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Archive for George R. R. Martin – Page 2

Game of Thrones – Episode 39

Jun08

gameofthronesseasonreleasedate-1396104840n4k8gGame of Thrones

Genre: Historical Fantasy

Watched: Episode 39 – June 8, 2014

Title: The Watchers on the Wall

Summary: Awesome fight, awesome ep

ANY CHARACTER HERE

Episode 9 is always a doozy in Game of Thrones. First it was Ned’s head attachment problem, then Blackwater, then the infamous Red Wedding. This week isn’t quite so shocking (even compared to last week), but for only the second time (since Blackwater) we have an episode with only a single main arena of conflict: in this case, Castle Black and the wall.

I have to admit, I had my trepidations. In the books the whole book 2-3 Jon Snow narrative was among my favorites (along with Arya), but in the show it just hasn’t resonated as well. Plus, after last week’s evil fun the idea of two weeks off from Tyrion and crew was a tough pill to swallow.

The episode opens with a big establishing shot of the fortifications atop the wall and the forest beyond. We’ve come a long way from the tight and static constructions of season 1. The camera nimbly points out the giant horn used to alert the castle of approaching invaders. Sam and Jon share a watch and the big guy gets to asking Jon about Ygritte, vows and all that. This is some delightful dialog, particularly as delivered by Sam. His little legal analysis of their vows and the technical omission of other activities is good fun and good character building. A telltale owl is joined to…

thewatchersonthewall2-630x419

Bonding time

A white eyed Thenn back in Tormund’s camp. Again, even after about 5 reminders I wonder if the noobs understand the whole Warg thing. Tormund is telling Ygritte about the “bear he fucked” and she’s not in a good mood. She goes a long way to emphasize her zeal for killing Crows and Big Thenn takes the opportunity to question her loyalty. She gets right in his face and lets everyone know that killing Jon Snow is her privilege alone. On the ridge above, Gilly creeps by.

Sam talks to master Aemon in the library. He’s clearly obsessed with Gilly and the ancient Maester knows it. Both these actors are excellent and Aemon says the same thing to Sam that he did to Jon, “Love is the death of duty.” But he admits he had a tryst when he was young. Sam goes outside and hears Gilly at the gate, forcing Pyp to let her in. He swears to stay by her side and keep her safe — but then they hear the horn.

The Warg owl hears it too and lets the Thenn/Tormund party know it’s time. Mance is coming. Atop the wall, Jon and the brothers watch the whole forest burn. They hastily man the defenses, dragging barrels into place. Thorne admits to Jon that he should have sealed the tunnel. This is typical of GOT, in that Thorne’s little speech shows a good side to an unlikeable character. Throne may be an ass, but he’s a patriot too, loyal to the Watch. Jon is respectful too. He’s grown up.

thewatchersonthewall5-630x354

Jon really comes into his own

Sam hides Gilly in the larder and she tries to stop him from fighting. But Sam too has come a long way from the cowardly fat boy. He has a duty he needs to serve, even if that means leaving her — but he does leave her with a kiss (we knew that had been on his mind). He then joins Pyp in manning the South Gate. They discuss fear. Sam has found his place. He’s a brother now, and that buffers him from his terror.

Outside, Ygritte is watching, and then sneaks back to camp. She knows it’s a thin crew and tells Tormund. They arm up and charge. This is told in an awesome areal shot that establishes the field of battle, rolling past the castle, up and over the wall. This is a complex battle with several main locations: the gate, the courtyard of Castle Black, the top of the wall, the wall and its approach (including the outer gate) and then tunnel to said gate. The direction in the episode does an excellent job setting this up and conveying the dynamics between.

North of the wall Mance’s army emerges from the woods. They hired a lot of extras, and grafted in 2-3 giants and a huge mammoth. Does it feel like a truly enormous army? Well… close but not quite. But for TV, this is as good as it gets. The giants and mammoth (singular) look good.

 

Thorne oversees from above, giving a rousing speech. He’s a dick, but again, you can’t help but admire his commitment and courage. In battle, he’s a solid leader. But the crew makes a few errors (dropping a barrel, etc). He yells them into shape and they fire arrows at the oncoming army.

Below Ygritte and company storm the gate, charging into the light arrow fire, then lay siege to the gate with grappling hooks.

When it’s clear the castle below is bing attacked, Thorne gives another good speech, puts Slynt in charge and heads down the elevator. Below it’s total chaos. Tormund breaches the gate and a big melee ensues. Sam flees the gate tower just before it’s overwhelmed. The castle and the fight look good. They built a serious set and put it to good use. No easy feat  given all the night shooting!

On top and over, as the Mammoth charges, Slynt falls apart and the gang tricks him down below. Jon takes over, marshaling the defense. Arrows are loosed and guys are hung out out to shoot down on climbers below. This all looks pretty defensible until a giant with a monster arrow starts picking off guys at the top.

Thorne does a great job fighting until he runs into Giantsbane. They duel for a while until Thorne is wounded and escapes. Slynt arrives below to find the Thenns (and a sharp shooting Ygritte) laying waste to the defenders. Unlike Thorne, he doesn’t have a likable bone in his body and instantly flees, finding his way into the larder with Gilly… uh oh.

Pyp and Sam  snipe with crossbows from above until Ygritte puts an arrow through Pyp’s neck. This episode takes out a lot of regular characters and Pyp is the first. Soon Jon won’t have any friends left :-(. Sam flees toward the elevator and a Thenn comes after him, at the last minute, he pulls it together and puts a crossbow in the bad guy’s face.

The giants and their mammoth are setting up to pull the outer gate out of its socket. They might look dumb, but they know their business. Jon sends Grenn down to “hold the gate” and proceeds to fire bomb the giants with some success taking out one and the mammoth. But the other is pissed, and starts lifting the gate himself. Plus, a jammed firebomb goes off up top and leads to the death of several defenders.

Sam has come up from below to warn Jon, so he passes command to Edd (his last core friend up top) and heads down.

Grenn’s crew is in the tunnel, but so is the giant. Despite their terror, they hold fast, reciting their oath as the giant charges. As always when the oath is pulled out, it’s an emotional moment.

Jon and Sam arrive below and Jon tears into the invaders. The camera pans about revealing the scope of the melee — and Ygritte nearby. Plus Tormund and Big Thenn going to town. Sam, on orders from Jon, releases Ghost, who starts ripping throats. Giantsbane takes an arrow but barely slows. Big Thenn hones in on Jon and they too get into one of those duels. I might say that’s Hollywood, but actually this kind of thing happened in ancient warfare at least. At the battle of Granicus Alexander the Great was said to have dueled several Persian noblemen in the center of the field.

Jon is man enough now, he can even handle a sub-boss!

Jon is man enough now, he can even handle a sub-boss!

Anyway, Jon is getting his ass handed to him by Big Thenn until he manages to grab a hammer and bash in the ugly scarred skull (exit another minor character). But Ygritte is waiting, bow drawn. When it comes time to shoot, she can’t — or at least doesn’t get the chance, because the elevator boy Olly puts an arrow through her heart. Now this next is all Hollywood, or at least subjective direction, as the battle fades and they have their final emotional moment. She tells him they’ll always have Paris — oops, I mean they should have stayed in the cave. He says they’ll get back there. And here it comes: “You know nothing, Jon Snow” -> blank stare of death. I guess in this case “duty is the death of love.” I’ll step aside for a second to comment that the structure of the show and watching it as it’s released mutes the emotionality of this parting. We haven’t seen them together since last year, and we haven’t seen any soft Ygritte (except maybe saving Gilly) at all this season. It’ll be interesting to see how it feels watching them all back to back of blu-ray or the like. More painful for sure.

But he doesn't get the girl (more than once)

But he doesn’t get the girl (more than once)

Back on the front of the wall the men atop take out the climbers with some well timed avalanches and a giant hook that sweeps through their ranks. This episode has been pulling out a lot of BIG SCALE shots. And the tide is turning.

Below Jon and crew round up a trapped Tormund acting very much like the cornered bear he described at the beginning. Jon, still in charge, throws him in chains. In further mop up, Sam rushes into the larder to check on Gilly to find her find — and a pathetic Slynt cowering in the corner. Jon and Sam take survey and Jon announces a crazy plan to confront/challenge/assassinate (it’s not clear) Mance before he can attack again.

He and Sam enter the tunnel and find everyone dead, including Grenn and the Giant. I had been hoping we would see the Giant fight in more detail, and probably for cost reasons they left out the blow by blow — still the book ends we got were emotionally effective. Sam lets Jon out into the great white beyond.

Wow, all in all, this was a different but massively successful episode. It managed to effectively capture a large scale multi-theatre battle both effectively and emotionally — and make it feel big. Plus it delivered fairly well on character, motivation, and all that good stuff. The team is pretty amazing as this would have been a tough episode to write, even tougher to direct, and probably crazy hard to orchestrate.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

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Season 6: [51, 52, 53, 54, 55, 56, 57]

Related posts:

  1. Game of Thrones – Episode 27
  2. Game of Thrones – Episode 26
  3. Game of Thrones – Episode 34
  4. Game of Thrones – Episode 29
  5. Game of Thrones – Episode 31
By: agavin
Comments (0)
Posted in: Television
Tagged as: a game of thrones, A Song of Ice and Fire, Episode 39, Game of Thrones, George R. R. Martin, HBO, Jon Snow, Season 4, Season 4 Episode 9, Ygritte

Game of Thrones – Episode 38

May30

gameofthronesseasonreleasedate-1396104840n4k8gGame of Thrones

Genre: Historical Fantasy

Watched: Episode 38 – June 1, 2014

Title: The Mountain and the Viper

Summary: Wow, what a finish!

ANY CHARACTER HERE

Joff bit it (or drank it) in episode 33, but we’ve been waiting half a season to see how this all falls out for poor Tyrion. Then we even had to wait an extra week without an episode. Now the moment is at hand.

As usual, I’ll break down the threads into their sub plots for discussion.

At the wall – The moles town brothel might be loud, but the girls have nothing on Littlefinger’s places down south. These are some seriously ugly whores. And mean too, as we learn when a drunk one harasses Gilly about her baby. But they aren’t long for the world, Gilly recognizes the wildling warcries. Soon, Giantsbane, the Thenns, and Ygrite are pretty much killing everyone — until Ygrite notices Gilly and her baby and lets her go. Still, they make a point of showing her massacre a good number of men and women alike.

Back at Castle Black, Sam thinks Gilly is dead and the others reassure him she’s tough. Jon knows Mance is close and they contemplate how grim the odds are for the defenders. I.e. setup for next week’s invasion!

themountainandtheviper07

Sure he betrayed her, but that was a long time ago.

Dany – We’re treated first to a bit of book free love story between Grey Worm and Missandei (the translator). The Unsullied are bathing near the female servants (opportunity for nudity!) and he “spies” on her (overtly). Later, she tells Dany about this and they discuss eunuchs (I guess reminding the non-dorks that Unsullied have no parts). Pillar and the stones. Anyway, Grey Worm comes to apologize and they have a little “moment.”

A boy (I wonder if it’s the same one from season 1) brings Ser Barristan a letter. It’s the pardon letter Jorah got for spying on Dany years ago. Barristan goes to Jorah straight and tells him first. Then Jorah approaches Dany on her throne to plead his case. He’s honest with her, but she gives him no chance to explain himself. If there is a theme this week, it’s all about reversals, and so Jorah is banished from the city and the woman he loves. For the second time, stripped of everything he cares for. But us viewers are treated to an awesome shot of Meereen as he rides off.

Being queen can be tough

Being queen can be tough

Ramsay and Reek – Ramsay and his army are parked outside Moat Cailin. We can see it’s a swamp, but only in the distance. He gives Reek/Theon a combined pep talk and scare. Theon rides in under the white flag, past dead and rotting soldiers. Inside, the Iron Born aren’t doing so well. Most are dead, all are sick (sieges suck). Alfie Allen does a great job as Reek playing at being Theon. He offers the chance to surrender and live. The leader mocks him, but another kills him (ironically, just like he himself was taken out back at Winterfell). His exact words were “treat you honorably like he did me” and Ramsay is a man of his word, as the poor guys end up flayed.

Later, Ramsay brings his army back to Roose and gives him the banner from Moat Cailin. Roose shows him the North all around them and officially recognizes him as a Bolton (as opposed to Snow). If he wasn’t such an evil dude it might be an emotional moment.

Arya – is finally approaching the vale with the hound (return to the Bloody Gate or whatever it’s called). They have one of their hilarious conversations. We are reminded of the Hound’s infected wound, and treated to more of Arya’s interesting view point about “proper” killing. “I’d kill Joffrey with a chicken bone if I had too.” And when they find out her aunt is dead, Arya cracks up (which actually gives a glimpse of the old more childish Arya).

I'd kill Joffrey with a chicken bone if I had too

I’d kill Joffrey with a chicken bone if I had too

Sansa – her older sister is being anything but childish. Littlefinger is being interrogated by the grey-clad lords and lady of the Vale about Lysa’s “suicide.” When they bring Sansa in, she tells a carefully constructed story riding the line between fact and fiction. In fact, she clings decidedly close to the truth, revealing her identity and spinning the crucial parts (the nature of her kiss and the murder itself) to Littlefinger’s benefit. Both sisters have grown. Littlefinger is let off. He works the lords pushing them toward war with the Lannisters and getting Robin out of the Eerie to “tour” the Value.

themountainandtheviper02

Someone has finally learned how to play the game

Later, Litlefinger visits Sansa to ask her why she helped him. She looks at him coyly. And as Littlefinger ushers Robin off on his “adventure” she appears in a striking feather shouldered dress. It’s been awhile since I read her parts in the novels, but this all feels decidedly more overt and adult than in the source material. Not that that’s a bad thing — particularly on TV.

Tyrion – And finally, the man of the hour. Jaime vists Tyrion one last time and they have one of those wry conversations, discussing duels, methods of execution, and words for different kinds of killing. Then Tyrion launches into this long story about his moron cousin Orson the Beetlesmasher. It’s a credit to Peter Dinklage that he makes it so spellbinding, and great writing that it turns out the beetle smashing is probably an allegory for human violence. In the end, Jaime wishes him luck.

Taking a moment at Pycell's expense

Taking a moment at Pycell’s expense

And he moves on to the arena. This is a glorious set. Notched somewhere on the water in Dubrovnik the half circle of spectators looks out on the sea, and they’ve matted in a love Red Keep looming above. Oberyn is taking the whole thing lightly. Light armor and getting his buzz on. But the man is fast. He really does the grace and speed of The Viper credit — and the Mountain is huge. It is so George R R Martin that his character ultimate does him in. His need to toy with the Mountain and get the truth about his sister from the man leaves an opening for a huge last minute reversal. Oh it would be great to be a GOT virgin and experience it for the first time again.

Oh, and that is one seriously bad way to check out! Ouch!

They don't call him the Viper for nothing

They don’t call him the Red Viper for nothing

All in all, this was a fabulous episode, probably my favorites of this season so far — mostly due to the Tyrion scenes and the fight, but there is lots of good stuff going on. George R R Martin has a real talent for reversals. His basic mode of operation is to make you fall for the characters, even painting the villains sympathetically, and then jerk their fortunes up and down unpredictably. It’s a damn effective dramatic strategy.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

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Season 6: [51, 52, 53, 54, 55, 56, 57]

Related posts:

  1. Game of Thrones – Episode 31
  2. Game of Thrones – Episode 32
  3. Game of Thrones – Episode 34
  4. Game of Thrones – Episode 36
  5. Game of Thrones – Episode 33
By: agavin
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Posted in: Television
Tagged as: Episode 38, Game of Thrones, George R. R. Martin, HBO, List of A Song of Ice and Fire characters, Season 4, Season 4 Episode 8, Television, The Mountain, Viper, World of A Song of Ice and Fire

Game of Thrones – Episode 37

May18

gameofthronesseasonreleasedate-1396104840n4k8gGame of Thrones

Genre: Historical Fantasy

Watched: Episode 37 – May 18, 2014

Title: Mockingbird

Summary: Fabulous episode

ANY CHARACTER HERE

As I said last week: poor Ty. Quite a pickle he’s got himself into. Anyway, as usual, I’ll break down the threads into their sub plots for discussion.

