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Archive for Greece

San Fran – Kokkari

Feb21

Restaurant: Kokkari

Location: 200 Jackson Street (at Front) San Francisco, CA 94111. 415.981.0983

Date: February 9, 2012

Cuisine: Greek

Rating: Really fresh – transported me back to Greece

_

Yelp pointed me to this excellent San Francisco Greek place — that and I recognized it from the Zagat guide.


Close to Embarcadero.


Inside this is the modern Greek equivalent of a classy reinterpreted Mexican space like Las Ventanas in Cabo. Things don’t really look like this in Greece, but maybe they ought too.


Case in point.

The menu. It’s mostly traditional fare, but the Greek names have been dropped.


Pretty plates that match the decor conceptually.


“Cheese Pies – traditional feta cheese filo pies.” SPANAKOPETA, but particularly artisanal versions.


And same goes for this “Tzatziki.” Not only was it great, tasting of fresh dill and garlic, but the bread was superb and very very Greek. The marinated vegetables were also a nice touch.


“Saghanaki- pan fried Kefalograviera with lemon & oregano.” Melted cheese! I was just bummed it didn’t come out on fire!


“Kokkari Salad – mixed baby lettuces with shaved apples, beets & candied walnuts.”


“Moussaka – traditional casserole of spiced lamb, eggplant, potato & yogurt béchamel.” I love this traditional dish.


And this was easily the best I’ve had in the states (I’ve spent months in Greece). You can see the meat there and it had that lovely cinnamon / nutmeg thing going on which pairs with the rich béchamel.


And on the plate.

Kokkari was a great “find.” In truth flavors are rarely even this pure in Greece, although there was this one restaurant I ate at on Rhodos that was very similar.

For more San Francisco dining reviews click here.

Related posts:

  1. Quick Eats: Taverna Tony
  2. Zaytinya – East made Easy
By: agavin
Comments (1)
Posted in: Food
Tagged as: Greece, Greek, Jackson Street, Kokkari, San Francisco, Tzatziki, Zagat

Zaytinya – East made Easy

Dec01

Restaurant: Zaytinya

Location: 701 9th Street NW, Washington, DC 20001. 202.638.0800

Date: November 27, 2011

Cuisine: Greek/Turkish/Lebanese

Rating: Great flavors!

_

Zaytinya, which means “olive oil” in Turkish is part of José Andrés’ little culinary empire — which started first here in Washington D.C. and then spread to various other outpsts in the country including LA and vegas.

I’m a bit of a Jose Andres groupie as not only have I reviewed The Bazaar (REVIEW HERE) and his high end Saam, but also brunch at Trés, lunch at Trés, and to é by José Andrés and Jaleo in Vegas.

For those who don’t know, José Andrés is perhaps America’s leading practitioner of  my favorite culinary style: Spanish Molecular Gastronomy. This school of cooking, a radical interpretation of the preparation of food, was begun at El Bulli outside of Barcellona. Andrés cooked and studied there with master chef Ferran Adrià. I first encountered Andrés’s cooking in Washington DC at Cafe Atlantico, and it’s own restaurant within a restaurant, Minibar.

Zaytinya, however, is neither Spanish or particularly molecular. It focuses on the Eastern Mediterranean cuisine of Greece, Turkey, and Lebanon. These are all former Ottoman zones and despite their political animosity toward each other share much in common — foodwise.


The modern frontage on 9th street in Washington.


The space inside is clean and white.


The geometric white shapes are reminiscent of Greek architecture.


The menu.


We ordered this “ASHTA. traditional Lebanese-style French toast, bananas, orange blossom honey” for our son. It was more like Pane Dulce I’ve had at other Andres restaurants crossed with Tres Leches cake. He devoured it.


They have this light poofy bread.


The classic roasted eggplant dish: “BABA GHANNOUGE. fire-roasted eggplant, tahini, lemon, garlic.” This was a very bright tasty variant with pomegranate seeds.


And one of my all time favorites: “TZATZIKI. Greek yogurt with diced cucumbers, dill.” This wasn’t nearly as garlicky as in Greece and Turkey, but was more akin to the Lebanese variant. It did have a nice thick Greek yoghurt consistency and a pleasant crunch from the cucumber.


“BEET SALATA. crimson and yellow beets, shaved fennel, upland cress, spiced walnuts.” I doubt this was exactly a traditional dish (even if the ingredients are) but it’s pretty much obligatory on modern menus.

