Archive for Young-adult fiction

Beautiful Creatures

Nov06

Author: Kami Garcia & Margaret Stohl

Genre: YA supernatural

Length: 592 pages, 147,000 words

Read: Nov 6-20, 2011

Summary: Fun read

This is a pleasant YA supernatural romance. At a certain structural level it’s a blend of reverse Twilight (boy is normal, girl is supernatural), Carrie, and modern Southern Gothic. The opening third or so gets off to a strong start. The male first person past POV is engaging, and the character likable, although nicer and far less lusty than any sixteen year-old boy I remember (my own interior monologue was decidedly raunchy). The prose is workmanlike. It isn’t pretty, but it doesn’t get in your face. There’s a touch of overwriting, the occasional sentence that rephrases what the previous did. I never do that myself. I don’t. Nope. Positively not.

As the first act breaks into the second, the supernatural lore structure is revealed to us. There are a lot of name changes here which seems fresh but slightly forced. Wizards or witches are called “casters,” which shades of World of Warcraft, makes me wonder if they’re ranged dps or healers? Both actually. The different schools or talents of magic have names like thaumaturge which are probably novel to many younger readers. Me, having read 7,000 fantasy books, can’t help but think of Master of Five Magics, which is a great book, uses that word, and has no resemblance to Beautiful Creatures :-). In any case, the magical world building in Beautiful Creatures is about 3/5. There’s some interesting stuff going on, but the depth is only hinted at, and it is not heavily based on either some other existing fictional school of magic or traditional occult.

The book is quite long, particularly for a YA. How this got past the editorial zeal and lust for brevity of today’s publishing world is a slight mystery. And I don’t mean this as a bad thing. The trend toward cutting every unnecessary word, sentence, paragraph, and scene has made for a lot of choppy books. The space allows Beautiful Creatures to feel a little less rushed, and develop a bit of relationship and a broader cast of family members. The second act is certainly slower than the first and third, and there are scenes that could’ve been cut, but their presence does help bolster the authentic relationship between the two leads. It’s not a super deep relationship, but since when is teenage love the Mariana Trench? I definitely enjoyed the back and forth between Eathan and Lena. Less so with the high school social conflicts in the middle. There are perhaps a few too many elements mixed into the pot: The romance, the school drama, a best friend, family dynamics (for two families), the magic system, telepathy, preternatural dreams, and a vague Civil War ghost story. It’s this last that feels the least integrated as even by the end the parallelism isn’t made totally clear. I can certainly forgive this debut-author-style zeal. It’s just a desire to put in too much cool stuff. I did it myself in The Darkening Dream. Then my editor made me chop half of it out. There’s still at least as much as in this book.

The final quarter of Beautiful Creatures, which is basically one evening, races to a conclusion at breakneck pace. A midnight deadline adds a sense of urgency. The obligatory party scene had me cringing (although no more than the weekly Vampire Dairies party or Buffy‘s obligatory visit to the Bronze) but then we get on to the actual supernatural resolution. I had slightly mixed feelings , as some of the conversation with the older casters reminded me of Scooby Doo, but the action part was fine. The brief POV reversal though… hmmm. This, I think, was trying to get around the first person narrator limitation, but there might’ve been a more elegant solution. After 570 pages with “I” being Ethan I just couldn’t switch my brain over to Lena for 5-10 pages.

But all those nitpicks aside, I very much enjoyed the book, which is what matters. I suspect that mostly had to do with the the core romance (I would’ve enjoyed more R — or X) and the fairly novel mythos. There are worse foundations to build a book on.

For my full list of book reviews.

By: agavin
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Posted in: Books

Tagged as: American Civil War, Beautiful Creatures, Book Review, Carrie, Fiction, Kami Garcia, Margaret Stohl, Southern Gothic, Supernatural, Young-adult fiction

Ship Breaker – desk jockeys beware

Jul25

Title: Ship Breaker

Author: Paolo Baciqalupi

Genre: YA Sci-Fi

Read: July 9-11, 2012

Summary: Great voice, great characters, great world

Hugo and Nebula wining author of the Sci-Fi novel, The Windup Girl, brings his unique vision of the future to YA. The conventions of this younger demographic solves my biggest problem with Windup, which featured way too many characters and way too byzantine a plot. Ship Breaker has a single narrator and a straightforward enough story. The setting is the American Gulf coast some hundred years in the future after the collapse of our oil dependent technology. This could be the same world as Windup, or is perhaps merely similar. It doesn’t matter, it’s fascinating.