Tyrion – Of course this is the thread we are most interested in. It takes the form of a test of three champions:

Champ 1: Jaime scolds Tyrion for throwing his life away. The dialog is so sharp — actually it’s so sharp this whole episode, and show for that matter. Lines like “You fell in love with a whore?” and “Careful, I’m the last friend you have.” Great back and forth zingers, plus there is a lot of emotion between the brothers. When Tyrion sideways asks Jaime to be his champion and Jaime turns him down it almost brought a tear to my eye. Whether this registered as a betrayal or a mere recognition of Jaime’s weakness is hard to say, and that very ambiguity is delicious. On mention of the opponent we cut to:

Heart to heart

Heart to heart

The Mountain. This new Mountain 3.0 looks just like 1.0 and is great. I don’t know what they were thinking with the unimpressive 2.0 version in season 2. That one was neither huge, obviously cruel, or so impressive. The show spares no punches with his brutal treatment (and enjoyment) of the prisoners. We are treated to several shots of the bloody entrails. And Cersei’s approval.

Now there's a Mountain that Rides!

Now there’s a Mountain that Rides!

Champ 2: Bronn has been bought out by Cersei. Ty is pretty screwed. There is the usual great delivery and an uncomfortable honesty. Bronn would LIKE to find a reason to help Tyrion, it’s just none of them make sense. With Cersei’s offer he has money and position now, and I think he’s honestly worried about the Mountain. The man is a beast, and the way he talks about it is more tell following on the show. I liked that they parted friends and the painful honesty of “Aye, I’m your friend, and when have you every risked your life for me?”

Champ 3: The unexpected. Oberyn talks of Cersei, and tells chilling tale of the young girl’s cruelty toward Tyrion. This is straight out of the books but the delivery is pitch perfect, retaining all the straight up meanness. This serves to lower Tyrion right to the bottom, then Oberyon spills out a fabulous little line about Justice and revenge, “and I shall begin with Gregor Clegane.” Great stuff. Plus, I really liked Tyrion’s witty insight that “masking manipulation with truth is one of Cersei’s greatest talents.”

Arya and the Hound – continue to “bond.” Sort of. They approach a burnt out farm and a dying man. Arya spins out her particular blend of bleak nihilistic philosophy: “Nothing is just nothing.” The hound kills the man out of mercy and is bitten by Biter and kills him while Arya dispatches Rorge with a clever bit of trick.

Later, he’s sewing up his bite wound and she offers to burn it to stop infection. Nasty looking cut but he refuses. Still, he tells the story again of being burned by his brother the Mountain, which serves both to reinforce how nasty the big guy is and to invoke sympathy. Arya responds by tending his wound (sans fire).

Jon – has a brief bit at Castle Black. Ghost is now huge (and CGI). The first of these is cool. Mance is approaching and he suggests in council that they seal the tunnel but Thorne, always a PITA will have nothing of it.

Sam gets about 1 second this week

Sam gets about 1 second this week

Dany – is lording over her rather cool sets in Meeren. Dario comes to her saying he is only good for two things: women and killing. Surprisingly, she actually takes him up on both (treating lady viewers to Dario backside). A rare bit of simple human comfort for her. In the morning, Dario runs into Jorah, who knows, and is a bit miffed. But he manages to convince the queen to offer mercy (partially) to Yunkai and put Dario in his place (slightly) by reminding him that Jorah still comes first when it comes to council. This is pretty fun stuff, particularly given the serious nature of her storyline.

Now there's a dress!

Now there’s a dress!

Melisandre – takes a bath in front of Selyse giving Stannis’ too women some screen time together. Not my favorite part, but it is amusing the way Mel uses both sexuality and piety. Selyse is all nun type. I really want to know what they see in that fire!

Brienne and Pod – visit that same inn where Lady (Sansa’s wolf) was murdered in episode 2. Hot Pie happens to be there, making for yet another cameo return. By being direct Brienne finds out about Arya was last seen with the hound — even if Pod was worried that such honesty might get them killed. Still Pod shows his value by knowing they might head for the Eerie. One might think they might actually find each other (or at least Sansa), but this is George R. R. Martin we are talking about! Pod and Brienne are fun together, although not as much fun as she was with Jaime — that was a hoot.

Not yet bosom buddies, but working on it

Not yet bosom buddies, but working on it

Sansa – finally we return to the Eerie. One might wonder why at the end of the episode, and why we wouldn’t end with Oberyn offering his services to Tyrion — but for good reason. Sansa has a few magical moments in the snowy Eerie courtyard. The snow takes her back to her childhood and she makes a snowy Winterfell (excellent snow sculpting skills BTW San). Robin joins and for a bit they have a nice moment, then the spastic Joff wanna-be goes nuts and she slaps him. As if this weren’t bad enough Littlefinger approaches. Sansa is becoming more of an active agent and she asks him point blank: “why did you really kill Joffrey?” Littlefinger is, like Cersei, a master of half truths. He appeals to his own love for Sansa’s mother and fingers it as revenge. I call B.S., Littlefinger doesn’t do anything for emotional reasons like that. But he makes a creepy move on Sansa and kisses her. Uh, oh. Lysa is watching.

I'm a dreamer

I’m a dreamer

The Lady of the Vale summons Sansa to the throne room with the Moon Door open. After a little setup about how the bodies burst apart on the ground below, she grabs Sansa. Littlefinger stops her, swearing (on his life) to send the girl away. Then he “comforts” Lysa, only to confess his love for Cat and toss her out the door. Trademark GOT ending and plus, he got a little extra taunt in before doing the deed.

And I build a mean snow castle

And I build a mean snow castle

All in all, this was a first rate episode, one of my favorites of this season. It just had a lot of good stuff, and only a few lesser scenes (like Mel and maybe Jon). Now we have to wait two weeks for “The Viper and the Mountain.” I wonder what that one is about…

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

Related posts:

  1. Game of Thrones – Episode 35
  2. Game of Thrones – Episode 31
  3. Game of Thrones – Episode 33
  4. Game of Thrones – Episode 17
  5. Game of Thrones – Episode 36
By: agavin
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Posted in: Television
Tagged as: a game of thrones, Episode 37, Game of Thrones, Game Thrones, George R. R. Martin, HBO, Historical fantasy, List of A Song of Ice and Fire characters, Season 4, Season 4 Episode 7, Tyrion Lannister, World of A Song of Ice and Fire

Game of Thrones – Episode 36

May11

gameofthronesseasonreleasedate-1396104840n4k8gGame of Thrones

Genre: Historical Fantasy

Watched: Episode 36 – May 11, 2014

Title: The Laws of Gods and Men

Summary: Good stuff

ANY CHARACTER HERE

Joff’s death set it up, but the next big event is finally here: the trial of Tyrion Lannister. Poor Ty.

Anyway, as usual, I’ll break down the threads into their sub plots for discussion.

Davos & Stannis – Have made the journey across the narrow sea to Bravos. This isn’t in the books as far as I can remember, and it’s our first (but not last) glimpse of the city. And it’s certainly a small glimpse as we see them sailing in, under a giant colossus that was clearly borrowed from the Colossus of Rhodes. Other than that, we see the inside of the bank. The Iron Bank officer sure is insightful, and Stannis isn’t getting anywhere. Davos gives a speech and we don’t know exactly how it goes except…

He shows up at the bathhouse and throws his friend Salladhor Saan a bunch of money to sail with him.

thelawsofgodsandmen4

Bank employes have gone downhill since the Middle Ages

Yara & Theon – Yara sails on her mission to save Theon, and she reads the letter from Ramsay to motivate her troops while we intercut with Ramsay and his murderous bedwarmer. The Iron Born storm the Dreadfort and locate Theon (aka Reek) in the kennels. But Reek isn’t Theon and he’s terrified to go with Yara. A blood streaked and crazy Ramsay confronts them, battle ensues, but Reek is so much Ramsay’s creature that Yara flees, claiming her brother is dead.

After, Ramsay has another creepy scene with Reek where he gives him a bath as a reward and tells him he’ll need him to pretend to be Theon to take Moat Caitlin. Creepy. What’s up with the bathing?

I couldn't resist a shot of the Titan of Bravos

I couldn’t resist a shot of the Titan of Bravos

Dany – A Shepherd’s boy in North Ireland (I mean Meereen) has his goats barbecued for dragon food. The father appears before Dany in her throne room with the bones and is given money. A young noble asks to bury his crucified father. Dany agrees and finds there are 212 more cases — ah, being a real ruler is hard work — no wonder Robert and Joff hated small council meetings!

thelawsofgodsandmen5

A cozy throne room

Oberyn – Joins the small council with his amusing know-it-all attitude. Mace (Marg’s father) is, as his mother Olena has said, not the brightest bulb. They discuss the house and Dany back in Meereen.

Oberyn and Varys talk in front of the Iron Throne (does Varys meet anywhere else?). Both are perceptive. I’m not sure what to make of Varys’ claim to be free of desire.

Tyrion – Then the meat of the episode, perhaps 25+ minutes. Jaime visits Tyrion in jail, but manacles him and takes him to the throne room and trial. Tommen names the judges and leaves. What follows is a litany of inconclusive but damning evidence. Kings Guards, Pycell, Cersei herself — all paint a story of his culpability.

thelawsofgodsandmen3

And this one too, particularly the chair in the middle

During a break Jaime takes Tywin aside and pleads for Tyrion. They strike a deal: Tywin will send Tyrion to the wall and Jaime will throw away his cloak and become heir again.

But back at Trial the crown calls Shae (obviously not across the narrow sea). She paints a terrible picture, claiming to know of his whole plot with Sansa (of course not the case). She even confesses to be his whore, telling their intimate secrets. It really is heart wrenching. Tyrion, taking a play from his own hand back in the Eerie during season 1, “confesses” (not as humorously) to being a dwarf, and on trial for it. He pulls out the emotion. Then demands trial by combat. All eyes (or at least the camera’s) are on Jaime.

thelawsofgodsandmen1

Sucks to be the dwarf

A great episode, particularly the second half. The first covers most of the bits and pieces left out of last week, but the second focuses on Tyrion, and as we all know, that means good times — well, perhaps not for the Imp — but certainly for us loyal watchers of this brilliant combination of character and actor brought to life.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

HBO’s official Inside the Episode:

Related posts:

  1. Game of Thrones – Episode 32
  2. Game of Thrones – Episode 30
  3. Game of Thrones – Episode 33
  4. Game of Thrones – Episode 24
  5. Game of Thrones – Episode 23
By: agavin
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Tagged as: a game of thrones, Episode 36, Game of Thrones, George R. R. Martin, HBO, Season 4, Season 4 Episode 6, Tyrion

Game of Thrones – Episode 35

May04

gameofthronesseasonreleasedate-1396104840n4k8gGame of Thrones

Genre: Historical Fantasy

Watched: Episode 35 – May 4, 2014

Title: First of His Name

Summary: Good stuff

ANY CHARACTER HERE

Martin has a talent for coining phrases, and internet joking about XX of YY aside, First of His Name is one such title. Evocative, like so many of his little turns of phrase, it’s simultaneously unique to the books/show and characteristic of medieval phraseology.

Anyway, as usual, I’ll break down the threads into their sub plots for discussion.

Cersei – If Jaime was front and center last week, it’s Cersei standing in for Kings Landing (hey, Tyrion doesn’t even show this episode, which might be a first!). Tommen is crowned and both his women (Cersei and Margery) loom large. But when they talk, instead of the biting hatred that Cersei usually shows her young rival there is a bit of revealing honesty. Knowing C, she’s probably just playing Marg.

Next, she plans his wedding with her father. Apparently it won’t even be that long off (so much for letting Tommen drop a pair). She and Tywin have one of those legacy discussions. Plus it seems the Lanisters are actually out of gold and owe a fortune to the Iron Bank of Bravos. That’s folding in with Davos’ plans, which is some new stuff from the book. As usual, Charles Dance is in fine fine form.

Lastly, Cersei returns to Olena’s suicide-watch garden for a chat with Oberyn. He mentions his 8 daughters (the Sand Snakes) and they discuss Cersei’s daughter (in Dorne). Cersei wants to send a ship as a gift. This is probably setting up some action from A Dance with Dragons. Some great lines too like O: “We will have a trial and we will learn the truth” C: “We’ll have a trail anyway.”

firstofhisname3

He may favor bathrobes, but he is cool!

Dany – gets the news of Joff’s death, and is confronted with a choice. Seems she now has ships but the slavers have reclaimed the cities she spent Season 3 taking. She’ll woman up and set things to right — because we can’t have her getting back to Westeros too soon can we?

Finally got a new dress!

Finally got a new dress!

Arya and the Hound – try to sleep, but she has to recite her names, amusing enough as they include him! In the morning he thinks she’s gone, but finds her practicing her water dance out by the river. Arya does a great job with this, looking every bit the girl really trying to practice her swordwork. The little spar between them is great as always.

Everyone's favorite water dancer!

Everyone’s favorite water dancer!

Brienne and Pod – The big she-knight is pretty ambivalent about having him along as a squire as it is, but Pod’s lousy horsemanship and ineptitude at cooking rabbits has a certain charm. What really hooks her though is his story about protecting Tyrion at the Blackwater.

Sansa – also has a substantial arc in this episode. She approaches the Bloody Gate and the entrance to the Eerie with Littlefinger. She’s in disguise as his niece. Again we skip the cool approach to the fortress, but Robyn and Lysa aren’t any more stable for an extra 2 years atop their perch. Lysa knows Sansa’s secret and seemingly greets her all smiles. Then we’re treated to some icky Littlefinger/Crazy lady make out. And Lysa admits to having poisoned her husband and dragged Cat into this. That Littlefinger, he’s had her, and had her wrapped around his littlefinger for some time.

Sansa and Lysa have some bonding time, but Aunt crazy has some serious jealousy issues with regard to her man — not that she doesn’t have reason to doubt his sincerity. Lysa has in mind some cousin on cousin marriage for Sansa. Really, that wasn’t odd at all in the Middle Ages.

firstofhisname5

Look at me, a disguise!

Jon & Bran – So close again. Locke  spies on the mutineers and finds Bran and crew. Slipping back to Jon he tries  to warn them away from the building. Meanwhile, Bran and Jojen have a shared pseudo vision and confirm their desire to seek out the “one tree” (or whatever the big face tree is).

Carl comes in and has Meera hung up on a hook so he can get down with the R word — but fate (and the Night’s Watch) intervene. While Jon and crew slaughter the scum, Locke sneaks into where Bran is tied up and tries to carry him away. Bran jumps into Hodor’s mind and sends the giant off to nearly rip Locke’s head off — bye bye. He sees Jon, and wants to crawl to him, but Jojen convinces him that he must continue heading toward the tree.

Jon and Karl have a nice duel — double dagger vs. sword. It doesn’t go great for Jon under one of Craster’s wives (setup last week) helps him out, and then Karl gets a seriously gnarly sword through the head. Ghost makes a return visit grabbing Rast (who has escaped and is making a break for it) and returns to Jon — who apparently hadn’t forgotten about him like we all thought he had.

This whole Craster’s Keep raid isn’t in the books, and in the end, it doesn’t change anything, but it does serve to give Jon and Bran’s plot lines some jeopardy and to help tie in Bran a bit. Really, when a character runs off in parallel without seeing anyone for 2-3 whole books, it doesn’t play that great — good changes!

All and all, a solid episode. Perhaps not as good as Oathkeeper, but really some good work on the Cersei, Sansa, and Jon timelines. More Arya. More Arya!

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

HBO’s official inside the episode:

Related posts:

  1. Game of Thrones – Episode 34
  2. Game of Thrones – Episode 31
  3. Game of Thrones – Episode 33
  4. Game of Thrones – Episode 32
  5. Game of Thrones – Episode 17
By: agavin
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Posted in: Television
Tagged as: Episode 35, Game of Thrones, George R. R. Martin, HBO, List of A Song of Ice and Fire characters, Season 4, Season 4 Episode 5, Television, World of A Song of Ice and Fire

Game of Thrones – Episode 34

Apr27

gameofthronesseasonreleasedate-1396104840n4k8gGame of Thrones

Genre: Historical Fantasy

Watched: Episode 34 – April 27, 2014

Title: Oathkeeper

Summary: Good stuff

ANY CHARACTER HERE

All the best swords have names, and so it is with this episode. This isn’t at first glance a flashy episode full of big events, but  it is a pivotal one in which changes set in motion by recent events take clear new turns. As usual, I’ll break down the threads into their sub plots for discussion.

