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Archive for Jon

Game of Thrones – Episode 28

May20

game-thrones-dragon-posterTitle: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 28 – May 18, 2013

Title: Second Sons

Summary: Really great character work

ANY CHARACTER HERE

Marriage has been a consistent theme this season and as we close in on the end this episode centers around the first of the three pending weddings. The title, Second Sons, adds to this theme. We have at least four featuring in this episode: the Hound, the mercenary band itself, Tyrion, and Stannis.

In a structural sense, this is a very cohesive episode with only three extended “threads” of narrative (Dragonstone, Dany, and Kings Landing) book-ended by two short (but important) ones (Arya at the beginning and Sam at the end). Really each of these three main threads is about a second son. And metaphorically, in each of these threads is the theme of powerlessness, of being treated (in a medieval sense) like a second son.

Arya – has only a small role this week, but her assumptions about our first Second Son, the Hound — initially murderous — are called into question by his words. She learns that he’s taking her to the Frey’s to be “sold” to her brother.

don't mess with Arya!

don’t mess with Arya!

Melisandre,  Gendry, Stannis, and Davos – arrive back a Dragonstone and he is introduced to Stannis (our second Second Son). The would-be-king looks at him and says unceremoniously, “half Robert, half low born.” This is so Stannis. But he is uncomfortable with Mel’s plan to sacrifice the boy and heads down to the dungeon for a little chat with his conscience (in the form of Davos). In their usual sort of back and forth the come to terms and he lets the Onion Knight out. This is a peculiar relationship. Each man wants the same thing, for Stannis to be the man he wants to be, and are willing to overlook the flaws in both themselves and the other in pursuit of this.

1_image-large

Gendry is so in over his head!

In a new bit not in the books, Mel joins Gendry in is rooms and turns on her peculiar charm, which includes a mixture of guile, honesty, and nudity. Predictably Gendry is helpless before this assault. The show runners have taken her blood magic and turned it into sex/blood magic. It’s not exactly clear why she needs to pump him a little before tying him up and sucking out a little blood into three leeches. Perhaps it’s as she says earlier, that the lamb just never see the knife coming. Perhaps it’s a desire to keep up the sex quotient. Either way it works, and I enjoyed the burning of the bloody leeches and the calling for a curse upon three “usurpers”: Joff, Robb, and Balon Greyjoy. This is an ancient form of magic that goes back to far antiquity. I even use it in my short story, “Harvard Divinity.”

Dany – We continue to get some excellent shots of Yunkai in all its pseudo-Moroccan glory and Dany is cute in her Fremen-style robe. We are introduced to the obstacle-du-jour, a group of mercenaries that defend the city for the “Wise Masters.” This group is known as the “Second Sons” and is led by a trio of warriors including the Titan’s Bastard and Dario.

450x254xgame-of-thrones-promo-second-sons_450x254.jpg.pagespeed.ic.tCvruZY3tO

Dany Sheik

Whom we soon meet as they hold audience with Dany in her tent. They are quite the brash and amusing trio, particularly the Titan’s Bastard who is brazenly forward with Dany. Dario looks like Jared Leto in the disastrous Alexander (sigh, I so wanted to like it). There are some good moments here. When they leave as Dany turns to Barristan and says, “when the fighting comes, kill him first” and the knight replies, “gladly.”

And even more fun are the three mercenaries in there camp arguing about how to proceed. The Bastard, like his creator Martin, is evidently fond of slave girls, and we have one that looks a lot like the handmaiden Dany left in the vault with Xaro. In any case, their plan is to send Dario to assassinate her and avoid a fight at all.

episode-28-04-1920-1024x576 (1)

Naughty dogs!

But when he does barge in, she’s in the middle of her bath (after a fun moment with her translator) the two face off: the brazen mercenary and the naked girl. Her confident use of her physical presence here was very effective. Interestingly, for the first time since the end of season 1 she bares herself. I had begun to wonder of she had negotiated that out of her contract. It was even odd when the show apparently deliberately left a sex scene on the table in skipping her little shipboard tussle with her handmaidens.

