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Archive for Peter Jackson

The Hobbit: The Battle of 5,000 Animators

Dec18

The_Hobbit_-_The_Battle_of_the_Five_ArmiesTitle: The Hobbit: The Battle of Five Armies

Director/Stars: Martin Freeman (Actor), Peter Jackson (Director)

Genre: Fantasy

Watched: December 18, 2014

Summary: More is more is more is more!

_

What happens when you expand 44 pages at the end of a novel into 144 minutes of film? Well, in the case of The Hobbit: The Battle of Five Armies, a whole lot of fighting. Enough to provides sustenance for an entire generation of computer artists. Smaug, arguably my favorite character in this second trilogy, regrettably bites the big one (and he is a big one) about ten minutes in. Aside from about 5-10 minutes at the end the rest is one big battle — in several waves, with several giant duels. With a lot of Moping and Brooding Thorin inserted for good measure.

The film looks utterly gorgeous. We expected that, but perhaps this one looks better than ever. It’s the only Peter Jackson Tolkien movie without a whole lot of travel. Basically, the sets focus on Laketown, The Lonely Mountain, Dale, and panning views all around the above.

The movie uses a WHOLE bunch of reoccurring Tolkien plot devices, including all of the following, but not in any way limited to: creepy cowardly advisors with bad teeth, kings under the sway of madness that delays the inevitable in the name of drama, Gandalf being rescued, greedy dwarves, wraiths, stuck up elves, inter-racial love, orcs, bigger orcs, tougher orcs, and the ever popular Eagle rescue.

There are too many Peter Jackson favorites to count as well, but leading offenders are: overhead shots, helicopter shots, the eye of Sauron, ugly orc leaders, amazing dwarf hairstyles, Legolas, and semi-comic orc death.

viciouswarram

Tell me this WOW mount from years ago didn’t inspire the hill climbing mounts in BOFA? And in WOW, they’re even a dwarf mount!

I loved the pig mount. The mountain goat mounts were also cool, and clearly seem an example of reverse artistic pollution as so many things in LOTR influenced the art (and sound) design of World of Warcraft, but the goat is surely borrowed right back. Touché!

The extended duels at the end were some of the best parts of the film. The complex Azog on Thorin and Legolas/Tauriel vs Barg? fights. But Thorin could have learned a lesson from Game of Thrones Season 4, never count out your hideous boss opponent until he’s really really dead. Or wear your mithril.

And Evangeline Lilly looks even better as an elf than as a human.

Some nitpicks. The Gandalf rescue was perhaps the scene that bothered me the most, partly because it just doesn’t fit with the mythology, and partly because it felt like an excuse to cameo Saruman, Elrond, and Galadriel. Really, if the group of them fought off the ghostly ring wraiths and banished Sauron why did Gandalf need to run around like crazy at the begging of Fellowship to figure out what was going on? And why was it so hard to convince them of the menace? It’s one thing to foreshadow in order to blend the franchises, another to make it inconsistent.

Also, what’s with amping up new orc techs that are then NOT used by Sauron with his even bigger army in the “future” (aka in ROTK)? Examples, the Dune style earth worms, the big guys with catapults on their backs, and the wall breaking headache loving troll. We know this was just Peter Jackson wanting to amp it up.

Yeah, same rams

Yeah, same rams

And why do Thorin and crew charge out to the battle WITHOUT their nifty dwarf armor? Or even a few sets of mithril shirts? Would have come in handy when Thorin AND Kili got STABBED to death!

Overall, not as good as Smaug, but still good fun.

Lastly some technical bits: Again I saw The Hobbit in HFR 3D (at the Arclight). Two years ago, I found this new flickerless tech fascinating, hyper realistic, and more than a little disquieting. This year, either I’ve gotten used to it (thanks to my 120hz TV) or Peter Jackson and crew really worked the solve the problems. I’m pretty sure it’s the later. Sure, the film was crystal clear, and sure, you could still count every pore on the actor’s faces, but it no longer looked as crazy fake. I suspect they added a lot of motion blur. I bet it cost a lot of money.

Read my review of 2012’s Unexpected Journey and 2013’s Desolation of Smaug.