The first 50-60% of the book is absolutely first rate, fantastic. Baciqalupi has a great voice: third person, yet personal, detailed, yet fast paced. I loved the introduction to the world of the ship-breaking yards (see below for more on their real-life inspiration). The protagonist is very likable and the secondary characters mostly well developed. I loved the introduction of “Lucky Girl” (his love interest) and their time together (approximately 30% – 60%, the second act).

However, the third act involves her near complete disappearance from the book. Nailer, our protag, goes after her, but this section felt weaker and more disconnected. Even at the end, she’s only around for about two lines of dialogue. Additionally, this part of the book features more traditional “big action” and this doesn’t seem to be Baciqalupi’s strong point. The early parts of the novel contained a great deal of physical tension and that was handled flawlessly, but I didn’t totally buy some of the final scenes. And the resolution with the primary villain felt slightly off.

I’ll have to go with perhaps 8 out of 10 on this book. Very very good, with a lot going for it, but not a total stunner. Still,absolutely worth reading.

It’s worth a moment’s discussion on real Ship Breaking, a strange and dangerous global market niche which is almost entirely done in Bangladesh, at the famous ship-breaking yards. In these real life places, old tankers and the like are driven aground on the beach and then swarms of Bangladeshi workers tear them apart for raw materials. Many are children and working conditions make 19th Century Cotton Mills look pleasant. Check out these amazing photos here. Old ships contain a wealth of valuable materials, but there is no environmentally sound or automated way to scrap them. The current practice takes advantage of the extremely poor to do it “cheaply.” The cost, of course, is more human.

For more book reviews, click here.

Child labor, still alive and kicking at the ship-breaking yards of Chittagong

By: agavin
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Tagged as: Arts, Bangladesh, Chittagong, Fiction, Paolo Bacigalupi, Science Fiction, Ship Breaker, Ship breaking, The Windup Girl, Windup Girl, Young-adult fiction

Great Free Fiction

Feb08

Who doesn’t love FREE books? My novel The Darkening Dream is still free on Kindle until midnight. So if you missed it, grab it now! Yesterday it enjoyed massive success reaching rates of over 20 copies downloaded per minute and hitting #4 in all Kindle sales, #2 in Fiction, and #1 in Fantasy!

Then flipping the tables around after so many helped me with the promotion of my own novel here are some other recommended free novels from “friends of the family” (my online family).

TWO DAYS ONLY: Wednesday, February 8th and Thursday, February 9th! Come and get ‘em!

For those with a love of YA paranormal: Family Magic (The Hayle Coven novels, #1) Sixteen year old Sydlynn Hayle is the daughter of a powerful witch and a demon lord but she just wants to be ordinary. Find it HERE.

And for those who like a thrill in their YA fiction: Run (The Hunted, #1) Reid thinks life has gone back to normal when his sister rescues him from the foster system. All that changes when he is kidnapped and dumped in the wilderness, forced to run from those who want to kill him. Find it HERE.

Don’t have a Kindle? No problem! Download a FREE app for your computer, iPad, smartphone and more!

Family Magic

Raising the Demon

“Haralthazar,” my mother glided closer to the statue, “we summon you this third night of Power, nine days and nine nights from Samhain Eve, to tighten our bond with you and your realm.” She knelt at the foot of the altar, the picture of the submissive handmaiden. Could she be any more ridiculous? Seriously. “My love, come and be welcome.”

The blinding flash that leapt from her to the statue continued to pour out of her in a deep blue rush of light. I turned my head slightly to the side, squinting in the glare, grateful for the edge of the cowl and the shadow it made. The whole room started to thrum, the floor vibrating with condensed magic as Mom used the energy we had given her to make the doorway that would let my father through.