Tyiron comes to visit Sansa – This continues to be a very awkward situation for our favorite second son, not in the least part because his lover is the girl’s handmaiden. So again when he comes to talk to her right before their wedding, he has to resort to virtually ordering Pod to haul Shae out of the room. And Peter Dinklage does a magnificent job (as always) with the subtly of emotions, combining attitude, self depreciating humor, awkwardness, and genuine like-ability to really sell Tyrion trying to do his best.

would you mind giving us a moment?

would you mind giving us a moment?

The wedding itself is pretty sumptuous, far grander than the quick affair in the books. The High Sept looks cavernous, like some grand reinterpretation of the Pantheon. Everyone in Kings Landing is there (except Littlefinger who is away). Sadly Varys doesn’t have any lines, but there is good stuff from Marg, Cersei, Joff, and Tywin. Cersei and her younger doppleganger (Marg) duel and the queen shows her claws.

But it’s Joff who steal the show by continuing to be the asshat that he is. When he removes the stool from the altar and forces Tyrion to ask Sansa to kneel it’s pure asshatery. Good stuff. The situation is tense, touching, and a bit comic. All great stuff. At the reception a bitter Cersei, frustrated by her lack of control (including over her son), snubs hapless Loras. Tyrion gets royally drunk and Tywin orders him to consummate his marriage no matter what. Joff tries to start some more trouble by bringing up the “bedding ceremony” which non-reader viewers will not understand. This is where all the women attending strip the groom and carry him naked to the bridal chamber while the men do the same for the bride.

Yes father, I am the god of drink and lust.

Yes father, I am the god of drink and lust.

In his cups, Tyrion lays (verbally) into Joffrey and they nearly come to blows before Tywin puts a stop to it. Remember this, dear viewer.

The “consummation” (or lack thereof) is well done always. Sansa it seems, now finally understands her duty, but Tyrion, despite his flaws, is a character we can love and he isn’t willing to force himself on her. In continued defiance of his father, for love of Shae, and because he isn’t “that sort” he shows her continued kindness. The sentiments are deft and right out of the book, but the show has softened the scene, as in the book both strip down before coming to this moment. There is something about the rawness of the original literary scene, with both  at their most vulnerable, that I really enjoyed. I had suspected, rightly, that they wouldn’t have the stomach for this.

Several other things are extremely well done: Tyrion’s impressive level of drunkenness, his comment about Sansa’s long neck (which we have all noticed), and in the morning, Shae’s little smile at the lack of blood on the sheets.

Sam – Sam and Gilly come across a ruined little hut in the forest next to an “Old God” (one of those red trees with the creepy faces). Ravens, ever purposed as harbingers in Northern myth, seem unusually drawn to the tree. As the duo sets up the fire and discusses the naming of Gilly’s baby their hesitant chemistry continues. It’s really well done with a shy tension and attraction on the part of both.

Eventually (and the episode ends on this), the calling of the Ravens draws Sam outside. They cover the tree, which although a slightly trite image still gave me goosebumps. A white walker approaches, the very same CGI model we met in the last episode of season 2. Sam, belying the coward he feels he is attacks, and is swiftly rebuffed. Walkers it seems have a taste for baby. But Sam draws his Dragonglass (aka obsidian) dagger and to use Buffy parlance, dusts the walker.

It should be noted that while this is the only segment not to include a second son (Sam is technically his father’s heir), his position in Randal Tarly’s eyes (explained in his own words some time ago, and alluded to here), is that of one.

Above the official “inside the episode.”

And above, a great discussion of the marriage thread this season.

Overall, Second Sons is a tremendous episode. It has a lot of “action,” perhaps not so much physical fighting (except at the end), but a lot going on, and with it’s concentration on fewer narratives a great deal of focus on the character’s we’ve come to love.

Absent this week were Bran, Robb, Jon, Jaime/Brienne, and Theon.

Another good analysis of this episode.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

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Season 6: [51, 52, 53, 54, 55, 56, 57]

Related posts:

  1. Game of Thrones – Episode 27
  2. Game of Thrones – Episode 26
  3. Game of Thrones – Episode 25
  4. Game of Thrones – Episode 18
  5. Game of Thrones – Episode 24
By: agavin
Comments (2)
Posted in: Television
Tagged as: a game of thrones, A Song of Ice and Fire, Arya, Episode 28, Game of Thrones, George R. Martin, George R. R. Martin, HBO, Jon, Northern Ireland, Season 3, Season 3 Episode 28, World of A Song of Ice and Fire, Ygritte

Game of Thrones – Episode 27

May12

game-thrones-dragon-posterTitle: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 27 – May 12, 2013

Title: The Bear and the Maiden Fair

Summary: Not 1, not 2, but 3 dragons, a bear, and lots of queenly tush!