For more Film reviews, click here.

ps. I guess that wolves on ice chasing the chariot from the trailer will have to wait for the extended cut.

Or discover my own fantasy novels.

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Related posts:

  1. Dragon in the Hole
  2. The Hobbit – An Expected Review
  3. The Hobbit Trailer
  4. A Second Trailer for The Hobbit
  5. Air Middle Earth
By: agavin
Comments (2)
Posted in: Movies
Tagged as: Bilbo Baggins, Lonely Mountain, Martin Freeman, Middle-earth, Peter Jackson, Smaug, The Battle of Five Armies, The Hobbit, The Hobbit: The Battle of Five Armies, Thorin Oakenshield

Dragon in the Hole

Dec16

MV5BMzU0NDY0NDEzNV5BMl5BanBnXkFtZTgwOTIxNDU1MDE@._V1_SX640_SY720_Title: The Hobbit: The Desolation of Smaug

Director/Stars: Martin Freeman (Actor), Peter Jackson (Director)

Genre: Fantasy

Watched: December 15, 2013

Summary: More is more!

_

First some technical bits: Again I saw The Hobbit in HFR 3D (at the Arclight). Last year, I found this new flickerless tech fascinating, hyper realistic, and more than a little disquieting. This year, either I’ve gotten used to it (thanks to my 120hz TV) or Peter Jackson and crew really worked the solve the problems. I’m pretty sure it’s the later. Sure, the film was crystal clear, and sure, you could still count every pore on the actor’s faces, but it no longer looked as crazy fake. I suspect they added a lot of motion blur. I bet it cost a lot of money.

I’ve also gotten used to the 3D, although there were some technical glitches with my Dolby glasses. They only work well in the center, and I had to keep my eyes in the middle of the large screen to keep the whole frame in 3D. Plus, every time I tilted my head slightly to the side it began to degrade. I found this considerably more distracting than the HFR. The 3D is still a bit dim. Popping them off (and the projection actually looked ok — however 2D — to the naked eye) and I could appreciate the brightness.

But how was the film? Again, it’s interesting to see how Peter Jackson (and his 3 other co-writers, including Del Toro) have taken a 275 page novel and expanded it into roughly 8 hours. Smaug is a long movie, 160 minutes, and it takes its time to luxuriate with the material. This is more than just the middle section of the fairly self contained novel, but has swelled to become part Hollywood blockbuster, part piece of the Tolkien Universe. This world is rich enough, so they drew on earlier (later?) films and copious extra Tolkien material to plump it up. Frankly, it works.

The film luxuriates in the bits and pieces of this world: Bilbo on top of the Mirkwood surrounded by butterflies, Warg riding orcs on top of mist covered peaks, the dark dank stone of the crypts of the nine, an elf king’s crown, a giant dragon curled beneath a sea of gold.

Straight from the cover of The Dungeon Master's Guide

Straight from the cover of The Dungeon Master’s Guide

For me this transcends the deviances from the book. Gandalf chanting in Dol Guldur belongs, and Lost‘s Kate is surprisingly good as an elf captain. If the tone has shifted, becoming more Peter Jackson and less Tolkien, well then at least it’s consistent with the other films. Smaug is considerably darker, faster paced, and overall better than the previous installment.

The pacing is pretty relentless, with just brief little spells of calm. It’s a quest story. The dwarves are chased, captured, chased, captured, chased, captured, and fight a dragon. The action sequences are breathless with that Jackson signature camp (shades of Dead Alive). Dwarves in barrels plummet down a river while elves dance on their heads shooting at orcs. In other hands, it might be cheese, but again, it works. Then Bilbo’s cat and mouse game with Smaug. Then dwarves fighting him with their furnaces. I’m just such a geek.

Love it.

Read my review of last year’s Unexpected Journey.

For more Film reviews, click here.

Or discover my own fantasy novels.