Sixteen-year-old Sydlynn Hayle is the daughter of a powerful witch and a demon lord of the seventh plane. The trouble is, she just wants to be ordinary. Syd struggles to survive the minefield of her new high school while being torn between her attraction to football hero Brad Peters and the darkly mysterious Quaid Moromond. When her coven comes under attack, Syd is forced to face the fact only her power can save her family’s magic.

What readers are saying about Family Magic:

“This book has everything. Great family drama, hot boys, magic, witches, demons and difficult choices. This is one of my new favorite books of 2011 and I CANNOT WAIT to read the rest of the series.”

“With a fantastic, empathetic heroine, plenty of magic, an intriguing mystery and incorporating themes involving the search of self, familial relationships, duty and free will, Family Magic is an enchanting and enjoyable read.”

“I think Syd is one of my all-time favorite characters. She is funny and snarky but has a fierce love for her family. I am ready to follow Syd’s journey through this series. I was hooked from the first paragraph. I thoroughly enjoyed Family Magic, and I would recommend this to anyone who enjoys paranormal novels.”

(You can read the full reviews on Amazon.com)

Run

Kidnapped

Alone, Reid gasps in one deep breath, another. It hurts his ribs, his lungs. He manages to roll over on his right side and regrets it. His shoulder screams in protest. Still, he is finally able to wriggle his numb hands loose from what holds him and claws at the cloth around his eyes.

Darkness. But not complete. The moon is up. Trees loom over him, the smell of spruce and fresh air so sharp it almost hurts. He jerks at the plastic ties around his ankles while. his vision swims through a veil of pain-laden tears. He manages somehow to force his screaming hands to work the ties loose and he is free.

Sixteen-year-old Reid thinks life is back to normal. His sister Lucy pulls herself together and cuts him free from a year of foster care. She promises to take care of him, that her new boss and her new life are what they both needed to start again. Until Reid is taken in the middle of the night, dumped in a wild stretch of forest far from home with no idea why he is there. Lost and afraid, he learns to run from the hunters who prowl the darkness, their only pleasure chasing down kids like him. And killing them.

What readers are saying about Run:

“The fear, the thrill, the emotion that comes through in the writing is amazing. There is never a dull moment in this story of survival.”

“If you’re a fan of YA books that make your heart pound with the unknown and leave you cringing at places (but in a totally cool kinda way) then Run’s the book for you.”

“Reid is such a great strong character and when the story ends, we are left begging for what is to come in the next of the series. This story was unique and SUPER fast-paced! It was a great festival of suspense.”

(You can read the full reviews on Amazon.com)

Thank you for taking the time to check them out!
Happy reading!

About the Author: Patti Larsen is a middle grade, young adult and adult author with a passion for the paranormal. Her YA thriller series, The Hunted, is available now. The first four books of The Hayle Coven series, Family Magic, Witch Hunt, Demon Child and The Wild are also out now. Her YA paranormal novel, Best Friends Forever, and steampunk series, Blood and Gold, are due early in 2012. She is a full time writer and a part time teacher of her Get Your Book Done program. Patti lives on the East Coast of Canada with her very patient husband and four massive cats.

You can find her:

On her website

On Facebook

Her writing blog

On Twitter

On Amazon.com

On Goodreads

By: agavin
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Posted in: Books

Tagged as: Amazon.com, Best Friends Forever, Family Magic, Free Books, Hayle, Hunted, IPad, Kindle, Patti Larsen, Run, Syd, Sydlynn Hayle, Young-adult fiction

Sophomore Slump – Delirium

May28

Title: Delirium

Author: Lauren Oliver

Genre: Dystopian YA

Length: 114,500 words, 441 pages

Read: May 17-21, 2011

Summary: Big disappointment.

ANY CHARACTER HERE

Earlier in the week I read Lauren Oliver’s debut novel Before I Fall and loved it. So I eagerly downloaded her second book, Delirium, on my Kindle/iPad and set to reading. Ick.