ANY CHARACTER HERE

This week we have the annual George R. Martin episode, written by Georgi son of Gimli himself.

Jon – Evidently getting down the wall is a lot easier than getting up, because Jon, Ygritte and crew start off this episode on the green side. Also, one has to wonder, where did all the extra wildlings come from? Seemed last week like just four got to the top, and the rest of the red shirts tumbled to their doom, but now we have a whole party. Anyway, as they march along toward Castle Black, Jon and Ygritte get some welcome time together. Their chemistry is great — or more properly Ygritte is great as Jon acts a tad lumpish while she steals the show. We get to see her even more of her character: fierce and worldly in her own sphere, and a bit clueless about anything else.

Stollen moments

Stollen moments

Tormund is good fun too. Orel makes my skin crawl, but he’s supposed to.

Bran – Bran’s scenes here, like their literary counterparts, aren’t the most exciting. Osha continues to be anxious and take the anti-magic stance, but her rational for not wanting to go back north of the wall is touching enough. The scenery (Northern Ireland) is similar enough to Jon’s, so we assume they must be near.

Oh and Osha does a nice refrain on the wildling sentiment “he was mine and I was his” that Ygritte expresses in the previous scene.

Robb – and his court stall before heading out to Edmure’s wedding. Not much here but Cat’s wary stance. However, In the next scene we’re treated to some good King and Queen of the North action. His bride isn’t shy, and it’s relatively rare in this show, and even rarer in the books, to see genuine affection. She admits to being pregnant, which as always in royal matters, is of great dynastic significance.

On a technical note, I like the little writing tray she uses in bed. This was actually a typical thing even in the 18th and 19th centuries.

Melisandre and Gendry – sail past King’s Landing and the wreckage of Blackwater Bay. They might not be my favorite characters but this is a gorgeous overhead shot like a medieval Life of Pi. Meanwhile she reveals to him that he’s King Robert’s bastard.

0

Arya – We don’t get much Arya this week, but she’s still hanging out in that cave — for now. They show it in the above video clip, but I have to admit to getting goosebumps when she admits her god is “death.” For me (and Martin) this isn’t just a cynical and bleak admission, but the beginnings of a liberalized relationship with Jaqen H’ghar’s faceless god of death. When the men even fail in their mission to take her rapidly to Riverrun she takes off, only to meet someone in the woods she thought long gone.

Theon – We might almost feel sorry for Theon, as it just keeps getting worse for everyone’s favorite Greyjoy. A couple of hottie girls pull him off his cross and start to show him a good time, but before we can wonder why they don’t mind the stink, the crazy bastard (hehe) holding him busts right in and spoils the fun. Although the nasty action is off screen, we’ll have to assume Theon ends up losing his two closest friends. Poor guy — even if he did murder Rodrick.

652x359xthe-bear-and-the-maiden-fair-photo_652x359.png.pagespeed.ic.K8aQTRIbDl

Dany – Pulls up to Junkai (the slaver city next to Astapor). We are treated to a great CGI shot of it in the distance, but her meeting with its emissaries takes place in the barrens outside. Notice how much they resemble A New Hope’s Tatooine! Anyway, the show has a consistent difficulty making these big army shots feel properly grand and gritty. The try, they really do, but it’s just hard to simulate tens of thousands of men on any reasonable budget. We do however, get some really good dragon action shots in the tent, particularly involving feisty Drogon. Dany is growing further and further into her own, taking on not just the cause of reclaiming Westeros but her almost religious mission to free any slave she encounters.

The real thing looked basically like this production mockup, but somehow "smaller"

The real thing looked basically like this production mockup, but somehow “smaller”

Sansa and Marg – Unlike last week, this isn’t a Kings Landing heavy episode, but we do revisit those lovely Gardens below. The dueling attitudes of both girls are a study in opposites. Sansa bemoans her situation and Marg sure knows how to look on the bright side. Despite all the plot’s the lovely Highgarden girl is involved in, you can’t help but like her. Her flexibility seems genuine. And she doesn’t seem bothered by the idea of dwarf love!