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Related posts:

  1. The Hobbit Trailer
  2. The Hobbit – An Expected Review
  3. The Girl with the Dragon Tattoo
  4. Catch the Dragon by the Trailer
  5. Food as Art: Pearl Dragon
By: agavin
Comments (2)
Posted in: Movies
Tagged as: Benedict Cumberbatch, Bilbo Baggins, Desolation of Smaug, Fantasy, HFR, Hobbit, Ian McKellen, Lord of the Rings, Martin Freeman, Movie Review, Peter Jackson, Smaug, The Hobbit

Catch the Dragon by the Trailer

Oct01

Sure it’s overdone and really should have been only two films, but I can’t help but get a little excited:

[youtube http://www.youtube.com/watch?v=mbOEknbi4gQ]
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Related posts:

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By: agavin
Comments (0)
Posted in: Movies
Tagged as: J. R. R. Tolkien, Movie Trailer, Peter Jackson, The Desolation of Smaug, The Hobbit, The Hobbit: The Desolation of Smaug

The Hobbit – An Expected Review

Dec16

The-Hobbit-Movie-PosterTitle: The Hobbit: An Unexpected Journey

Director/Stars: Ian McKellen (Actor), Peter Jackson (Director)

Genre: Fantasy

Watched: December 15, 2012

Summary: More is more!

_

On a technical note: I saw The Hobbit at one of LA’s leading theaters in a digital 3D projection (with active glasses) using the new High Frame Rate (HFR) 48 fps recording and with Dolby Atmos sound. This was all pretty damn impressive, and let’s take them apart. I didn’t see it in IMAX, but I find that projecting a normal 35mm image on the IMAX screen results in annoying distortion. I bought my reserved seats 6 weeks in advance and so we were perfectly positioned in the middle of the stadium theatre.

I’m not normally a huge fan of 3D, as it drops the brightness and clarity too much. Not so here. The projection was plenty bright and the image so sharp you could almost count the pores. So sharp that it approached a kind of hyper reality. There was more depth than usual to the 3D, and presumably it was all shot with 3D cameras. Basically it looked great.

The HFR gave everything a flicker-free quality like my 240hz HDTV. As with the TV, this takes some getting used to and initially, while it looks smoother, actually appears slightly fake or cheesy. I’ve been “training” with my TV for 6 months and I’m still only about 50% over a lifetime of conditioning.

According to the Dolby engineer who spoke in front of our performance, Dolby Atmos has 60 speakers! Not that I counted, but it sure sounded good. Even in a loud film like there wasn’t a problem understanding the dialogue and goblin hoots came from everywhich direction.

It was certainly the best looking and sounding film I’ve seen to date, even if the overall effect of the clarity, 3D, and HFR lended a hyperreal quality.

Now, how about the film!

The Hobbit is unusual in so many ways. It’s one of the grand classics of fantasy. Many of us read it at an early age as it’s more approachable than LOTR for elementary schoolers. It’s faster paced and more compact. Then we have this unprecedented production. Not only does Peter Jackson and team truly love the material, not only is no expense spared, but he was even allowed to convert a 95,000 word novel into three very long films, totaling 8-9 hours of screen time! This is totally unprecedented. I myself, in starting to adapt my 75k novel Untimed for the screen, have concluded that I’ll have to cut at least 40%.

Peter Jackson didn’t cut The Hobbit. He added to it.

Borrowing from LOTR, The Silmarillion, and who knows what else, the first third of The Hobbit pads out background on the dwarves, the arrival of Smaug at Lonely Mountain, the orc/dwarf wars, and the rising evil in Middle Earth. This defies every precept of modern screenplay construction.

And it works.

Current practice insists that everything not crucial to the central forward narrative be dropped or left off screen. Backstory, many argue, has no place in a film (or even, possibly, a novel). But so beloved is the world of Middle Earth that this sin of excess can be forgiven, even, perhaps, praised.

The Hobbit is a much smaller story than LOTR. Sure it crosses great distance and includes grand adventure, but the trilogy chronicles the near destruction of the world. But since Hollywood, and even Peter Jackson, like to top their previous works, there is considerable effort made to expand the scope and feel to fully epic scale. A new major villain, the white orc, is added and tied into Thorin’s history and used to drive things forward. The scope of encounters is also significantly beefed up from the source material. This mostly works, although it left me with a slight sense that they were trying too hard.

