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Author Archive for agavin – Page 74

Falling Skies – Don’t Run Away

Nov20

falling_skies_ver19_xlgTitle: Falling Skies

Genre: Family SciFi

Cast: Noah Wyle (Actor), Moon Bloodgood (Actor)

Watched: Late October, 2013

Summary: V meets The Road

ANY CHARACTER HERE

Steven Speilberg produced TV has a checkered history,  most being cheesy and family oriented. But he keeps on trying, and I have to admire him for pushing Science Fiction more into the mainstream (Earth 2, Seaquest, Terra Nova, Falling Skies, Under the Dome, Extant and more).

Falling Skies is without a doubt the best of the above (excepting Extant which isn’t out yet). It has the family feel of Terra Nova, but is far less monster of the week. This is post apocalyptic fiction, and begins six months AFTER an alien invasion pretty much wiped out everyone. The survivors are scraping by, fighting aliens when they can, scavenging, and mostly just surviving. The story concentrates on the Mason family: a dad and three sons who have managed to keep together (barely) in this new world. In overall feel, the show borrows heavily from the zombie survival and alien invasion genres. It even reminds me at times of The Last of Us — only far, far less bleak.

For TV, and given the big scope of a ruined America and several different types of nasty aliens (some flesh, some mechanical), the show looks pretty impressive. The feel is a little cheesier than Continuum and its slick future Canada, but far more ambitious given that every shot features a destroyed and trash-covered Eastern-seaboard. There is that slight unintentional camp and softness that is the hallmark of the family drama. Falling Skies dishes out some punishment to its characters — people die (or worse) — but the atmosphere isn’t one of perpetual fear and dread like The Last of Us or the Road.

The show doesn't skimp on the latex

The show doesn’t skimp on the latex

Ultimately, this show works, and is held together by a solid set of believable characters and likable performances. Noah Wyle works as former history professor turned military man. I’m less of a fan of his superior officer, Captain Weaver, but the teens do a good job: his two sons Hal and Ben, and a complex triangle of blondes Margaret and Karen. Biker badass turned monster-hunter John Pope is quite amusing — even if not entirely consistent — and manages to imbue a role that could be cheesy with considerable charisma.

Blondes abound

Blondes abound

The aliens themselves, their goals and types, are a bit opaque. We have mechs, skitters (at least 2 factions), harnessed humans, fishheads, and in season 3, the Volm. I actually like that things weren’t clear, but as secrets are revealed, I didn’t always buy the writer’s choices. They borrow more heavily from pop-culture aliens than from any deep reading of the literary genre (which features considerably more sophisticated modeling of possible invasion reasons — like Gregory Benford’s incredible Galactic Center series). The show uses the mechanic of alien bio-device infiltration to create what is essentially a zombie mechanic, and at times a “turned” mechanic. This is familiar territory, particularly for Buffy fans like myself. Somehow, it all feels a bit light in Falling Skies. Maybe it’s a tonal thing. Despite the dark happenings, and blue-gray color palette, the show usually maintains a fairly upbeat mood.

Season 1-2 run together seamlessly, but with season 3 there is one of those disconcerting season breaks and then a fairly different balance of power. A new alien race is introduced and the whole feel is slightly different, perhaps more serious. I felt a little less engaged during this third outing even though intellectually I appreciated the effort to mix it up.

Overall, I have to give Falling Skies a B+. It tries hard. It’s more ambitious and even more successful than most Science Fiction television. The writing, acting, and production are all solid. Somehow it falls short of greatness — or even of breathing new life into the genre — still, it’s well worth a watch.

Check out more TV reviews or

my own Time Travel novel, Untimed.

falling_skies_ver18_xlg

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By: agavin
Comments (0)
Posted in: Television
Tagged as: alien, Falling Skies, Moon Bloodgood, Noah Wyle, Science Fiction, Steven Spielberg, Television

Keeping Paiche

Nov18

Japanese Peruvian hotspot Paiche is so good, I’ve just had to go again (and again) to photo nearly all their dishes…

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By: agavin
Comments (1)
Posted in: Food
Tagged as: Japanese, Japanese Peruvian, Paiche

Raw Crab Guts are Yummy

Nov15

Restaurant: Soban

Location: 4001 W Olympic Blvd. Los Angeles, CA 90019. (323) 936-9106

Date: November 13, 2013

Cuisine: Korean

Rating: The crab is amazing

_

A new wine and food friend of mine who happens to be Korean wanted to introduce me to Soban and the wonderful world of Korean raw crab. This popular k-town joint looks much like many others.





The English menu. There is a separate Korean one with no pictures.


2011 Inama Soave Classico Vigneti di Foscarino. Parker 92. Creamy and rich, this is so beautifully expressive and profound. There’s nothing obvious about this remarkable wine. Its aromatic evolution spans from crushed mineral and pencil shaving to lemon curd, vanilla custard and sun-kissed apricot. This is a Soave Classico dressed in its Sunday best. It sees six months of oak, of which 20% is new. Those two-fold veins of acidity and minerality will help it age.

We had to sneak these in tea cups, as alcohol isn’t allowed at Soban.


Like all Korean restaurants they  lay out a spread of sides.


Fresh kimchee.


Marinated garlic.


Eggplant.


Wonderful soft egg custard, much like a savory version of Tamago.


Broccoli.


Seaweed.


Some other kind of green.


Fried tofu with a slightly spicy sesame sauce.


Marinated sprouts.


Another green.


And a final green.


The usual white rice, which I normally wouldn’t picture, but it will become important later.


This is the crab. It’s a Korean species specially flown in, then marinated in a mixture of soy sauce, mirin, sugar, garlic and ginger for several days. Soban is apparently the only LA place that uses real Korean crab.


The meat is clear and gelatinous, and you suck it right not, almost like squeezing toothpaste from a tube. It has a wonderful subtle briny flavor with more than a hint of ginger. Really quite nice, if a little slimly by the average American textural sensibility.


Then, one can mix some rice in with the row and “crab brain” (guts). This is a wonderful treat. My host actually gave the idea to Yama-san at Yamakase (you can see it here). I happen to love crab guts. Not everyone does, but they have a delightful briny savory quality that blends perfectly with the starchy rice.


Grilled cod. This is a simple fish, but cooked to perfection and complete with a large delicately cooked roe. Yum! In some ways it was like the Korean version of your simple Mediterranean sea bass.


This is a fermented and soy paste stew. It smells rather… fermented (like Nato), but has a complex and interesting taste with more than a little heat.


You can see the Jalepenos.


Spicy mackerel, tofu, and mixed vegetables. This dish had a bit of heat, not overwhelming, but that red Korean kimchee style heat. The mackerel was very flavorful, and not particularly fishy.


Octopus in spicy sauce. The sauce is similar to the mackerel, but they use a Korean species of fresh octopus that is very tender. It was quite nice.

Overall, this was a great little meal, with the crab (and the crab guts on rice) being the real highlight. That’s a very unusual dish and well worth trying if you have the guts! (haha)

For more LA dining reviews click here.

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By: agavin
Comments (2)
Posted in: Food
Tagged as: crab, Foodie Club, Korean cuisine, Korean food, raw crab, Sage Society, Soban, Wine

Pacific Rim – Robots vs. Monsters

Nov13

pacific-rim-blu-rayTitle: Pacific Rim

Cast: Charlie Hunnam (Actor), Idris Elba (Actor), Guillermo Del Toro (Director)

Genre: Science Fiction / Comic

Watched:  October 15, 2013

Summary: A little underwhelmed

_

I’m a major Guillermo Del Toro fan — Pan’s Labyrinth being one of my favorite films in recent memory. And despite the wonky concept, Hellboy was pretty damn great. So I was fairly excited to check out Pacific Rim, even if giant mechs slugging it out with monsters Godzilla-style is a tad overdone.

Having watched, I’m just not sure what to make of the film. Visually, it’s gorgeous. The fights are good. But the style feels a bit all over the place. The depth of character usually present in Guillermo movies has taken back stage to speeches and impressive cinematography (always in his oeuvre, but not usually so dominant). The whole thing feels like style over substance.

Although the style is pretty satisfying. The film looks and sounds great. There’s a very deliberate red/blue palette and a lot of grand (if implausible) shots. Giant robot heads descend down mile high elevator shafts to land on 70 story bodies. Robots are helicopter lifted only to drop (dramatically) into the ocean. Combatants leap nearly out of the atmosphere. And most importantly, a full sized ship is used as a baseball bat.

The Japanese platonic partner felt very fanboy

The Japanese platonic partner felt very fanboy

Charlie Hunnam, who is generally excellent in Sons of Anarchy, is fine here. He has an inherent like-ability and a manly man style that doesn’t grate. But most of the remaining cast felt like caricatures. The tough black military leader. The obnoxious fellow solider (can we say Top Gun). The geeky science guys. Oh, and we shouldn’t forget Guillermo regular Ron Perlman hamming it up as an alien black market kingpin. This last is actually great fun to watch, but has a camp level in excess of the rest of the film.

3205457-pacific-rim-jaegers-wallpaper[1]

Every 9 year-old boy’s wet dream

I had suspension of disbelief problems with the tech. The whole “need two pilots so we can use half their brains” premise just never made sense. No metal exists strong enough to stand up to the punishment the mechs endure — not to mention the G-forces involved as your giant metal monster falls out of the sky and crashes into the earth (can we say pilot-jelly?). And why do they even have to be INSIDE the mech? Why can’t it be remote control? None of that stuff really matters. After all, it’s a monster vs robot movie, but it bugged me.

Fundamentally, I think the film’s biggest problem is cookie-cutter speech-spouting nature of the dialog. The people didn’t feel real. We know the monsters are fake, that’s not a problem, but the people ought to act like people. It’s an enjoyable film. A decent film even, but it falls considerably short of great.

For more Film reviews, click here.

One of many cool images

One of many cool images

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By: agavin
Comments (13)
Posted in: Movies
Tagged as: Charlie Hunnam, Guillermo Del Toro, Idris Elba, Pacific Rim, Science Fiction

Surprise! More Shanghai #1 Dim Sum

Nov11

Shanghai #1 Seafood Village has some of the best, freshest dimsum in SoCal, after 5+ visits I’ve compiled an ever growing catalog of this copious and delicious bounty…

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By: agavin
Comments (0)
Posted in: Food
Tagged as: China, chinese c, Chinese cuisine, Dim sum, dimsum, Shanghai

Mercado Madness

Nov08

Restaurant: Mercado

Location: Los Angeles, California 90048. 323.944.0947

Date: November 5, 2013

Cuisine: Mexican

Rating: Solid modern Mexican.

_

The Hedonist gang loves to try out new places, plus it was David’s birthday! Mercado is a recent entry into the crowded LA Mexican arena from co-owner Jesse Gomez and chef Jose Acevedo.


The Mercado space on the crowded 3rd street drag is modern and that is also reflected in the fresh take on traditional dishes.


Fitting decor for being so close to the day of the dead! People really hauled out the wines, as we had twenty bottles crowded onto that table!


2004 Billecart-Salmon Champagne.


2006 Sea Smoke Pinot Noir Ten. Burghound 86. This is also extremely ripe with the same notes of menthol along with touches of cherry cough syrup, red berries, chocolate and coffee notes that continue onto the mouth coating, serious and structured finish that is again not particularly well integrated into the body of the wine. Here though the finish is not harsh so much as just awkward.


Guacamole – hass avocado, serrano, cilantro, red onion, chile de arbol salsa, spicy pepitas, fresh chips. These were some of the best nachos and guac I’ve had.


2007 Frédéric Magnien Fixin Crais de Chene. Burghound 86-89.  A subtle touch of wood sets off earthy and reasonably complex aromas of red and blue fruit as well as lovely violet nuances that merge into rich, round and supple flavors that possess an attractive textured on the delicious, long and nicely sappy finish that carries less rusticity than one might otherwise expect.