“BANTIJAN BIL LABAN. crispy eggplant, roasted garlic-yogurt sauce.” This was a nice treatment of eggplant — in no small part because it was seriously fried! This was a very crispy coating with hot eggplant inside.

“SPANAKOPITA. house-made phyllo, spinach, feta cheese.” Not your typical version of this dish which is usually triangular in shape. The insides were similar enough though, so more a cheese and spinach taquito than a puff pastry!

“ROASTED CAULIFLOWER. sultans, caper berries, pine nuts.” This is a brighter less fried version of this traditional Lebanese dish (you can see the original here). Good stuff though.


My son got his second order of “French toast.”


Which he polished off in about two minutes.

“GARIDES ME ANITHO. sautéed shrimp, dill, shallots, mustard, lemon juice.” This was a pretty awesome variant on Andres’ normal “Gambas Pil Pil” (photos here in this Jaleo review).

FRIED SQUID. crispy squid, garlic-yogurt sauce.” Nicely done classic calimari.


And a zesty garlic sauce for dipping.

“STRIPED BASS PLAKI. tomato, fresh chickpeas, onion, mint.” This is a local fish, but the prep is very Eastern med. Strong flavors of tomato.

“AGLAIA KREMEZI STYLE CRAB CAKES. mini jumbo lump crab cakes, roasted garlic yogurt.” They can pretend this is Eastern Med — but no, it’s all Eastern Shore. Still, no one was complaining. These little patties were essentially crab imperial balls lightly fried on the griddle. There was a light taragon flavor too.

“KEFTEDES KAPAMA. beef and lamb meatballs, feta cheese, rustic tomato sauce, cinnamon, allspice.” Tasty meatballs in classic Eastern style. Similar to typical “spicy kefta” preparations.

“ADANA KEBAB. skewered ground lamb, house-made harissa, grilled tomatoes, sumac, onions.” Typical ground lamb kabob. This wasn’t my absolute favorite dish here. It was a bit salty and the grill flavor too strong. Not that it was bad by any means.

“URFA BIFTEK. grilled sirloin, Urfa pepper, cumin, heirloom lettuces, caramelized sesame.” And this was even saltier, although the meat did have a lot of flavor.

“LOUKANIKO ME AGINARES. grilled Greek pork sausage, marinated artichokes.” The sausage was good and I liked the onion and pepper (pimento in Spanish) salad on top.


The dessert menu.

A nice chewy cup of Turkish coffee, semi-sweet.


“Turkish delight. Walnut Ice Cream, yogurt mousse, orange caramel sauce.” This was very yummy, but from the name I hoped for something closer to real Turkish delight — which is a favorite of mine, particularly the rosewater flavor.


A trio of very good homemade ice creams (my three year-old loved them). Walnut, apple, and pear. The fruit flavors were very bright and pure.


“Greek yogurt and apricots.” Very yummy. The thick yogurt paired very nicely with the sweet fruit. In Greece they eat the purest variant of this: very very sour and thick goat yogurt with drizzled honey.


Another fruit and yogurt/ice cream blend. Can’t go wrong with berries and cream.


More of the large and modern space.

Overall, Zaytinya was pretty fantastic. It’s neither totally traditional or ultra modern, but instead what one might call a modernized or modestly updated classic. Most of the dishes have their roots in traditional Eastern Med dishes, and they retain — even emphasize — those bright flavors. The form of them is a lighter and slightly more playful, adapted to American tastes. In any case, highly successful.

For more ThanksGavin meals, click here.

I’ve also reviewed: The Bazaar (REVIEW HERE) and the high end Saam, brunch at Trés, lunch at Trés, and to é by José Andrés and Jaleo in Vegas.

Related posts:

  1. Peace in the Middle East? – Mezze
  2. Saam – José Andrés Squared
  3. Son of Saam – Actually more Bazaar
  4. Trés – Brunché Fantastique
  5. Trés – Lunch Fantastique
By: agavin
Comments (4)
Posted in: Food
Tagged as: Dessert, El Bulli, Ferran Adrià, French Toast, Greece, José Andrés, Restaraunt, Restaurant, Restaurant Review, ThanksGavin, turkey, Tzatziki, Washington DC, Zaytinya

Quick Eats: Taverna Tony

Dec10

Restaurant: Taverna Tony

Location: 23410 Civic Center Way, Malibu, CA 90265, Tel: (310) 317-9667

Date: Dec 10, 2010

Cuisine: Greek

 

I have a weakness for Greek food. I spent big chunks of the summers of 1990 and 1991 in Greece, and a month in 2005. I know it isn’t always the fanciest (although in 2005 I had a brilliant modern Greek meal on the Island of Rhodos), but I love the flavor palette, particularly lamb and yoghurt. And Tzatziki, which I absolutely can’t get enough of. Here in LA our favorite Greek haunt is Taverna Tony. We haven’t exactly tried a zillion of them either, but Tony’s is fun.

