Name of the Wind :: All Things Andy Gavin

Archive for Name of the Wind

Blood Song

Aug28

Title: Blood Song

Author: Anthony Ryan

Genre: Epic Fantasy

Length: 591 pages

Read: July 23-August 24, 2013

Summary: Excellent, but flawed

Structurally, this book borrows heavily from The Name of The Wind. It opens with a box story about a famous military man and then slowly dolls out the (first) chapters of his long career, beginning with his schooling. Blood Song is well written, with solid practical prose that doesn’t get in the way. There is none of the elegant and overwrought voice of the aforementioned Rothfus, or the descriptive nuance of Martin, but it’s well written.

Even though the scope is big, this is a more focused story than A Song of Ice and Fire or A Wheel of Time. We follow our single hero fairly tightly (even if his life meanders). Except for the occasional return to the frame story there are no other points of view. Al Sorna, our protagonist, rises within a kind of military-religious brotherhood perhaps most akin to the Knights Templar. The world building is very solid and the author clearly knows something about the late medieval period. There are several religions and nations and they clash in a fairly realistic way.

The overall effect is one I’m still processing. I liked the book. A lot. It’s one of the better epic fantasies I’ve read lately (and that is my favorite genre). The first third is great, during the youth and training of our hero. Some of the characters are excellent. My biggest problem is from about the 50-94% point. Here Al Sorna is commander of a big military expedition and the narrative became a little harder to follow. It’s not that I couldn’t tell what was going on from scene to scene, but they didn’t fit together seamlessly. Unlike the earlier sequences, they also didn’t seem to have the weight that I think the author was intending. There is similar stuff in The Name of The Wind (not so military), but it resonates much more emotionally in that novel.

I’ll explain what I mean. Al Sorna has this “unrequited love of his life” (just like Kvothe and Denna in TNOTW), but their interactions, while fine, lack the heavy sense of tragedy of Rothfus’ superior novel. It’s not bad, but it just comes off a little weak.

The end of the book is good. There are two big “fights.” But the sequencing felt a bit disconnected. And that’s basically the thing with this novel. It needs editing. The parts are good, but the sum doesn’t reach greatness.

For more book reviews, click here.

As an after-note, I’m a little mystified as to how this book has such incredible ratings on Amazon. At this writing: 1003 total, 863 5-star, 108 4-star, 22 3-star, 7 2-star, and 3 1-star. This is very very slanted toward 4-5 star. Now, it’s got enough good stuff going for it to be a 4 star novel, and epic fantasy unfortunately is full of some serious duds. But an average of 4.8? This is higher than A Game of Thrones which is the best series start in the last 20 years. I can’t help but wonder what weird factor is going on here.

By: agavin
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Posted in: Books

Tagged as: Anthony Ryan, Blood Song, Book Review, Epic Fantasy, High fantasy, Knights Templar, Name of the Wind

The Way of Shadows

May03

Title: The Way of Shadows

Author: Brent Weeks

Genre: Fantasy

Length: 688 pages

Read: March 23-24, 2012

Summary: Great epic fantasy!

Despite the cheesy “hooded dude” cover, this was a great bit of epic fantasy. It was recommended by a twitter follower and turned out to be one of the better “classic medieval fantasy” books I’ve read in recent years. Certainly the best since I found The Name of the Wind in 2008.

Weeks borrows heavily and to good effect from 80s fantasy tropes. This is city fantasy, almost entirely set in a corrupt capital. Our protagonist is a young boy who apprentices with a deadly “wetboy” (assassin who uses magical powers). The prose is clean and workmanlike, sometimes even modern and flip. Weeks doesn’t bother to make anything sound too medieval, in fact, it’s so modern as to sometimes sound anachronistic. Still, despite the length, the novel is not overwritten and the writing doesn’t get in the way of the excellent storytelling and world building.

For fantasy fans, this book is an appealing ride. We have good characters, sordid and ambiguous underworld figures. We have a well conceived world with detailed and engaging political intrigue. We have a decent, albeit minimalist, magical system. And we have a lot — I mean a real lot — of very well written action scenes. Weeks is a great writer of physical action and he uses it to good effect. This book contains fight after fight. Plus lots of sneaking around. And it’s not overdone. Each individual skirmish is compact enough, well integrated into the intricate plot, and brilliantly executed.

Again, despite the length, this makes for a breakneck pace and near total immersion into the seedy underworld. The book is pretty dark too, with some serious abuse in the early chapters. It’s not A Song of Ice and Fire dark, but there is some good insight into the nature of meanness. Bravo. The adventures continue into two sequels.

For more book reviews, click here.

Or read about my own historical fantasy novel here.

By: agavin
Comments (3)

Posted in: Books

Tagged as: Book Review, Brent Weeks, Fantasy, Fiction, High fantasy, Name of the Wind, Song of Ice and Fire, The Way of Shadows

The Wise Man’s Fear

Mar14

Title: The Wise Man’s Fear

Author: Patrick Rothfuss

Genre: High Fantasy

Length: 380,000 words, 1000 pages

Read: March 4-12, 2011

Summary: A worthy sequel.

The Wise Man’s Fear is one of 2011’s two most anticipated Fantasy novels, the other being George R. Martin‘s A Dance with Dragons (due in July). WMF, however, can be all yours right now. It’s the sequel to The Name of the Wind (which I REVIEW HERE). This is High Fantasy of a rather less epic sort. Not that it’s any less fun to read, even weighing in as it does at 1008 hardcover pages. Although, who thinks about pages these days, as I read the Kindle version on my iPad (wouldn’t want to mess up that nice hardcover first edition I had signed by Mr. Rothfuss last week!).