She’s a very good writer, and the prose style is nearly identical, being first person present from the POV of a 17 year-old girl. For all it’s flaws (I’ll get to those), the voice is still very good, and makes for compelling reading at first. Oliver’s still great at inner monologue.

But everything else falls pretty flat.

Let’s begin with the premise. First of all, it feels like someone told Oliver that “dystopian is hot” and she jumped on the bandwagon. As far as I can tell, she shows no knack for it whatsoever. And worse, she pushes in this direction at the expense of her considerable talents elsewhere. This version of America exists an ill-defined period in the future, probably around 2050-2075. The central premise of the society is that LOVE has been diagnosed as a disease and the source of all societal ills. But fear not, a cure exists, some kind of magic brain surgery that gets rid of most feeling and desire. Everyone gets this at 18, because conveniently, that’s the age “the cure” works at.

Now besides this ludicrous premise, which involves a drastic about face of human tenants consistant since the dawn of time, we have to accept that in 50 years almost no technology has changed. Sure there are a few nasty totalitarian rules and such, but they still use cell phones, they still text. The book has absolutely NO description of anything different other than attitudes. Hell, there was probably more innovation between 1300 and 1350 than shown here! I just completely didn’t buy the world. Not one bit. There’s no way we could get from here to there. And it’s been done to death before. Better. Delirium is like a lame The White Mountains crossed with Uglies. Both books are far better (particularly the first). The whole thing felt entirely forced, like it was all derived from the high concept premise without any other consideration.

In Before I Fall, Oliver showed herself adept at painting peer groups. This is hard stuff, and fascinating when done well. But we don’t have it here. We have a protagonist, who isn’t bad, albiet a little generic, but then we don’t have too much else. Next up we have the romantic interest and best friend — both okay also. But that’s it. The other characters are like cardboard cutouts. I find this hard to jive with her first book where even the minor characters are deftly drawn.

Also in her first book was an intricate and cleverly woven progression of plot and character, while not perfect, it formed a lovely little puzzle unfolding across the length of the novel. And most importantly, giving a sense of emotional depth.

So what happened? I’m forced to conclude that either: 1) she spent much much longer writing her first book and really polished the hell out of it (nothing wrong with that) or 2) that she should have stayed more firmly rooted in the familiar early 21st century as the complexities of world building (even this minimally) sucked her focus.

Or both.

Still, I do have to give her credit for prose skills. They pulled me enthusiastically through the first third, then groaning and moaning through the rest. If it hadn’t been for this I would have chucked it in the middle and you wouldn’t have seen the review (I rarely review the many books I give up on — doesn’t seem fair).

I’m sad. It could have been so much better. I have nothing against dystopian — I am after all a hard core sci-fi reader — I’d have read nearly anything she gave me and enjoyed it if she just provided some reason to care.

For a review of Before I Fall, click here.

By: agavin
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Posted in: Books

Tagged as: Arts, Before I Fall, Book, Book Review, Book Reviews, Dystopia, Fiction, Literature, romance, Science Fiction, uglies, White Mountains, Young-adult fiction

Before I Fall

May21

Title: Before I Fall

Author: Lauren Oliver

Genre: Magical Realism YA

Length: 117,000 words, 470 pages

Read: May 16-17, 2011

Summary: Very very good.

ANY CHARACTER HERE

This is one of the best YA books I’ve read in a long while. Part Groundhog Day, part The Source Code, part Judy Blume, part The Lovely Bones — all itself.

We start with a high school girl, Sam, who dies in a car accident, and is doomed(?) to repeat the last day of her life again and again. Seven times to be exact. Sound like a recipe for repetition? It’s not.

First of all the writing is lovely. Really lovely. I’ve read perhaps 50+ first person girl narratives in the last year alone and this one had the best voice. It’s fairly well tied with Mary E. Pearson in that regard for recent entries (Judy Blume still wins for lifetime achievement). It’s funny clever without the annoying Snark. The voice is so good that it just drags you through the entire book, and it’s a pretty long book for YA. Lauren Oliver really is a lovely writer. The dialogue is good, the narrative description and interior monologue are amazing, and even the flowery interstitial description that glues together connected days is short but evocative. The Lovely Bones also had great voice, and a tremendous first half, before it fell apart into an abysmal mess of moral apathy. Before I fall is better.