Dany – The translator girl is teaching Grey Worm the common tongue, which is really an excuse for a bit of characterization. And this week’s Dany section is as much about Grey Worm, slavery, and Dany’s relationship to the institution than about her per se. Next, Grey Worm and other Unsullied break into the sewers of Meeren and creep through to ferment a slave rebellion. As usual with huge events like this, it’s told in anemic TV style. Slaves plotting. Grey Worm giving them a speech about freedom. A master being ambushed in the streets, then before we know it, the Masters are in change and Dany is in charge of the city (which looks suspiciously like Dubrovnik again – that Croatian limestone is very obvious). The CGI shots of the ziggurats and the sprawling city are pretty awesome. Dany doesn’t go easy on the Masters either. The scope of these shots elevate the whole thing and help us forget the slapdash fall of the city. As we pan back, a giant dragon banner covers the enormous harpy.

oathkeeper1

Conquering is like cake on a TV budget

Sansa – Is on the boat with Littlefinger. Apparently, they’re heading toward the Eerie and his upcoming nuptials to crazy Lysa. The show, as I predicted, is MUCH more obvious about the plotting. Littlefinger confesses to his involvement in Joff’s death, discusses the poison necklace and alludes to his allies. But what’s more interesting are the continuing reveals with regard to his cynical political philosophy. His strategy of long sighted planning, risk taking, and unpredictable grand ambition is quite interesting.

Margery – Talks more in that garden we’ve seen a hundred times before (it’s in Trestino Croatia, I’ve been there). In post-modern fashion, Olena jokes about her repetitious strolls – which make sense given that 9/10 times we’ve seen her it’s here. Again, being MUCH more straightforward, Olena all but confesses to murdering Joff. Then she gives Marg more advice about taking control of Tommen. This seems more for the audience’s benefit, as Marg has proven an exceptional handler in the past.

She visits Tommen in the night (how she got around the Kingsguard we’ll never know). Just as her tailored approach worked for Joff, she takes on a new soft style that has Tommen quickly eating out of her hand. For a 32 year-old, they manage to make her engagement to this 10 year-old boy seem only medium perverse.

Plus, Ser Pounce makes his on screen debut!

Will number three be the one?

Will number three be the one?

Jaime – Has the most complex arc this episode (particularly given the title). He is still practicing out by the sea with Bronn, and getting better too. Bronn pulls off one of his most excellent signature moves and uses Jaime’s own gold hand to beat him with. But perhaps even better is how he guilt trips Jaime about his obligations to Tyrion.

So Jaime drags himself down to the dungeon so they can exchange droll remarks. The dialog is first rate as usual. We are reminded about Sansa, so later when Cersei summons Jaime. The points of conflict are clear: Jaime swore an oath to protect Sansa. Cersei loathes the girl and is convinced she helped kill Joff. Jaime thinks Tyrion innocent. Cersei has only blind hated. In this moment, Jaime realizes his old world is dead.

oathkeeper5

At least I still have my leather coat

So he brings Brienne in and regifts her the gift worth regifting: his sword made from Ice, and charges her to find Sansa and keep her safe (plus, she gets bonus armor and Pod as her new squire). This rolls into her departure, in what is an emotional scene. They name the sword Oathkeeper (bringing a tear to my geek eye) and part. Both actors do a fabulous job. The complicated love, respect, and vast unsaidness hangs palpably between them.

oathkeeper2

Your horse is ready, sir… I mean, ma’am

Jon – Back at Castle Black, Jon is teaching some new recruits. One of them looks a lot like Locke (the dude who chopped off Jaime’s hand), which isn’t a coincidence, as it is Locke, come to ferret out the location of Bran. This is a nice complexity (winding together plots) that isn’t in the books. Jon continues to spar verbally with Thorne and his toady Slynt, but doesn’t rise to the bait. Sam frets about Gilly. But Jon is given permission to recruit for his Craster raid (even if Thorne’s motives are black). This whole adventure isn’t in the books either. He gives a speech, but his charisma is a bit lacking. Even so, his friends (and the evil Locke) join.

Uh!

Jon Snow never bothered me anyway

Bran – At Craster’s the mutineers are doing a good job proving their vileness. Their leader drinks from Mormont’s skull (poor guy) while his men gang rape Craster’s “wives.” Those poor girls went from the frying pan to the fire. When an old one brings in a baby boy, they go into a religious frenzy about offering him to the gods. The guy isn’t exactly Mother Theresa, so he’s all for it. Somehow, the thugs also captured Ghost, who Jon Snow doesn’t seem to be stressing about. This feels in contrast to the books — and Jon is a Warg after all — so it doesn’t make too much sense.

But Bran’s more up on his Wolf side, because when he hears the baby in the woods (left out as White Walker Snack), he saddles up inside Summer, finds Ghost, and gets the wolf caught. Then himself and his companions. So much for either Meera’s tracking OR fighting skills!

And Bran isn’t exactly a pillar of strength under interrogation because he soon spills his identity to the loathsome group. This whole section is new, but as it also ties together two threads and gives Bran something interesting to do, I’m all for it.

Hodor has better common sense

Hodor has better common sense

White Walkers – Now what gets really interesting here is the last scene, where a white walker, carrying the baby, brings him out to some kind of frozen citadel and a ring of icicles and an ice altar. There, another walker turns the baby’s eyes blue. What this all means, we have no idea, but it’s the first we’ve seen of the Walkers in some time, and a glimpse into their magics the book never reveals. Hell, I’ve read them three times and the difference between Wraiths, Walkers, and Cold Hands is still totally unclear.

Baby

Anyway, I thought it a great episode. The Wall and beyond part was interesting, but the Jaime section was really good. Oathkeeper!

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

Oh, and you have to watch this “Let it GOT” (Frozen GOT mashup!):

Related posts:

  1. Game of Thrones – Episode 31
  2. Game of Thrones – Episode 32
  3. Game of Thrones – Episode 33
  4. Game of Thrones – Episode 17
  5. Game of Thrones – Episode 25
By: agavin
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Posted in: Television
Tagged as: A Song of Ice and Fire, Episode 34, Game of Thrones, George R. R. Martin, HBO, List of A Song of Ice and Fire characters, Season 4, Season 4 Episode 4, Television

Game of Thrones – Episode 33

Apr20

gameofthronesseasonreleasedate-1396104840n4k8gGame of Thrones

Genre: Historical Fantasy

Watched: Episode 33 – April 20, 2014

Title: Breaker of Chains

Summary: Good stuff

ANY CHARACTER HERE

Last week left us on the edge of our seats, either saddened at the loss of our favorite villain, or cackling in glee. Unlike the previous three seasons where the show really takes a while to get going, this time around we almost opened with huge events. Now let’s see how the pieces sort out. This is episode that covers a lot of threads, and none in great depth.

Sansa – Joff leers at us in death, blood seeping from his nose. Cersei screams accusations at Tyrion and Sansa is pulled away from the wedding by Ser Dontos. Last week, it wasn’t even until the second viewing that I noticed this significant little bit. As Tywin orders the city on lockdown, Dontos rushes her away, into the streets, through Dubrovnik (achem, Kings Landing) to the port and a waiting row boat. Then, covered by a convenient and sudden fog, out to a ship and up to… Littlefinger. You kinda had to know that where Kings Landing assassination is concerned, LF is likely to be involved. Poor Dontos earns a crossbow in the heart for his troubles and Sansa a lecture on the reality of her position. Poor girl. She just can’t help but be the pawn.

Even her funeral wear sports clevage

Even her funeral wear sports cleavage

Marg and Olena – chat in their favorite botanical garden. Olena tries to put a good spin on it — well she ought to, as she certainly had some hand in it. I liked the humanness that Marg displays here. Sometimes she comes off as cold and manipulative, but I don’t really think that’s (entirely) her.

Cersei – Attends the body of Joffery in the sept, laid out much as Lord Arryn was with the weird eye stones. Tywin, ever the opportunist, uses the chance to give Tommen (looking a lot older) a rather truth but manipulative lecture on the nature of kingship. As grandfather and the new boy king leave, Jaime enters and comforts his sister. They kiss, she pushes him away (after a bit), and he grows angry and takes her (only partially against her will) right there. Rather unsavory business, and I’m not sure how I feel about it.

The family that sleeps together stays together

The family that sleeps together stays together

Arya and the Hound – There seems to be a pissing theme this week, as the hound is watering the plants while she dines on radishes. Apparently, he’s heard of the Second Sons (led by the late Meero). A farmer and his daughter show up and Arya charms them and earns them a meal. It’s quite amusing to see the hound in a domestic situation, as he certainly isn’t big on the blessing before the meal. But the man offers him a job and he takes it — but next up he’s robbing them of their silver and dragging a furious Arya out of there. He may not be deliberately cruel, but apparently his code is “flexible.”

Code Smode

Code Smode

Sam and Gilly – After a quick survey of the sordid men in black, we’re treated to another of those charming Sam and Gilly scenes. Their “courtship” is kinda cute, as they clearly both have a thing for each other, but are unable to really get down to business. Sam decides that leaving her in the castle with a hundred former rapers is a bad idea so smuggles her out to Mole Town to live with some whores in a total sh**thole. I think she knows he means well, but sigh…

Davos and Stannis – have out the only conversation they ever seem to have, where Davos cautions against anything having to do with the Red Lady and Stannis argues he has no choice. Davos then visits Stannis’ daughter (the one with the grayscale face) and while taking in a reading lesson comes upon an idea. Somehow he plans to use the iron bank to try to help Stannis.

Certainly fun to watch this fellow

Certainly fun to watch this fellow

Oberyn – is back in the brothel (lots of them this week) getting it on with Ellaria Sand and several whores of both sexes. He amuses us with a speech on bisexuality. Really, the writing of GOT has a slightly Shakespearean quality, as characters love a good soliloquy. This amusement is interrupted by Tywin, who sure knows how to turn a bad situation to his advantage. He skillfully feels out Oberyn as he recruits him as a judge in Tyrion’s trial and as a small council member.

Tyrion – is visited in prison by his squire Pod. The poor guys is rather likeable and Tyrion, despite his captivity (again) is in fine form as usual. They exchange facts and set the stage for his coming trial. Damned by Cersei, his wife missing, three judges in Tywin’s pocket. It doesn’t look good. He does right by Pod, continuing to make him the most likable of Lannisters.

Ygrite – and the wildlings raid a village up by the wall. The poor villagers don’t have a chance. She shoots a bunch. Giantsbane slices. And the Thenns prepare to roast up a few for supper.

John – When word of the attach reaches Castle Black, John and the other senior Crows aren’t fooled into attacking. They are too few men. But when his friends return from Crasters, revealing that some of the rebel Crows are holed up there and will betray their weakness to Mance and the Wildings, they may have to move to action.

breakerofchains4

Tastes like chicken

Dany – Approaches Meeren by way of the Dalmatian coast. She parks her big CG army in from of the lovely big CG city (nice pyramids and love that harpy gate). And here comes more pissing. The city sends out a champion and we’re treated to the cock-cam view of him pissing at Dany’s army. Dario gets the honor of fighting, and pulls a Bronn by stabbing the horsing and beheading the rider. Dany then gives a surprisingly effective speech to the slaves, made all the more so by being in Valyrian. This technique of using the subtitled foreign tongue is highly effective. It almost brought a tear to my eye. If it’d been in English the speech would have been cheesy. Of and the music helped. Liked the catapults and the barrels smashing against those walls of Dubrovnik.

Pissing contest

He won the pissing contest

Overall, not a big centerpiece episode, but an enjoyable one nonetheless. Things are in motion again after last week stirred up the pot.

Note: piss count was 3 tonight.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

HBO’s official inside the episode:

Related posts:

  1. Game of Thrones – Episode 32
  2. Game of Thrones – Episode 19
  3. Game of Thrones – Episode 31
  4. Game of Thrones – Episode 20
  5. Game of Thrones – Episode 21
By: agavin
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Tagged as: A Song of Ice Fire, Episode 33, Game of Thrones, George R. R. Martin, HBO, List of A Song of Ice and Fire characters, Season 4, Season 4 Episode 3, Television, Tyrion, World of A Song of Ice and Fire

Game of Thrones – Episode 32

Apr13

gameofthronesseasonreleasedate-1396104840n4k8gGame of Thrones

Genre: Historical Fantasy

Watched: Episode 32 – April 13, 2014

Title: The Lion and the Rose

Summary: Martin has a thing for Weddings

ANY CHARACTER HERE

Episode 2 of the season takes a moment (or two) to fill in the characters  left out of the premier before moving on to the royal wedding. We’ve been leading up to this “blessed event” for some time, so lets see how it stacks up compared to its predecessor, the infamous “Red Wedding.”

As usual, I’ll break down the episode into threads by character. Although this gets a little tricky in king’s landing.

Theon – The episode opens with Ramsay Snow (aka the Bastard of Bolton) hunting down an attractive girl through the forest. He’s joined by hounds, one of his bedwarmers with bow and arrow, and Theon, looking more than a little worse for wear (like a guy with a bad crack problem). The hunter girl shoots the other (is it the girl she was with in season 3?) and Ramsay sicks the hounds on the victim. As if we didn’t know he was a nut before…

There could be worse looking huntresses

There could be worse looking huntresses

Next, his father, Roose Bolton returns to the Dreadfort. As a nice nod to his story about the fat wife, we see her too. Turns out the guy who chopped off Jaime’s hand is a friend of the bastard — go figure. In conference Ramsay shows off Theon, now christened Reek. It’s gratifying that the show continues to unravel the books bizarre chronology into a more linear fashion. These reveals occur in book five, but are pulled forward to what is essentially the second half of book 3. George R’s expedient (at the time) choice to place character before chronology never really worked for me, so it’s good to see it back in order. But poor Reek.

Ty – dines with Jaime. If we have the dwarf and the cripple, where is the “mother of madness?” Jaime confesses he can’t fight and Ty sets him up with Bronn on a fishing platform near Dubrovnik. In any case, as both Bronn and Jaime are so much fun, they continue the sport together, which makes for a fine scene. This is a notable change from the book, which features the tongueless Paine as Jaime’s silent sparring partner. I’ve heard this has to do as much with that actor being ill 🙁 as with the writing per se. Still, Bronn is played so well, we won’t complain.

sesaon421-681x1024

One of my favorite couples

Ty wanders the gardens with Varys (good to see the spider) and the eunuch tells him Shae has been seen by Cersei’s spies. They are apparently heading toward a wedding gift ceremony and Ty gives Joff a history book, but Joff, ever the twerp, uses his father’s gift, the other Valarian steel sword, to chop up the book: so it begins.

Ty tries to send Shae away. To get her to take him serious he has to play the butthead, even though he doesn’t want to. Shae is definitely much more developed than in the books.

Melisandre – is up to her usual tricks, burning a collection of Stannis’ relatives alive for heresy while his queen gloats on. They segue into discussion about Stannis’ daughter and then lady Mel visits the girl.

Not sure where the Mel/Stannis thing is going -- AND I've read the books 2-3 times!

Not sure where the Mel/Stannis thing is going — AND I’ve read the books 2-3 times!

Bran – gets a very brief snippet, which isn’t too surprising given that he basically takes at least a 1,000 page leave of absence in the books. We are treated to some wolf cam and a bunch of trippy visions that work for me.

The Wedding – forms the bulk of this episode, at least half the screen time. The marriage itself, grand Sept wedding that it is, goes off smoothly enough. Marg somehow has imported a hairdresser from Versailles, as she’s sporting Marie Antoinette hair.

The style worked until the guillotine!

The style worked until the guillotine!

The transition from ceremony to reception includes another cute talk between Tywin and Lady Olena. Good fun as always, but not as amusing as their first.

Then on to the reception itself. As the production stated, this is a BIG scene. Virtually every character in King’s landing is there — and the sets look gorgeous. There are all sorts of nods going on. Loras and Oberyn. Cersei and several others. And no small share of threats. The royal pavilion seems rather Moorish in style, but despite the opulence, Joff is bored.