From my cellar, 1978 Marques de Murrieta Castillo Ygay Gran Reserva Especial. Parker 93. One of the wines of the night (IMHO). The 1978 Castillo Ygay Gran Reserva Especial spent 18 years in barrel and 10 years in bottle prior to release. It still has a deep cherry red color along with an aromatic array of underbrush, brier, tobacco, incense, and blackberry. It has slightly sweeter fruit and livelier acidity than the 1994. This lengthy effort is at its peak now.


Carnitas nachos. Chips, pork chunks, marinated carrots, chili con queso, guacamole. Quite tasty, as I’m partial to both chili con queso and carnitas.


1994 Marques de Murrieta Castillo Ygay Gran Reserva Especial. Parker 94. The 1994 Castillo Ygay Gran Reserva Especial reveals no age in its appearance. Deep purple-colored, it sports nicely developed, complex aromas with elements of Asian spices, balsamic, lavender, mineral, and blackberry. Elegant, intense, and concentrated, it is balanced by vibrant acidity.


1989 Marques de Murrieta Rioja Castillo Ygay. Parker 92. This traditionally run Bodegas estate bottles all of its wines. The 1989 Castillo y Gay Grand Reserva Especial, which represents 25% of the estate’s production, and is produced only in top vintages, is the flagship wine of Marques de Murrieta. The deep ruby/purple-colored 1989 offers up smoky, sweet, jammy black cherry fruit aromas intertwined with scents of minerals, tobacco, and vanillin. Medium-bodied and ripe, with outstanding levels of fruit, glycerin, and extract, low acidity, and ripe tannin, this hedonistic, luscious Rioja can be drunk now and over the next 15+ years.

Mexican Kale Salad – kale, arugula, candied pumpkin seeds, pears, dried strawberries, cotija-pesto croutons,
agave-lime vinaigrette. Many complained that the vinegar clashed with our heavy reds.


1970 Bodegas El Coto Rioja Coto de Imaz. 89 points.


1970 Berberana Rioja Reserva Carta de Oro. Vanilla and cherry at first on the nose give an impression of cream soda. Resolved, cherry and brown sugar palate with adequate acidity and something savory and creamy. Perfectly enjoyable.


Lobster taco – with slaw. This was tasty, but the shell was a hair soggy and some felt the lobster a little fishy.


1986 Marqués de Cáceres Rioja Gran Reserva. 87 points. Still very pleasurable, but it has obviously seen better days. The nose smelt like something quite a bit older, with wafts of balsamic vinegar, suggestions of dried leaves and undergrowth, and only after that more classic matured Tempranillo notes of cooked plums and cigarette smoke. Thankfully, the palate was not quite as tired as the nose would suggest. The dried leaves and balsamic notes were there in some measure, but these were more background notes that the main act, with the wine showing nice little notes of sour plums, a touch of meat and some smoked tea leaves as it moved into a very soft, mellow finish draped with velvety tannins.


1987 Bodegas Rioja Santiago Rioja gran condal. 88 points.


Alambres de Camarõn – Mexican sweet shrimp skewers, cilantro pesto, chayote with calabacitas.


1998 La Rioja Alta Rioja Gran Reserva 904. IWC 93. Bright red with an amber rim. Pungent, expansive scents of dried red fruits, potpourri, vanilla and pipe tobacco, with a spicy overtone. The silky palate offers penetrating redcurrant and bitter cherry flavors sweetened by notes of vanilla and mocha. Finishes smooth and long, with very soft tannins and lingering floral notes. Ready to drink but there’s very good depth here, suggesting (along with this wine’s track record) that it will reward further patience. I also had the chance to re-try the outstanding 2001 Vina Ardanza, which is aging at a snail’s pace and really needs more time for the oak to fully integrate with its fruit. Right now the vanilla character is dominating but there’s obviously excellent material underneath it.


2002 Dominio de Atauta Ribera del Duero. IWC 89. Bright ruby-red. Black raspberry, violet pastille and a whiff of tar on the nose. Texture currently stunted by sulfur but the flavors of blackberry and violet pastille offer lovely purity-not to mention impressive ripeness and intensity for the year. Finishes with tongue-dusting tannins.


Carnitas – Chef Jose’s slow-cooked natural pork, guacamole, chile de arbol salsa, cauliflower with escabeche


1970 Château Mouton Rothschild. Parker 93. I have had a remarkable number of opportunities to taste this wine. One of the most frustratingly irregular wines I have ever encountered, the 1970 Mouton can range from pure nectar, to a wine that is angular, austere, and frightfully hard and tannic. This bottle (one of the Reserve du Chateau bottlings that was mistakenly released by the estate and labeled with the letters R.C., rather than a number) was impossible to assess when decanted, given its hard, tough, impenetrable style. Nearly eight hours later, the wine had opened magnificently to reveal a classic bouquet of sweet cassis, tobacco, minerals, and exotic spice aromas. Opulent, full-bodied, thick, and juicy, the extraordinary evolution of this particular bottle would make a persuasive argument for long-term decanting. After being perplexed throughout much of this wine’s evolution, I was reassured by this bottle. No doubt Mouton’s high Cabernet Sauvignon content causes this wine to go through a tight, hard, ungenerous stage.


1985 Haut Bailly. Parker 86. There is not a great deal of depth to this Haut Bailly. Nevertheless, it offers charm, finesse, and a sweet black berry/curranty fruitiness. Some of the new oak and smokiness that were present when the wine was young has dissipated to reveal a slight herbaceousness behind the new oak. The wine is medium-bodied, with soft tannin, and some flesh on the attack that quickly narrows out to a lighter style, supple yet unexciting wine.

A lot of people really liked this wine.


Carne Asada – prime marinated skirt steak, guacamole, cebollines, grilled corn.


2001 Chateau des Tours Vacqueyras. Parker 88. The beautiful, elegant, seductive 2001 Vacqueyras is a serious effort. Its medium ruby color is followed by distinctive kirsch liqueur notes intermixed with freshly ground pepper, licorice, and strawberries.


2007 Caves Saint-Pierre Châteauneuf-du-Pape Le Fiacre du Pape. 90 points. Ripe, crushed red berry juice with savory, earthy notes of mushroom and truffle influence. Aromas of blackberry juice, brambly wild berry, oak vanillin, grilled herbs and warm berry tart. Nice texture. A bit tart on the entry with big acid. Richly flavored and hedonistic in style with lush red and black fruit, fresh herbs, a stony minerality and some earthy and dried leaf notes. Suggestions of violet and lavender oil also. Hints of espresso. I could do with a tad less acid, so perhaps added time in the bottle will relax/integrate that.

Pollo en Salsa de Chipotle – Free-range half chicken, chipotle wild mushroom sauce, queso fresco
mashed potatoes.


2001 Domaine de la Solitude Chateauneuf du Pape la Reserve Secrete. Parker 96. Absolutely prodigious, and unquestionably one of the vintage’s most illustrious wines, is the modern-styled 2001 Chateauneuf du Pape La Reserve Secrete. A blend of 60% Grenache and 40% Syrah, aged 75% in small oak casks and 25% in tank, an awesome nose of creme de cassis, graphite, kirsch, licorice, and vanilla soars from the glass of this saturated ruby/purple-colored wine. With extravagant richness, a sumptuous texture, and tremendous opulence as well as purity, this stunning, modern-styled Chateauneuf du Pape retains the soul and typicity of Provence as well as Chateauneuf du Pape. One of the vintage’s greatest wines, it is a brilliant achievement.


2005 Penfolds Shiraz Magill Estate. Parker 92. The 2005 Magill Estate Shiraz was barrel-fermented and spent 14 months in French and American oak. It delivers a super-expressive nose of smoked meat, game pencil lead, pepper, blueberry, and blackberry leading to an elegant Shiraz with superb depth and grip. This lengthy effort will provide pleasure through 2020.


Farmers’ Market Enchiladas – Chef Jose’s hand-picked vegetables, yellow mole, queso fresco, nopalitos.


1992 Gaja Langhe Sito Moresco. Still lots of tanic structure.


2010 Tobin James Syrah James Gang Reserve. 2010 Syrah? Eeek gads.


Tacos Carnitas!


Flan. This was a great flan. Ignore the sauce, which might have been Bailieys or something, but the flan was very creamy, a real custard.

Overall, another fabulous night. The food was good, although perhaps a hair uneven, but the wines and company were amazing as always. Service was absolutely first rate. They really took care of us — although next time they need to bring the entrees out one at a time. With wine dinners, multiple courses at once can be overwhelming.

For more LA dining reviews click here,

or more crazy Hedonist dinners here!

Yarom with owner Jesse Gomez

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By: agavin
Comments (1)
Posted in: Food
Tagged as: Carnitas, Dessert, flan, hedonists, Meat, Mercado, Mexican cuisine, rioja, Wine

Beautiful Creatures

Nov06

Title: Beautiful Creatures

Author: Kami Garcia & Margaret Stohl

Genre: YA supernatural

Length: 592 pages, 147,000 words

Read: Nov 6-20, 2011

Summary: Fun read

_

This is a pleasant YA supernatural romance. At a certain structural level it’s a blend of reverse Twilight (boy is normal, girl is supernatural), Carrie, and modern Southern Gothic. The opening third or so gets off to a strong start. The male first person past POV is engaging, and the character likable, although nicer and far less lusty than any sixteen year-old boy I remember (my own interior monologue was decidedly raunchy). The prose is workmanlike. It isn’t pretty, but it doesn’t get in your face. There’s a touch of overwriting, the occasional sentence that rephrases what the previous did. I never do that myself. I don’t. Nope. Positively not.

As the first act breaks into the second, the supernatural lore structure is revealed to us. There are a lot of name changes here which seems fresh but slightly forced. Wizards or witches are called “casters,” which shades of World of Warcraft, makes me wonder if they’re ranged dps or healers? Both actually. The different schools or talents of magic have names like thaumaturge which are probably novel to many younger readers. Me, having read  7,000 fantasy books, can’t help but think of Master of Five Magics, which is a great book, uses that word, and has no resemblance to Beautiful Creatures :-). In any case, the magical world building in Beautiful Creatures is about 3/5. There’s some interesting stuff going on, but the depth is only hinted at, and it is not heavily based on either some other existing fictional school of magic or traditional occult.

The book is quite long, particularly for a YA. How this got past the editorial zeal and lust for brevity of today’s publishing world is a slight mystery. And I don’t mean this as a bad thing. The trend toward cutting every unnecessary word, sentence, paragraph, and scene has made for a lot of choppy books. The space allows Beautiful Creatures to feel a little less rushed, and develop a bit of relationship and a broader cast of family members. The second act is certainly slower than the first and third, and there are scenes that could’ve been cut, but their presence does help bolster the authentic relationship between the two leads. It’s not a super deep relationship, but since when is teenage love the Mariana Trench? I definitely enjoyed the back and forth between Eathan and Lena. Less so with the high school social conflicts in the middle. There are perhaps a few too many elements mixed into the pot: The romance, the school drama, a best friend, family dynamics (for two families), the magic system, telepathy, preternatural dreams, and a vague Civil War ghost story. It’s this last that feels the least integrated as even by the end the parallelism isn’t made totally clear. I can certainly forgive this debut-author-style zeal. It’s just a desire to put in too much cool stuff. I did it myself in The Darkening Dream. Then my editor made me chop half of it out. There’s still at least as much as in this book.

The final quarter of Beautiful Creatures, which is basically one evening, races to a conclusion at breakneck pace. A midnight deadline adds a sense of urgency. The obligatory party scene had me cringing (although no more than the weekly Vampire Dairies party or Buffy‘s obligatory visit to the Bronze) but then we get on to the actual supernatural resolution. I had slightly mixed feelings , as some of the conversation with the older casters reminded me of Scooby Doo, but the action part was fine. The brief POV reversal though… hmmm. This, I think, was trying to get around the first person narrator limitation, but there might’ve been a more elegant solution. After 570 pages with “I” being Ethan I just couldn’t switch my brain over to Lena for 5-10 pages.