Look familiar?

Look familiar? They jazzed it up with some more plantings, and probably CGed out the cross, but these are the Gardens of Trestino.

Tyrion – chats with Bronn about his situation: i.e. what to do about Sansa and Shae. Too bad Bronn’s simple view on such matters isn’t helpful when he really gets down to talking with his working girl love. Show-Shae is far more complex and interesting than book-Shae. She has genuine feelings and motives here — and I can see where they are going. What happens with her at the end of A Storm of Swords always bothered me, but they seem to be laying better groundwork here.

Tywin and Joff – chat in the throne room. I’m not sure how I feel about this scene even though it feels true to both characters. They don’t exactly clash, but their perspectives are so far apart that there is almost no communication. I’m interested to see where this goes, because like Shae, Joff, and Tywin are both far more developed in the show than in the novels (not being POV characters).

Jaime and Brienne – Jaime comes to see Brienne off before heading out from Harrenhall. He’s feeling the shit, but she lets him off easy in her own way. She makes him swear again to uphold his part of her oath in rescuing Sansa and Arya (moot as it might be). This is a touching moment because being the Kingslayer, the oathbreaker, her very willingness to trust in his owner is complement enough, and Nikolaj Coster Waldau is deft in making you believe he means it.

got-game-of-thrones-33805474-500-281

Outside, Bolton bids him off, as does Locke, who’s clearly taken the consolidated place of the nasty Brave Companions and their creepy leader. Qyburn accompanies Jaime and works on his ugly-ass stump. Time is taken to build this sordid character, as he’s got his role to play, but it’s Jaime who does the serious soul searching here, deciding to force the group back to Harrenhall after Brienne.

The anticipated live action Bear and the Maiden Fair looked good, and sounded good (the refrain of the song is great), but felt somehow unrealistic. This was a phenomenal moment in the books and it just didn’t sit exactly right with me tonight. Maybe it wast he relative ease with which Locke gives up. This is a man that chopped off Jaime’s freaking hand to make a point! True, the other guys that have sworn to take Jaime to Kings Landing aren’t going to have any of it, but you don’t exactly feel the lines of power pulling taught.

tumblr_mk8uwnwuY81qcvptno1_500

Bart the Bear!

I’ll have to see how I feel on my second watch, particularly since my note taking on the first viewing always reduces the immediacy.

In any case, despite this, still a great episode. In casting forward the arc for the season this isn’t exactly half of A Storm of Swords, but more like 80%. I’ll register my opinion that the season is likely to end with the two weddings — and unlikely to include the parts that follow until next season. George is a fine scriptwriter, but he needs to get back to his books or HBO will catch up to him!

Absent this week were Stannis, Davos, Cersei, and Olena.

Another good analysis of this episode.

If you liked this post, follow me at:

My novels: The Darkening Dream and Untimed

or all my Game of Thrones posts or episode reviews:

Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

Drogon kicks ass!

Drogon kicks ass!

Related posts:

  1. Game of Thrones – Episode 26
  2. Game of Thrones – Episode 25
  3. Game of Thrones – Episode 18
  4. Game of Thrones – Episode 17
  5. Game of Thrones – Episode 24
By: agavin
Comments (9)
Posted in: Television
Tagged as: a game of thrones, A Song of Ice and Fire, Episode 27, Game of Thrones, George R. Martin, George R. R. Martin, HBO, Jon, Season 3, Season 3 Episode 27, World of A Song of Ice and Fire, Ygritte

Game of Thrones – Episode 26

May05

game-thrones-dragon-posterTitle: Game of Thrones

Genre: Historical Fantasy

Watched: Episode 26 – May 5, 2013

Title: The Climb

Summary: More transitional, but tense

ANY CHARACTER HERE

There is perhaps less action this week, but plenty of thumb screws being turned (haha). The show writers take the opportunity to mine the novel for thematic refrains within an episode in a way that probably isn’t deliberately reflected in the source text. This week we have several, notably: couples, marriage, and duality.

Sam – We open with Sam sharing a fire with Gilly. He pulls out his obsidian dagger, which even if I didn’t know, is TV code for “this will be relevant soon”. This first couple enjoys a pleasant and hesitant chemistry. Awkward, but in a warm way.