There are some things worth noting. The characterization and the high school realism is top notch. I was reminded a bit of a modern Freaks and Geeks in that there was that kind of insightful tragio-comic realism. These girls felt pretty darn real. Even the minor characters had some depth. It’s this more than anything else that echoed the master of all YA: Judy Blume. Blume uses dialogue more liberally, as it’s her main method of characterization. Oliver prefers interior monologue and narrative description. The net result is similar. There’s a lot of detail here too, but the voice manages to make it interesting. Sam and her friends are popular girls, and more than a little bitchy, but they don’t extend into characterture. They are a little bad, but not too bad — realistically so. This is no melodramatic Gossip Girl. There is plenty of drinking, rudeness, etc. The sexuality is muted. Handled well enough, but perhaps a bit tamer than it could have been.

Now as to structure. Oliver does a really first notch job repeating the same day seven times without ever being dull. Sam makes different choices, and on some days this plays out very differently. One time she doesn’t even go to school. Still, even when the same scenes are repeated, and they are, different angles are shown, revealing and painting from different directions. This is hard to do, and must have taken considerable planning and rewriting. I’m actually facing a bit of this myself in my second novel, which is a time travel book and involves overlap and revisiting.

I’m going to stop for a second to pontificate on writing this kind of fiction. One of the things that makes this work in Before I Fall is the loose structure of the high school day. Sam’s day includes: getting up, driving with her friends to school, various classes, lunch, ditching, hanging out after school, and the party. These events flow from one to the next because of the inherent structure. If she skips lunch, or English class, she can pick back up on the schedule, because it’s immutable and set at a level greater than herself. This it has in common with Back to the Future I and II. There the structure of the dance forms a background on which Marty can play. In my own story, I have been trying to revisit a complex action scene multiple times. The whole scene — even the first time — folds out from the actions of the protagonist without any background structure, which makes altering that flow… complex.

In any case, in Before I Fall there is a also a very strongly structured arc, like, Groundhog Day, the protagonist has to learn a series of lessons from the failures of the first and subsequent trials. Much like a video game level, she gets to play it over and over again until she gets it right. This is very satisfying to read. Too bad real life doesn’t work like that.

The seven day structure also helps avoid the dreaded “reveal” problem. There is no giant structural reveal, the premise is setup in the first couple pages, and so the book does not suffer from the first half being better than the second. It races right on to the end. But there is an end, and I’m not entirely sure how I feel about it. Given the options, Oliver chose a pretty good one, and it does leave one with a deep sense of catharsis. So it was probably the right choice. Still the looming shadow over the entire affair left me with a deep sense of sadness not unlike that caused by reading The Time Traveler’s Wife (the excellent book, not the mediocre film).

For a review of Oliver’s second novel, Delirium, click here.

By: agavin
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Posted in: Books

Tagged as: Are You There God? It's Me Margaret, Arts, Before I Fall, Book Review, Book Reviews, Fiction, Gossip Girl, Groundhog Day, Holidays, Judy Blume, Lauren Oliver, Novel, Young-adult fiction

Bleeding Violet

Mar24

Title: Bleeding Violet

Author: Dia Reeves

Genre: Paranormal YA

Length: 84,000 words, 454 pages

Read: March 14-20, 2011

Summary: Unique, good, and very different.

This is a weird weird book, and I mean that in a good way. Nominally, it’s about a schizophrenic girl, Hanna, who’s dad has died and who decides to move in unannounced with her mom she’s never met. But her mom doesn’t live in a normal town. She lives in some kind of weird place in Texas where gates between universes have let all sorts of strange monsters and realities in. A town with its own supernatural police.

The voice here is really fun. It’s first person past, but with a sort of cavalier devil-take-care crazy-girl style. I liked it. Some sentences were fantastic (both literally and figuratively). Not exactly in the lyrical kind of way that you might expect, but because of their deft wit, and quick and creative way of describing utterly fantastic goings on.