But all those nitpicks aside, I very much enjoyed the book, which is what matters. I suspect that mostly had to do with the the core romance (I would’ve enjoyed more R — or X) and the fairly novel mythos. There are worse foundations to build a book on.

For my full list of book reviews.

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By: agavin
Comments (1)
Posted in: Books
Tagged as: American Civil War, Beautiful Creatures, Book Review, Carrie, Fiction, Kami Garcia, Margaret Stohl, Southern Gothic, Supernatural, Young-adult fiction

Tofu with a Seoul

Nov04

Restaurant: Seoul Tofu

Location: 2101 Sawtelle Blvd. Los Angeles, CA 90025. 310.444.9988

Date: October 21, 2013

Cuisine: Korean

Rating: Solid

_

Seoul Tofu seems a relatively new offering on my favorite Westside Asian lunch street, Sawtelle. It features a newer, more attractive build out that some of the old mainstays.

It seems a formula that Korean restaurants offering the spicy tofu soup also serve up a variety of Korean BBQ dishes as well. Not the kind one cooks oneself, as Seoul Tofu doesn’t offer the table-side burners, but the sort served up on hot metal skillets.


Koreans always start off with a variety of little side dishes. My favorite here is the fried tofu or fish cake in the bottom left. It has a nice chewy texture and a pleasant smokey flavor.


The menu.


Soon Tofu with beef dumplings. This is why I come to these places, for the lovely silken tofu in an intensely hot (temperature wise) bubbling spicy broth. The tofu and the soup were both delicious, but the dumplings lacked a bit in flavor.


A nice presentation of white rice (hot!).


Bulgogi. Grilled thin slices of tender beef marinated in special sauce. This was tasty enough, but the onions were too raw and the meat perhaps a little fatty.

Seoul Tofu follows the exact same formula as the nearby (1 block) Tofu-Ya, and the decor is nicer and more up to date, but the older restaurant is a dollar or two cheaper — and more importantly, tastes a little bit better. Ain’t competition a good thing?

For more LA dining reviews click here.

Related posts:

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By: agavin
Comments (0)
Posted in: Food
Tagged as: Korean BBQ, Korean cuisine, Restaurants and Bars, Seoul, Seoul Tofu, Soon Tofu, South Korea, Soy sauce, Tofu

The Crack House

Nov01

Restaurant: King Kho Bo

Location: 1621 South San Gabriel Blvd. San Gabriel Ca, 91776. 626-573-8000

Cuisine: Dried Chinese Snacks

Rating: So addictive, we call it crack

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One of the perils of driving 30 miles for your Chinese food in LA traffic is that in order to arrive on time, you have to risk being 30 minutes early. But fortunately, the San Gabriel Valley is host to all sorts of interesting culinary stops that can kill a few minutes.


One of these is known among us Hedonists as the “Crack House” for its addictive dried Chinese snacks.


Row after row of dried stuff. Some savory.


Some sweet.


Dried okra. This stuff is so dried (do they use a freeze drying machine? Who knows) that it’s incredibly crunchy. These veggies are pretty salted with a bit of Asian style flavoring.

The quintessential “crack” is dried mushrooms. They are incredibly addictive.


Some dried sour plums.


Or more familiar mango.


I don’t even know what these are!


Sesame fish!

Or even better: mini chili crabs!


Nuts and seeds.


And more sweets.


Various beef and pork jerkys. I tried some awesome sweet pork and really spicy Asian beef.


The friendly owners.

For more LA dining reviews click here,

or more crazy Hedonist dinners here!

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By: agavin
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Posted in: Food
Tagged as: Chinese cuisine, Crack house, dried mushrooms, King Kho Bo, san Gabriel valley

Hark, I hear The Darkening Dream

Oct30

Ten months in the making, The Darkening Dream audiobook is finally ready!

The complete unabridged book is available on Audible, Amazon, and iTunes for MP3 download to your phone or ipod. It’s narrated by producers Marti Dumas (female parts) and Eric Pollard (male parts).

A bit about the production

ACX_Logo

I started way back in January, and like most Independent authors considering an audiobook edition, decided to use Amazon’s ACX service. This is a marketplace for connecting authors with voice and production talent as well as an automated mechanism for delivering the finished books to the big online markets (Audible, Amazon, and iTunes). This makes it  easy to post descriptions of what your looking for and a section of the book to read. I listed both The Darkening Dream and Untimed. Lo and behold, over the next couple of weeks a pile of auditions started to come in.

ACX has a couple of options and it’s important to get them squared away BEFORE you pick a production team as they make it difficult to change after the fact (I know from experience). You can go either Exclusive or Non-exclusive. Retaining the right to sell through some other market (and remember they hit all the big online markets) earns you a much lower royalty rate (about half). Also, you can chose to pay your production team either as a fixed dollar amount per finished hour or as a percentage of royalties. Obviously royalties involve less up front costs on the part of the author, but I suspect that far less voice talent is interested in taking those terms as earn outs for Indie books are probably very variable. I went for pay up front exclusive.

The Darkening Dream  is a tricky novel from a recording standpoint as it has seven different points of view, of both genders, and given that the protagonist is a young woman and several of the POVs are nasty male villains, I couldn’t imagine either a man or a woman reading both. Luckily, I found a talented pair who works together and we began production last winter. However, I wasn’t totally prepared for how long it would take and how much work it was on both sides.

Belle Voix

Marti (left) and Eric (right) finishing up a recording session with a glass of al-Nasir’s blood

First of all, it’s important to prepare very detailed notes on all your characters. TDD has a big cast, many with varied accents and histories, and not all are even human. Each of the POVs had to sound distinct and in the authentic voice of that character. After my team studied my character sheets and we discussed each character, we created a number of voice tests for the major parts. I listened and then gave feedback. This is a broad pattern that continues through the process. Prep -> Record -> Listen -> Feedback -> Repeat.

As I’ve experimented in many mediums: video games, novels, screenplays, and now audiobooks, it’s worth noting some of the differences. The physical placement on the page (as dictated by white space) is useful in novels. I separate dialog spoken by different people on different lines, and I make sure to place tags (he said, she said) and beats (small action queues like “Alex shifted in place” or “Sarah smirked” in the same paragraph as the speaker’s dialog. In an audiobook, you can’t hear the white space, but differences in voicing can make up for who is speaking. Still, you lose this spatial grouping. The tags also stand out more when spoken, as the eye tends to ignore them.

Another thing I hadn’t thought about is how long it actually takes to listen repeatedly to an entire novel. TDD is over eleven hours and every few weeks I’d get an hour or two of recordings, need to listen — usually twice (paying attention!) — and write up notes. And my side of the work was a lot easier than Marti and Eric’s. I can only imagine how long it took to record multiple takes, audition them, edit, then proof.

With the multiple voices, TDD sounds a tad like an audioplay, which is rather cool, and a few of the supernatural elements needed sound effects. We kept this to a minimum, because once you head down that rabbit hole, who knows where it leads — but the mystical horn (readers will know what I’m talking about) and the vampire glamour both begged for a little special treatment.

Then, as the months rolled by, chapter by chapter, the book came together brilliantly. I’ve listened to it between 2-3 times — although not all together at once. I’m curious at the psychological effect, but after reading various drafts over 50 times and a couple listens, I’ll leave that to you guys!

Listen to a free sample if you like:

/wp-content/uploads/2013/10/71-The-Darkening-Dream-Retail-Sample.mp3

Or buy the Audiobook at:

Amazon, Audible, or iTunes

Buy Sample Characters Reviews Reviewer Info

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By: agavin
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Posted in: Darkening Dream
Tagged as: Amazon, Amazon.com, Audible, audiobook, Eric Pollard, horror, iTunes, Marti Dumas, The Darkening Dream

Serene Republic of Quippy Thievies

Oct28

51xAZnvLHvLTitle: The Lies of Locke Lamora

Author: Scott Lynch

Genre: Epic Fantasy

Length: 752 pages

Read: October 15-25, 2013

Summary: Best fantasy I’ve read in a while

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The simplest pitch for The Lies of Locke Lamora would be Thieves World Venice. Fantasy often borrows heavily from history, and LLL is no exception. I’d place the  era as roughly 17th century. The book is set entirely in the fictional city of Camorr. It’s got canals, bridges, Italian names, a Duke (Doge), nobles, masks, and pretty much all the trappings of the real Venince. It’s also got sorcerers, alchemy, and giant towers built of indestructible Elderglass.

Like the brilliant Perdido Street Station, LLL features the city as character. This outing isn’t quite as purely imaginative, but also isn’t nearly as weird, and  far more approachable. I’m a big Venice fan anyway, and so I very much enjoyed the feel. There is a nice balance struck here between atmosphere and pacing. LLL is a fast book with a lot of flavor. The underworld and the city proper are both excellently realized. I particularly enjoyed the glimpses into a  well developed religion. Camorr is a city of 13 gods, and as such borrows more religious spirit from antiquity, but at the same time Lynch colors it with an extremely Renaissance/Baroque feel.

The novel is fairly focused. No Game of Thrones, LLL concentrates on a single hero and a few of his friends. It’s written in a slightly bizarre third person omniscient, without a heavy distinct narrator, but feels free to flit around between time and characters (even if it hovers 90% on our protagonist, Locke). Interludes discussing historical aspects of the city or flashing back to (mostly) relevant childhood events in the lives of our heroes are frequent. While these stray from the spine of the story, they are entertaining and add depth. There is some slight of hand played with the chronology. Occasionally some action is undercut with the preparations for the same action in a way which is a little confusing.

At the prose level, Lynch is a good writer, with some style and flair. He does a nice job dotting the text with certain archaic words that lend flavor, but all the while keeping the text modern and lively. And he has a knack for deft and humorous descriptions. At the same time, there is a hint of anachronism. LLL isn’t a Jonathan Strange & Mr. Norrell with pitch perfect historical tone — but it is also much faster paced and transparent to the reader.

The action of LLL is part heist, part swashbuckling adventure, part orphan tale. Like a Venitian Ocean’s Eleven, Pirates of the Caribbean, and Oliver Twist all rolled into one. The tone is quippy and cavalier, but also contains a dose of nastiness and torture (night that I mind). The dialog is full of zingers — many hit, some miss. And often it sounds oddly modern. The plot is easy enough to follow but has a certain byzantine quality — and more than its share of deus ex machina — but essentially it all works. The action is fast, furious, and easy to follow. A dizzying mix, but one that works well.

I pounded through the second half (at 752 pages, hardly a novella) in one sitting. Flaws aside, it’s fun and ambitious without being overwrought in scope. All in all, The Lies of Locke Lamora was no chore, instead a genuine pleasure, and certainly the best fantasy I’ve read this year!

For more book reviews, click here.

lockelithoah0

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By: agavin
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Posted in: Books
Tagged as: Book Review, Epic Fantasy, Fantasy, Locke Lamora, Reading (process), Red Seas Under Red Skies, Republic of Thieves, Scott Lynch, The Lies of Locke Lamora, thief, underworld, Venice

Totoraku Double Meat Madness

Oct25

Restaurant: Totoraku [1, 2, 3, 4]

Location: 10610 W Pico Blvd, Los Angeles, CA 90064.

Date: October 22 & 23, 2013

Cuisine: Japanese Yakiniku

Rating: Best beef in town!

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About twice a year my Hedonist group takes over Totoraku. It serves a very refined version of Japanese Yakiniku, which is Beef BBQ originally from Korea but filtered through Japanese sensibility.

Last spring, we took the whole restaurant with 28 people, but the evening was total chaos (albeit fun chaos), and this time we decided to split it into two nights. The first night (which I attended) was 13 people, oriented toward the heavy hitters wine wise, and the second night was about 18-19 with some non drinkers. Still, there were some pretty incredible wines that night too.

