Title: Game of Thrones
Genre: Historical Fantasy
Watched: Episode 10 – July 1, 2011
Status: First Season now airing on HBO
Summary: Wrap up with a twist
Episode 10, “Fire and Blood” serves primarily as a transitional episode, moving the characters from our headless climax into position for season two. Still, it’s a great episode, doing a good job of managing our many story threads without seeming too rushed.
Arya is pulled out of her fathers execution and set on the way north with Yoren with a bunch of scumbags, Gendry, and some annoying boys. We could have gotten a better look at the men in the cage, but I guess we have episode 1 of season 2 for that.
In Winterfell, Bran has a good scene with Osha and Rickon in which the prophetic (or at least psychic) power of his dreams is hinted at nicely. We actually see Shaggydog too. I’m continuing to come around to Osha, but not sure about Rickon — not that he matters too much.
In King’s Landing we get two scenes showing the odious Joffrey at work. He’s amusing as always, but when he drags Sansa out to the battlements to see her father’s head we do get to see something impressive. Despite her being an annoying snit during most of the season, we can really feel for her predicament here, and the little seed of Stark strength that the situation is nurturing. A moment with the Hound hopefully foreshadows their peculiar relationship too.
Robb makes the transition from warleader to King, and they’ve done a pretty nice job with this. The moment of his proclamation was always one of my favorites, echoing the traditional elevation of sovereigns by the troops (Imperator Imperator!). It feels a tiny bit small, but good nonetheless. They should have picked him up on their shoulders or shields!
Catelyn has one final conversation with captive Jaime, which is as much to establish where we are leaving him at season’s end as anything. Still, this is a very nice scene, and Coster-Walkda continues to nail the character. His continued arrogance is pretty delectable, particularly “I’d hoped the fall might kill him” and the pause when she asks him WHY he pushed Bran out the window.
I suspect the Cersei sleeping with Lancel scene back in King’s Landing will come off as odd to new viewers (although it does satisfy the show’s never ending appetite for boy butt). But Tywin’s handing off of the job of Hand of the King to Tyrion is very well done. In the show it comes off more generous than in the book, less barbed. Sure it’s a reaction to Jaime’s capture, but it makes us think the bad man might actually care — just a little. Then we get just a touch more Shae.
At the wall, Jon is finally determined to run away and help his brother, but his new (black) brothers race after him and bind him metaphorically with a reiteration of their oath. This is surprisingly effective. Partly because of the strength of Sam’s performance, and partly because the oath itself almost brought a tear to my eye. He is then later pleasantly surprised when Morment knows, isn’t too pissed, and he learns they are about to march off north of the wall. And so we have him maneuvered into place with the northern offensive set to launch.
Then before we get to the real wrap up, we have a have a bizarre little bit with Maester Pycelle and Ros, the busiest whore in Westeros. In this we see the relativity of viewpoint as well as more of naked Ros. But what is most disturbing, and most amusing, is the moment at the end when a transparent top (only) wearing Pycelle does a little post sex octogenarian jig.
Now as to Dany, her final pivot of the season, and the culmination of her transformation from meek princess into Mother of Dragons. This is the seminal moment of the first season, the return of magic in Westeros. She smothers the lifeless Drogo, builds his funeral pyre, then loads the annoying Mirri Maz Duur on to burn (good riddance). Finally, walking in herself. But “no true dragon can be hurt by fire.” The acting was uniformly good — except for Duur — through both this scene and her morning awakening with the dragons, but I thought the pyre scene itself needed some more magical effect punch just like the tent scene did last episode. It seems weird and anti-climatic that Jorah and crew don’t notice anything weird and magical at the time, but come check the ashes out in the morning, only to find the hot, dirty, naked, bedraggoned Dany alive and well. This final scene, was however, very effective, despite the gratuitous use of a green dragon as a fig leaf! We just needed some more magic, and the time gap between the two actions possibly reduced. The dragons themselves looked good, although perhaps the camerawork could have been a little more dramatic.
Still it was a great end, and I weep with regard to waiting ten months for more.
As to my concluding thoughts on this very strong television adaption of a great book: Bang up job. I have only three real complaints — fairly mild considering — and all involve punching things up a little bit. 1) The score didn’t feel scored enough. A slightly more dramatic musical underscoring of events would have helped with the scale. 2) The supernatural needed better treatment. Not cheesy, but Lord of the Rings serves as an excellent model. 3) The large scale action and people scenes needed a bigger feeling of scope and more cinematic dynamism. The wide locations shots were great, but they needed this equivalent for crowds, and perhaps some more hectic and creative cutting (in occasional scenes) to imply larger action.
But they got so many things right. The writing, casting, and acting first and foremost. 90% of the roles were cast and performed to relative TV perfection. And given the time constraints of 10 episodes, they more or less wrote the heck out of it.
Bravo!
Or my review of A Dance With Dragons.
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    My novels: The Darkening Dream and Untimed or all my Game of Thrones posts or episode reviews: Season 1: [1, 2, 3, 4, 5, 6, 7, 8, 9, 10] Season 2: [11, 12, 13, 14, 15, 16, 17, 18, 19, 20] Season 3: [21, 22, 23, 24, 25, 26, 27, 28, 29, 30] Season 4: [31, 32, 33, 34, 35, 36, 37, 38, 39, 40] |
