This is certainly not your everyday read, although it’s certainly a good one. Set in 1861, the protagonist is Sir Richard Francis Burton, the explorer, not the actor. But then enter, among other things, Spring-Heeled Jack, crazy time traveler, and a host of steampunk altered villains including a double-brain grafted Charles Darwin and an Iron Golemized Isambard Kingdom Brunel.
She reads minds. He controls minds. Together, they might get out alive.
This disturbing indie crime thriller is about no less a subject then a serial killer with a taste for little girls. Apparently it’s been a runaway best seller in the UK but you’d have to be a total whack-a-doodle like me to even pick up something like this.
Alex Kosmitoras may be blind, but he can still “see” things others can’t. When his unwanted visions of the future begin to suggest that the girl he likes could be in danger, he has no choice but to take on destiny and demand it reconsider.
Already dead is a contemporary New York take on the vampire myth, mated with, and steeped in the tradition of hardboiled crime fiction. Huston may be writing decades later but from the first few pages it’s obvious that he’s highly adept at the hardboiled voice.
This biography is primarily a character study. It seeks by detailing the man’s actions to try and quantify and qualify the traits that made him the iconoclast that he was. The hero of this book is not a particularly likable man or even that rational. He was a fierce demon of passionate opinion, amazing taste, and an extraordinary instance of talent at the intersection of technology and art.
The Gaia Wars: DEADLY SECRETS have been buried in the Cascade mountain wilderness for centuries. Hidden. Out of sight and out of mind. Until today…
The trailer actually looks pretty good. A hair cheesy, but not all Twilighted out or anything. For those of you who haven’t read it, the book (at least the first of the three) is pretty darn excellent. The second two devolve into pseudo-political nonsense reminiscent of the Zion scenes in the later Matrix movies. But the first is a fantastic and intense read.
The Inside Story deals with character and structure, and the relationship between these and theme. I’ve read a lot of books on writing in general and story structure in particular, and this is certainly the best on the subject of the transformational arc.
In my latest move to further build up my social online presence I’ve moved onto goodreads.com. You can find my new profile here. It’s also installed permanently on the righthand sidebar via the icon. Those of you who use goodreads, link to my profile…
Over the last two years, I’ve read lots of books on the publishing business, and this one has the largest volume of useful information. Sure it’s mixed with a lot of random other stuff and considerable repetition. But a must read and very cheap. Just skim the parts you don’t need.
So I’m about halfway through my last polish pass on my third major draft of Untimed. [Update 7:44pm, finished the polish] This is one of the umpteen revision passes. Only another day or two to go before I send it off…
I read this after two different friends recommended it in the same week. Wow! If you’re one of my (presumably) many readers who love video games. Go buy and read it. This is pretty much the ultimate classic video games novel!
This is one of the best and most unusual books I’ve read in a while, although it’s not for everyone. It’s set mostly in England during the Napoleonic Wars. It’s also written in a very clever approximation of early 19th century British prose. Think of it as Dickens or Vanity Fair with magic.
City of Bones is the first in a series of fairly typical urban paranormal. We have a girl who thinks she’s nothing special, but she discovers she’s part of this whole world of demon hunters, fairies, vampires, werewolves, etc. And right under our noses in New York City! But for the most part, it’s a pretty fun romp.
I’m always reading books on writing and storytelling. In fact, I read three this week. One of them was Save the Cat by the late Blake Snyder. This post isn’t a review per se of that book, but more some…
This novel has the amusing premise of taking the straight up traditional noir detective novel, like The Maltese Falcon or The Big Sleep, and giving it a modern paranormal spin.True to it’s noir roots, the book is pretty dark, with grisly murders and (off screen) sex. But by being supernatural, and more importantly campy, it looses that black edged moral ambiguity that the best classic noir had, making it just a fun read.
Martin’s books are among my all-time favorite novels. I enjoyed the book immensely, and eagerly await the the next volume (and I’m sure I’ll be waiting for a long time), but I can’t help but think it could have been SO much better if Martin had taken all the material in both Feast and Dragons and reedited them together into two chronological and slightly leaned down volumes.
This book itself as Fantasy, but it’s certainly not your typical one. Really it’s a sort of reinterpreted epic (and I mean long) historical romance — without much of the modern sense of romance (almost none). But it does have plenty of the traditional, more atmospheric form.
Marlowe’s compelling voice pulling you through at breakneck pace. But at the backbone for me was the sinister portrait of pre-war L.A. While visually tame by today’s jaded standards, this is a dark book, with realistic characters. The movie is forced by 40s standards to gloss or smooth over many of these darker elements, but the novel exposes them for what they are.