Everyone brings a wine vetted by the group and the standard is very high at this event, basically close to 100 points, high pedigree, age, or some combination thereof. As you’ll see, we really tore it up and in terms of scale and wine this was the most epic Hedonist event yet.

The outside is basically a shell. The “Teriyaki House” has nothing to do with the food within, and the phone number is incorrect. The place is like a beef speakeasy!


NV Krug Grande Cuvee. Parker 91-95. The NV Brut Grande Cuvee emerges from the glass with freshly cut flowers, almonds, pastry and spices. This is a relatively floral, bright Grande Cuvee with fewer of the oxidative qualities that are typical of the house style. According to Krug’s ID Code, this bottle is based on the 2004 vintage, which explains the wine’s tense, taut personality. Another year or two on the cork will only help the wine gain expressiveness and depth. Today, the Grande Cuvee is quite reticent and not showing the full breadth of its personality.


1987 Joseph Swan Vineyards Chardonnay Estate Bottled. A bit oxidized. Drinkable, more or less.


1970 Charles Krug Winery (Peter Mondavi Family) Zinfandel. Surprisingly fresh.


The appetizer plate.


Jellyfish!


Uni risotto balls.


Shrimp with endive and caviar. Little okra’s to the left front of them.


1970 Château Haut-Brion. Parker 85. Although surprisingly light-bodied, consistently pleasant and enjoyable, this is an undistinguished effort. The 1970 Haut-Brion has always come across as angular, and lacking the exceptional perfume and complexity this estate can achieve. In this tasting, the wine displayed vegetal, tobacco scents, good spice, some fruit, and a medium ruby color with significant amber. The tannin and acidity were too high for the amount of fruit, glycerin, and extract. Drink it up.


Salmon wrapped in daikon, stuffed with avocado and other vegetables.


Octopus and tomatoes. And in the front, black sesame tofu.


In the front, mushrooms. In the orange thing, tomato salad.


A very soft gelatinous thing that probably had some crab in it.


1983 Joseph Phelps Insignia. 94 points. Transparent ruby. Bit of Madeira on an otherwise rich and complex nose. Focused with gorgeous acidity, fruit and length. Another marvelous mature insignia!


Beef carpaccio with special salt, flowers, and some onion family derivative. Very yummy. This is eaten raw.


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Two kinds of beef sashimi, eaten nearly raw. On the left beef tataki (rib eye) and on the right (in the cup) beef throat sashimi. Also on the plate is a bit of Korean style hot sauce (the red stuff), some intensely strong garlic (yum) and micro julienned ginger.

The throat was very chewy, more about texture. The rib eye soft and more flavorful. All went well with the garlic and ginger — I particularly liked the garlic.


From my cellar: 1991 Chapoutier Ermitage le Pavillon. Parker 100. This is a Le Pavilion of mythical proportions. Produced from extremely old vines, some dating from the mid-nineteenth century, with yields averaging under 15 hectoliters per hectare, this is the richest, most concentrated and profound wine made in Hermitage. The 1991 Ermitage Le Pavilion follows the pattern of the 1989 and 1990-it is another perfect wine. The saturated black/purple color is followed by a compelling bouquet of spices, roasted meats, and black and red fruits. Enormously concentrated yet with brilliant focus and delineation to its awesomely endowed personality, this extraordinary wine should age effortlessly for three plus decades. Very powerful and full, yet displaying silky tannin, this is a seamless beauty! Anticipated maturity: 2001-2035.


A raw beef dish. Marinated raw beef is seen here with ginger, raw egg, cucumber, daikon, pine nuts, and something orange. Apparently, this is a Korean dish called Yukhoe. Actually, I’ve had it at Korean places, but in any case it’s delicious.


The elements are mixed together and then eaten. It’s hard to describe why it’s so good, but it is, with a very complex flavor and texture interplay.


1994 Penfolds Grange. Parker 91. This is the first vintage where Grange went to a bottle with laser-etched identification numbers to preclude the possibility of fraudulent bottles. The wine, a blend of 89% Shiraz and 11% Cabernet Sauvignon, shows some toasty oak mixed with notes of root vegetables, damp earth, blackberry liqueur, prune, and licorice. The wine is dense, full-bodied, not terribly complex in the mouth, but layered and rich. I would not be surprised to see the rating on this wine improve as this youthful Grange continues to evolve.


Beef tongue with salt. After cooking, you dip it in lemon juice.


1993 Guigal Cote Rotie la Landonne. Parker 88. The great glories of this house are its Cote Roties, of which there are now five separate offerings. The 1993s, which have just come on the marketplace, are from a troublesome vintage for everyone in Cote Rotie, rivaling 1984 in difficulty. Nevertheless, the single-vineyard wines have turned out well. As for the single vineyard wines, they are all excellent in 1993, but more herbaceous and clearly marked by the green pepper smells of slightly underripe Syrah. The most tannic of the three famous single vineyards is the 1993 Cote Rotie La Landonne. It is amazingly powerful and rich for the vintage, and reveals more fruit and intensity than it did prior to bottling. It exhibits a saturated ruby color, and copious amounts of pepper, tar, olives, licorice, and black cherry fruit in the nose. It remains the most muscular and structured of the three wines, and has managed to avoid the hollowness and vegetal character that plague so many 1993 northern Rhones. This Cote Rotie should age gracefully for a decade or more.


Filet Mignon with bell peppers, onions, and sisho pepper.


Filet on the grill.


1996 Guigal Cote Rotie la Landonne. Parker 93-96. The 1996 Cote Rotie La Landonne is a wine with tremendous intensity and tannin, as well as a pronounced roasted herb, smoked meat, and Asian spice-scented nose with tell-tale black fruits, melted tar, and truffle notions in the background. Rich, powerful, and massive, this effort will require 3-4 years of cellaring, and will last for two decades.


The “salad.” Cucumbers, carrots, daikon. They are served with this spicy sweet miso dip. The vegetables do help to move along the fat and protein heavy meat.


2002 Pichon-Longueville Comtesse de Lalande. Parker 94. One of the best wines of the vintage, this is a classic Pauillac that is a blend of 51% Cabernet Sauvignon, 34% Merlot, 9% Cabernet Franc, and 6% Petit Verdot. Dense ruby/purple in color with a glorious nose of melted licorice, lavender, barbecue smoke, black currants, and graphite, the wine is tannic, classically structured with an opaque ruby/purple color, beautiful definition, and a 1996-ish personality. This deep, full-bodied, elegant yet powerful 2002 should age handsomely for over two decades. Some patience will be required since this vintage exhibits more muscle and virility than normal.


Momotaro tomatoes with a vinaigrette. These are supposedly incredibly good tomatoes, as a hater, I didn’t try them. I think Oyama-san gets them from some special place in Orange Country.


2004 Bruno Giacosa Barolo Falletto. Parker 96. Giacosa’s 2004 Barolo Falletto is so compelling it will be hard not to drink it in its youth. This gorgeous Barolo reveals a deeply structured frame layered with sweet dark fruit, mint, spice and pine. At once delicate and powerful, it is a beautifully finessed wine that is sure to provide much pleasure. A recent bottle of the 1982 is a testament to the virtues of this great site as interpreted by Bruno Giacosa.


My first time having this dish. Marinated duck.


The duck grilling. This was a lovely addition to the collection of meats.


1992 Bryant Family Vineyard Cabernet Sauvignon. Parker 91. Over the next year readers should be on the lookout for some of the 1,000 case production of Don Bryant’s Cabernet Sauvignon from an old vineyard on Pritchard Hill near the Chappellet Vineyard. Bryant’s 1992 Cabernet Sauvignon offers an impressive black/purple color, rusty tannin, immense concentration, full body, and enormous richness in the finish.


Outside rib eye with special salt and garlic.


The outside rib eye on the grill.


1999 Greenock Creek Shiraz Roennfeldt Road. Parker 98. There are 236 cases of the 1999 Shiraz Roennfeldt Road (also from 65-year-old vines). Although it pushes ripeness to the limit, it does not reveal any raisiny/pruny characteristics. It offers wonderful freshness, good acidity, superb intensity, and copious quantities of blackberry, cassis, crushed rock, floral, and spicy new oak notes. Massive and concentrated with perfect equilibrium, it can be drunk now and over the next 25 years. Kudos to one of the world’s finest wine producers!


Inside rib eye.


The inside rib eye on the grill.


2002 Marquis Philips Shiraz Integrity. Parker 94-99. Deep garnet-brick colored, the 2002 Integrity is a 100% Shiraz that displays evolved leather and tobacco notes intermingled with some meaty and gamey aromas and nuances of coffee, olives and underbrush. Full bodied, it has a coffee flavors in the mouth, medium levels of velvety tannins, and a medium-high acid backbone. It finishes long with notes of eucalyptus showing through. It is drinking now.


“Special” beef. I think it was a form of sirloin. It was certainly good, very salted.


And it on the grill.


2009 Hundred Acre Vineyard Cabernet Sauvignon Few And Far Between. Parker 94. The 2009 Cabernet Sauvignon Few and Far Between Vineyard has developed beautifully since I last tasted it from barrel. Mocha, espresso, exotic spices and orange peel all come together in this inviting, multi-dimensional Cabernet Sauvignon. Totally alive in the glass, the wine is constantly changing, and reveals different sides of its personality with each taste. Hints of sweet red berries and cloves add complexity on the long, polished finish.


You have to special order the lamb, which like all of Kaz’s meats, is pretty wonderful.


Grilling up the chops.


One hell of a chop.


2009 Schrader Cellars Cabernet Sauvignon RBS To Kalon Vineyard. Parker 96. The 2009 Cabernet Sauvignon RBS Beckstoffer To Kalon Vineyard comes across as dark, plush and inviting, but with greater inner focus and minerality than some of the other wines here. Graphite, smoke, tar and licorice are some of the notes that wrap around the intense, juicy finish. I especially admire the way the RBS grows in the glass as it turns more explosive over time, yet never loses its more refined shades of expression. The RBS is 100% clone 337 from the B1 and B2 blocks. According to winemaker Thomas Rivers Brown, it is the addition of fruit from B2 (new this year) that gives the 2009 much of its personality.


Skirt steak.


And as a final course, the rarely seen but much enjoyed slightly spicy Korean style egg drop soup.


From my cellar: 1990 Chateau d’Yquem. Parker 99. An extraordinary effort, Yquem’s 1990 is a rich and fabulously superb, sweet wine. This wine also possesses lots of elegance and finesse. The wine’s medium gold color is accompanied by an exceptionally sweet nose of honeyed tropical fruits, peaches, coconut, and apricots. High quality, subtle toasty oak is well-integrated. The wine is massive on the palate, with layers of intensely ripe botrytis-tinged, exceptionally sweet fruit. Surprisingly well-integrated acidity, and a seamless, full-bodied power and richness have created a wine of remarkable harmony and purity. Certainly it is one of the richest Yquems I have ever tasted, with 50-100 years of potential longevity. An awesome Yquem!


Toto serves homemade ice creams and sorbets as dessert.

So chaotic was this giant night that they brought out all five flavors on each  plate and just placed them about the tables. I like the ice creams better than the sorbets here. The white chocolate was fantastic. Still, it’s all great.

Chef/Owner Kaz Oyama on the right. Both parties are partaking of my D’Yquem.

And this place IS all about the beef, which is arguably some of the best I’ve ever had. Certainly the best yakiniku/Korean BBQ I’ve ever had. There is a perfect tenderness to every cut that’s fairly transcendant. I’m not even that much of a steak fan — but I’d take this stuff any time over even a spectacular cut from Mastros or Cut. The food here does not vary much from visit to visit. There is no menu. The quality however is utterly consistant. So while it isn’t an everyday sort of dining experience, perhaps once every 6-9 months, I love to return for my fix.

This was a spectacular evening — really, truly, deeply epic. It was about 5 hours of mind boggling wines and crazy beef.