Nothing like a bored homicidal maniac at a party. Joff interrupts the eating and drinking to bring in a troop of dwarves playing the 5 (mostly) defeated kings. This little number, besides filling the air with tension thick enough to cut, is pretty medieval. Dwarf fools and performances were common enough, as was their bawdy irreverence. Tyrion does a bit to feed the fires of hatred between him and his uncle, but the lion’s share (haha) goes to Joff. The mad boy just won’t let it go. He heaps it on and on and on. Marg tries to diffuse it, at least twice, but I’ve been in this sort of situation myself (not at a royal wedding). It’s hard to stop that train once it gets going.

In the end… well we get to an end, for some. Certainly not all the doves in that pie made it…

All in all a great episode, fairly focused as it goes (at least in the second half), and centered around Tyrion (who is such a delight on screen). Unfortunately for me, I was so busy taking notes I didn’t get to enjoy it — which is why I’ll just have to watch it again.

Another excellent review of this episode here.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

HBO’s official Inside the Episode:

Related posts:

  1. Game of Thrones – Episode 31
  2. Game of Thrones – Episode 18
  3. Game of Thrones – Episode 26
  4. Game of Thrones – Episode 29
  5. Game of Thrones – Episode 16
By: agavin
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Posted in: Television
Tagged as: Emilia Clarke, Episode 32, Game of Thrones, George R. R. Martin, HBO, Jaime, List of A Song of Ice and Fire characters, Peter Dinklage, Season 4, Season 4 Episode 32, Television, World of A Song of Ice and Fire

Game of Thrones – Episode 31

Apr06

gameofthronesseasonreleasedate-1396104840n4k8gGame of Thrones

Genre: Historical Fantasy

Watched: Episode 31 – April 6, 2014

Title: Two Swords

Summary: Excellent opening

ANY CHARACTER HERE

Here we are again at Game of Thrones season. The “previously scenes” always give one a clue what’s coming, and this time it  reached all over the place to odds and ends, sometimes from a season or two ago (like Dontos) or the Ice setup for what’s about to come with this episode. Watching with my wife, who HAS read the books (years ago) and seen every episode, but still needed a “reminder” lecture on the background, it was ever more evident to me how gigantic the scope of this world and series is.

The episode is named “Two Swords” and it opens with Ice (which we haven’t seen in more than two years) pulled from its sheath and reforged into two new swords. Definitely symbolic of the “end” of the Stark line, and depressing enough as Tywin gloats over it.

As usual, I’ll break down the episode into threads by character. This gets a little tricky in king’s landing.

Jaime – is back  in King’s Landing, but more out of his element than ever. He’s shaved and cleaned up, impressive again in King’s Guard regalia, but also gaunt and haunted. Tywin offers him a new sword (we don’t se that the other goes to Joff, or maybe that’s later) and they argue about his future. He clings to the idea of the King’s Guard and Tywin wants him back at Casterly Rock. Truth is, Tywin is fairly gracious in yielding to Jaime’s stubborn position — for him. This just begins the assault on Jaime’s naive assumption that he can resume his normal life. Twice people (his father and Joff) comment on the luck of one handed swordsmen.

sesaon427-1024x681

Nothing like a sword in the good hand and a gold hand on the stump

In his next scene he is fitted with an awkward looking gold hand by Qyburn (being setup for his future roles). Cersei is there and they too argue over his future. He moves to resume their incestuous romance, but she rebukes him hard. From her point of view he left her. From his, events were beyond his control. The dialog is top notch as usual. Loras is referred to as a Pillowbiter, an amusing British slang. Next up it’ll be Featherspitter.

And later, when he and Brienne look down on Sansa, the giant female knight (looking even more awkward in her “finery”) takes him to task. Who is he? The old Jaime who didn’t take anything seriously? Or the man that went back for Brienne?

Tyrion – is also on edge. Interestingly we don’t have a scene between the brothers, but he has been tasked with greeting the party from Dorne come for the royal wedding (Joff and Marg). But the prince of Dorne isn’t there, sending instead his younger brother Oberyn (the Red Viper). Of course, this gives opportunity to end up in a brothel, presumably one of Littlefinger’s (who, along with Varys, Stannis, Bran, and the Ironborn, is one of the few characters who does NOT make an appearance in this episode). Oberyn has a great introduction, in typical Thrones Brothel style involving a good deal of nudity and some clear bisexuality (which if it was in the books was pretty subtle). He’s certainly fun as he gives some obnoxious Lannister men a bit of a MadMax quandary. This is mostly introduction, as afterward he and Tyrion talk, mostly to inform the audience of the Dorne position on things. Oh, and Ty as usual has great lines like “I partook, but now I’m married.”

Oberyn’s “friend”, BTW is a veteran of that other great HBO historical epic: Rome.

Oh dear, I’m sorry my family slaughtered yours

We continue to be updated on Tyrion’s precarious position. He tries to sooth Sansa (still reeling from the death of her mother and brother) and at the same time keep Shae happy. It isn’t working, and when Shae comes on to him hard he rebukes her (playing off the later interchange between Jaime and Cersei). This is new material from the books and is helping set up where Shae is going as a character. To good effect, as I never really bought that part of the otherwise amazing 3rd  novel.

His tryst (even if avoided) is  clearly taken in by one of Cersei’s annoying spies.

Dany – gets in a little R&R with her (now) giant CG dragons. Seems they’re getting a little unruly. I guess they weren’t properly cage trained. Jorah marches in and we are reintroduced to her host: Jorah, Dario, Barristan, the translator girl, Grey Worm, etc. This new Eric Bana Lookalike Dario sure is different from last year’s sensual interpretation. The scope on these shots seems big, although Dany’s countryside looks… well Croatian.

Later, marching toward Maureen, Dany and crew (an enormous CG snake of an army) discover a crucified girl pointing at Maureen. Just one of thousands. Really, we don’t get what Dany is exactly up to, as she seems to be heading anywhere but back to Westerous.

Pass the draco-biscuits please

Pass the draco-biscuits please

Sansa – Is probably in one of the toughest positions, most notably because she doesn’t have a lot of options. Oh, and it is worth mentioning that her table table is made of Pietra dura and has a great view of the Adriatic. When Tryion tries to sooth her, he’s as witty as every: “She wanted to have me executed, but I admired her.” and “Prayer can be helpful, I hear.” Later, after being spied on by Jaime and Brienne she flees and runs into Ser Dontos, who she rescued forever again from Joff’s sadism. He volunteers his loyalty.

Ygritte – is back in the no mans land near the Wall and jousting verbally with  Tormund Giantsbane. He gives her a hard time about now killing Jon, then a group of Thenns show up. They’re huge and scarred, with lots of manly attitude and a taste for human flesh. All in all icky.

Sam and Jon are back at Castle Black – but no one seems to take the Wildling threat seriously when Jon tries to warn them. In fact, he ends up being tried for the death of the Halfhand. We are reminded that Jonas Slynt is now up at the wall and that Measter Aeogon rules. Plus great lines like “none of us are free, we are all men of the Night’s Watch.”

I've done plenty wrong

I’ve done plenty wrong

The Tyrells – are plotting talking, and generally being good fun. Plus, behind them is a hilarious statue of Joff “slaying” a boar.

Ayra – the show likes to end with Arya, and that is no accident. She’s a fan favorite for a reason. Now, following the murder of her brother and mother, she’s in a grim place. The Hound intends to sell her to her Aunt for cash. And at least he isn’t interested in selling her back with his former masters. There’s is a bleak spot of the middle of the country (Riverlands?) and there are more than a fair share of corpses. On finding an Inn filled with Lannister soldiers, an amusing combo of their mutual stubborn sides leads them inside. What follows is quite fun. Sandor doesn’t give a shit (pardon my French) and he’s willing to drive straight on through even if it means a dozen bodies. But, amusing enough, it’s not him that we focus on, instead everything comes to life as Arya does. Boy, I have to go watch that scene again (and I knew what was coming).

Oh, and how weird was Poliver’s monologue about torture?

You going to die for some chickens? Someone is!

You going to die for some chickens? Someone is!

Overall, a great start to the season. This is a typical early GOT episode in that it focuses on the big peices and establishing the position of each of the MANY characters. Usually, it’s a few weeks before they really move. Not so much this time if I have my crystal ball ready.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

HBO’s official Inside the Episode:

Related posts:

  1. Game of Thrones – Episode 28
  2. Game of Thrones – Episode 19
  3. Game of Thrones – Episode 27
  4. Game of Thrones – Episode 18
  5. Game of Thrones – Episode 11
By: agavin
Posted in: Television
Tagged as: A Song of Ice and Fire, Game of Thrones, George R. R. Martin, HBO, List of A Song of Ice and Fire characters, Season 4, Season 4 Episode 1, Season 4 Episode 31, Television, World of A Song of Ice and Fire

Game of Thrones Draws Near

Mar09

Tonight (3/9/14) HBO  released yet another Game of Thrones season 4 trailer:

I’m really loving this one, certainly makes the season look pretty awesome. I particularly like the character driven approach that emphasizes the big themes and moral ambiguity. GOT, despite being Fantasy fan boy fodder, is really one of the most adult shows on television. And I mean that in the best way. Martin really touched on a lot of universal themes of power and family and the showrunners have chosen to underline them.

Oh, and on 3/18/14, they gave us another one (below)!

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

Kit-Harington-as-Jon-Snow_photo-Helen-Sloan_HBO

I’ve done plenty wrong…

Related posts:

  1. Game of Thrones Season 4 Trailer
  2. Game of Thrones – Season 3 Goodies
  3. Game of Thrones – Season 2 CGI
  4. Game of Thrones Season 4 Preview
  5. Game of Thrones – The 1984 Miniseries
By: agavin
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Posted in: Television
Tagged as: A Song of Ice and Fire, Game of Thrones, George R. R. Martin, HBO, Season 4 Trailer

Medieval Land Fun-Time World

Oct21

Absolutely hilarious faux lip sync Game of Thrones trailer. This must have been a lot of work and I can’t tell if the semi-sensical dialog is just goofy writing or a requirement to match the mouth movements in their clips. But cool.

Plus fart jokes. And vaguely reminiscent of Adventureland too.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

medieval-land-fun-time-world

Related posts:

  1. Game of Thrones – Season 2 – First Look
  2. New Game of Thrones 2 Teaser
  3. Game of Thrones – Episode 11
  4. Game of Thrones – Season 2 Trailer
  5. World of Warcraft 8th Anniversary
By: agavin
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Tagged as: Amusement park, Bad Lipreading, Game of Throne, George R. Martin, George R. R. Martin, HBO, Lip sync, List of A Song of Ice and Fire characters, spoof, World of A Song of Ice and Fire, YouTube

Game of Thrones – Episode 30

Jun09

game-thrones-dragon-posterTitle: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 30 – June 9, 2013

Title: Mhysa

Summary: Satisfying, but more staid

ANY CHARACTER HERE

After last weeks intense and narrow(er) focus, this week hits on each and every thread in Westeros (and beyond). The result is more diffuse, and is typical of GOT’s first/last episodes in that it’s mostly positioning the characters for the season to come. Still, there are some great moments like:

Arya and the Hound – Bolton ascends the keep to survey the chaos below. This part of the battle — achem, slaughter — feels big for TV, and it’s good to see it on screen (unlike the seige of Yunkai!). We zoom below through the chaos to follow the Hound fleeing with Arya. In the background is the grisly spectacle of the wolf head staples onto Robb’s body. This was suitably graphic and is a very medieval touch. Bodies of the vanquished were rarely treated with respect and this kind of symbol defilement is pretty  authentic.

Later, Arya and the Hound stumble (a tad too coincidentally) on a bunch of Frey soldiers boasting of their participation in the above grisly bit of business. Arya, now stripped of all hope and ties has only her connection with the God of Death left. She uses Jaqen’s coin (oh so appropriately) to trick and stab one — the hound finishes off the others. And so she moves into position.

I liked this moment, and it’s bit of savagery. Valar Morghulis.

Birds of a feather (a sharp one at that)

Birds of a feather (a sharp one at that)

Bolton and Frey – just in case we wondered exactly what happened, Walder Frey gives Bolton a bit of an info dump (including that Edmure is alive and the Blackfish on the loose) — certainly continuing to establish his self-serving character and Bolton’s cold one. Since it wasn’t totally clear to new viewers, Bolton takes a moment to fill us in about his bastard Ramsay and the (second) taking of Winterfell, which segues too…

Theon and Ramsay – Our nut job continues to  be quite effective. Not only does he tease poor Theon with a sausage, but he teaches him his new name. And so Reek is born. Another piece in position. Oh, and finally non-readers will (sort of) understand who the hell is holding (and chopping) Theon!

GRRM loves his boiled leather!

GRRM loves his boiled leather!

Balon and Yara/Asha – Ramsay sends a note to Balon along with “Theon’s favorite toy.” Poor Theon. Fortunately for us, we never see inside the box. Balon could care less, but Yara puts together a raiding party and a ship to go for a rescue. This felt a tad forced. Not that I begrudge Yara the sentiment, I just didn’t quite by the dialog.

Nice mood lighting

Nice mood lighting

Davos – has a chat with Gendry and they bond over their common origins in Fleabottom. This is fine, but hardly exciting stuff. Then Davos continues his reading practice with Shireen and stumbles across a note from the Night’s Watch. He goes to Stannis  to argue (again) against sacrificing Gendry. We’ve heard it before. Then he sets the boy free himself in a boat and returns to confess his treason. Stannis sentences him to death, but when Davos shows the note from Castle Black Mel steps in to save him and divert the king in this direction. Piece on the move.

Don't fall in!

Don’t fall in!

Bran – and crew approach the night fort. While camping inside Bran tells a creepy tale of a cannibal cook that is partially lifted (by Martin) from Herodotus (the first historian back in our world). They think they hear a ghost, quite effectively, but it’s just Gilly and Sam. When Sam recognizes Bran he tries to get him to come with them to Castle Black, but Bran knows he must go North of the Wall. Still, Sam passes on his dragonglass.

Soon, Sam and Gilly make it back to Castle Black where after long absence Maester Aegon returns. I nice scene, and I like the old man as well as ever.

Jon – is washing his eagle scratches when Ygritte catches up with him. Nicely done and touching, he speaks the truth and professes their love, and she, also now choosing loyalty has to shoot him. Kudos for excellent use of “you know nothing, Jon Snow.”

A wounded Jon escapes, then rides up to and collapses outside Castle Black. Sam and Pip drag him in. This last felt a little quick and forced.

Don't mess with a woman scorned!

Don’t mess with a woman scorned!

Tyrion – strolls with his wife (and Shae just a step behind). Their banter and building friendship is nicely handled. Pod flirting in the background is a nice little nod to the squire’s “bedroom powers.”

But when he’s summoned to a small council the company isn’t so nice. The news of Robb’s death has arrived and Joff takes every opportunity to gloat. The hostility between Joff and Tyrion, obvious enough before, continues to ferment. Tywin, however, has no time for the King’s nonsense, and quickly proves who has the power. Pieces in place.

Lannister road trips must've been a blast!

Lannister road trips must’ve been a blast!

The following conversation with Tywin and Tyrion is good as usual, full of both Tywin’s philosophy and more biting back and forth. This is a complex relationship. Can we say daddy issues? Ty doesn’t forget to remind the Imp of his duties in the bedroom. It seems dad knows he’s not sticking it to her — I wouldn’t thought Ty would keep this to himself.

When Tyrion returns to his wife to deliver the tough news she already knows, and what little trust he was beginning to build shattered. Like several critical moments this week, there is little or no dialog.

Later, Ty teaches Pod how to get drunk everyday, when Cersei arrives for another of her little chats with Tyrion. Again, as has happened a number of times in the show, they are actually slightly sympathetic to each other. As I’ve continued to state, show Cersei is much more likeable than book Cersei.

Two's company, three's... or don't mess with a woman scorned

Two’s company, three’s… or don’t mess with a woman scorned

Shae – meets up with Varys who attempts to bribe her into sailing away to another land. This continues to show Varys as a man who prefers the carrot to the stick, but Shae is having none of it, preferring to fight for her man.