Like the novel, the story takes its time. We revel for a good half an hour in the destruction of Bilbo’s pantry by the dwarves. Still, this is actually pretty funny, and I spent the time oogling the crispness of the onscreen imagery (see technical notes above). The dwarves have an amusing look about them, with their crazy braided hair styles. This isn’t a Hollywood friendly cast of characters. We have 13 heavily bearded men. The production does its best to differentiate them with age, hair color, style, hats, and the like, but few in the audience will be able to connect names with faces. This contrasts with the varied composition and ease of identification of the LOTR fellowship.

It’s also worth noting the near total absence of women in the film. As far as I remember, Galadriel is the only female cast member to speak a word (it’s possible that a random hobbit villager might have). And even the elven sorceress is added material not found in the books. This is a story about a band of brothers. Emphasis on the brothers. Like much of Tolkien’s work, there is an influence from his service during WWI. War isn’t (or at least wasn’t) a women’s gig.

Considerable effort is made to integrate the story more with LOTR. Added scenes reference the building evil. Along with Galadriel, Elrond, Frodo, and Saruman make appearances. Christopher Lee is creepy as usual as the ancient wizard. I did observe (like in Hugo), that he doesn’t walk on screen. He is 90 years old after all!

But if the beginning takes its time, the second half of the film is pretty intense. The goblin sequence alone is worth the price of admission. Jackson brilliantly intercuts the dwarves’ grand escape and battle with Bilbo’s first encounter with Gollum. The battle itself is both comic and breathless. I particularly liked the Goblin King, played by drag queen Dame Edna (Barry Humphries)! The twisting chase sequence is stylistically related to my favorite sequence in LOTR, the part in Moria between the dropping of the armor in the well and the fall of Gandalf. It takes the visuals to a whole new level and even borrows heavily from Jackson’s knack for creative mayhem, first employed in Dead Alive. Bilbo with Gollum is great too. As usual, Andy Serkis steals the show with Gollum/Smeagol’s split personality.

The effects are seamless, and present in every frame. How much is model, how much costume, how much latex, how much CG? I have no idea. Somehow it feels a little less fully green screened than some recent films. Perhaps because New Zealand, with its vast and breathtaking landscapes also stars in the film.

Overall, The Hobbit isn’t flawless, but it is totally captivating and left me burning for more.

For more Film reviews, click here.

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Related posts:

  1. The Hobbit Trailer
  2. A Second Trailer for The Hobbit
  3. Air Middle Earth
  4. Book and Movie Review: Harry Potter and the Deathly Hallows
  5. Book Review: The Lightning Thief
By: agavin
Comments (25)
Posted in: Movies
Tagged as: Bilbo Baggins, Dolby, Dolby Atmos, High Frame Rate, Hobbit, Ian McKellen, IMAX, J. R. R. Tolkien, Peter Jackson, The Hobbit

A Second Trailer for The Hobbit

Sep20

Today brings us a new trailer for The Hobbit!

[youbtube http://www.youtube.com/watch?feature=player_embedded&v=e0com3eJDkE]

Related posts:

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By: agavin
Comments (0)
Posted in: Movies
Tagged as: Bilbo Baggins, Lord of the Rings, Movie Trailer, Peter Jackson, The Hobbit

The Hobbit Trailer

Dec21

Nerdgasm update. If you can’t wait for December 14, they’ve released a second Hobbit trailer:

I can see them trying to squeeze every last bit of “bigness” out of what’s in the book. The Hobbit — brilliant that it is — was written before everything had to be designed for the trailer!

And if you missed the first, more serious one:

The feeling of the prequel going second is interesting. It looks great, but it also feels slightly anticlimactic (for those of us who know the stories in detail) following on Return of the King. But still, it might actually be a more fun film(s) — the book is a little better paced than the masterpiece — which brilliant as it is, is a bit odd in the structural department. Don’t get me wrong though, I have read them half a dozen times. 🙂 Even the Silmarillion, which is actually one of my favorites. Although I can’t say I’ve read all of those extra lost tales whatever books Christopher Tolkien pushed on us (a few though).

Also check out this silly Hobbit themed Air New Zealand flight video.

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By: agavin
Comments (11)
Posted in: Movies
Tagged as: Bilbo Baggins, Hobbit, hobbit release date, J. R. R. Tolkien, Lord of the Rings, Peter Jackson, Silmarillion, The Hobbit
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