The Wines of Night 2

The next day a further 18 or so Hedonists returned for the exact same meal, but as they brought their own wines (ours being liver food at that point), I light them here too. I didn’t catch 100% of the wines. Missing are the 96 Sassicia, 01 Gaja , 97 Solaia and probably more.



1986 Ducru Beaucaillou. Parker 90-92. At 16 years of age, this wine continues to taste more like a 5 to7-year-old Bordeaux. The color is a handsome dark ruby with just a bit of pink at the edge. The wine exhibits sweet red and black currant fruit intermixed with wet stones, spice, and flowers. Medium-bodied and still moderately tannic, but very concentrated, this firmly structured, slightly austere wine has tremendous upside to it. By the way, this was the first vintage where I began to notice on some bottles the wet cement/damp cardboard aromas that were far more increasingly evident in the subsequent vintages, 1987, 1988, 1989, and 1990. Interestingly, the last five times I have tasted the 1986 Ducru-Beaucaillou, they were totally pristine bottles.


1990 Figeac. Parker 91-94. One of Bordeaux’s most schizophrenic properties, as disappointing as Figeac’s 1989 has turned out, the 1990 is fabulous. This property has not made a wine as rich as the 1990 since 1982. In contrast to the 1989, the 1990 is a great Figeac, potentially a richer, more complete and complex wine than the 1982. The 1990 exhibits a saturated dark purple color (somewhat atypical for Figeac), and a gorgeous nose of olives, fruitcake, jammy black fruits, minerals, and licorice. Medium to full-bodied, with gobs of glycerin-imbued, sweet, jammy fruit, this wine is nicely buttressed by moderate tannin and adequate acidity. Fleshy and rich, as well as elegant and complex, it is approachable because of the wine’s sweet fruit, but it promises even more pleasure with 2-4 more years of bottle age; it will last for 20 years. I predict the 1990 Figeac will have one of the most exotic and compelling aromatic profiles of the 1990s. It is a terrific wine!


1982 Pichon-Longueville Comtesse de Lalande. Parker 100. One of the monumental wines of the last century is the 1982 Pichon Lalande. Since bottling, it has flirted with perfection, and was a sprinter out of the gate, which gave rise to questions about how quickly it would begin its decline. However, at age 27, it retains all its glossy, rich, flamboyant cassis fruit, chocolaty, berry jam-like notes, and plenty of earthy, foresty flavors. This is a full-bodied, extravagantly rich Pichon Lalande seemingly devoid of acidity and tannin, but the wine is incredibly well-balanced and pure. It is an amazing effort!


1985 Pichon-Longueville Comtesse de Lalande. Parker 90-91. Fully mature, this wine shows some pink at the edge, a sweet nose of herb-tinged cherries and black currants intermixed with dusty notes and new oak. The wine is medium-bodied, elegant, very flattering, and perfumed. It does not have the weight, depth, or dimensions of the top vintages, but is quite seductive.


1982 Certan de May. Parker 92-98. A murky, dense, opaque garnet color is followed by spectacular aromatics of roasted herbs, smoked meats, cedar, prunes, black cherries, and black currants. Rich, powerful, and full-bodied, with a thick, unctuous texture, considerable fat and glycerin, and dazzling concentration, Certan de May has not produced a wine of such intensity, thickness, and aging potential since their 1949, 1948, 1947, and 1945.


1961 Château Brane-Cantenac. RJ Wine 93. This looks fully mature. Initially there are some sandalwood notes on the nose, then some high tones. The palate is open, and nice and clean with some acidity lending a freshness, but nowhere near that of the Giscours. It’s a tiny bit dried out, but there is still some good black fruit in there on the palate. Returning to this later, it was becoming very secondary and faded on both the nose and the palate.


2000 Du Tertre. Parker 91. A dense purple color is followed by layers of concentrated blackberry fruit intertwined with damp earth, mushroom, and sweet, toasty barrique smells. With ripe tannin, medium to full body, a layered texture, and a concentrated, impressively endowed finish, this is the finest Du Tertre since their 1979. This is a property on the move … up!


1995 Chateau Rayas Fonsalette Cotes du Rhone. Parker 90. The 1995 Chateau Fonsalette Cotes du Rhone is a twenty-year wine that requires 4-5 years of cellaring. It exhibits a black/purple color, good acidity and tannin, a closed, dense, moderately tannic personality, exceptional richness, and a powerful, full-bodied finish. Yields of 30 hectoliters per hectare were slightly higher than the 15-20 achieved in 1996. This is a wine for those who cannot find or afford to purchase Rayas.


Grace family Cabernet Sauvignon (can’t read the vintage).


1996 Chapoutier Ermitage l’Ermite. Parker 99-100. One of the candidates for France’s wine of the vintage is unquestionably Chapoutier’s 1996 Hermitage l’Ermite. In October, 1997 I reported that this was a virtually perfect wine made from a small parcel of vines, believed to be over 100 years old, located close to the tiny white chapel owned by the Jaboulets on the highest part of the Hermitage Hill. Yields were a minuscule 9 hectoliters per hectare. Now that this wine is in bottle, it is unbelievable! Unfortunately, only 30 cases were exported to the United States. The wine boasts a saturated black/purple color, as well as a phenomenal nose of rose petals, violets, blackberries, cassis, and pain grille. In the mouth, it is phenomenally rich, with a viscous texture, and a multidimensional, layered finish that lasts for over a minute. Its purity, perfect equilibrium, and unbelievable volume and richness are the stuff of legends.


2010 Saxum Terry Hoage Vineyard. Parker 94+. Here in its first vintage, the 2010 Terry Hoage Vineyard bursts onto the palate with rich, dark fruit. The weight power and richness of Syrah comes through beautifully in the layered, sumptuous wine. Flowers, licorice, mint, tobacco and grilled herbs wrap around the finish. The 2010 boasts serious density and fabulous overall balance. It is terrific first effort. The blend is 46% Syrah, 33% Grenache and 21% Mourvedre.


1989 Marcel Deiss Riesling Bergheim.


1976 De Suduiraut. Parker 92. For me, the 1976 is the greatest Suduiraut of the seventies, and the only wine other than the 1989 that resembles the magnificent 1959 this property produced. Medium to dark amber/gold, this full-bodied, massive wine has a very intense bouquet of vanillin oak, ripe pineapples, and melted caramel. Very deep and viscous, this is a decadently opulent Suduiraut with enormous presence in the mouth.


Vin Santo Del Chianti. Silvio Nardi.

The madness!

More crazy Hedonist adventures or

LA dining reviews click here.

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By: agavin
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Posted in: Food
Tagged as: beef, Chardonnay, Charles Krug Winery, Château Haut-Brion, Dessert, duck, hedonists, Ice cream, Japanese cuisine, Kaz Oyama, lamb, Los Angeles, Totoraku, Wine, Zinfandel

Luminous Lechon Pigout!

Oct23

Restaurant: Eva’s Lechon

Location: 4252 W. 3rd st. Los Angeles CA 90020. 213-383-3179

Date: October 19, 2013

Cuisine: Filipino

Rating: Total Pig Out!

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Months in the works, it’s finally time for the highly anticipated Hedonist whole suckling pig out!


Elisabeth and Jake were very generous to host us at their lovely 20s Hacienda.


This setting definitely does NOT suck.


Wayne went crazy tonight and brought some really fabulous wines, like this top top champagne.

1996 Salon. Parker 97+. The 1996 Salon is yet another wine that is maturing splendidly. Once focused to the point of being painfully austere and angular, today the 1996 Salon has begun to soften and fill out. My latest bottles have been rich, generous and totally compelling in every way.


What is wine without a little cheese. Next to the nuts is a washed rind.


2004 Marcassin Chardonnay Three Sisters Vineyard. IWC 93+. Slightly deeper yellow than the Zio Tony. Pure, subdued nose hints at lemon, ginger, spring flowers and flinty minerality. Then almost shockingly fat, broad and rich in the mouth, with elevated alcohol contributing to the impression of plumpness. Dry yet luscious, with a honeyed flavor. Finishes with considerable breadth and power, and more obvious structure than the Zio Tony. But this one really calls for a year or two of additional aging.


And a blu cheese.

2006 Moraga Vineyard Proprietary White. Parker 92. The 2006 Proprietary White offers beautiful notes of honeyed lemon blossoms, melons, figs, and flinty undertones. Well-integrated acidity, wood, and alcohol has rendered one of the finest California Sauvignon Blancs money can buy. It should continue to drink well for several more years. This is one of the most distinctive little treasures in California. A tiny, 9.5-acre vineyard (5 acres of Cabernet Sauvignon and the rest Petit Verdot, Merlot, Cabernet Franc, and Sauvignon Blanc) is planted on some of California’s most expensive real estate, the sloping hillsides composed of limestone and sandstone in Bel Air.


And a creamy (almost like butter) cheese that I think was Brillat-Savarin. I can’t be sure, but the style is right and I loved it, which makes it likely.


And a slightly moldy (on purpose) brie.


From my cellar, 1970 La Rioja Alta Rioja Viña Alberdi Crianza. It was a little shaken up by the journey here, including having been rolled down a bumpy street in my wine bag, so the sediment had mixed into the wine, but the flavor was there. Almost Burgundian, with a crisp acidity and a lot of “red berry” fruit.


1995 R. López de Heredia Rioja Viña Bosconia Coscha. 92 points. Dark red. A kaleidoscopic bouquet evokes candied red fruits, incense, pipe tobacco and potpourri, with hints of woodsmoke, leather and Asian spices gaining strength in the glass. Silky and sweet, with intense raspberry liqueur and bitter cherry flavors that take a darker turn with air. Tangy acidity adds lift and focus to a strikingly long, sappy finish. This wine belies its age with its vivacity.Dark red. A kaleidoscopic bouquet evokes candied red fruits, incense, pipe tobacco and potpourri, with hints of woodsmoke, leather and Asian spices gaining strength in the glass. Silky and sweet, with intense raspberry liqueur and bitter cherry flavors that take a darker turn with air. Tangy acidity adds lift and focus to a strikingly long, sappy finish. This wine belies its age with its vivacity.


1998 Clos du Marquis. Parker 90. A superb effort, the 1998 exhibits abundant quantities of black currant and cherry fruit subtley dosed with toasty oak. A medium to full-bodied, nicely-textured, pure effort, with a moderately tannic finish.


Wayne goes all out again, 1995 Guigal Cote Rotie la Turque. Parker 98-100. The 1995 Cote Rotie La Turque (about 7% Viognier in the blend) possesses a dense ruby/purple color, and roasted herb, olive, and Asian spice characteristics. It exhibits exceptional concentration and is velvety and concentrated. The fabulous 1995 La Turque is a virtually perfect wine with flamboyance, harmony, and remarkable opulence and length. It should drink well when released, and last for two decades.

Psych. We didn’t open it, too good for BBQ!


2009 Mouton-Rothschild. Parker 99+. The 2009 Mouton Rothschild has a striking label from Anish Kapoor. The wine is a blend of 88% Cabernet Sauvignon and 12% Merlot that begs comparison as a young wine with what the 1982 tasted like in 1985 or, I suspect, what the 1959 may have tasted like in 1962. Representing 50% of their production, the wine has an inky purple color to the rim and not terribly high alcohol for a 2009 (13.2%), but that is reflected by the high percentage of Cabernet Sauvignon. It has a remarkable nose of lead pencil shavings, violets, creme de cassis and subtle barrique smells. It is stunningly opulent, fat, and super-concentrated, but the luxurious fruit tends to conceal some rather formidable tannins in the finish. This is an amazing wine that will be slightly more drinkable at an earlier age than I thought from barrel, but capable of lasting 50 or more years. Kudos to the Baroness Philippine de Rothschild and the entire Mouton team, lead by Monsieur Dalhuin.

More psych, also saved for another day.


1996 Dunn Cabernet Sauvignon Howell Mountain. Parker 96. The 1996 Cabernet Sauvignon Howell Mountain possesses a black/blue/purple color, and a texture of unctuosity and thickness. Greatness is suggested by a wonderfully sweet mid-section, gorgeous purity, and this humongous wine’s overall symmetry. It also possesses sumptuous layers of concentration, remarkably sweet tannin, low acidity, and a 40+ second finish.