Because this book is FILLED, PACKED, STUFFED, with weird monsters and magic. Reeves uses the protagonist and POV character very deftly to explain it, or mostly just show what happens. She doesn’t feel the need to combine herself to easy concepts either. For example, sound sucking, student grabbing, invisible squids live inside the high school windows and one of the characters defeats them with a deck of playing cards! It’s a tribute to her skill that I could follow nearly all of this stuff. And it’s compact too, not being a very long book and containing dozens of strange encounters. The descriptions are lean but vivid. Occasionally she violates POV slightly on the side of clarity because the protagonist is new to this stuff and she explains it with a bit more understanding than she might be expected to have. But this isn’t very noticeable. Now I do wonder if someone with less experience reading speculative fiction in all its forms might have trouble with this novel. I mean, I’ve read A LOT (5000+ speculative novels), and played hundreds if not thousands of video games with magical systems etc. We won’t even count the movies and TV shows. Certainly someone who likes their reality… well… real, would be put off by the book. I wasn’t. The supernatural flavor was really interesting and unique, reminding me ever so slightly of something like the eerie Lost Room, or the wonderful but very out of print Marianne series by Sherri S Tepper.

The choice of using such a fractured POV character was interesting. There could be an argument that the entire book was some sort of delusion. I myself just treated Hanna’s view point as literal, and everything she saw as factual. The protagonist, and some of the other characters for that matter, don’t feel entirely real. They aren’t cardboard per se, as they feel well rounded, they just have a bit of surreal style to them that comes from their rather depressed moral compass. There’s a lot of killing and murder in this book, often horrifically grisly in fact, and no one seems to care too much. One of your best friends has been impregnated by evil demon spawn who are eating her from the inside out, well, just cut them out and leave her bleeding to die. That sort of thing. It works in the story, but if you stop and thing about the reactions any non psychopathic person might have… These characters just move on. It didn’t really bother me in the context of this story as the narrator’s view point tends to whitewash away the consequences.

There’s also a good bit of cavalier sexuality — a welcome break from the self censorship that seems to be the norm since the 90s. Hanna is certainly open minded in that regard, and likes to take off her clothes. Unfortunately 🙂 there isn’t a lot of detail, like most everything else in the book a lot is left to the imagination. This is also part of the trend. To tell the truth Judy Blume’s Forever (1975) is still the most explicit teen book I can remember.

Overall, this is a great book, but it’s much more FANTASTIC than your typical paranormal. Being a fantasist, that was more than fine with me.

By: agavin
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Tagged as: Bleeding Violet, Book, Book Review, Book Reviews, Dia Reeves, Fiction, Forever, Judy Blume, Lost Room, Marianne, Narrative mode, Paranormal, Paranormal romance, Playing card, Protagonist, Texas, YA, Young-adult fiction

Book Review: White Cat

Mar17

Title: White Cat

Author: Holly Black

Genre: Paranormal YA

Length: 76,000 words, 310 pages

Read: March 12, 2011

Summary: Well written, fun, but a little contrived.

This is yet another foray into the world of paranormal YA (I am, after all, doing research for my own writing). Holly Black is a but best selling YA and MG author. This book, unusually, has a male protagonist, and he’s part of a family of “curse workers,” although he himself doesn’t do any magic. He lives in an alternative reality where a small minority of people are able to “lay on hands” in a bad way and curse people. They are known to society, it’s even illegal, and formed into criminal gangs in the 1930s just like the Mafia.

The premise is decent, although I’m not a fan versions of our reality with outed paranormal groups. I didn’t really buy the changes at a social level. The whole existance of this kind of power in volume would throw everything off, and here the only real social change is that everyone wears gloves (because it’s through bare skin that the magic works). We are reminded often of the glove factor.

The writing is very solid and straightforward, in first person present. So straightforward it took me awhile to even notice the tense. Or maybe writing it myself is acclimating me to it. The protagonist is likable and felt fairly real, although maybe not all of his decisions did. And I didn’t really feel the proper weight of his emotions. Big things happen, but without big feelings. By page three or thereabouts we discover he murdered his girlfriend. We’re supposed to still like him. And we do, but mostly because it’s totally obvious that he didn’t REALLY murder her, he only thinks he did. Oh and we quickly hear about the one flavor of curse worker that’s REALLY rare. And guess who’s from a magical family and doesn’t have any power…

But I enjoyed the book — quite a bit — I read it in half a day after all. Another book I attempted to read that same morning was so execrable that I only made it to fifty pages, so this was a vast improvement.