The menu.

The serve one of the typical creamy greek spreads with their bread. This is one of the yogurt, garlic, eggplant, olive oil type ones. A guilty pleasure.

As big a wine snob as I am, I’m also a huge believer in drinking the local beverage. I actually like Greek wine. This one is a mainland wine made by monks, Tsantali Agioritikos. In my opinion the best Greek whites (I don’t really drink Greek reds) are from Santorini. If you want the really authentic flavor, go for Retsina — Tony has it — makes me remember my college summers in Greece, but not to everyone’s taste.

One thing about Tony’s, they have mega sized portions (to use the Greek). My wife always gets the “Vegetarian’s paradise” which is basically every dip and vegetarian appetizer known in Greece. It comes on two plates, the hot and cold. Don’t even think about trying to order an appetizer, or even a salad unless you have a lot of people. A partial list of what’s included is: Hummus, Tzatziki, Melitzanosalata, Tabouli, Spanakopita, Tiropita, Feta Cheese, Horta.

The hot plate of above. Spanakopita etc. You can see the ubiquitous rice and overcooked vegetables (I like them this way at Greek and Turkish places).


This is the “ROAST BABY LAMB KLEFTIKO, Baby Lamb, slow-roasted with Herbs, Garlic, Onions, Oregano – A House Specialty that melts in your mouth.” That pretty much says it all.

In case you couldn’t see the lamb itself well enough, here it is again!  Baah!

I always get a side of “TZATZIKI DIP  Fresh Yoghurt, Cucumber, Fresh Mint, Garlic.” Roast lamb is just not roast lamb unless slathered in Tzatziki.

It’s worth noting that the atmosphere is fun here, and they have very loud live Greek music. There seem to be an endless supply of families throwing some kind of big dinner’s with like 20-30 people at huge long tables laden with food — this also is very Greek. There might be better Greek food in town (if anyone knows please tell me), but I’m perfectly happy with my monthly dose of lamb, yogurt, and Greek wine.


You can see the band in the corner.


A giant table arrayed on the patio.

Related posts:

  1. Quick Eats: Coastal Flats
  2. Quick Eats: La Cachette Bistro
  3. Quick Eats: Pizzeria Mozza
  4. Quick Eats: Mon Ami Gabi
  5. Quick Eats: Piccolo
By: agavin
Comments (13)
Posted in: Food
Tagged as: Cooking, Feta, Food, Grape Leaves, Greece, Greek, Greek cuisine, Greek wine, lamb, Lamb and mutton, Malibu California, Restaurant, Retsina, reviews, Rhodos, Santorini, side dishes, Spanakopita, Tiropita, Tzatziki, vegetarian, Wine, yogurt

Satyrs and Maenads, Oh My!

Nov23

On Friday, Nov 19, 2010 we went to a special event at the Getty Villa.

The Making of a Satyr Play
Villa Education presents a workshop on Sophocles‘ play Trackers, the second most completely preserved script of a satyr play, featured in the exhibition. Michael Hackett, chair of the UCLA theater department, directs UCLA theater students and graduates in this presentation, accompanied by an introduction to satyr plays and a visit to the exhibition lead by curator Mary Louise Hart.

This was a very interesting event. Most of you probably don’t know that there was a third type of Greek Theatre besides comedy and tragedy: The Satyr play. At the theatre festival dedicated to Dionysus (as all theater inherently was — Dionysus being the god to which theater, masks, and acting was sacred) a day consisted of three tragedies and a satyr play all written by the same playwright/poet and performed by the same amateur troop. The satyr play is a kind of tragedy which is somewhat funny (but not a comedy), and which generally involves some mythological theme into which satyrs have been inserted. If you insert satyrs anywhere, things get inheriently funny.

Case in point to the left here. Satyrs are the sacred disciples of Dionysus, and befitting the god of madness, intoxication, and altered states are hybridizations of male nature with beasts, specifically horses. Some might even argue that this is in fact the natural state of men, and doesn’t require a mythical race. In any case, satyrs inherit the tail, ears, and oversized member from their equine parent.