This one we drank!


2006 Lillian Syrah. Parker 94. The second release from Maggie Harrison, previously an apprentice at Sine Qua Non, the 2006 Syrah from Lillian is even better than the excellent 2005. Totally sourced from the White Hawk Vineyard, and aged in 65% new oak for 23 months, there are 508 cases of this beautiful Syrah. Notes of creme de cassis, blackberries, spice, incense, flowers, ground pepper, licorice, and subtle smoke are followed by a full-bodied, layered, multidimensional, big (15.6% alcohol) Syrah. Beautifully balanced, elegant, and pure, it should age gracefully for a decade or more.


1995 Vineyard 29 Cabernet Sauvignon Grace Family Vineyard. 93 points. Superripe, sappy nose combines blackcurrant, chocolate and brown spices. Sweet, supple and chewy on the palate; already displays expressive inner-mouth aromatics. A fairly big wine, finishing with excellent length and thoroughly buffered tannins. Faint notes of roast coffee and game on the aftertaste.


2005 Marquis Philips Shiraz 9. IWC 87+. Saturated ruby. Powerful, room-filling aromas of dark berry compote, vanilla, chocolate, cola and espresso aromas show a head-spinning quality (this says 16.5% alcohol on the label). Fat, soft and oily, with sweet cassis, plum and blackberry flavors sweetened by mocha and vanilla. Doesn’t seem especially tannic but maybe they’re lurking underneath the wine’s confectionary quality. An unctuous, jammy example of shiraz that could use more energy, but this style has its fans. (The other ’05 releases I tasted from this producer were all solidly made but on the jammy side.)


2008 Cayuse Syrah Bionic Frog. IWC 96. Bright dark red. Multidimensional nose delivers black raspberry, brown sugar, smoky cardamom and black olive. Superconcentrated, sappy and rich, showing a rare blend of power and delicacy. No single element dominates this outstanding syrah; flavors of red and black fruits, pepper and spices wash over the palate in a wave. Finishes with very fine tannins and great persistence.


2005 Cascina Tiole Barolo. Nice, if a little young.


2002 Plumpjack Cabernet Sauvignon Estate. Parker 95+. The 2002 Cabernet Sauvignon Estate is an amazingly rich, full-throttle effort boasting notes of blackberries, creme de cassis, acacia flowers, graphite and wood smoke. This massive effort tastes more like a mountain-styled Cabernet Sauvignon than one from the Oakville valley floor. It should be forgotten for another 5-6 years and drunk over the following quarter of a century.


w

2005 Château Cap de Mourlin. 90 points. Eye: deep dark purple. Nose: berries, smoke, lots of fruit, spice. Palate: round, fruity, some structure hidden, slight sweetness, medium finish.


Most of the food came tonight from Eva’s, a traditional Filipino BBQ place that many say has the best pig in the city.


And here is the poor guy.


I’m not sure I’d look so cheerful if 25 Hedonists were about to carve into my back and chow down!


Pancit Bihon. Thin rice noodles with soy sauce, lemon, and cabbage. Very tasty, and our only starch (we badly needed rice).


Pinakbet. Chicken, green beans, and squash in a fermented fish sauce (probably some coconut milk in there too).


Pork and chicken adobo. Meat cooked in a mix of vinegar, soy sauce, and garlic.


Dinuguan. Blood stew with pork or beef (traditionally pork). The blood is pig blood and there are some peppers and potato in there. Despite the frightening appearance and scary concept it was quite tasty.


Arroz Caldo. Sticky rice porriage with chicken, garlic, and ginger. Surprisingly tasty with a congee like texture.


Lumpiang Shanghai. Or Shanghai eggroll. Little fried rolls stuffed with meat (probably pork and shrimp).


Kare-kare. A peanut curry with cabbage, green beans, and some kind of meat, maybe oxtail. Traditionally, it’s oxtail, brisket, and tripe. The meat was very dense and chewy.


The feeding frenzy.


Looks like Thanksgiving, but unfortunately, since there was no rice, all the stews blended. It still tasted good, but probably was a little chaotic.


Wayne strikes again with a magnum of: 2001 Château d’Yquem. Parker 100. There are 10,000 cases of this perfect sweet white Bordeaux. The 2001 Yquem reveals a hint of green in its light gold color. While somewhat reticent aromatically, with airing, it offers up honeyed tropical fruit, orange marmalade, pineapple, sweet creme brulee, and buttered nut-like scents. In the mouth, it is full-bodied with gorgeously refreshing acidity as well as massive concentration and unctuosity. Everything is uplifted and given laser-like focus by refreshing acidity. This large-scaled, youthful Yquem appears set to take its place among the most legendary vintages of the past, and will age effortlessly for 75+ years. Anticipated maturity: 2010-2100+.


Some lovely fresh fruit tart.


A nice cake.

We’ve enjoyed this Santorini Vin Santo before. It’s good, but after the D’Yquem…


Biko-biko. Caramelized sticky rice. Mild and pleasant.


Flan. I do love flan.


And fresh made whipped cream, whipped up by our host right then and there. I shouldn’t have, but I did.

Overall, this was another awesome evening. The pig was some of the best I’ve ever had, the wines were great, and the atmosphere and the company fantastic. What more can you ask for in an evening?

Discover more crazy Hedonists adventures on my Hedonist page or

For more LA dining reviews click here.


Hanging out.


And the lovely house by moonlight.

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By: agavin
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Posted in: Food
Tagged as: Dessert, Filipino Cuisine, flan, hedonists, Lechon, Philippines, suckling pig, Wine

Medieval Land Fun-Time World

Oct21

Absolutely hilarious faux lip sync Game of Thrones trailer. This must have been a lot of work and I can’t tell if the semi-sensical dialog is just goofy writing or a requirement to match the mouth movements in their clips. But cool.

Plus fart jokes. And vaguely reminiscent of Adventureland too.

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My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

medieval-land-fun-time-world

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By: agavin
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Posted in: Television
Tagged as: Amusement park, Bad Lipreading, Game of Throne, George R. Martin, George R. R. Martin, HBO, Lip sync, List of A Song of Ice and Fire characters, spoof, World of A Song of Ice and Fire, YouTube

Shin Beijing Again

Oct19

Restaurant: Shin Beijing [1, 2, 3]

Location: 3101 W Olympic Blvd – Los Angeles, CA 90006. 213-381-3003

Date: October 17, 2013

Cuisine: Chinese

Rating: very solid electric Chinese

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The Hedonists return to one of our regular haunts, Korean Chinese Shin Beijing for some reliable (and somewhat closer than the SGV) Chinese eats.


NV Billecart-Salmon Rose. Parker 90. The NV Brut Rose is a pretty, gracious wine. Freshly cut roses, red berries and spices take shape nicely in the glass as the wine shows off its understated, timeless personality. Billecart-Salmon’s NV Brut Rose is a reliably tasty wine.


Cold appetizer plates are traditional at real Chinese restaurants.


1999 Domaine Ramonet Puligny-Montrachet 1er Cru Champs Canet. Burghound 90. I’m always curious to taste this wine because in the past, it has been completely and utterly different from the Chassagne 1ers, both in terms of the flavor profile, which is to be expected but also because it has always been much softer, more forward with less obvious acidic structure and decidedly less cut. However, in 99, the Champ Canet appears to have joined the Ramonet camp, stylistically speaking with its bright acidity framing the white flower fruit and rich, generous, sophisticated flavors and finely detailed finish. Very classy juice.


Aromatic braised beef in black bean jelly.


From my cellar, the 2000 Domaine / Maison Vincent Girardin Chevalier-Montrachet. IWC 92+. Complex, subtly perfumed aromas of apple, pear, minerals and nutmeg. Dry, steely and penetrating, with brisk acidity giving the wine an almost painful firmness today. Extremely closed, even dry-edged, but very long on the back end.


Cold jellyfish with wasabi sauce.


1994 Penfolds Chardonnay Reserve Bin 94A. unfortunately, our bottle was gone.


Shrimp with mustard sauce.


Radish kimchi.


Cabage kimchi.


From my cellar, 1990 Faiveley Latricières-Chambertin. 90 points.  A little reserved, but still plenty of fruit and balance.


Beef w/ black mushroom, bamboo shoots.


Our live lobsters.


2009 Gros Frère et Sœur Clos Vougeot Musigni. Burghound 93. Here a gently oaked nose runs more toward the red side of the fruit spectrum before merging into rich and seductively textured broad-shouldered flavors that are also blessed with ample amounts of dry extract that renders the supporting tannins almost invisible on the detailed, youthfully austere and solidly persistent finish.

Way too young, but an extremely fine wine hiding in there under a bit of oak.


Beef patties. Sort of Chinese hamburger. Actually pretty great.


From my cellar, 1996 Domaine des Perdrix Echezeaux. 90 points. A rich but high extracted nose that seems more like a northern Rhone wine that pinot leads to robust, moderately rustic flavors that are very firmly structured and culminate in a mouth coating finish of good if not exceptional length.


Mixed egg fried rice. Really delicious carby goodness.


1990 Marc Sorrel Hermitage. Parker 87. The 1990 Hermitage-Le Vignon is an opaque, black/purple color, with a promising nose of gamey Syrah fruit and some noticeable herbaceousness. While there can be little doubt concerning the wine’s exceptional richness and full body, its acids are alarmingly high, even shrill, and the tannins sear the palate because of their astringency and ferocity. My experience suggests that astringent, hard wines such as this rarely come into balance. If the fruit does not fade before the tannins, my score may look conservative. This should prove to be an uncommonly long-lived wine, even by the standards of Hermitage.


Peking duck, artfully reassembled after cutting.


The pancakes for the duck.


The hoison sauce, which in this case, and tonight in particular, was oddly salty.


Cucumbers and spring onions.


An assembled pancake. While the duck itself was great, these pancakes were a bit underwhelming because there was too little sauce and it was too salty. The usual yummy cloying (in a good way) sweetness was missing.


Which still didn’t stop me from saucing a drumstick.


Optional buns to accompany the duck. These have a spongy texture and are slightly sweet.


1995 Domaine Zind Humbrecht Tokay Pinot Gris Rotenberg Vendange Tardive. Parker 92. I tasted six dry Tokay-Pinot Gris offerings from Zind-Humbrecht and one Vendange Tardive. As the enthusiastic notes that follow reveal, it is a toss up as to whether Riesling or Pinot Gris was the more successful varietal in 1995. The only Vendange Tardive Tokay-Pinot Gris I tasted was the 1995 Rotenberg, a wine with 9.5% total acidity, and 14.5% alcohol. It is nearly too intense, yet who could not admire its amazing display of powerful, highly-extracted, buttery, slightly botrytised flavors, remarkably high acidity for such intensity, and marvelous purity of flavor and length. The wine coats the palate with viscous fruit, yet the acidity gives it vibrancy and freshness. It possesses a remarkable sweet/sour flavor combination. The wine should drink well for 20+ years.


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Lobster prepared two ways (this is the first). This one is in a mild flavorful sauce.


And this one “Hunan style” with mixed green and red chilies. Both were excellent.


2008 Gainey Riesling Limited Selection.


Chicken stir fry. Pretty typical.


2002 Joh. Jos. Prüm Wehlener Sonnenuhr Riesling Auslese. 92 points. Ripe apple and vanilla on the nose are joined by salty, resinous, and sweet herbal accents on the palate that one doesn’t particularly associate with the site. While the palate is undeniably rich, and the finish promising, this is a bit covered over by its sweetness right now and needs time to really show what it’s got.


Spicy chicken wings. Pretty hot and pretty good. Way better than your usual western hotwings.


Spicy eggplant, extremely tasty and extremely temperature hot.


A fine sweet Monbazillac. Slightly funky, but very good.