Bran – Bran’s two female protectors, Meera and Osha, squabble and fight. And I must say, the rabbit bit reminded me of that scene from Roger and Me. This is mostly a throwaway scene, designed to remind us that Bran’s still on his way. But it fits into the whole couples/duality thing in that Meera and Osha are birds of a feather. Anyway, Jojen dreams of…

Jon – Since this episode is titled The Climb, a rather big slice (in several parts). At the base of the wall, continuing the couple theme, he and Ygritte have a  moment. The way she sees right through him is telling and I love the “the two of them against the world” angle that she works. It’s quite touching actually, even if it doesn’t get as much screen time as it should — they having had only their token night together. Still I liked it, even if Kitt isn’t as sensitive an actor as the part requires. Tormund is funny too with his “if you fall, don’t scream. You wouldn’t want that to be the last thing she remembers.”

The climb looks tough. I certainly couldn’t do it. Hell, I can hardly climb the rubber rock wall. Jon’s at the butt end of things and collects some spare snowballs. Ygritte watches closely. And so do we because it looks GOOD (even if a bit CGI). Then in the next segment, things go bad on the wall and everyone but Tormund, Orel, Jon and Ygritte, with the latter too dangling from their ropes. The cracks and avalanche looks great. The layout of loyalties that was (fairly obviously) in previous episodes is made crystal clear. Tormund does his best for all, and Orel cuts Jon and Ygritte loose. Fortunately Jon’s a stud, even if he doesn’t act it.

The episode ends with this thread and the four of them atop the wall. And with some more seriously nice CGI views of both sides of the massive and chilly structure.

Tormund_The_Climb

Tormund Icecubebane

Arya – Things begin light enough with the spunkiest Stark. Echoing the first episode, she’s practicing her archery. In the background Thryos is drinking. She notices riders approaching and it’s Melisandre the red lady. This is a total deviation rom the books and a move to keep Mel in play, but it works. She recognizes the Lord of Light’s handiwork in Dondarian and this draws out a rather interesting exchange with Thryos which I totally enjoyed, faith and it’s relationship to magic being close to my heart (see my novel The Darkening Dream). I love how Thyros is the skeptic priest late come to his faith. This two breeds of priest, Mel and Thyros, clearly fit in the duality theme this week.

Scene two is a study in reversals. Gendry is helping the archer guy, but then at Mel’s orders he’s bundled off into her care for (presumably) nefarious purposes. Us readers have a clue as to what these might be even if this is a departure — given that he stays with the brotherhood and later runs into Brienne in the books. But the notable part is the continued stripping of Arya’s connections to other other people. Gendry and what roots she’s putting down with the brotherhood are both torn up. Mel, fey as ever, senses this “darkness” and makes some cryptic comments about pairs of eyes. Does she mean the direwolves? Or the faces of the faceless god?

Summer camp without borders!

Summer camp without borders!

Theon – And speaking of departures from the book, Theon is still suffering from his mysterious assailant (probably the Bastard of Bolton) in his mysterious location (probably the Dreadfort). This continuing new material is, I have to assume, stretching out his transformation into Reek. And it looks pretty painful, for both us and him. The bastard, though, does a pretty damn good job of playing a dude with his screws loose. He keeps us guessing for a while, but I suspect his final statements echo of truth. Also, flaying, ick! Maybe they threw the rabbits in earlier so we’d know what was going on!

Robb – has one scene this week, but it’s a good one. The row of Tully’s (plus Robb, who is of Tully blood) face off across the table from a Frey embassy. The truth is that the terms of this new alliance are pretty easy (too easy?): an apology, Harenhall (which is the Spinal Tap drummer of Westeros castles) and Edmure marrying a Frey. The custom/law that marriage may not be coerced enters the picture. How this exactly jives with Tywin and last week is left to the audience to consider. The way in which Edmund resists, and is then brought around by Robb is very well handled. I particularly liked Robb’s open acknowledgment of the debt this puts him in.

Pass the beef, dear

Pass the beef, dear

Jaime – As funny as the Kingslayer continues to be, Brienne in a dress is even funnier. Another couple of sorts, it’s kind of touching (and certainly amusing) how she helps him with his meat. Bolton is a cold one and boy is he leaving Jaime with a moral quandary. Will we finally see what kind of man he is? Or has become? The fact that Jaime offers to seal Bolton’s offer with a drink and the Flayed Lord refuses should be noted, if for symmetry with the next scene alone.