Back to satyr plays. We know little about them, as there are only 1.5 in existence. That’s right, dozens, possibly hundreds were written and performed, but beside a few scraps we only have the text of “Cyclops” by Euripides and half of  Sophocles’ “Trackers,” which was performed at this event. Ancient texts pretty much needed to be copied to survive, and well, monks weren’t that fond of satyrs.

The Trackers is the story of how Hermes steals Apollo’s sacred cows and builds the first Lyre, which eventually he trades to Apollo. So it could be thought of as the origin story of Apollo’s Lyre, which is one of the sun god’s primary attributes. Amusingly, and highly appropriate to satyrs, the tracking of the cattle involves detailed inspection of cow patties. Satyrs love a good shit joke, and this play has a veritable butt-load of them. The translation was brilliant, rendering them in meter and rhyme. It can’t be easy to translate poetic scatological humor from Greek to English.

Anyone who knows me well knows I’m an ancient history “amateur“, and how I’m particularly partial to death and resurrection gods like Dionysus and Osiris. So this was a brilliant and rare opportunity to see/hear some of this stuff in real life. They did some demonstrations of actor chorus interchange in Greek which I found fascinating. Then they paired this with reconstructed dance and limited music. You just don’t get to see/hear this very often. I know intellectually that Greek theatre was all written in meter, but it’s very different to hear it, even for someone who doesn’t (unfortunately) speak Greek. It gave me goosebumps. The UCLA students and professor who did the performance did an amazing job reconstructing the movements of the actors as well. Most of our visual information on Greek society comes from vase painting, and theatre (like drinking) is a favorite subject. To the right you can see an actor dressed as Hercules (left) and as Papa Silenus (right — father of the satyrs). Notice how the Silenus costume is basically a “furry body suit,” very cool. The actor holds the craggy old satyr faced mask up. As I learned yesterday, mask and “in character” are the same word in Greek. I love that, as I love masks and their Dionysian associations. My personal corporation is after all Mascherato, which is just Italian for masquerade. Back to the production. They did a really interesting job translating the postures and poses of satyrs and actors playing satyrs. You can see one of those in the upper right hand corner, recognizable by the fact that he is holding the head, actually a mask, of a satyr, and wearing special hairy “satyr pants.” These pants are the differentiating factor between real satyrs, like the one on the left “playing” with his wine vessel (real) and the upper right one (actor in satyr costume). It’s hard to explain in writing how they managed to copy the depicted mannerisms of satyrs, but they did.

The pairing of this often complicated motion, not so disimilar in some ways from modern dance, with the rhythm of the play’s dialog and the beat of the drum was very intriguing, and entertaining. One can totally see how these were exciting performances, and I think you could make a truly awesome modern ballet version of a satyr play. Perhaps with the satyrs and maenads preparing for the arrival of Dionysus. If I had a time machine I’d produce it, getting Stravinsky to write the music. Awesome! I guess you could do a production of The Rite of Spring with satyrs — as more or less was its intent — but I had in mind music that was somewhat more ancient in composition and instrumentation. The cult of Dionysus is not some happy go lucky party thing, but is essentially bound up with madness, chaos, and ecstatic murder. In other words, it’s pretty badass.


It’s worth mentioning our own little homage to the spirit of Dionysus, representing as it does an essential aspect of human nature. Our 2006 “Empires of the Ancient World Ball.” This was one of a series of black tie costume balls we hosted. This one included not only guests dressed as ancient characters and gods, but ancient music, theatre, and my personal favorite touch: A menu constructed entirely by recipes we selected from Apicius, the greatest of ancient chefs. The amazing Celestino Drago was kind enough to humor us by recreating these selections from an Italian version of the Latin cookbook. I should maybe blog separately about Apicius, but the flavor profiles of Roman cooking were in a lot of ways similar to watching this bit of ancient theatre: an exotic taste of the past. Both remind us that despite the passage of twenty five centuries, humans remain human, and interests, be they arts, food, politics, power, love, wealth or family, all remain at their core, the same.

By: agavin
Comments (8)
Posted in: History
Tagged as: Ancient Food, Apicius, Apollo, Arts, Dionysus, Getty Villa, Greece, Literature, Maenad, Michael Hackett, Osiris, Rite of Spring, Satyr, Satyr Play, Sophocles, Theatre of ancient Greece, Wine
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