Noodle with black bean jelly.


These look pretty icky, but they taste great. These is a general  sweet and savory flavor. It’s not like the more tangy bean noodles at Chengdu Taste.


Fried shrimp (mild).


And the spicy hot wing version.


Iced leechee for dessert. Chinese restaurants aren’t known for their desserts.

Overall, this was a great evening. Shin Beijing turned out to be a great find with a nice ambiance (as far as Chinese restaurants go) and terrific food. They really treated us well too. It’s not so easy to handle a boisterous group of this size and they managed perfectly. The price was very reasonable too, $41 a person all inclusive of tip and tax, considering the number of dishes and the fact that we had several lobsters, lots of shrimp, and two peking ducks.

Service was as good as it gets for Chinese. They provided us with plenty of wine glasses, brought the dishes slowly, and were extremely friendly.

Discover more crazy Hedonists adventures on my Hedonist page or

For more LA dining reviews click here.

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  5. Spice Up Your Life Szechuan Style
By: agavin
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Posted in: Food
Tagged as: Beijing, Chinese cuisine, hedonists, Kimchi, Shin Beijing

Gravity – Puts the Thrill Back in Thriller

Oct16

gravity-movie-posterTitle: Gravity

Cast: George Clooney (Actor), Sandra Bullock (Actor), Alfonso Cuarón (Director)

Genre: Science Fiction Thriller

Watched:  October 14, 2013

Summary: Best movie of the year (so far)

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I know there is a lot of great buzz about Gravity, but I have to chime in and agree. This is just a wonderful film. It’s not deepest hour and a half of cinema to ever hit the silver screen, but as a Science Fiction film, spectacle, thriller, and all around emotional experience — it’s first rate.

Let me also say that I’ve been an Alfonso Cuarón fan for some time. I loved his version of Great Expectations. Y Tu Mamá También is extremely touching. And Harry Potter and the Prisoner of Azkaban (a bit of a deviation for him) is the most personal and thoughtful of that octolagy. Cuarón knows how to combine intimacy with visual panache and Gravity is not only directed by him, but co-written, and produced by him as well.

The premise here is simple. Something goes wrong in space. Sandra Bullock tries to survive. The nothingness between worlds is both beautiful and scary. This is the most hostile environment mankind has ventured to. Maybe being pressurized on a really deep dive is about as bad, but at least there, up is up and down is down.

gravity-debris

Not a great time for a little space walk

This is a gorgeous film. Everyone says so, and they’re right. The 3D is subtle and intense. The panning and spinning shots are dizzying on purpose. I didn’t even see it in Imax (just on a normal big Real 3D setup). In Imax it must be really intense. The visuals are generally seamless. The shots have a nice artistry to them, as one expects from Cuarón.

It’s also, for all its big scope, a very intimate and personal film. Bullock carries it, and carry it she must as she’s in every scene and there is only one other actor (George Clooney) — and he’s gone after the 25% mark. This is her film, and that same plucky charisma she displayed in Demolition Man, Speed, and whenever she picked a decent script over the 20 years since is there in  force. I’m not sure I totally believe her as a loner doctor, but she had me at “hello.” You feel for her, for her character, and for the awesome magnificence of the circumstances in which she finds herself. There is just enough backstory  to sell the emotional depth. When she manages to get inside the International Space Station (after nearly being punctured, battered, and suffocated), she curls into a little zero G ball. It works.

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An emotional and intimate moment

The music is also very good, adding to the grandeur and scope . Just as effective is the consistent and utter lack of any sound that wouldn’t be conveyed through vacuum. The shuttle and space station are destroyed silently. Hatches bang open without a sound. Jets release gas soundlessly. Like that moment in Saving Private Ryan where the artillery blast knocks out Tom Hank’s ears, the effect is even more dramatic that the usual cacophony.

Gravity‘s pacing is relentless. As each hopeful goal is neared, some new catastrophe intervenes, keeping possible salvation just out of reach. This is accomplished with a deft mix of understandable mistakes and by the sheer array of force deployed against our heroine. But for all that, this is a movie without any villains. The one secondary character borders on saintly. It’s a classic “man against nature” thriller, and the scope of nature’s ability to kill here is truly frightening. When you depend a thin layer of archaic and marginal 1960s tech for every ounce of survival, things like 300 degree temperature swings and small bits of metal traveling 20,000 miles an hour are formidable foes.

Let’s sidestep for a second and talk about the Science Fiction. Gravity doesn’t assume any future tech. It’s set right now, or perhaps even 2011 as we haven’t launched a space shuttle since then. The events are improbable, and even a few are probably unsurvivable, but the film doesn’t go out of its way to be unrealistic or gratuitous. If I had to choose things to disbelieve, I can: Some of that huge debris storm would likely have hit Sandra (fatally). The sheer amount of physical punishment (being whacked around) would be pretty tough to take. Sandra manages to do a lot of things that are probably very difficult, very quickly. The 3 hours shown would be unimaginably exhausting. Her ISS Soyuz capsule was traveling pretty fast as she passed the Chinese station, and there is no friction in space, so I’m not sure the thrust in a single half-used fire hydrant would be sufficient to match velocity with the station. Or that she had the talent to fly with it. The early reentry of said station would probably be catastrophic as well. But this is all unimportant. Movies require suspension of disbelief, and this film doesn’t demand such unreasonably.

Gravity does everything a film should do. It provides character and drama. Shock and spectacle. Thrills and tears. Enough said.

For more Film reviews, click here.

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By: agavin
Comments (2)
Posted in: Movies
Tagged as: Alfonso Cuarón, George Clooney, Gravity, International Space Station, Movie, Sandra Bullock, Science Fiction, Science fiction film

Continuum – Corporate Future

Oct14

continuum-season-one-blu-ray-400pxTitle: Continuum

Genre: SciFi Thriller

Cast: Rachel Nichols (Actor), Erik Knudsen (Actor)

Watched: October 5-11, 2013

Summary: Solid sci-fi

ANY CHARACTER HERE

Continuum is the second excellent Canadian SciFi television show I’ve found this year (the other being Orphan Black). The regular American networks just wouldn’t make something like this. In fact, they all passed on it. Their loss, because while it has a couple of flaws,  as television goes, Continuum is first rate science fiction and imminently watchable.

Plot wise, we have a 2077 cop who while supervising the execution of the world’s worst terrorists, is propelled back in time to 2012 as part of their cunning escape plan — maybe.

The pilot does a first rate job of setting up the future and getting us quickly back in time . The details are hinted at rather than beaten over your head, which is good because the events leading to the time travel will be revisited numerous times in future episodes  as we learn more and more about the  players. The first few episodes seem almost procedural, with our heroine rapidly shifting herself into a cop role in 2012 — but this begins to shift right from the beginning to a more extended style of plotting. True, the always amusing fish out of water dynamic is underutilized (Kiera picks up 2012 like a pro), but the show really keeps the high level plot moving forward.

The show’s two biggest strengths are its big but tightly integrated cast and its complex mythology. The characters are interesting, and for the most part, not entirely formulaic. Alliances are always forming and shifting, without feeling forced. The terrorists are a varied bunch, with differing agendas, and the writers have deftly complemented their reprehensible methods with highly sympathetic political goals. In fact, this is a show with a substantial dose of moral ambiguity. The apparent behavior of the character is often at odds with their political agenda. The terrorists might be evil killers, but we agree with their points. Kiera might be our heroine, but at some level, her defense of the status quo can be called into question. Overall, the characters are interesting and not totally predictable.

The future city looks great (for TV)

The future city looks great (for TV)

At a political level, the take on 2077 is intriguing. This is a world where government has gone by the wayside and the corporations have risen to dominate the political and social landscape. Profit über alles. And given how things are now, this isn’t such an unreasonable trajectory. The future tech is for the most part pretty well done. We have a lot of slick touch screens, on nearly every kind of surface. For low budget television it looks pretty darn good, if a bit like modern buildings in Vancouver playing high tech dress up. I have a few specific tech nit picks, but they don’t detract from the watchability of the show.

  1. Alec is way too good about coming to grips with technology he is supposed to invent decades from now and has way too easy a time interfacing his 2012 prototypes with models from 2077. I know why the writers did it, but it’s unrealistic.
  2. Why the hell does Kiera have to use touch screens on her suit sleeve when she can control her CMR (internal cyber hud) just by thinking?
  3. The batteries on her stuff sure last a long time.

The mythology is quite excellent. Each episode is studded with flash forwards (usually from Kiera’s perspective) into 2077 and each time we get a bit more of the picture as to who all the players are and how they intertwine across both timelines. It’s, for the most part, sharply written and quite intriguing. Many of the 2012 folks are a bit at odds with who they become, not in the sense of character believability (which is pretty good) but with where we might expect them to go. This all makes it pretty fun.

Not the execution they were looking for

Not the execution they were looking for

The time travel is well handled. Two seasons in (and a third has been ordered) we’re not totally sure which end of the time travel  spectrum we’re operating on, but the characters are asking the right questions, which makes it interesting. In one episode they try to  eliminate each other by killing their grandparents — only to find it doesn’t work that way. So we know causality doesn’t loop (a.k.a. Back to the Future), but is this a fated timeline? Did original older Alec remember younger Kiera and engineer her return? I don’t think so, meaning we are dealing with two possibly disconnected timelines. As a time travel fan and author thinking about these questions made my day.

All in all, I watched it in a 3-4 episode a night binge and I was depressed when it was over. Good thing another season is on the way!

Check out more TV reviews or

my own Time Travel novel, Untimed.

continuum01

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By: agavin
Comments (12)
Posted in: Television
Tagged as: Continuum, Erik Knudsen, Rachel Nichols, Science Fiction, Science Fiction and Fantasy, Television, Time travel

Not So Close Shave

Oct11

Restaurant: Salju Dessert

Location: 35 W Valley Blvd, Ste B. Alhambra, CA 91801. (626) 289-3578

Date: September/October, 2013 and many times since

Cuisine: Shave Ice

Rating: Perfect after Szechuan

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Most of my San Gabriel valley excursions are to Chinese, and as anyone who eats authentic Chinese knows, you’re more likely to be served taro or red bean than salted caramel budino. And particularly after the sensory assault of Szechuan or Hunan, one needs something to cool off.


Enter Salju Dessert. Here in SoCal we’ve been getting more and more of this kind of Asian shave ice place. I think it originally comes from Taiwan. I already reviewed a Sawtelle outpost. Salju is much further east — but it’s also a lot better.


The format is above. You chose a size, a flavor of “snow” or syrup, and then some toppings.


The snow starts as a block of frozen slightly dairy confection of various flavors. It’s mostly ice, but there is some sweetened condensed milk or something in it.


Once fit into that giant white press in the back, it’s shaved.


Here is some relatively plain “snow.” It’s hard to describe the texture, but as big as this tub is, there is almost nothing there. It’s fluffy, light, and just a little bit chewy.


Here is my favorite combo so far. Mango snow, passionfruit syrup, mango poppers, almond jelly, and blackberries. Sweet, fruity, and intensely refreshing it’s the perfect thing to settle the spice.


Pineapple snow, passionfruit syrup, almond jelly, and strawberries.


Coffee snow, egg pudding, blueberries, and chocolate syrup.


Black sesame (the grey stuff) is a favorite. This one also has sweetened condensed milk, leechee and taro!


And another sesame with almonds and poppers.


Pineapple snow with passion fruit, almond jelly, blackberries, and boba.


Mango snow with strawberries, blueberries, passion fruit syrup and almond jelly.


Coffee snow with coffee jelly, syrup, and almond jelly.


Coconut snow with peanut butter cups, egg custard, and condensed milk.


Green tea snow with chocolate chips.

Classic (sweetened) flavor with gummy bears and Oreos.

Black sesame with berries and chocolate sauce.

Thai ice tea flavored with mochi, graham crackers, and chocolate sauce.