The pen IS mightier than the sword

The pen IS mightier than the sword

Tywin and Oleana – lay into each other back in Kings Landing. Now this is a couple we’d pay money to see, and they’re discussing marriage, just not theirs. This harken’s back to the theme of marriage and its supposed lack of coercion. Olena’s a piece of work and hilarious to boot, with several great comments, including my personal favorite: “sword swallower.” It should also be noted that he’s pounding back the wine (wonder where Tyrion gets it?) and she refuses, which certain echoes the Bolton bit. It’s quite a fun duel of words.

Sansa and Tyrion – chats with Loras in the garden and it’s certainly clear this is the most unnatural of all the couples. Can you say awkward? Loras’ attempts to act interested are hilarious too. Poor Sansa and…

Tyrion, who isn’t happy about the state of things. He and Cersei come here to share a sort of shared misery as only a couple of Tywin’s children could. This is more personal and clear than in the books. Ty confronts his evil sister once and for all as to her possible plot to kill him and the blame falls to Joff. This also is a clarity not present in the source material and sets us up for later this episode. I also love Ty’s “Loras might come down with a sudden case of sword through bowels” which I think was in the book too.

Next scene, as Shae and  Sansa talk about her supposed wedding to the “sword swallower”, is both funny and touching. Tyrion enters and tries to get Shae to leave, but realizes he’s going to have to tell both his reluctant bride to be and his lover about the situation at the same time. Interestingly, and perhaps effectively, it’s left off screen.

Poor girls

Poor girls

The pair of women retire to the balcony to deal with it in their own ways: Sansa crying and Shae stonefaced. I’d have perhaps set the thing up to surprise Sansa with the event itself (which I think happened in the book). It probably would have been more of a metaphorical rape. Although I do think this action, given what is to come for Shae, continues the work of further thickening her character versus the book and setting up her arc.

130428-ep26-preview-450

Grudge match!

Varys and Littlefinger – Just as we saw both kinds of priests in Mel and Thyros, the two plotters in Kings Landing have come to represent two sides of the same coin. The show is arguably less effective than the books with the POV characters, notably Jon and Cat, and strips some of the minor characters to the bone (like the Mountain). However, it consistently elevates the middling and borderline POV characters like Cersei, Varys, Littlefinger, Shae, Theon, Marg, and Renly, who are given considerable more depth.

Set as usual in the throne room, this scene is classic Varys vs. Littlefinger, but never before have their motives and methods been so exposed. Just as Ygritte argues to Jon that they should put couple before country, Varys speaks for realm first. And, well, everyone knows that Littlefinger is his own greatest love. They’ve really emphasized his villainy in the second and third seasons. He never seemed this clearly evil in the books.

Joff – Finally, as further proof that the secondary characters are better in the show, Joff is just far, far more repulsive. Here he reaches a level I never thought his cowardly nature would allow. Poor Ros. She wasn’t my favorite character, but she deserved better than this.

All in all a tremendous episode. There is less action than in either of the previous two, but we have character aplenty and some really fine thematic work, which resonates nicely.

Absent this week were Stannis, Davos, Dany, and Marg.

Another great analysis of this episode.

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Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20]

Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30]

Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40]

Season 5: [41, 42, 43, 44, 45, 46, 47, 48, 49, 50]

Season 6: [51, 52, 53, 54, 55, 56, 57]

I'm pretty sure the show has used this scenic arch from Dubrovnik a couple of time

I’m pretty sure the show has used this scenic arch from Dubrovnik a couple of time

Related posts:

  1. Game of Thrones – Episode 25
  2. Game of Thrones – Episode 20
  3. Game of Thrones – Episode 17
  4. Game of Thrones – Episode 21
  5. Game of Thrones – Episode 19
By: agavin
Comments (2)
Posted in: Television
Tagged as: a game of thrones, A Song of Ice and Fire, Episode 26, Game of Thrones, George R. Martin, George R. R. Martin, HBO, Jaime, Jon, Robb, Season 3, Season 3 Episode 26, World of A Song of Ice and Fire
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