June 2015 (13)
  • May 2015 (13)
  • April 2015 (14)
  • March 2015 (15)
  • February 2015 (13)
  • January 2015 (13)
  • December 2014 (14)
  • November 2014 (13)
  • October 2014 (13)
  • September 2014 (12)
  • August 2014 (15)
  • July 2014 (13)
  • June 2014 (13)
  • May 2014 (14)
  • April 2014 (14)
  • March 2014 (10)
  • February 2014 (11)
  • January 2014 (13)
  • December 2013 (14)
  • November 2013 (13)
  • October 2013 (14)
  • September 2013 (12)
  • August 2013 (14)
  • July 2013 (10)
  • June 2013 (14)
  • May 2013 (14)
  • April 2013 (14)
  • March 2013 (15)
  • February 2013 (14)
  • January 2013 (13)
  • December 2012 (14)
  • November 2012 (16)
  • October 2012 (13)
  • September 2012 (14)
  • August 2012 (16)
  • July 2012 (12)
  • June 2012 (16)
  • May 2012 (21)
  • April 2012 (18)
  • March 2012 (20)
  • February 2012 (23)
  • January 2012 (31)
  • December 2011 (35)
  • November 2011 (33)
  • October 2011 (32)
  • September 2011 (29)
  • August 2011 (35)
  • July 2011 (33)
  • June 2011 (25)
  • May 2011 (31)
  • April 2011 (30)
  • March 2011 (34)
  • February 2011 (31)
  • January 2011 (33)
  • December 2010 (33)
  • November 2010 (39)
  • October 2010 (26)
All Things Andy Gavin
Copyright © 2025 All Rights Reserved
Programmed by Andy Gavin