A couple other beefs. At times the writing was so lean that I felt like I missed something in the action and had to page back to find it — but it wasn’t even there. Now, it was then obvious moving forward what had happened, it just seemed that the attempt at leanness and/or agressive editing had taken the edge off the clarity. Then as we moved into the second half we hit the “after the big reveal” syndrome which many books with reveals often suffer from. I’ve mentioned this before (like HERE or HERE), but basically this is where after the big shocker no one really seems to act with appropriate emotional gravitas. I’m used to it, and it’s a tough problem to solve, so I moved on to the ending.

Which was the weakest part. Everything juggled into place such that the people were served the plot rather than their character. The plot wasn’t bad, it’s just that I didn’t really see some of the characters acting like they did.

Overall, the story was fast and fun. As I said Ms Black is a skilled writer, and the prose zipped along, with nice quick descriptions, and she isn’t afraid to be a bit dark or sexy (considering it’s YA). The gratuitous twist on the last two pages bugged me, but I ordered the sequel (which the Twitter/FB buzz says is very good) and another of the author’s books.

How different these neat little package YA books are from a meaty tome like The Wise Man’s Fear (which I finished the same day). There are subplots in that book about the size of this entire story.

For a review of Holly Black’s first novel, Tithe: A Modern Faerie Tale, click here.

By: agavin
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Posted in: Books

Tagged as: Book, Book Review, Fiction, Holly Black, Paranormal, Paranormalcy, Protagonist, The Curse Workers, United States, White Cat, Writing, Young-adult fiction

Book Review: Uglies

Dec08

Title: Uglies

Author: Scott Westerfeld

Genre: YA Science Fiction

Read: Nov 19-21, 2010

Summary: Great Read.

The Science Fiction in this book is a little hokey, but it’s still a extremely compelling read. There is a bit of a silly high concept in this dystopian future, where at 16 teenagers get an operation that promotes them from “uglies” (normal people) to super improved “pretties.” I didn’t really buy the idea of this particular and odd society, but I just suspended my disbelief and enjoyed the ride.

The voice is solid and captivating. It’s a good story, and the world has a really nice feel. The characters are pretty well painted too. I pounded though the book and ordered the sequel. I have some little beefs with the logic of the plot, and a bigger one with a motivation of the protagonist, and the ending. However, when I enjoy a story and care about the characters, a little ignoring is worth it.

There are also some cool gadgets. The tech feels a little uneven — I usually find that the case, where the level of technology changes aren’t consistant across the board. But a good read is a good read.

By: agavin
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Posted in: Books

Tagged as: Arts, books, Fiction, Pretties, reviews, Science Fiction, Scott Westerfeld, uglies, YA, Young-adult fiction

Book Review: The Adoration of Jenna Fox

Oct26

Title: The Adoration of Jenna Fox

Author: Mary E. Pearson

Genre: YA light sci-fi

Read: Mid Oct 2010

Summary: Liked it a lot.

I’ve been disappointed by a lot of the contemporary Young Adult novels I’ve been reading and this was a pleasant surprise. Told in first person present tense this is the story of a girl who awakes from a mysterious accident with almost no memory. She doesn’t know what to make of what her “parents” tell her and the videos and images of a life she doesn’t remember. It’s very light Science Fiction, set in a near future with very little prose-time spent on explanation of tech stuff — which is fine. It’s just very well written and the point of view engaging. The characters feel real, and you invest some emotion in them. At a certain core level this is all it takes. For many young readers the concepts of deconstructed identity might be novel — for me as a sci-fi reader who likes that theme this book wasn’t really about the plot. But there’s nothing wrong with it. It’s just a good book and an easy read. I liked the voice and found it pleasantly free of forced attitude.