Jaime and Brienne – arrive at Dubrovnik (I mean Kings Landing) after a long flight from Ireland. Due to jetlag no one recognizes him, but he must be persuasive because he gets back into the castle and finds Cersei. This segment felt quick and wasn’t a very satisfying ending to what was one of my favorite arcs in the first half of the season.

Dany – and crew wait outside Yunkai, which being a composite of some Moroccan town and CGI looks pretty great. A bunch of slaves emerge and she does another rousing speech and they declare her mother. This leads to crowd surfing, or really a tradition used (invented?) by the Roman army, in which victorious leaders are passed above the crowd. The first half of the scene felt a little cheesy, but the crowd, augmented with CGI extras, has a bit of scale at the end and the final up sweep with circling dragons is nice and rousing.

By ending the season each time with Dany, it seems the producers recognize her as the structural backbone of the larger multi-book story.

Look Ma, CGI Unsullied!

Look Ma, CGI Unsullied!

Overall, this was a solid episode with some good scenes, but the sheer breadth of handling every narrative thread left many of them feeling a little thin. I was also surprised we didn’t see the return of that other mother — next year I guess, for a lot of stuff. This was a great season, and it contains some of the scenes from the books. I think it solved the main season 2 problem of over-compression, allowing for more character moments, and upped the visual ante so that things felt big (gigantic for television even). Nicely done. Even if there were a few cheap outs — sacking of Yunkai! Given that GOT is now HBO’s second biggest show ever (after the Sopranos) we can hope season 4 is even bigger!

On a minor note, I’m disappointed not to see Olena or Marg in the finale.

Another excellent analysis of this episode.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]


The official “Inside the Episode”:

Related posts:

  1. Game of Thrones – Episode 29
  2. Game of Thrones – Episode 27
  3. Game of Thrones – Episode 21
  4. Game of Thrones – Episode 23
  5. Game of Thrones – Episode 12
By: agavin
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Posted in: Television
Tagged as: a game of thrones, A Storm of Swords, Episode 30, Fantasy, finale, Game of Thrones, George R. R. Martin, HBO, Mhysa, Season 3, Season 3 Episode 30

Game of Thrones – Episode 29

Jun02

game-thrones-dragon-posterTitle: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 29 – June 2, 2013

Title: The Rains of Castamere

Summary: Darkness descends

ANY CHARACTER HERE

As much as this season is about marriage and The Rains of Castamere centers on the second of three weddings, the episode is more about the breaking of oaths than the keeping of them. The sundering of possibilities than the forming of them. This is a dark dark segment, probably the darkest yet.

Like last week, the writers have narrowed the narrative focus. We have only three major threads here. One is a bit more of Dany in Yunkai, another one of a Storm of Swords more complex segments (the near meeting of Sam, Bran, and Jon) and the last being the Red Wedding. Structurally the writers cut more rapidly back and forth between these segments than usual. This becomes particularly necessary as the threads overlap and cross, something that while rare in the series, gives this segment of the novel tremendous tension.

Dany – Daario’s addition to Dany’s inner circle only makes things even more complex. Jorah, who once had the queen all to himself is pulled in various directions by the men around her. He Daario, and Grey Worm go to open the gates of the city. This segment is by far the weakest. The battle is not only skipped, which we have sadly come to expect, but the little bits we get are unclear at best. The three go in, have a bit of a fight, are ambushed, and then are somehow back at Dany’s camp. I’m just confused. The whole thing felt small and squeezed for time. Dany waiting for Daario felt forced.

Didn't do it for me this week

Didn’t do it for me this week

Sam & Gilly – approach the wall. Their excellent chemistry continues as he info dumps (letting us know there is way under the wall) and she is so impressed she calls him a “wizard,” which is a delightful reference back to season 1. But where is Cold Hands?

Bran – and crew approach the windmill that Jon saw two episodes ago. A storm is coming and they take shelter.

Jon – along with the wildlings, approaches a horse breeder who works for the Night’s Watch. His loyalty is again put to the test. He warns the man and stops Ygritte from shooting him. But when the wildlings catch up with him outside Bran’s windmill he’s assigned to kill the guy — a task for which he’s a notorious failure. Ygritte cuts short the argument by choosing sides and Jon, but as he fights the wildlings she is neutralized by Tormund. Jon gets the drop on Orel and gives the man what he deserves, but not before his consciousness slips into his Eagle and he attacks Jon with this second body. Despite the Warg explanations offered by Jojen below, I wonder how well non-readers will understand this.

We won't miss this fellow

We won’t miss this fellow

But most central to this whole scene, and most thematic to the episode is the play out of loyalties between Jon and Ygritte. Is she siding with him? Where do her loyalties lie? I choose to believe with them as a unit. But Jon doesn’t just chose her, he chooses the Watch too. Her expression as she watches him ride off is sad indeed.

Bran – employs his special Warg powers first to silence Hodor and then to jump into Summer and Shaggy Dog below, helping Jon out with his fight. When he returns to himself he decides to send Rickon away with Osha for his own safety. Here he also saw Jon below, and I can’t remember if that happened exactly in the books. Reading, there was always this intense desire to see the family members reunite, and it is here in ASOS that they come the closest, with heart rending consequences. It should be noted that Jojen isn’t so much a character but a mouth piece to explain what’s going on with Bran (somewhat). Also, after being pretty much entirely lame this season, the moment with Osha as she takes on Rickon is actually fairly touching. Her character this season has bugged me, as she was great last year, and it’s nice to see her slightly redeemed.

Arya – also nearly intertwines here. As she approaches the Twins the back and forth between her and the Hound is great fun. Neither totally has the upper hand. The pig parts (pig knuckles – ick) are an amusing touch as they spar. In many ways they see sides of each other that few do.

Poor Arya, so close, and yet so far

Poor Arya, so close, and yet so far

Robb – reconnects with his mother as they plot their assault on Casterly Rock. Then riding out, wolf in the lead, they approach the Twins for the wedding (a second near convergence). Deviating from the books, he brings his wife to the wedding. This initial meeting, and the wedding in general, is handled excellently. They break bread and salt, which viewers might not totally get, but initiating traditional guest rights. Robb apologizes and old Frey is highly amusing as he introduces his daughters and teases Robb. In a bit of foreshadowing, he uses the phrase “the wine will run red.”

A little shot of the Starks camped outside the Frey castles, along with the establishing shot during Arya’s segment, clue us in that Robb is inside with less than his full force. The wedding itself is touching. Edmure gets a decent looking bride and he does a good job wearing his emotions on his face. I like the repeated and reinforced cloaking ceremony and the vows to the seven.

An ill-starred glare

An ill-starred glare

The celebration is fairly nicely handled, feeling decent in scale considering. It’s full of telling little bits like Bolton refusing to drink and the amusing speech by Frey about “every sword needing a sheath.” The writers take one last opportunity for some genuine warmth between Robb and his bride, which makes what is to come all the more tragic.

Why Cat doesn’t figure it out as soon as The Rains of Castamere begin to play, I don’t know, but things go south very very quickly. The tragic action is split in two parts by Arya’s segment, which I felt diminished the emotional impact. Probably they did this to end where they did, but it might have been better cut a different way.

Do you trust this face?

Do you trust this face?

Arya – approaches the castle, her cautious optimism at seeing the Stark men quickly shattered by violence and then the sad sad slaughter of Grey Wind (I feel worse about the wolves than many of the human loses). For a second time, the Hound grabs her and carries her away.

Robb & Cat – The whole existence of Talisa was a considerable deviation from the books, and it comes to an end here. In season 2, I wasn’t her biggest fan, but some of the recent scenes between her and Robb have built up character not present in the novels and I was deeply saddened to see her go, hoping she, like her doppelgänger Jeyne Westerling, would survive the wedding. Alas, it was not to be, and the manner of her death, and that of her child, felt like a stab to the gut. Sorry, couldn’t resist, but seriously, as a husband and father, her end was pretty awful.

The play out in the end between Robb, Cat, and Frey — and of course Bolton, was well handled. Her desperation is apparent, she will do anything to try to save her son. Michelle puts in some fine acting. But it is not to be.

The writers chose to end with the stabbing and double throat cutting, which has a certain visceral power, but perhaps at the cost of the signature imagery of the “double wolf’s head.” Or perhaps we’ll get that next week.

More than in the book, I'm going to miss them.

More than in the book, I’m going to miss them.

Overall, this was a dark and powerful episode, in which the Jon/Bran and Robb/Cat segments were largely successful  particularly the Red Wedding. Dany’s was just lame, but you can’t win everything and the sacking of Yunkai was hardly the most important moment of her journey. All this leaves me speculating about what might fit into our one remaining episode.

Certainly NOT the siege of Castle Black. Possibly not even our third wedding (Joff’s). It might feel odd to start season 4 with that, but from the trailer it seems that episode 30 will be concerned mostly with the consequences of episode 29. How far will we get on the Jon/Ygritte storyline? Hard to say. I register my prediction that episode 30 ends with Beric Dondarian finding Cat’s body. It seems in keeping. It’s very clear that season 4 will start to deviate hugely from the chronology laid out by Martin — although this can’t help but be a good thing as he botched the flow pretty bad in books 4 and 5.

Absent this week were Jaime, Theon, all of King’s Landing, and Dragonstone.

Another excellent analysis of this episode.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

And below, some inside the episodes from HBO:

Related posts:

  1. Game of Thrones – Episode 26
  2. Game of Thrones – Episode 28
  3. Game of Thrones – Season 2 Episode 1 Clips
  4. Game of Thrones – Episode 25
  5. Game of Thrones – Episode 18
By: agavin
Comments (5)
Posted in: Television
Tagged as: a game of thrones, Dany, episode 29, Game of Thrones, George R. Martin, George R. R. Martin, HBO, Peter Dinklage, Season 3, season 3 episode 29, Tyrion, World of A Song of Ice and Fire

Game of Thrones – Episode 28

May20

game-thrones-dragon-posterTitle: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 28 – May 18, 2013

Title: Second Sons

Summary: Really great character work

ANY CHARACTER HERE

Marriage has been a consistent theme this season and as we close in on the end this episode centers around the first of the three pending weddings. The title, Second Sons, adds to this theme. We have at least four featuring in this episode: the Hound, the mercenary band itself, Tyrion, and Stannis.

In a structural sense, this is a very cohesive episode with only three extended “threads” of narrative (Dragonstone, Dany, and Kings Landing) book-ended by two short (but important) ones (Arya at the beginning and Sam at the end). Really each of these three main threads is about a second son. And metaphorically, in each of these threads is the theme of powerlessness, of being treated (in a medieval sense) like a second son.

Arya – has only a small role this week, but her assumptions about our first Second Son, the Hound — initially murderous — are called into question by his words. She learns that he’s taking her to the Frey’s to be “sold” to her brother.

don't mess with Arya!

don’t mess with Arya!

Melisandre,  Gendry, Stannis, and Davos – arrive back a Dragonstone and he is introduced to Stannis (our second Second Son). The would-be-king looks at him and says unceremoniously, “half Robert, half low born.” This is so Stannis. But he is uncomfortable with Mel’s plan to sacrifice the boy and heads down to the dungeon for a little chat with his conscience (in the form of Davos). In their usual sort of back and forth the come to terms and he lets the Onion Knight out. This is a peculiar relationship. Each man wants the same thing, for Stannis to be the man he wants to be, and are willing to overlook the flaws in both themselves and the other in pursuit of this.

1_image-large

Gendry is so in over his head!

In a new bit not in the books, Mel joins Gendry in is rooms and turns on her peculiar charm, which includes a mixture of guile, honesty, and nudity. Predictably Gendry is helpless before this assault. The show runners have taken her blood magic and turned it into sex/blood magic. It’s not exactly clear why she needs to pump him a little before tying him up and sucking out a little blood into three leeches. Perhaps it’s as she says earlier, that the lamb just never see the knife coming. Perhaps it’s a desire to keep up the sex quotient. Either way it works, and I enjoyed the burning of the bloody leeches and the calling for a curse upon three “usurpers”: Joff, Robb, and Balon Greyjoy. This is an ancient form of magic that goes back to far antiquity. I even use it in my short story, “Harvard Divinity.”

Dany – We continue to get some excellent shots of Yunkai in all its pseudo-Moroccan glory and Dany is cute in her Fremen-style robe. We are introduced to the obstacle-du-jour, a group of mercenaries that defend the city for the “Wise Masters.” This group is known as the “Second Sons” and is led by a trio of warriors including the Titan’s Bastard and Dario.

450x254xgame-of-thrones-promo-second-sons_450x254.jpg.pagespeed.ic.tCvruZY3tO

Dany Sheik

Whom we soon meet as they hold audience with Dany in her tent. They are quite the brash and amusing trio, particularly the Titan’s Bastard who is brazenly forward with Dany. Dario looks like Jared Leto in the disastrous Alexander (sigh, I so wanted to like it). There are some good moments here. When they leave as Dany turns to Barristan and says, “when the fighting comes, kill him first” and the knight replies, “gladly.”

And even more fun are the three mercenaries in there camp arguing about how to proceed. The Bastard, like his creator Martin, is evidently fond of slave girls, and we have one that looks a lot like the handmaiden Dany left in the vault with Xaro. In any case, their plan is to send Dario to assassinate her and avoid a fight at all.

episode-28-04-1920-1024x576 (1)

Naughty dogs!

But when he does barge in, she’s in the middle of her bath (after a fun moment with her translator) the two face off: the brazen mercenary and the naked girl. Her confident use of her physical presence here was very effective. Interestingly, for the first time since the end of season 1 she bares herself. I had begun to wonder of she had negotiated that out of her contract. It was even odd when the show apparently deliberately left a sex scene on the table in skipping her little shipboard tussle with her handmaidens.

Tyiron comes to visit Sansa – This continues to be a very awkward situation for our favorite second son, not in the least part because his lover is the girl’s handmaiden. So again when he comes to talk to her right before their wedding, he has to resort to virtually ordering Pod to haul Shae out of the room. And Peter Dinklage does a magnificent job (as always) with the subtly of emotions, combining attitude, self depreciating humor, awkwardness, and genuine like-ability to really sell Tyrion trying to do his best.

would you mind giving us a moment?

would you mind giving us a moment?

The wedding itself is pretty sumptuous, far grander than the quick affair in the books. The High Sept looks cavernous, like some grand reinterpretation of the Pantheon. Everyone in Kings Landing is there (except Littlefinger who is away). Sadly Varys doesn’t have any lines, but there is good stuff from Marg, Cersei, Joff, and Tywin. Cersei and her younger doppleganger (Marg) duel and the queen shows her claws.

But it’s Joff who steal the show by continuing to be the asshat that he is. When he removes the stool from the altar and forces Tyrion to ask Sansa to kneel it’s pure asshatery. Good stuff. The situation is tense, touching, and a bit comic. All great stuff. At the reception a bitter Cersei, frustrated by her lack of control (including over her son), snubs hapless Loras. Tyrion gets royally drunk and Tywin orders him to consummate his marriage no matter what. Joff tries to start some more trouble by bringing up the “bedding ceremony” which non-reader viewers will not understand. This is where all the women attending strip the groom and carry him naked to the bridal chamber while the men do the same for the bride.

Yes father, I am the god of drink and lust.

Yes father, I am the god of drink and lust.

In his cups, Tyrion lays (verbally) into Joffrey and they nearly come to blows before Tywin puts a stop to it. Remember this, dear viewer.

The “consummation” (or lack thereof) is well done always. Sansa it seems, now finally understands her duty, but Tyrion, despite his flaws, is a character we can love and he isn’t willing to force himself on her. In continued defiance of his father, for love of Shae, and because he isn’t “that sort” he shows her continued kindness. The sentiments are deft and right out of the book, but the show has softened the scene, as in the book both strip down before coming to this moment. There is something about the rawness of the original literary scene, with both  at their most vulnerable, that I really enjoyed. I had suspected, rightly, that they wouldn’t have the stomach for this.

Several other things are extremely well done: Tyrion’s impressive level of drunkenness, his comment about Sansa’s long neck (which we have all noticed), and in the morning, Shae’s little smile at the lack of blood on the sheets.