Despite the length, it’s well worth it. This book is seamless with the first in the series, despite the four years gap between their publication. I read The Name of the Wind a second time last week, and WMF picks up and continues with exactly the same style and pace. There is still the box story in the present, but this accounts for no more than 5% of the pages. The action mostly takes place in the past with our hero, Kvothe, continuing on for a bit at University and then venturing out into the wider world. While we sense that some bigger events are in the works, this is still a very personal tale. And it defies all normal story telling expectations in that it just meanders along. My editor’s eye says that whole chunks and side plots could be snipped out without effecting anything. And to a certain extent this is true. But would the novel be better for it? Perhaps it could have lost 50-100 pages in line editing, but I’m not sure I’d take out any of the incidents. As the novel itself says, it’s not the winning of the game, but the playing of it that matters.

That is very much what The Wise Man’s Fear is about. It’s a story about stories. It’s rich and lyrical, a luxurious tapestry of world and story, without the distraction of the intricate mechanism of plot. The little glimpses into different sub-cultures show a deft eye for details and invention. This feels like a real place, not so much explained, but revealed through the narrator’s eyes.

As Rothfuss said in an interview, Kvothe is older now, and he gets himself into more trouble. There’s more sex and violence this time out, although the main romance is still endlessly unrequited 🙂 Kvothe it seems, is a hero of many talents, and that includes those in the bedroom. Rothfuss doesn’t focus on these details gratuitously, it’s not a book filled with battle (or bedroom scenes).

I’m curious to see how Rothfuss wraps this up in the third book (and I suspect the trilogy might expand). Things still feel early. We find out barely anything new about the main villains. In fact they don’t even show in this volume. Just like the first book the end is completely limp and anti-climatic. Kvothe just wraps his story up for the day and we wait (hopefully for slightly less than four years).

But I’ll be waiting. Probably for so long that I’ll have to read book one and two again. I won’t mind.

By: agavin
Comments (3)

Posted in: Books

Tagged as: Arts, Book, Book Review, books, Fantasy, Fiction, George R. Martin, High fantasy, Literature, Name of the Wind, Patrick Rothfuss, Wise Man's Fear

The Name of the Wind

Mar04

Title: The Name of the Wind

Author: Patrick Rothfuss

Genre: High Fantasy

Length: 255,000 words, 720 pages

Read: May 2008 & Feb 28-Mar 2, 2011

Summary: Best new fantasy of recent years.

In 2008, I read this 722 page novel in Xian China during a single sleepless night, and I reread it just now for the second time in preparation for the sequel (released this week): The Wise Man’s Fear. NOTW is a beautiful book. Of all the Fantasy I’ve read in the last 15 or so years, this is perhaps second best after The Song of Ice and Fire. But that’s not to say that they have much in common, other than both being good Fantasy. George R. Martin‘s books are full of characters, POVs, violence, politics, and a darkly realistic sensibility. NOTW is much more focused and relies on more traditional Fantasy tropes. How focused can a 700 page novel be? Not very, but it is good, and it concentrates on a small number of characters and a single (albiet meandering) storyline.

Kvothe is the protagonist. He’s a young man of many many talents, of no means whatsoever, who winds his way from the actor’s troupe to the mean streets to the magical University and to (implied) great and terrible things.

If I have any beef with the book, it’s that the meta premise of the tired hero telling his story is too drawn out. This volume opens in the “present day,” where very little happens except to set us up for the life story of the hero, which is brilliant. Much like Lord of the Rings or Hyperion, the reader must slog for a bit to get to the gold. In this case about 50 pages in. But the slogging isn’t exactly painful because Rothfuss’s prose is lyrical and masterful. Seriously, it’s a wonder given the tangents, bloated conversations (the dialog is great but not efficient), and the like that this book is so easy to read — but it is. Damn easy, even the second time.

The world and the hero juggle uniqueness and heavy — but delicious — borrowing from classic Fantasy of the best sort. I sniffed out a bit of Ursula K. Le Guin (think Wizard of Earthsea), Raymond Feist, Robert Jordan (Wheel of Time), and who knows how many others. The world is extremely well developed, and feels big, but it doesn’t doesn’t have the camp and cheese of Wheel of Time (although it does pay homage). I love origin stories and I very much enjoyed Kvothe’s journey. He’s a great character: humble, proud, skilled, lucky, unlucky all at once, but in a fairly believable way. Perhaps the most important relationship in the book (and there are actually relatively few) is the romance, and it has a tragic quality that feels very refreshing, and slightly reminiscent of the best of Orson Scott Card (think his old stuff like Song Master) or Dan Simmons.

The magic is very unique and interesting, and we focus on it quite a bit, as this is a story that spends a lot of time in the Arcane Academy. This ain’t no Hogwarts either, it feels altogether more mysterious and dangerous. There are several different magic systems interwoven in what is a world overall fairly light on magic. But this is also a world that feels a bit more technological than most Fantasy, with larger cities, a little more like antiquity than the Middle Ages. The “magical bad guys” have a nice character and bit of mystery to them. I don’t like all my mystery explained. There is a lot of music and theatre in here too, and that just helps heighten the lyricism.

But what exactly makes this book so good?

Proving my geek-cred, swapping some Crash Bandicoots for signatures with Patrick Rothfuss

Fundamentally I think Rothfus is just a great writer, and a very good world builder. I don’t think he’s a great plotter. The story drifts along, relies a bit on coincidence and circumstance, and the end fizzles then pops back out of the interior story and waits for the sequel. But that doesn’t really matter, because the prose, world, and characters keep you enjoying every page.