And sweet toast. This innocent looking item is a slice of toast that has been somehow infused with sugar and butter and glazed with sweetened condensed milk. It’s so insanely sweet and rich and somehow a bit like cinnamon toast without the cinnamon but more sugar.

Cool place!

For more LA dining reviews click here,

or more crazy Hedonist dinners here!

Related posts:

  1. Paulette Macarons
  2. Paperback Getting Close
  3. Phong Dinh – Hedonists go Vietnamese
  4. Red Medicine – Elfin Feast
  5. Hedonists Hunan Style
By: agavin
Comments (5)
Posted in: Food
Tagged as: Condensed milk, Dessert, hedonists, san Gabriel valley, shave ice, shaved ice

East Meets West – Maru Sushi

Oct09

Restaurant: Maru Sushi

Location: 12400 Wilshire Blvd, Los Angeles, CA 90025. 310.820.7240

Date: September 6, 2013

Cuisine: Modern Sushi

Rating: Creative

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Maru is a new addition to the excellent Westside sushi scene. It melds traditional (or at least mostly traditional) sushi with a “market menu” of interesting hybrid East/West dishes.


The big interior used to hold Sasabune.


They have a giant mid restaurant table.


2005 Marisa Cuomo Costa d’Amalfi Furore Fiorduva. An enjoyable wine, with minerality and stone fruit on the nose, good body, a nice mid-palate and length. Flavors included lemon, menthol, slight cinnamon and ginger, persimmon, mango,some oak, and simple syrup.


The menu.

Heirloom Tomato Salad. An assortment of vine ripened heirlooms in a sherry vinaigrette w/ a shiso pesto. Popular with the nightshade fans.

Roasted Beet Salad. With lolla rosa lettuce & a sherry vinaigrette. Topped w/ Red Wood Hill Farm goat cheddar cheese.

Hamachi Kama. Broiled yellowtail collar. Lots of cartilage, but a nice flavor.


Spicy Tuna on Crispy Rice. crispy rice topped w/ spicy tuna & jalapeno w/ spicy mayo & eel sauce.

Crispy Duck Risotto. Our famous duck confit & risotto sautéed crispy on the outside. With an herb salad & tomato-truffle oil sauce.

This is one of the restaurant’s signature items. It was good, but the risotto itself didn’t have the ultra creamy quality that great risotto should.


Scallop Ravioli. Mascarpone, morels, tahitian vanilla bean, balsamic sauce.

Really nice. Soft with an interesting blend of richness and that hint of vanilla.


From my cellar, 2006 Domaine William Fèvre Chablis. Burghound 88. A very clean, fresh, bright and airy nose that offers good Chablis character on the white flower and green fruit nose that introduces energetic and mineral-infused flavors that are both delicious and deliver fine finishing volume. Good quality at this level.


Alaskan Black Cod. Half brown rice, bloomsdale spinach, meyer lemon broth.
Nice and light.


Pork in Puff Pastry. braised shoulder, local asparagus, gruyere, soy reduction.


The inside. This was darn tasty.

Curry Lamb. Colorado lamb loin roasted med-rare. Served over a bed of crispy-shiitake rice and marinated onion with cilantro and a Japanese style curry sauce. Excellent with the Soter Cab Franc or the Groth cabernet.

I liked the curry sauce.


Steamed scallop tendons in ponzu.


The meat of the Japanese scallop, server nigiri style and as sashimi. Yum!


A bit of sushi. In the back, toro, the in the middle salmon and kanpachi (young yellowtail). In the front, tamago (omelet).


Here in the back, some BBQ freshwater eel.


Ice cream sandwich of valrhona chocolate chip cookie with chocolate, vanilla, and mocha ice cream.

Quite excellent.


Rice pudding. Lemon grass infused, wong farms mango, key lime drizzle.

Subtle and refreshing, with nice exotic flavors.


Peach cobbler. organically grown, tahitian vanilla ice cream.

Overall, newcomer Maru Sushi boldly melds Japanese flavors with Western dishes and a bevy of local ingredients. As a seeker of new culinary experiences, I have to admire this. The results aren’t entirely even, with some dishes working well and others a little quirky. The menu is big too, which is probably a little confusing to the uninitiated. It presents a greater challenge in constructing a harmonious dining experience. I’m not entirely sure I succeeded. The sushi at the end was good, but didn’t marry totally successfully. This is difference than at the Nobu/Matsuhisa restaurants where the dishes don’t introduce as many dairy or heavy animal fat notes. After these, the sushi seems a little odd.

Service was nice, but they brought the “market” dishes too rapidly in a big group. I would have preferred them one at a time.

Still, I enjoyed the experience, and a number of the new dishes were excellent and interesting. I’ll have to give it another try and see how it holds up.

Check out more LA Sushi places I’ve reviewed here.

Related posts:

  1. Food as Art: Sushi House Unico
  2. Sushi Glutton – Takao Three
  3. Sushi Sushi – Small Omakase
  4. Sushi Zo
  5. Food as Art – Sushi Sushi
By: agavin
Comments (0)
Posted in: Food
Tagged as: Japanese cuisine, Maru, Maru sushi, Sushi

Chengdu Taste – Power of the Peppercorn

Oct07

Restaurant: Chengdu Taste

Location: 828 W Valley Blvd. Alhambra, CA 91803. (626) 588-2284

Date: October 2, 2013 and October 17, 2016, April 21, 2017 and August 31, 2018

Cuisine: Szechuan Chinese

Rating: Face Numbing!

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Chengdu Taste, is a Chengdu style Szechuan restaurant, it’s the first to feature this regional cuisine that Jonathan Gold recently raved about and still one of the best.


Obviously, i’m not the only one that feels this way…


Because even on a Wednesday night there are about 20-30 people waiting for tables. Our big party even had a reservation, but they still made us wait for 45 minutes. Plus — the horrors — they wouldn’t allow us to open our wines. They don’t have a liquor license and they succumbed to the common misconception that us opening our own could get them in trouble — which it won’t.

Anyway, after much debate about the ordering the food began to pour out (in rapid succession unfortunately, often multiple dishes at once):


Mung bean jelly noodle. Very interesting. An unusual sweet and sour taste with a little bit of heat. Refreshing and spicy at the same time.


Cold garlic noodle. You mix it up yourself, to give:


These were delicious. A nice vinegar tang and a considerable amount of heat, but a lot of flavor.


Look at all that chili oil!


Diced Rabbit with younger sister’s secret recipe. The tangy spicy flavor on this was nice, but the rabbit has been diced (as promised) into tiny morsels bone and all. Each bit is sharp and requires nibbling at to get fragments of meat out of the spiky little bones.


Fish and tofu pudding in spicy sauce. There are mild boiled filets of fish and generous cubes of soft tofu under all that pepper. The “sauce” is nearly liquid, almost solid chili oil with a sea of peanuts, heavy facing pepper, and tons of little Szechwan peppercorns. They included the real deal Szechwan Peppercorn which has only been allowed in the US for about 7-8 years (for strange political or environmental reasons). Wow did it have an “impressive” breath and depth of hotness. I mean serious existential hotness of a new type. Not an inedible heat (which I’ve had in China), but this weird numbing effect that is a feature of the genuine Szechwan peppercorn (the little brown black pepper-like balls floating in the dish). Woah!


Every table had several bowls like this. Look at all that chili oil. There must be 57 gallon drums of it in the back.
1A0A2013

The contents in a bowl.


Vegetable hot pot. This was a similar dish, but without all the peppercorns it was hot, but not as numbing. It also had a surprisingly nice array of vegetables in there, particularly the potato and lotus root. It was many people’s favorite dish.

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Fish boiled in chili oil (8/31/18). Pretty much the same as the one with “tofu pudding” but without the tofu. Feel the garlic!

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Boiled beef in chili sauce. Sauce red sauce, different protein.


Toothpick lamb. These little bits of lamb are covered in cumin and skewered. It was a nice break  from the heat, but the lamb bordered on mutton. It could have been far more tender.

NOTE: In October 2016 I had this dish again and it was fabulous with very tender and flavorful lamb bits.


Boiled Fish with green peppers. This is the house signature dish, and it was on nearly every table. It’s similar filets of white fish boiled in a “broth” of oil and peppercorns. This has an interesting vegetable herbaceous heat. In some ways a mild and pleasant flavor, but with a broad numbing quality.


Numb taste wontons. Tasty little pork wontons in a searing chili oil. My first one, looking as it did like above was very tasty. But after they soaked up the chili oil they lost their flavor behind all that spice.


Chicken in mother’s preserved chilies. By far the worst dish of the night. The chicken was mostly chicken necks and the sauce was hot and not so tasty.


Ma Po Tofu (aka Pocked Faced Old Lady Tofu). This was a wonderful dish, probably my favorite. The soft tofu was embraced with really serious heat, a nice vinegary flavor, and a bit of porky goodness.


Pork shank. This huge hunk of pig leg was braised and covered with chilies. Comparatively, it was actually a very mild dish. The meat was juicy and tender. There was a lot of fat around it too. Yum.


Duck tongues. This still fry with onions and peppers consists entirely of duck tongues. Yes, every one of those little meaty things is an individual bird tongue. Pretty tasty actually, although the texture was very rubbery (as I’m sure duck tongue always is).

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Eggplant in garlic sauce. An excellent, and very garlicky, version of this dish. The intense sauce was amazing.
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Kung Pao shrimp. Classic.
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Griddle (dry hot pot) chicken (8/31/18). Really nice flavor and spice. Had the bones, but of course.
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Grandmother’s beef with preserved chilies (8/31/18). This was the first time I’ve had this style of dish. It had a tangy/spicy thing, quite sour actually. Very soft generous slices of beef and crunchy cucumber. Really interesting and delicious, although the sour quality might be weird to some westerners.


Tan Tan Noodles. This classic of Szechwan cuisine features noodles, pork, sesame, peanuts, green onion.
1A0A2012
You mix it up. And while it doesn’t look lovely, it tasted great, with a really wonderful sesame nut flavor, some noodles, and a bit of sweetness (some spice too — of course). One of our favorites.

Overall, Chengu Taste offered up great authentic fare. The above feast was a mere $30 per person with tax and tip. The service was nice, but there were several practical issues: 1) long wait 2) no wine allowed 3) they brought everything out too fast. This significantly marred the experience (particularly the wine and rapid delivery). We had brought some great sweet wines and they would have calmed the inferno. Plus, by delivering 4-5 dishes at once, the enormous heat of some of them (fish and tofu hot pot!) swamped out the flavors of others (the peppercorn fish). So I’d like to go back if we can arrange for them to deal with those problems.

Still, a delicious and unusual meal, and it was interesting and fantastic to get such a bracing introduction to real Szechwan pepper (I’ve had it before, but not in this quantity). The face numbing effect was dramatic and the flavor complex. The only problem is that the spice kept me up half the night!

October 2016 recap. 3 years and a LOT of Szechuan later I still think Chengdu is a great place. If anything the ingredients seemed to improve. It didn’t feel nearly as hot — I mean it was still hot — but not mind warping. I think that’s just me having “acclimated” to Szechuan food. I have it a lot. I cook it at home! But the flavors were great. Maybe not quite as complex as Szechuan Impressions, but I didn’t get CRS afterward (with SI gives me). The menu is improved and has pictures. There was no wait at lunch although it was reasonably crowded. If you want serious Szechuan classically and well executed you could do far far worse that Chengdu Taste. In fact, it’s pretty darn great.

For more LA dining reviews click here.

or more crazy Hedonist dinners here!

Related posts:

  1. Spice Up Your Life Szechuan Style
  2. A Taste of Taos
  3. Hunan Chili Madness
  4. Revenge of the Han Dynasty
  5. Shanghai #1 Seafood Village
By: agavin
Comments (5)
Posted in: Food
Tagged as: Chengdu, Chengdu Taste, China, Chinese cuisine, hedonists, Ma Po Tofu, Sichuan, Szechuan Chinese, Szechuan Pepper
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