Sam – Sam and Gilly come across a ruined little hut in the forest next to an “Old God” (one of those red trees with the creepy faces). Ravens, ever purposed as harbingers in Northern myth, seem unusually drawn to the tree. As the duo sets up the fire and discusses the naming of Gilly’s baby their hesitant chemistry continues. It’s really well done with a shy tension and attraction on the part of both.

Eventually (and the episode ends on this), the calling of the Ravens draws Sam outside. They cover the tree, which although a slightly trite image still gave me goosebumps. A white walker approaches, the very same CGI model we met in the last episode of season 2. Sam, belying the coward he feels he is attacks, and is swiftly rebuffed. Walkers it seems have a taste for baby. But Sam draws his Dragonglass (aka obsidian) dagger and to use Buffy parlance, dusts the walker.

It should be noted that while this is the only segment not to include a second son (Sam is technically his father’s heir), his position in Randal Tarly’s eyes (explained in his own words some time ago, and alluded to here), is that of one.

Above the official “inside the episode.”

And above, a great discussion of the marriage thread this season.

Overall, Second Sons is a tremendous episode. It has a lot of “action,” perhaps not so much physical fighting (except at the end), but a lot going on, and with it’s concentration on fewer narratives a great deal of focus on the character’s we’ve come to love.

Absent this week were Bran, Robb, Jon, Jaime/Brienne, and Theon.

Another good analysis of this episode.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

Related posts:

  1. Game of Thrones – Episode 27
  2. Game of Thrones – Episode 26
  3. Game of Thrones – Episode 25
  4. Game of Thrones – Episode 18
  5. Game of Thrones – Episode 24
By: agavin
Comments (2)
Posted in: Television
Tagged as: a game of thrones, A Song of Ice and Fire, Arya, Episode 28, Game of Thrones, George R. Martin, George R. R. Martin, HBO, Jon, Northern Ireland, Season 3, Season 3 Episode 28, World of A Song of Ice and Fire, Ygritte

Game of Thrones – Episode 27

May12

game-thrones-dragon-posterTitle: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 27 – May 12, 2013

Title: The Bear and the Maiden Fair

Summary: Not 1, not 2, but 3 dragons, a bear, and lots of queenly tush!

ANY CHARACTER HERE

This week we have the annual George R. Martin episode, written by Georgi son of Gimli himself.

Jon – Evidently getting down the wall is a lot easier than getting up, because Jon, Ygritte and crew start off this episode on the green side. Also, one has to wonder, where did all the extra wildlings come from? Seemed last week like just four got to the top, and the rest of the red shirts tumbled to their doom, but now we have a whole party. Anyway, as they march along toward Castle Black, Jon and Ygritte get some welcome time together. Their chemistry is great — or more properly Ygritte is great as Jon acts a tad lumpish while she steals the show. We get to see her even more of her character: fierce and worldly in her own sphere, and a bit clueless about anything else.

Stollen moments

Stollen moments

Tormund is good fun too. Orel makes my skin crawl, but he’s supposed to.

Bran – Bran’s scenes here, like their literary counterparts, aren’t the most exciting. Osha continues to be anxious and take the anti-magic stance, but her rational for not wanting to go back north of the wall is touching enough. The scenery (Northern Ireland) is similar enough to Jon’s, so we assume they must be near.

Oh and Osha does a nice refrain on the wildling sentiment “he was mine and I was his” that Ygritte expresses in the previous scene.

Robb – and his court stall before heading out to Edmure’s wedding. Not much here but Cat’s wary stance. However, In the next scene we’re treated to some good King and Queen of the North action. His bride isn’t shy, and it’s relatively rare in this show, and even rarer in the books, to see genuine affection. She admits to being pregnant, which as always in royal matters, is of great dynastic significance.

On a technical note, I like the little writing tray she uses in bed. This was actually a typical thing even in the 18th and 19th centuries.

Melisandre and Gendry – sail past King’s Landing and the wreckage of Blackwater Bay. They might not be my favorite characters but this is a gorgeous overhead shot like a medieval Life of Pi. Meanwhile she reveals to him that he’s King Robert’s bastard.

0

Arya – We don’t get much Arya this week, but she’s still hanging out in that cave — for now. They show it in the above video clip, but I have to admit to getting goosebumps when she admits her god is “death.” For me (and Martin) this isn’t just a cynical and bleak admission, but the beginnings of a liberalized relationship with Jaqen H’ghar’s faceless god of death. When the men even fail in their mission to take her rapidly to Riverrun she takes off, only to meet someone in the woods she thought long gone.

Theon – We might almost feel sorry for Theon, as it just keeps getting worse for everyone’s favorite Greyjoy. A couple of hottie girls pull him off his cross and start to show him a good time, but before we can wonder why they don’t mind the stink, the crazy bastard (hehe) holding him busts right in and spoils the fun. Although the nasty action is off screen, we’ll have to assume Theon ends up losing his two closest friends. Poor guy — even if he did murder Rodrick.

652x359xthe-bear-and-the-maiden-fair-photo_652x359.png.pagespeed.ic.K8aQTRIbDl

Dany – Pulls up to Junkai (the slaver city next to Astapor). We are treated to a great CGI shot of it in the distance, but her meeting with its emissaries takes place in the barrens outside. Notice how much they resemble A New Hope’s Tatooine! Anyway, the show has a consistent difficulty making these big army shots feel properly grand and gritty. The try, they really do, but it’s just hard to simulate tens of thousands of men on any reasonable budget. We do however, get some really good dragon action shots in the tent, particularly involving feisty Drogon. Dany is growing further and further into her own, taking on not just the cause of reclaiming Westeros but her almost religious mission to free any slave she encounters.

The real thing looked basically like this production mockup, but somehow "smaller"

The real thing looked basically like this production mockup, but somehow “smaller”

Sansa and Marg – Unlike last week, this isn’t a Kings Landing heavy episode, but we do revisit those lovely Gardens below. The dueling attitudes of both girls are a study in opposites. Sansa bemoans her situation and Marg sure knows how to look on the bright side. Despite all the plot’s the lovely Highgarden girl is involved in, you can’t help but like her. Her flexibility seems genuine. And she doesn’t seem bothered by the idea of dwarf love!

Look familiar?

Look familiar? They jazzed it up with some more plantings, and probably CGed out the cross, but these are the Gardens of Trestino.

Tyrion – chats with Bronn about his situation: i.e. what to do about Sansa and Shae. Too bad Bronn’s simple view on such matters isn’t helpful when he really gets down to talking with his working girl love. Show-Shae is far more complex and interesting than book-Shae. She has genuine feelings and motives here — and I can see where they are going. What happens with her at the end of A Storm of Swords always bothered me, but they seem to be laying better groundwork here.

Tywin and Joff – chat in the throne room. I’m not sure how I feel about this scene even though it feels true to both characters. They don’t exactly clash, but their perspectives are so far apart that there is almost no communication. I’m interested to see where this goes, because like Shae, Joff, and Tywin are both far more developed in the show than in the novels (not being POV characters).

Jaime and Brienne – Jaime comes to see Brienne off before heading out from Harrenhall. He’s feeling the shit, but she lets him off easy in her own way. She makes him swear again to uphold his part of her oath in rescuing Sansa and Arya (moot as it might be). This is a touching moment because being the Kingslayer, the oathbreaker, her very willingness to trust in his owner is complement enough, and Nikolaj Coster Waldau is deft in making you believe he means it.

got-game-of-thrones-33805474-500-281

Outside, Bolton bids him off, as does Locke, who’s clearly taken the consolidated place of the nasty Brave Companions and their creepy leader. Qyburn accompanies Jaime and works on his ugly-ass stump. Time is taken to build this sordid character, as he’s got his role to play, but it’s Jaime who does the serious soul searching here, deciding to force the group back to Harrenhall after Brienne.

The anticipated live action Bear and the Maiden Fair looked good, and sounded good (the refrain of the song is great), but felt somehow unrealistic. This was a phenomenal moment in the books and it just didn’t sit exactly right with me tonight. Maybe it wast he relative ease with which Locke gives up. This is a man that chopped off Jaime’s freaking hand to make a point! True, the other guys that have sworn to take Jaime to Kings Landing aren’t going to have any of it, but you don’t exactly feel the lines of power pulling taught.

tumblr_mk8uwnwuY81qcvptno1_500

Bart the Bear!

I’ll have to see how I feel on my second watch, particularly since my note taking on the first viewing always reduces the immediacy.

In any case, despite this, still a great episode. In casting forward the arc for the season this isn’t exactly half of A Storm of Swords, but more like 80%. I’ll register my opinion that the season is likely to end with the two weddings — and unlikely to include the parts that follow until next season. George is a fine scriptwriter, but he needs to get back to his books or HBO will catch up to him!

Absent this week were Stannis, Davos, Cersei, and Olena.

Another good analysis of this episode.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

Drogon kicks ass!

Drogon kicks ass!

Related posts:

  1. Game of Thrones – Episode 26
  2. Game of Thrones – Episode 25
  3. Game of Thrones – Episode 18
  4. Game of Thrones – Episode 17
  5. Game of Thrones – Episode 24
By: agavin
Comments (9)
Posted in: Television
Tagged as: a game of thrones, A Song of Ice and Fire, Episode 27, Game of Thrones, George R. Martin, George R. R. Martin, HBO, Jon, Season 3, Season 3 Episode 27, World of A Song of Ice and Fire, Ygritte

Game of Thrones – Episode 26

May05

game-thrones-dragon-posterTitle: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 26 – May 5, 2013

Title: The Climb

Summary: More transitional, but tense

ANY CHARACTER HERE

There is perhaps less action this week, but plenty of thumb screws being turned (haha). The show writers take the opportunity to mine the novel for thematic refrains within an episode in a way that probably isn’t deliberately reflected in the source text. This week we have several, notably: couples, marriage, and duality.

Sam – We open with Sam sharing a fire with Gilly. He pulls out his obsidian dagger, which even if I didn’t know, is TV code for “this will be relevant soon”. This first couple enjoys a pleasant and hesitant chemistry. Awkward, but in a warm way.

Bran – Bran’s two female protectors, Meera and Osha, squabble and fight. And I must say, the rabbit bit reminded me of that scene from Roger and Me. This is mostly a throwaway scene, designed to remind us that Bran’s still on his way. But it fits into the whole couples/duality thing in that Meera and Osha are birds of a feather. Anyway, Jojen dreams of…

Jon – Since this episode is titled The Climb, a rather big slice (in several parts). At the base of the wall, continuing the couple theme, he and Ygritte have a  moment. The way she sees right through him is telling and I love the “the two of them against the world” angle that she works. It’s quite touching actually, even if it doesn’t get as much screen time as it should — they having had only their token night together. Still I liked it, even if Kitt isn’t as sensitive an actor as the part requires. Tormund is funny too with his “if you fall, don’t scream. You wouldn’t want that to be the last thing she remembers.”

The climb looks tough. I certainly couldn’t do it. Hell, I can hardly climb the rubber rock wall. Jon’s at the butt end of things and collects some spare snowballs. Ygritte watches closely. And so do we because it looks GOOD (even if a bit CGI). Then in the next segment, things go bad on the wall and everyone but Tormund, Orel, Jon and Ygritte, with the latter too dangling from their ropes. The cracks and avalanche looks great. The layout of loyalties that was (fairly obviously) in previous episodes is made crystal clear. Tormund does his best for all, and Orel cuts Jon and Ygritte loose. Fortunately Jon’s a stud, even if he doesn’t act it.

The episode ends with this thread and the four of them atop the wall. And with some more seriously nice CGI views of both sides of the massive and chilly structure.

Tormund_The_Climb

Tormund Icecubebane

Arya – Things begin light enough with the spunkiest Stark. Echoing the first episode, she’s practicing her archery. In the background Thryos is drinking. She notices riders approaching and it’s Melisandre the red lady. This is a total deviation rom the books and a move to keep Mel in play, but it works. She recognizes the Lord of Light’s handiwork in Dondarian and this draws out a rather interesting exchange with Thryos which I totally enjoyed, faith and it’s relationship to magic being close to my heart (see my novel The Darkening Dream). I love how Thyros is the skeptic priest late come to his faith. This two breeds of priest, Mel and Thyros, clearly fit in the duality theme this week.

Scene two is a study in reversals. Gendry is helping the archer guy, but then at Mel’s orders he’s bundled off into her care for (presumably) nefarious purposes. Us readers have a clue as to what these might be even if this is a departure — given that he stays with the brotherhood and later runs into Brienne in the books. But the notable part is the continued stripping of Arya’s connections to other other people. Gendry and what roots she’s putting down with the brotherhood are both torn up. Mel, fey as ever, senses this “darkness” and makes some cryptic comments about pairs of eyes. Does she mean the direwolves? Or the faces of the faceless god?

Summer camp without borders!

Summer camp without borders!

Theon – And speaking of departures from the book, Theon is still suffering from his mysterious assailant (probably the Bastard of Bolton) in his mysterious location (probably the Dreadfort). This continuing new material is, I have to assume, stretching out his transformation into Reek. And it looks pretty painful, for both us and him. The bastard, though, does a pretty damn good job of playing a dude with his screws loose. He keeps us guessing for a while, but I suspect his final statements echo of truth. Also, flaying, ick! Maybe they threw the rabbits in earlier so we’d know what was going on!

Robb – has one scene this week, but it’s a good one. The row of Tully’s (plus Robb, who is of Tully blood) face off across the table from a Frey embassy. The truth is that the terms of this new alliance are pretty easy (too easy?): an apology, Harenhall (which is the Spinal Tap drummer of Westeros castles) and Edmure marrying a Frey. The custom/law that marriage may not be coerced enters the picture. How this exactly jives with Tywin and last week is left to the audience to consider. The way in which Edmund resists, and is then brought around by Robb is very well handled. I particularly liked Robb’s open acknowledgment of the debt this puts him in.

Pass the beef, dear

Pass the beef, dear

Jaime – As funny as the Kingslayer continues to be, Brienne in a dress is even funnier. Another couple of sorts, it’s kind of touching (and certainly amusing) how she helps him with his meat. Bolton is a cold one and boy is he leaving Jaime with a moral quandary. Will we finally see what kind of man he is? Or has become? The fact that Jaime offers to seal Bolton’s offer with a drink and the Flayed Lord refuses should be noted, if for symmetry with the next scene alone.

The pen IS mightier than the sword

The pen IS mightier than the sword

Tywin and Oleana – lay into each other back in Kings Landing. Now this is a couple we’d pay money to see, and they’re discussing marriage, just not theirs. This harken’s back to the theme of marriage and its supposed lack of coercion. Olena’s a piece of work and hilarious to boot, with several great comments, including my personal favorite: “sword swallower.” It should also be noted that he’s pounding back the wine (wonder where Tyrion gets it?) and she refuses, which certain echoes the Bolton bit. It’s quite a fun duel of words.

Sansa and Tyrion – chats with Loras in the garden and it’s certainly clear this is the most unnatural of all the couples. Can you say awkward? Loras’ attempts to act interested are hilarious too. Poor Sansa and…

Tyrion, who isn’t happy about the state of things. He and Cersei come here to share a sort of shared misery as only a couple of Tywin’s children could. This is more personal and clear than in the books. Ty confronts his evil sister once and for all as to her possible plot to kill him and the blame falls to Joff. This also is a clarity not present in the source material and sets us up for later this episode. I also love Ty’s “Loras might come down with a sudden case of sword through bowels” which I think was in the book too.

Next scene, as Shae and  Sansa talk about her supposed wedding to the “sword swallower”, is both funny and touching. Tyrion enters and tries to get Shae to leave, but realizes he’s going to have to tell both his reluctant bride to be and his lover about the situation at the same time. Interestingly, and perhaps effectively, it’s left off screen.

Poor girls

Poor girls

The pair of women retire to the balcony to deal with it in their own ways: Sansa crying and Shae stonefaced. I’d have perhaps set the thing up to surprise Sansa with the event itself (which I think happened in the book). It probably would have been more of a metaphorical rape. Although I do think this action, given what is to come for Shae, continues the work of further thickening her character versus the book and setting up her arc.

130428-ep26-preview-450

Grudge match!

Varys and Littlefinger – Just as we saw both kinds of priests in Mel and Thyros, the two plotters in Kings Landing have come to represent two sides of the same coin. The show is arguably less effective than the books with the POV characters, notably Jon and Cat, and strips some of the minor characters to the bone (like the Mountain). However, it consistently elevates the middling and borderline POV characters like Cersei, Varys, Littlefinger, Shae, Theon, Marg, and Renly, who are given considerable more depth.

Set as usual in the throne room, this scene is classic Varys vs. Littlefinger, but never before have their motives and methods been so exposed. Just as Ygritte argues to Jon that they should put couple before country, Varys speaks for realm first. And, well, everyone knows that Littlefinger is his own greatest love. They’ve really emphasized his villainy in the second and third seasons. He never seemed this clearly evil in the books.

Joff – Finally, as further proof that the secondary characters are better in the show, Joff is just far, far more repulsive. Here he reaches a level I never thought his cowardly nature would allow. Poor Ros. She wasn’t my favorite character, but she deserved better than this.

All in all a tremendous episode. There is less action than in either of the previous two, but we have character aplenty and some really fine thematic work, which resonates nicely.

Absent this week were Stannis, Davos, Dany, and Marg.

Another great analysis of this episode.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

I'm pretty sure the show has used this scenic arch from Dubrovnik a couple of time

I’m pretty sure the show has used this scenic arch from Dubrovnik a couple of time

Related posts:

  1. Game of Thrones – Episode 25
  2. Game of Thrones – Episode 20
  3. Game of Thrones – Episode 17
  4. Game of Thrones – Episode 21
  5. Game of Thrones – Episode 19
By: agavin
Comments (2)
Posted in: Television
Tagged as: a game of thrones, A Song of Ice and Fire, Episode 26, Game of Thrones, George R. Martin, George R. R. Martin, HBO, Jaime, Jon, Robb, Season 3, Season 3 Episode 26, World of A Song of Ice and Fire

Game of Thrones – Episode 25

Apr28

game-thrones-dragon-posterTitle: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 25 – April 28, 2013

Title: Kissed by Fire

Summary: Fire and oaths

ANY CHARACTER HERE

The name betrays the theme of the episode well enough: kissed by fire. Most scenes touch on the primary theme of fire and/or that of oaths and loyalty. This later is big in the books and series in general, as, hey: medieval times!

Arya – This is a great week for our favorite little Stark. As promised last time, the Hound faces off against Dondarian for his life, but not first without a little prayer (by Thyros) to the Lord of Light. As a huge proponent of the relationship between religion and magic, I dug this. Then we have a nice fight, reminiscent in many ways of the season 1 duel between Bronn and that dead knight for Tyrion’s life. Despite the fact that he’s terrified of fire, and Thyros’ sword is burning, the Hound does pretty well. I like the way the spectators have to dive out of the way.

Now this is a big spoiler, but Dondarian doesn’t make it — and he does — as Thyros brings him back just as simple as that. I loved this in the books, but it could have used a little more “magic” here on screen. These are hard moments for the show which doesn’t consistently embrace it’s mystical side. But revived Dondarian is true to his word and lets the Hound go.

MKomarck_Beric_v_HoundLater, Gendry tells Arya he’s staying with the Brotherhood. Her journey is one of isolation, and one by one she loses her companions — bits of her burned away (haha). Gendry’s reasoning feels a little forced, but I like his parting line, even if I’m not sure if it means he “likes” Arya or if he knows he can never overcome their class differences — or both.

Even later (I told you we get a lot of good A), in the wake of Gendry’s  withdrawal, Arya recites her list of cursed names. The show periodically include this motif, even if they can’t hammer it home the way Martin does in the books. Thyros plans to sell her to her brother at Riverrun, which while not totally honorable, isn’t exactly bad. We get a bit more detail on Dondarian, and the fact that he’s died and risen six times! Maybe he has lives three left.

Jaime – Jaime and Brienne are dragged into Harrenhall and dumped in the mud, but Martin loves a good  reversal and as crappy as Jaime’s life has been, he’s due a little better. Bolton remains an enigma, but he does allow them to clean up and ships Jaime off to Qyburn, Bolton’s creepy would-be Maester. This is a nice example of squeezing a minor character into the show even when it doesn’t have room for the details. We can tell he’s one twisted creep — and the shots of picking at Jaime’s stump are pretty awful. Then (offscreen) it’s cleansed with a bit of fire (I know, I’m reaching).

Love at last sight

Love at last sight

Later, Brienne is in the bath bathing, and Jaime — surprisingly recovered from a serious bit of surgery — wanders back in. Their chemistry remains fantastic, although it’s the Kingslayer who dominates this scene. First by strolling in the buck, then with his full tale of the death of the mad king. This pretty much puts the detailed spin on his glib comment some episodes before: “So many vows. They make you swear and swear. Defend the King, obey the King, obey your father, protect the innocent, defend the weak. But what if your father despises the King? What if the King massacres the innocent? It’s too much. No matter what you do, you’re forsaking one vow or another.”

Oh, and let’s not forget this is a story about pyromancers and fire! Burn them all!

Hot or cold?

Hot or cold?

Jon – There is some serious kissing of fire for Jon. After a little foreplay where the wildlings get him to betray details about the Night’s Watch and he thumps his chest with fellow Warg (the eagle guy), Ygritte drags him off into a cave and strips down to her birthday suit — something I and all the fan boys have clearly been waiting for, as Rose is a serious babe. Jon may be (in Ygritte’s words) a “maid”, but evidently Theon gave him some tips, because he handles himself alright. At one level, a girl that’s been marching through the snow in a fur suit without a bath must be ripe, and Jon dives right in — on the other, she’s hot, naked, and kissed by fire! Their pillow talk revives the fun little banter that’s been missing for a couple episodes while Mance and crew took front stage.

And how fitting is it that Jon confronts the mystery in a cave?

go with hot!

go with hot!

Robb – This is also a big week for Robb, but not all is fine and dandy. Karstark, itching for a little “Northern Justice,” breaks in and murders those two young Lannister boys. Now Robb has some hard choices. This is one of his key bannermen, and he just disobeyed his orders. Cat and his wife urge that he throw him in a cell, and that’s what Karstark expects, but Robb is his father’s son. So on the oath front: a traitor is a traitor and off with his head.

and it was such a fuzzy head!

and it was such a fuzzy head!

There is a serious examination here of the nature of severe command. Robb is basically screwed from the outset by Karstark’s actions. On one hand, he needs Karstark and his men, on the other, he can not condone the man’s behavior or be seen as weak or tolerant of such disobedience. Sucks to be the king.

Unfortunately, as predicted, this has drastic consequences, and the Karstark’s leave. Planning with his wife, he does realize that Casterly Rock (the Lannister home) is vulnerable — but also that he needs men from Walder Frey, who he’s already betrayed!

Stannis & Davos – On the thread of boredom, we actually get to see Stannis’ wife up close. She’s a weird one, so obsessed with the Lord of Light that she is all hunky dory with her husband sleeping with the red lady. Not only that, she keeps three stillborn fetuses (her previous efforts at heir generation) in Alien face-hugger style tanks! Creepy!

And it turns out that Stannis actually does have a daughter in this version. Since she was never mentioned season 2, I had assumed not, but he does — and she has grayscale as she should. Cute enough kid otherwise, plus, there is not a word of explanation of what the deal is with grayscale. When she finds out Davos is in the dungeon, she runs down to visit him, bringing him a book on Aegon the conquerer, which brings us to…

poor thing

Dany – After last week’s fest of Dany goodness we don’t get a lot of time. She and her army are marching through Morocco (Papyrus beds choke the winding river). Jorah and Barristan take this time to continue trading war stories and working on their dislike for each other. Dany, meanwhile, is focused on business at hand, meeting the Unsullied officers and their new leader: the rather young Grey Worm.

Cersei – Always working her angle, sets Littlefinger on the task of ferreting out what the Tyrels are up too.

Sansa – is moving quickly into Marg’s camp. As she watches Loras practice, the girl’s chat about their wedding plans. Alas, the show quickly reminds us that Loras likes his buns a little firmer, as he quickly falls for a new (blond) squire.

But he works for Littlefinger — in what amounts to an abrupt bit of storytelling. The whoremonger quickly runs off to chat with Sansa and probe the waters. Babe in the woods, her attempts to put him off over his offer to steal her away are transparent to all. But this throwaway scene, besides showing great scenery, does have one of the show’s startling (for a fantasy) insights into human nature. Littlefinger comments: “it doesn’t matter what we want, when we get it, we always want something more.”

Be a passive tool, get handed the shaft

Be a passive tool, get handed the shaft

Tyrion – meets with lady Olena and finds himself — for pretty much the first time — out maneuvered in matters of the tongue. This scene gives us a few details on the royal finances, and a glimpse of a lovely Dubrovnik courtyard, but seems mostly about getting these two great characters together.

Later, these Kings Landing threads come together in the form of a leonine three way: Papa lion, Ty, and Cersei. Seems the easy solution to this whole “Tyrel plot to steal away Sansa” thing is to just marry her off to Tyrion. To his credit, he protests, but Tywin gets what he wants — and that also includes marrying Cersei off a second time to a guy who couldn’t care less about her: in this case, Loras!

All in all another great episode. We don’t have as many pivots or as much action as last week, but we do have a lot of great scenes. The tlot continues to plinken. Absent this week were Bran, Sam, Theon, Joff, and Varys.

Another interesting review of this episode.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

And below is “inside the episode” for this week:

132C2834

Sansa prayed over there last week, and she and Marg wandered down those stairs. They must have magiced away the motorboat!

Related posts:

  1. Game of Thrones – Episode 19
  2. Game of Thrones – Episode 24
  3. Game of Thrones – Episode 18
  4. Game of Thrones – Episode 2
  5. Game of Thrones – Episode 17
By: agavin
Comments (2)
Posted in: Television
Tagged as: a game of thrones, A Song of Ice and Fire, Game of Thrones, George R. Martin, George R. R. Martin, HBO, Kissed by Fire, Season 3, Season 3 Episode 25, World of A Song of Ice and Fire

Game of Thrones – Episode 24

Apr21

game-thrones-dragon-posterTitle: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 24 – April 21, 2013

Title: And Now His Watch Is Ended

Summary: The end brought tears to my eyes

ANY CHARACTER HERE

A lot is moving in this episode, so let’s leap right into it:

Jaime – We open with the hand — around his neck. This was a particularly gruesome detail from the books I doubted the show might cling too, but it did. Pretty realistic looking hand too. Jaime isn’t doing too well, no surprise, but he has a ways yet to fall… into the mud. When he grabs a sword and makes a hopeless gambit, Brienne, tough as ever, tries to protect him,. I really like how their suffering has brought them begrudgingly together. It’s a very deftly handled relationship and both the writing and fine acting brings to life Martin’s vision here.

Poor Jaime

Poor Jaime

In the second segment, they talk and Jaime reminds us that he considers himself to be his sword hand. His ego is invested fully in his fighting skill — and now it’s gone. Martin just loves this kind of thing: killing characters, and killing them without killing them. As Brienne and Jaime continue, and she embarrasses him back from his pity party, the show hits on another Martin signature: deep thoughts. And not by Jack Handy. Brienne reminds him that he’s getting a taste of the real world, where people have important things taken from them.

Sam – Sam and the Black Watch are still lingering at Craster’s — shoveling pig shit. Somewhat out of nowhere, the sullen Rast has suddenly become a master manipulator, brewing discontent with the brothers. Sam visits Gilly, who reminds him that her baby doesn’t have much time — and she has none for him unless he can help her.

In the second segment, Mormont leads the watch in a funeral, and then back in Craster’s hall, several of the men’s discontent boils over into full on mutiny. One kills Craster, and Rast seizes the moment to stab Mormont. The guy is tough, but Valar Morghulis… In the chaos, Sam runs to Gilly and they do what he does best…

I’ll have to assume that the episode title: And Now His Watch Is Ended speaks mostly for the passing of the old bear.

RIP -- we'll miss you, and the raven you should have had

RIP — we’ll miss you, and the raven you should have had

Bran – has a tiny segment, pretty much just a dream. It’s creepy enough as he climbs a tree after the three-eyed crow and gets into a weird shouting match with the ghostly echo of his mother.

Theon – Theon rides with his rescuer to Deepwood Mott (we think?) and the stranger draws out of him a rather pathetic and deep reflection on his predicament, failings, and choices. In the end, it isn’t his sister that waits, but another betrayal and a return to the cross of torture. This segment has me the most perplexed, particularly because it’s so outside of the books. Who is that guy? Why do they have Theon? Why go to such elaborate means to torture him both physically and psychologically? Including killing a bunch of (his own?) men?

Tyrion – For the second week in a row, Tyrion doesn’t have too much to do. He visits Varys, one of my favorite characters, trying to ferret out the truth of his betrayal during Blackwater. He seeks revenge. What he finds from the spider is a creepy little tale about the eunuch’s final days as a man (boy). Varys councils patience, for revenge can be years in the making as he happily illustrates. The contents of the box seem a tad coincidental considering.

GameOfThronesS3-27

Better with her clothes on

Cersei – Looks on nervously as Marg continues to handle Joff with a surprising deftness. She plays into his blood lust and insecurity with equal aplomb and Joff’s taste for the macabre is reminiscent to that of my aged vampire hunter, Constantine in The Darkening Dream. In the foreground, the queen and Lady Olenna chat about life, politics, sons, and woman’s role in medieval noble houses. Marg’s grandmom is such fun to watch and the location chosen for the high Sept is pretty awesome looking too. When the shot pulls outside it looks much better than in season one. Either they’re spending more money now or the cost has come down in just two years — regardless, it really adds to the epic feel.

Later, Cersei visits her father. Seems being Tywin’s child wasn’t easy for anyone. Cersei speaks boldly, perhaps drawing inspiration from Olenna. The relationships in this family are delightfully complex as no one can really please old Ty.

Nice attention to detail too. As a history buff, I happen to know that medieval ink (and the ink Shakespeare wrote in) was made from ox bile. It smelled foul and dried very slowly. People used various drying agents like the (probable) salt Tywin sprinkles on his letter before sealing it. I must admit I own my own custom made seal and a drawer full of sealing wax imported from Florence.

Sexy little minx

Sexy little minx

Varys – This is a great episode for the spider. Not only to we have his “origin story” but next he has a little chat with Ros. This is my favorite Ros scene yet, and she keeps her clothes on. In a nice bit of long term plotting outside the books, Littlefinger’s coldness is coming back to haunt her, as she clearly took up Varys in his offer to spy. This discuss the odd fact that Pod was supernaturally good in bed, and then Littlefinger’s plans to put his moves on Cat’s sister and the Vale. And this seems to include bringing Sansa with him. Things are ordered and arranged differently here than in the books. Spiritually similar, but not exactly the same. Ser Dontos, briefly introduced in the beginning of season 2, seems to have been whittled out of the Sansa plotline.

What happens when a non-existent bumps against the decrepit?

Grandmother Olenna sits in the garden and launches into a little tirade about her house sigil, the golden rose. This is as revealing about her character as it is the houses of Westeros. So when Varys approaches, and given my fondness for both characters, I was doubly pleased. They wander all around the lovely gardens near Trestino (a town just north of Dubrovnik) plotting the fate of Sansa. So delightful, I love plots and schemes. Or, as Tyrion once remarked, aren’t those the same thing?

Sansa – And the result is another deft manipulation by Marg, who visits Sansa on a lovely cliff side. She even handles Sansa’s Lannister guards expertly, then befriends the poor girl. Even as a viewer, it’s hard not to see her as genuine. Sansa is, as by Tyrion and Olenna have suggested, a beautiful girl with a famous name. So Marg dangles her charming — albeit secretly very gay — brother out as bait.

Full of piss and fire

Arya – rides blindfolded behind Thyros to the cave that serves as home base for the Brotherhood without Banners. The Hound has been dragged along too and it is here that we remeet Beric Dondarian, who Ned Stark sent out to kill the mountain toward the end of season one. If this is the same actor, I couldn’t tell, although he looks a little stockier. The guy is, however, convincingly confident as the leader of the gang and as a scion of the Lord of Light (same god that Stannis’ red lady worships). In a nice Martin moment involving the two sides of things, Arya accuses him of the murder of Micah. You almost feel bad for the hound as in the context of things, he’s actually been pretty decent. Next week he’s in for some trial by combat. Good thing he’s pretty good with a sword.

The art designers must also have gotten a Babylonian vibe from old Astapor

A reconstruction of Ancient Babylon

Dany – They do save the best for last, time and time again. The producers spent some bucks (or pounds) on this sequence, including several wide shots of Astapor. Like me, the set designers must have gotten a Babylonian vibe from Martin’s descriptions of Astapoor, because they clearly based their imagined city on depictions of the ancient city (see right).

In any case, Dany, playing strong as ever, and the audience as well, trades Drogon (delightfully tethered on a leash) for her new slave army. But alas, for the slavers, Dragons choose their own masters. This sequence did literally bring tears to my eyes, and it was well done considering, with several wide angle shots of the army and city, a very commanding performance by Dany, and knowing and impressed looks between Barristan and Jorah — but alas the production cheated a little, for budgetary reasons. The actual slaughter of the slavers is a rather brief affair and doesn’t do the sack of a city justice. We don’t get to see the slave pits or anything. Sigh. They tried their best, but there are limits.

I must also note that the show’s choice to leave foreign languages as foreign languages, like Dothraki and Valyrian, is superb. I felt this with LOTR, and it is equally true here. Dany giving orders in Valyrian was so much more effective subtitled.

We come finally to the last shot, as Dany and her army march from the city and we pull back to take it all in: Astapoor, the vast departing legions, and a trio of scouting Dragons. The new martial music really played into it too, taking my breath away. This is what we fantasy geeks live for!

733763_562720630415299_1818079866_n

A queen at last

All in all a fantastic episode, full of great scenes and big movements in the plot. Absent this week were Robb, Cat, Stannis, and Jon.

Another interesting review of this episode.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

132C2883

Here is my dad standing under the arch the Lady Olenna and Varys strolled through

Related posts:

  1. Game of Thrones – Episode 17
  2. Game of Thrones – Episode 20
  3. Game of Thrones – Episode 18
  4. Game of Thrones – Episode 23
  5. Game of Thrones – Episode 19
By: agavin
Comments (9)
Posted in: Television
Tagged as: a game of thrones, Game of Thrones, George R. Martin, George R. R. Martin, HBO, World of A Song of Ice and Fire

Game of Thrones – Episode 23

Apr14

game-thrones-dragon-posterTitle: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 23 – April 14, 2013

Title: Walk of Punishment

Summary: Hands off to Weiss and Benioff!

ANY CHARACTER HERE

There is a lot going on in this episode. Several of the threads are very brief, while others are vital, plus there is a substantial chunk of character development. Like last week, I’ll break stuff down by narrative thread instead of by segment.

Robb/Cat – Uncharacteristically, we don’t begin were we left off (exactly), but with the funeral of Lord Tully, Cat’s father. It’s nice to finally see Riverrun, even if only a dead Lord Fish. The bit of conflict/rivalry between Cat’s brother (the new lord) and uncle (the missing Blackfish, finally making an appearance!) will be pretty opaque to non book readers. It did have me thinking that firing a flaming arrow at a far away boat would be pretty damn hard. Afterward, Robb lets out a little steam on his uncle, the Lord, for botching his plans. At times like this he has a nice commanding presence, and than at other times, he can be a tad sniveling.

Segment two has Cat and the Blackfish reminiscing in a moment that is almost entirely characterization. It’s nice that the pacing this season allows for this. Plus, they picked a lovely spot on some Irish river for Riverrun. Even the river bird sound effects are first rate. The thread winds down with an oddball segment were Robb’s queen teases the two captive Lanister boys. I have to assume they have a relevant role in the future to warrant this, but I can’t remember what it is, even after several reads.

game-0f-thrones-s3-teaser-gallery-ser-brynden-tully

Blackfish at last!

Tyrion – Joins his father at the small council and it seems Littlefinger is off to the Vale to “court” Cat’s crazy sister, so Tyrion is awarded with the position of master of coin. Hard to tell if this is an honor or a burden, but there is this little bit at the start with the chairs that’s pretty amusing. In the second segment, Ty visits Littlefinger  to pick up all the books, and this being HBO, no opportunity is spared with regards to whores. The actual dialog is amusing and Littlefinger and Tyrion both trade off their knowledge of each other’s goings on, which is a common game between any and all of Ty, Littlefinger, Cersei, and Varys. Tyrion “pays” Pod back for saving his life in quite an amusing fashion. Contortionists. Excellent. It’s a two part scene, again, more fun room for characterization. We also have a new threat introduced: the crown’s debt to the Iron Bank of Bravos.

GameOfThronesS3

Pod gets lucky — twice over! And I mean over!

Arya – Arya has only a very small segment this week, at the mill where we’ve twice been before (where Sansa’s wolf died in episode 2 and where Tyrion was arrested). Other than showing that Thyros doesn’t like the Hound, and Arya is still with him, the main point is to wish Hotpie goodbye. His little wolf cake is kinda cute though.

EP301

Hot pie wasn’t the most exciting character, but he does bake a cute wolf

Jon – Very small segment for Jon, but with important ramifications. They reach the Fist of the First Men and those crazy white walkers have been at it again, arranging horse parts in a creative fashion. Mance sends Giantsbane and Jon off to climb the wall and attack castle black — uh, oh! I’m stilling waiting for my Ygritte time!

Sam – Sam and the men in black get all the way back to Craster’s pig sty — which is appropriate as the old man compares Sam and women in general to his porcine charges. It also turns out Gilly’s having her baby, and a boy at that (uh, oh again), but why isn’t anyone bothered when Sam pokes his head in on the affair? Although that’s not the only head poking into the tent!

Theon – Theon gets pulled off his cross by the mysterious rescuer and given a horse. In his second segment he’s riding across the Irish moors when his captors appear. This results in a nice little horse chase, which like this whole Theon bit is totally not in the book. It had me wondering if they were just padding out this part of the storyline, when bam, more reversals.

Stannis – The king of boredom (not my favorite character) is wishing off Mel the red lady — albeit not happily. He’s much more into her here than in the book, but she gets a chance to reveal her fondness for a little princely flambé.

Is it me, or does it feel like some elements of the story are moving pretty rapidly through A Storm of Swords? Or maybe I forgot how huge the book is?

game-0f-thrones-s3-teaser-gallery-mellisandre

I’ve long been lukewarm about Mel

Dany – A very good (and relatively lengthy) Dany segment here. She walks along the shore line past the “walk of punishment” and the line of crucified slaves. For me this added to the Babylonian vibe of Astapor as Nebuchadnezzar, ancient king of Babylon, was famous for lining roads with the impaled. And the view of the harpy castle was awesome. Inside, is more of that fun double talk involving the slaver lord and his translator. The writers must have wracked their brains to come up with so many insults. There is great multi directional interplay between the parties here, with Dany, Jorah, and Selmy all on slightly different pages — not to mention the slavers. At the end, Dany makes another hard bargain…

Brienne and Jaime – Last, but not least. In A Storm of Swords Jaime and Brienne was one of the highlights, and it’s the same here. Even tied to a horse (and doesn’t Brienne look a helluva different without her armor?), their banter is hilarious. The way in which Jaime simultaneously tries to work it and also betrays his increasing respect for her is very deft. Plus, I even like Bolton’s men’s authentic-sounding folk song.

EP302

Great chemistry!

In the second segment, last of the show, things get even better. Not only are both principals excellent, but Bolton’s hunter is surprisingly effective for a minor character. Jaime does Brienne a real solid and saves her from some nasty business, but he really really fails to estimate his captor’s personal daddy issues, loyalties, and dislike for the likes of him. The ending of this episode is one of those Martinesque moments — the man knows how to make his characters suffer — and hands off to Weiss and Benioff for pulling it off so well…

Hehe. I couldn’t resist.

Missing this time around is a lot of the Kings Landing action: notably Marg, Sansa, and Joff, plus Bran. Still, this is a meaty episode, moving forward some disparate story lines and really cutting at least one to the bone.

Oh, and the credits are scored with Hold Steady’s modern folk-rock version of “The Bear And The Maiden Fair”… this is a thorough production indeed and this odd credits musical juxtaposition is very HBO.

Another interesting review of this episode.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

Below is a video about making this episode:

img_2239

Just stick a CGI castle on that there hill, will ya?

Related posts:

  1. Game of Thrones – Episode 21
  2. Game of Thrones – Episode 3
  3. Game of Thrones – Episode 5
  4. Game of Thrones – Episode 7
  5. Game of Thrones – Episode 20
By: agavin
Comments (8)
Posted in: Television
Tagged as: a game of thrones, Game of Thrones, George R. R. Martin, Jon Snow, Major houses in A Song of Ice and Fire, World of A Song of Ice and Fire

Game of Thrones – Episode 22

Apr07

game-thrones-dragon-posterTitle: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 22 – April 7, 2013

Title: Dark Wings, Dark Words

Summary: Lots of great scenes

ANY CHARACTER HERE

There is a process of narrative separation happening with GOT, inherited from the novels. The first book of the series begins with two story threads and fractures into four. With the second, and increasingly so as the series progresses, the number of plots grows and grows. They interweave, split and merge. For good reasons of pacing and tension, the editors of the series inter-splice these during an episode, but I’m going to put them back together for the purposes of discussion.

Bran – Opens with a dream (he’s walking after all), that in several ways harkens back to both his previous three-eyed raven dreams and to the beginning of the first episode of the entire series. Two of the magics of Westeros are introduced and explained in this episode, with a clarity not present in the book. Martin is pretty much the ultimate example of “soft magic” in the fantasy genre, and rarely explains his mystical systems. But, for the sake of the TV audience, they’ve made it pretty clear here that Bran is both a “Worg” (able to cast his spirit into an animal — Summer) and has “The Sight” (clairvoyance of a classic sort). The dream here foreshadows the eminent arrival of the Reeds — who I actually thought the writers had compressed out of the story.

748660_GOT_HS_08.17.12_8996-2-1359137474080-AIt’s also worth noting that several of the kids, most notably Bran, look A LOT older this season. It makes sense, he’s hitting puberty, and he’s taller, leaner, and his voice (and presumably balls) have dropped. Rickon looks older too.

In the second Bran vignette the Reeds actually show. Both of them. This show is sometimes willing to cast woman that aren’t always “cute” in the typical fashion of American productions. Anyway, the male half of the Reed duo (Jojen) serves to explain both mystical systems, hinting into actions of book 5. I also like that the wolves get some real presence, and they look good, and big.

Robb/Cat – The Robb portions always feel anemic because they don’t exist in the source material, although technically this merges in chunks of Cat’s narrative. We have a little moment with his wife, then Bolton (the usual go to man here) bringing double bad news. That of Winterfell’s destruction, and of Cat’s father’s death. This is a substantial change from the book where we go to Riverrun on several occasions and Cat hangs out with the dying Holster Tully. No more.

The second vignette has them on the move to the funeral and takes an opportunity to remind the audience that Robb’s new marriage was politically disastrous. Then a moment with the wife and Cat, which given Cat’s hard side in season 2 is uncharacteristic, but perhaps she’s shaken up by the loss of her father. It’s also a change from the books, where she makes up a complex emotional story about her feelings toward Jon Snow, which in season 1 were pretty cruel. The scene shows to return our sympathy toward her, and I have to say, given how hard she felt, it’s probably a welcome change.

It’s also worth noting a favorite stylistic technic of the series, in that the last line/thought of one scene sets up the next. So we transition from thoughts of Jon to:

Jon – Sure has gotten in close with Mance quickly, as their marching together across the countryside. We learn a bit about the composition of the Wildlings and then get a sort of show and tell demo of the Worg powers where a guy is remote controlling his hawk. We hear about dead crows and then again to:

Sam – Our viewpoint back with the crow expedition. Not my favorite scene, as Sam isn’t looking to good. Although I like how the Commander handles the situation.

Theon – We have two Theon scenes! More and more the show is taking on a life of its own. Theon is basically absent from books 3 and 4. But here he’s captive of the Bastard of Bolton (presumably) and subject to some nasty torture. Nail pulling and a some variant of the knee splitter? Yes, I know way too much about medieval torture, as clearly do Martin and the other writers (they did after all, last year, include the Rat Torture, and it’s alluded to in this episode). But then at the end, we have a big change: a guy is there “sent by his sister” to rescue him! Does he evade the long skinny shadow of Reek in the show?

game-0f-thrones-s3-teaser-gallery-joffrey

Joff – He’s such a shit, but such a delicious shit to watch in action. We get a study of contrasts in terms of the relationships with the two major women in his life. First up is mom, and she ain’t doing too well because while this Cersei comes off as considerably smarter and more reasonable (if still a cold bitch) than in the novels, she sure is losing control over her madman of a son.

Second, Marg comes to visit, and even with Joff being not only a shit, but in a shit mood, she manages to wrap him around her little finger. This is one talented handler, as she knows just how to appeal to his vanity and perverse interests. Here we see Joff at his more vulnerable, really a disturbed little boy (and still an unredeemable human being). Also, I have to admit, Marg with the crossbow was kinda hot. There is also, some what oddly, continued and voluminous mention of Renly’s sexual orientation. This was only vaguely hinted (obvious, but subtle) in the novel, but is a subject of continuous over the head beating here. I wonder why?

Sansa – She and Shae are talking and Shae is getting protective. She too has taken on a depth and complexity not present in the novels. Loras visits and brings Sansa to have tea with Marg and her Grandmom, Dame Tyrell. Well, the dame is one funny lady, well played, and disarmingly direct. Good fun. Sansa does a deft job handling the crisis, because she’s under A LOT of emotional pressure with no outlet, and she can’t help but seize one.

Tyrion – Uncharacteristically has only one brief scene in the episode, with Shae, but their back and forth is highly entertaining, and further develops her character — and his.

EP301EP301Arya – Finally we return to beloved Arya (my favorite character along with Tyrion), alas, all too briefly. As she, Hotpie, and Gendry march through the forest, Gendry makes obvious what we all felt last season: that Arya chose rather poorly who to have Jaqen kill. Then  they wander right into Thyros of Myr’s little party. This is an amusing scene and I’m already liking the lush of a priest (although no mention of his relgio-magical side yet).

Arya has also grown over the year and it’s getting harder for her to pass as boyish. Nice longbow also.

In the second segment, Thyros gets into his cups and Arya scenes are great as always. Then some of his men drag in the Hound. I can’t remember if this happened so soon in the books, and I don’t think in the same way. I’m wondering if the undead Lord Beric Dondarrion will make an appearance.

Jaime – I saved Jaime for last because we end with him, even though he shows twice. He and Brienne make for great fun because she’s such a stick in the mud and he’s a riot. I particularly like the way in which he’s so endearingly baiting, only to occasionally soften with a meaningful and honest line (like the “we  don’t choose who we love” from the above clip). Perhaps it’s because his style of banter is actually so honest, if deliberately provocative.

His maneuver to trick the sword away from Brienne and the fight that follows is delicious as well. Nikolaj Coster-Waldau really does have a natural charisma. And we end with the usual uh, oh.

game-0f-thrones-s3-teaser-gallery-brienne

Overall, a fun episode, if not particularly meaty in any one area. Lots of great scenes. Each individual story is but a blip in the bigger picture. When viewed one at a time, they feel a bit fragmented, but from the perspective I’ve gotten watching seasons 1 and 2 all together on Blu-ray (which looks awesome BTW), I think it will feel coherent as part of the continuous whole.

Another interesting review of this episode.

Or see my review of A Dance With Dragons.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

My three year-old at the gardens where Sansa chats with Grandma Tyrell

My three year-old at the gardens where Sansa chats with Grandma Tyrell

Related posts:

  1. Game of Thrones – Episode 3
  2. Game of Thrones – Episode 13
  3. Game of Thrones – Episode 11
  4. Game of Thrones – Episode 8
  5. Game of Thrones – Episode 6
By: agavin
Comments (2)
Posted in: Television
Tagged as: A Song of Ice and Fire, Episode 22, Fantasy, Game of Thrones, George R. R. Martin, HBO, Major houses in A Song of Ice and Fire, Season 3 Episode 2, World of A Song of Ice and Fire
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